New lockdown forces early Unity Arena closure
The final shows at the UK’s socially distanced Unity Arena will no longer be able ahead after the government announced new lockdown restrictions in north-east England.
Promoter SSD Concerts confirmed today (17 September) that shows by Jack Savoretti (Friday 18 September), Kaiser Chiefs (Saturday 19 September) and Declan McKenna (Sunday 20 September), as well as 19 September’s Bongo’s Bingo event, have been called off. Tonight’s Chase & Status show will go ahead as planned.
Since opening its doors in August, Unity Arena has hosted the UK’s only major live shows since March, welcoming more than 50,000 fans in total and employing over 200 staff and crew.
Jim McGee of Engine No.4, the production company behind the venue, told IQ last month that he’s proud to have been involved in its creation, noting that the open-air venue – which separates fans with a 2m gap between viewing areas – could be used as a model while social distancing is necessary. “A lot of hoops have had to be jumped through to make this work, and it isn’t particularly economically sustainable, but what we’ve managed to create could be used as a model going forwards,” he explained.
Since launching, Unity Arena has welcomed performers including Van Morrison, Sam Fender, the Libertines, Supergrass, Ronan Keating and comedian Jimmy Carr.
Commenting on the early closure of the venue, SSD’s Steve Davis says: “It is extremely disappointing to have to cancel these final shows at the end of what has been an incredible six week run of successfully socially distanced concerts. We’re honoured to have been able to provide a little happiness and joy to thousands of music and comedy fans throughout the region and the UK, in what has been such a tough 2020 for everyone.
“We have complied with all government guidance to ensure the safety and enjoyment of our audience, artists and crew throughout. We’d like to thank all who attended these genuinely heartwarming and uplifting events. For the last six weeks, Newcastle has been the leading light for the live music industry and for that, we should all be very proud.
We’d like to thank all who attended these genuinely heartwarming and uplifting events
“Unfortunately, due to the rise in infections in the north east, we must comply with the council’s and the government’s latest advice. This should not take away from the fact that the people of the north east and from all over the world have embraced this pioneering run of shows.
“On behalf of everyone involved – our sponsor, Virgin Money; Newcastle City Council; the dedicated crew and staff who have worked so hard to make this a success – again I thank you so much. Sadly, the new lockdown measures will bring an end to our run, but the safety and the wellbeing of the people of the north east is our prime and utmost concern.”
As of this evening, the north-east of England – Newcastle upon Tyne, Sunderland, Gateshead, Northumberland, South Tyneside and County Durham – is subject to new restrictions, including a 10pm curfew, to combat the spread of the coronavirus.
The perfect storm: Inside the UK’s only live shows
Selling over 72,000 tickets for a concert series that began when live shows in the UK were – strictly speaking – not allowed, is no small undertaking. But then neither is building a new outdoor arena for shows at a time when strict social distancing rules are in place.
“All the things that could have gone wrong would’ve gone wrong on the opening weekend but they didn’t,” says Jim Gee, a director at Manchester-based production company, Engine No.4.
Gee and his team have spent the last few months working tirelessly on the launch of the UK’s only major summer concert series of 2020 at the country’s first socially distanced arena in Newcastle. And it’s a remarkable story in a time of lockdowns, postponements and cancellation.
The Virgin Money Unity Arena is set to host 29 events in 26 days, featuring artists including Supergrass, The Libertines and Maximo Park.
Sam Fender opened the series on 11 August with a sold-out show, which Gee deems were an enormous success despite the high stakes. “We went from never having done this kind of event before, straight to a full-capacity for the first show but it opened with a bang,” he says.
“We went from never having done this kind of event before, straight to a full-capacity for the first show”
Having one pandemic project under their belt already – the UK’s first socially distanced dining concept, Platform 15, at Escape to Freight Island at Depot Mayfield, Manchester – Engine No.4 was the ideal choice for Davis and SSD, and the team set to work on finding the perfect site for the concert series they’d dreamt up.
“We looked at various places around Newcastle and the Racecourse ticked all the boxes. We needed a big car park capacity, a big arena capacity and a big capacity in between those sites for walking and socially distanced queueing,” explains Gee.
The site features 500 viewing platforms each accommodating up to five people. Attendees were given 20-minute slots in which to arrive, though Gee says that was the only aspect that didn’t quite go to plan on the first night.
Avoiding queues was one of the key factors in the event running smoothly, along with space and sanitation
“The thing that slightly caught us off guard was how quickly people arrived. They were raring to get in ahead of their segmented times so we ended up having slightly longer queues getting into the event than anticipated, but we tweaked that after the first night,” he says.
Avoiding queues was one of the key factors in the event running smoothly, along with space and sanitation, says Gee. And the rest is “purely common sense and over-speccing things”.
“Over-speccing things” meant equipping the arena with 150 hand sanitizer stations; eight food operators; more bar frontage; and approximately four times more toilets than an event of that size would usually require.
But of course, over-estimating facilities is just one of the factors driving up costs for an event like this. “Holding an event for 2,500 with facilities that could normally take 35-40,000 people clearly isn’t a brilliant financial model,” he laughs.
Gee notes that for events like these, commercial support from sponsors like Virgin Money is crucial. He also says that although the financial model of socially-distanced events like this one isn’t sustainable, it is a step closer towards a viable model.
“There was a lot of stakeholders working together in the perfect storm”
“I think you can mitigate those costs in some way with the length of the run,” he says. “What we’ve done here is a bit like the venue model. If you can create a temporary venue and put enough shows into that venue then at some point you might start to break even and maybe make a bit of money but to try and do this for a weekend or a festival or a week doesn’t make sense,” he adds.
The desired time frame was another crucial consideration when choosing the site, says Gee, but the Racecourse was able to provide the licences and planning permission required for the event.
However, the success of the event wasn’t just down to right place, right time. “There was a lot of stakeholders working together in the perfect storm,” says Gee, crediting the enthusiasm of Newcastle City Council, the emergency services, Virgin Money and the artists who have to “buy into the concept”.
According to Gee, the series has been such a success so far, Newcastle City Council has been approached by a number of other local authorities asking for pointers. On top of that, the Department for Culture, Media and Sports and Public Health England has accepted an invitation to view the systems in place.
“A lot of hoops have had to be jumped through to make this work and it isn’t particularly economically sustainable but what we’ve managed to create could be used as a model going forwards,” says Gee.
This article forms part of IQ’s Covid-19 resource centre – a knowledge hub of essential guidance and updating resources for uncertain times.