#LetTheMusicMove: Groups oppose US visa changes
The Music Managers Forum (MMF) and Featured Artists Coalition (FAC) have stepped up their #LetTheMusicMove campaign in order to oppose changes to US visa applications.
The UK groups say the newly-proposed increases to filing fees attached to specific visa applications – including O and P artists visas – would result in potentially crippling costs for UK artists looking to tour North America.
#LetTheMusicMove was originally established in June 2021 to campaign for reductions in post-Brexit costs and red tape for UK artists and musicians when touring in Europe, but has extended its focus following the recent announcement by the US Department of Homeland Security (DHS).
Under the proposals, the cost of artists visas increase by more than 250%, which would make performing in the US unaffordable for many emerging and mid-level artists.
“These proposed increases to visa costs would be catastrophic for British artists, and make it unaffordable for many to tour the US,” says MMF chief Annabella Coldrick. “By reactivating and expanding our #LetTheMusicMove campaign we hope to convince the Department of Homeland Security to rethink their culturally destructive proposals.”
“By working strategically, there is still a chance of stopping these damaging changes”
The DHS and the US Citizenship and Immigration Services have opened a comment period until 6 March, allowing US citizens to send public feedback which will then be reviewed and further adjustments considered.
“#LetTheMusicMove provided artists with a unified campaign in which they could voice their concerns about the challenges of touring after Brexit,” says FAC CEO David Martin. “However, these new proposals around US touring visas are equally concerning and, should they be agreed, will only exacerbate the seismic challenges facing the UK’s artists today.
“For that reason, we are asking British artists to commit to three simple actions: to sign up to the campaign, to send us their views, and to submit feedback to the official consultation process. By working strategically, there is still a chance of stopping these damaging changes.”
More than 1,000 artists originally backed the #LetTheMusicMove campaign, including Little Mix, Orbital, Olly Murs, Sampha, Sleaford Mods, Alison Moyet, Nubian Twist, Bicep, AlunaGeorge, Niall Horan, Wolf Alice, Annie Lennox, Biffy Clyro, Idles, Poppy Ajudha, Radiohead, Anna Calvi, Skunk Anansie and Laura Marling.
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Visa-free touring in Greece secured for UK artists
UK artists and their crews will no longer need visas to tour in Greece, it has been confirmed.
The announcement, which comes into effect on Monday (13 June), was made yesterday by the Greek deputy minister of foreign affairs Miltiadis Varvitsiotis.
It follows extensive efforts from the Greek government and figures from across the UK and Greek music industry, including LIVE members James Wright of UTA, Craig Stanley of Marshall Arts and Paul Fenn of The Entertainment Agents’ Association.
With artists travelling to Greece previously having to apply for and receive a Schengen visa, the move represents a considerable boost for the UK’s live music sector post-Brexit.
“This is a huge victory for both artists and fans”
“This is a huge victory for both artists and fans, representing a further step towards the frictionless touring ecosystem needed by the live music sector,” says LIVE CEO Jon Collins. “The prohibitive costs and bureaucracy posed by visa regimes threaten the export and growth of budding talent from across the UK, and while issues such as cabotage and carnets remain, we will continue to work on behalf of the sector to resolve these alongside our international counterparts.”
Fenn adds: “We’re pleased to see that the diligent work of the LIVE Touring Group team coupled with the promoters in Greece quickly identified the problem that arose and managed to effectively target the lobbying in Athens to achieve a quick resolution.”
LIVE warns that despite the welcome move, which is subject to review at the end of the year, touring artists still face restrictions on touring: a three-stop limit to UK touring vehicles before they have to return to home, and an expensive goods passport (a “carnet”), including a bond for instruments and equipment.
Last year, LIVE and the Association for British Orchestras (ABO), alongside their Spanish counterparts Asociación Promotores Musicales and key industry players such as Live Nation Spain, also successfully worked to waive visas for UK artists touring in Spain.
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UK bands get “reality check” on Brexit legislation
With the restart of international touring, UK bands say they are getting a “reality check” on the challenges presented by the post-Brexit trade deal.
A year on from the deal and the live music industry is still battling to resolve issues around immigration, social security, carnets, cabotage and VAT.
London-hailing band White Lies yesterday (7 April) cancelled a show in Paris after their equipment was detained by Brexit legislation.
Tonight’s show can’t go ahead, even though we are in Paris. We are so gutted to announce this. News on rescheduling ASAP. Details below. pic.twitter.com/YDqJKjeJCJ
— White Lies (@whiteliesmusic) April 7, 2022
In a statement titled “Sad News” the band wrote: “To our dear fans here in Paris, We and our crew have arrived safely this morning to start our European tour. But our equipment has been detained by Brexit legislation leaving England, along with countless other trucks.
“We are aware this happened to [another] British band last week. We’re devastated to say that without our equipment we do not have a show, and tonight’s has to be cancelled and rescheduled. It’s heartbreaking to be here in this wonderful city, and unable to perform due to such a trivial issue.”
Elsewhere, Belfast-based band New Pagans, who have returned home from a European tour with Skunk Anansie, says: “Brexit and Covid have truly done a number on small bands.”
A few post tour thoughts 🖤 pic.twitter.com/KKxEVzUutS
— NEW PAGANS (@NewPagansBand) April 6, 2022
“To break even on a tour, or even come home with a little profit was always the goal… to come home from a tour having accumulated massive debt is now the reality for many small and independent bands in 2022,” reads a tweet from the band.
“Fuel costs, tolls, venues taking 25% of merch, buying a carnet to get through customs: just a few things conspiring against you.”
Featured Artists Coalition (FAC) CEO David Martin recently told IQ that “for smaller artists, the cost of the carnet and the bond are prohibitive when it comes to touring”.
While Craig Stanley, tour producer for Marshall Arts and chair of the LIVE touring group, called the carnet process a “bureaucratic nightmare for smaller artists”.
Read more about the issues around immigration, social security, carnets, cabotage and VAT for UK touring musicians here.
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