TEG announces new MD of experiences
Australia’s TEG has appointed Shane Harmon, an executive with more than 25 years of industry experience, as managing director of experiences.
Harmon joins from his role as CEO at Sky Stadium (34,500) in Wellington, New Zealand. Throughout his career, he has worked with a handful of sports organisations like Rugby Australia, football team Sydney Swans, and the local organising committees for the 2011 and 2023 Rugby World Cups.
He will lead development for TEG’s Experiences branch, which specialises in family and touring entertainment. Recently, the TEG arm promoted Brickman’s LEGO-built Jurassic World, Paw Patrol Live!, and the Friends TV show Experience.
“I’ve always been impressed with the sheer breadth of TEG’s live offerings and I’m very excited to join [CEO] Geoff [Jones] and the TEG team to help build the business further,” Harmon says.
“I am passionate about the live experience. Live events have a unique power to bring us together in ways that nothing else can. In a world where we are so connected to technology, shared experiences with friends, family and community have never been more important,” he adds.
“Shane’s wealth of knowledge from the entertainment and sports industries is unparalleled”
Harmon steps into the role previously held by Rachael Carroll, who is now set to lead TEG Sport as managing director to focus on growing the firm’s global programming.
TEG is a global firm dealing in live entertainment, ticketing, and data. The TEG umbrella includes TEG Live, TEG Sport, TEG Experiences, TEG Dainty, TEG Europe, TEG Asia, TEG North America, and more.
TEG Group CEO Geoff Jones shared his excitement for the addition to the TEG team: “Shane’s wealth of knowledge from the entertainment and sports industries is unparalleled, and his experience will no doubt play a major role in taking TEG’s growth strategy to the next level and promoting some of the World’s best experiential events.”
The entertainment company has made a series of appointments over the past year, including Tim McGregor as TEG Live global head of touring, Simon Cahill as TEG Group head of commercial, Phil King as Ticketek Australia managing director, and Cameron Hoy as TEG chief operating officer and head of global ticketing.
IQ recently dove into the family and touring entertainment sector with the Touring Entertainment Report, available to read digitally.
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TEG Live names Tim McGregor global head of touring
TEG Live’s managing director Tim McGregor has been appointed global head of touring, overseeing the firm’s concert and festival portfolio.
With effect from today, McGregor is responsible for overseeing the continued growth of the global touring businesses across Australia, New Zealand, Asia, UK, Europe, and North America.
This portfolio includes TEG Live, TEG Dainty, TEG Van Egmond, TEG MJR, Handsome Tours, Laneway Festival, TEG Asia, TEG Live Europe and TEG North America.
McGregor has been the MD of TEG Live since joining the business in 2016.
“I am delighted to appoint Tim to the role of global head of touring,” says TEG Group CEO Geoff Jones. “Tim’s outstanding track record in the live entertainment industry draws on more than three decades of experience. His in-depth industry knowledge and excellent business acumen makes him the ideal choice to lead the overall concert and festival touring strategy for TEG across the globe.”
“”Tim’s outstanding track record in the live entertainment industry draws on more than three decades of experience”
“I look forward to continuing to work closely with Tim in his new role to drive growth and success for the TEG business.”
McGregor adds: “I am excited to be furthering my remit with TEG to build its touring operations both locally and globally. I am immensely proud of all that we have achieved to date, but this is only the beginning.
“I would also like to take this opportunity to thank Geoff for this opportunity and for his ongoing support. We’ve been on a long journey together, and I look forward to embarking on the next phase of TEG with Geoff and the senior leadership team.”
Based in Sydney, TEG is a specialist in live entertainment, ticketing, digital and data.
Earlier this year it was reported that the owner Silver Lake had secured a A$1.1 billion (€663.8 million) dividend recapitalisation for the Australian live entertainment giant after attempts to sell the company stalled.
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TEG stages Australia’s ‘biggest beach party ever’
TEG Live has made history by hosting “the biggest beach party ever staged in Australia”, with a sold-out 30,000-cap hometown show by DJ Fisher.
The Australian promoter, which organised the inaugural Out 2 Lunch Festival on Coolangatta Beach, Gold Coast, says the Queensland-only 4 May event injected more than A$50 million (€31m) into the local economy.
More than 200 local businesses were involved in the planning and delivery of the festival, which created more than 2,000 jobs, while accommodation was sold out across the Gold Coast.
“TEG is delighted with the inaugural Out 2 Lunch Festival, and it was great to see the economic impact that the Festival had on the local community,” says TEG Group CEO Geoff Jones. “This was no easy feat, as the planning and logistics required to deliver the Event were extraordinary, particularly as this was the very first time this many people attended a staged event on Coolangatta Beach.
“We would like to sincerely thank Team Fisher, the City of Gold Coast, the World Surf League, Southern Gold Coast Chamber of Commerce, Coolangatta and Greenmount Surf Life Saving Clubs and the many, many other Partners and Stakeholders who helped TEG bring this epic event to life.”
“Belinda comes to TEG with a proven track record working with global brands across local and international markets”
At Fisher and his wife Chloe’s request, $1 from every ticket sold was donated to the Starlight Foundation. A further $20 donation was required for the Pink Elephants Support Network for those punters attending via guestlist or complimentary tickets. In total, $35,320 was raised for the Starlight Foundation and Pink Elephants Support Network.
In addition, TEG has announced the appointment of Belinda Shaw, who will succeed the long-serving Sandra Rouse as the group’s chief financial officer. Shaw brings more than 25 years of senior experience and was most recently CFO at Boral, Australia’s largest vertically-integrated construction materials company.
“Belinda comes to TEG with a proven track record working with global brands across local and international markets, and her in-depth knowledge and experience will be key to the role as we continue to drive growth,” adds Jones. “I warmly welcome Belinda to TEG and look forward to working alongside her.
“I also want to take this opportunity to thank Sandra for her enormous contribution over the past 13 years. During that time, Sandra has supported the business through impressive growth, changes in ownership, a pandemic, acquisitions in multiple countries and the list keeps going. I feel privileged to have had Sandra on the team and have the utmost respect for her commitment, leadership, and contributions at TEG.
“Sandra will be moving into a new role in the business where her intimate knowledge of the Operations and landscape will drive a number of important initiatives across strategy, M&A and operations.”
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Slipknot announce Knotfest Brazil return
Slipknot have confirmed the return of Knotfest Brazil following the postponement of last year’s festival.
The metal icons, who held the brand’s first Brazilian edition in December 2022, are bringing Knotfest to Allianz Parque, São Paulo from 19-20 October this year.
The band will headline consecutive nights at the event and will perform two unique sets, commemorating the 25th anniversary of their self-titled debut album. Fans that attended Knotfest Brazil 2022 or have already signed up at KnotfestBrasil.com will receive a special pre-sale code for access to tickets in advance.
Prior to that, Slipknot will top the bill at US festivals Sick New World in Las Vegas, Nevada (27 April), Welcome to Rockville in Daytona Beach, Florida (12 May) and Sonic Temple Festival in Columbus, Ohio (19 May).
They will also bring their Bring the Pain Tour to Europe in the winter, kicking off at Amsterdam’s Ziggo Dome in the Netherlands on 5 December and going on to visit Germany, Switzerland, France and the UK.
The Knotfest brand has expanded into multiple countries since launching in the US in 2012
The Knotfest brand has expanded into multiple countries since launching in the US in 2012, with events also held under the banner in Canada, Japan, Germany, Finland, Argentina, Colombia, Chile, Brazil and Mexico. It also launched in Italy in 2023. A planned UK spin-off at Milton Keynes Bowl was cancelled in 2020 due to the pandemic.
Meanwhile, Knotfest Australia, which debuted last March, will be headlined by Pantera, Disturbed and Lamb of God in 2024, kicking off at Flemington Racecourse, Melbourne on 21 March before heading to Sydney’s Centennial Park (23 March) and Brisbane Showgrounds (24 March).
Presented by Destroy All Lines, TEG Live and Finely Tuned, it will also feature performances from Halestorm, The HU, Asking Alexandria, Wage War, Escape the Fate, Skindred and Brand of Sacrifice, as well as domestic acts such as Thy Art Is Murder, SPEED, Windwaker and King Parrot.
In the run-up to the event, organisers have announced a series of side shows featuring sets from some of the festival’s biggest names.
Disturbed and Pantera will perform their only Australian headlining sets at Adelaide Entertainment Centre on 17 and 19 March, respectively, while Lamb of God will play a pair of dates with Brand of Sacrifice on 20 March in Melbourne and 25 March in Brisbane. Additional shows feature headline sets from Halestorm, The Hu and Asking Alexandria will also take place in various cities.
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Australia to host first arena concerts since March
TEG, Live Nation and the government of New South Wales (NSW) have announced plans for The Greatest Southern Nights, Australia’s first arena shows since the shutdown of the concert business in March.
Taking place as part of Great Summer Nights, the state-backed 1,000-show concert series running in NSW throughout this month, the Greatest Southern Nights shows will play to more than 12,000 fans at Qudos Bank Arena (21,000-cap.) over two nights in a seated, ‘Covid-safe’ setting.
Ocean Alley will headline the first gig, on Saturday 28 November, joined by Jack River, Ruby Fields and Jack Botts, with Bernard Fanning and Matt Corby, supported by Merci, Mercy, playing the second on Saturday 5 December. For each, co-promoters TEG Live and Live Nation will welcome more than 6,000 fans to the Sydney venue.
Geoff Jones, CEO of TEG and a key figure in the pan-industry Live Entertainment Industry Fund (LEIF), comments: “These shows are vital for our industry because they will show that we can stage big live concerts safely and that Australians cannot wait to get out and share great live entertainment experiences with their friends and family.
“We have seen the successful and safe return of large crowds to major live sport, and it is time for live music to make a return at scale at a world-class venue, Qudos Bank Arena, which we will operate in a reduced, Covid-safe capacity for these shows.”
Tickets for the Ocean Alley show cost A$91.60 (€56), while the Bernard Fanning-Matt Corby date is priced at $99.90 (€60). The shows go on sale at 10am local time Monday and Tuesday, respectively, via TEG’s Ticketek platform.
“After eight long months of zero arena shows, these concerts will see great musicians bring thousands of fans back together”
“After eight long months of zero arena shows, these concerts will see great musicians bring thousands of fans back together,” comments Roger Field, president of Live Nation Asia Pacific, who also serves on the LEIF executive committee. “Not only will these two wonderful nights of entertainment deliver significant employment but they are sure to inject a vital economic boost to our industry and the economy.”
The shows are supported by New South Wales’s tourism agency, Destination NSW. The state’s minister for jobs, investment, tourism and Western Sydney, Stuart Ayres, says: “NSW has led Australia in reigniting the live music industry through Great Southern Nights, and now we are excited to announce these landmark concerts that will be the hottest tickets in the country.
“The NSW government is proud to be getting artists, roadies, venues, hospitality staff and tourism businesses back to work and we hope this heralds the safe return of major indoor arena events.”
Arena shows have already returned to neighbouring New Zealand, where Live Nation recently promoted a headline tour by local star Benee. At press time, Australia had just 12 new cases of coronavirus today (6 November), while NZ had one.
“I’m so happy to be part of the reopening of the live music scene in NSW,” adds Bernard Fanning. “It’s a great opportunity to get people safely together again, but just as importantly to give the music industry workers whose lives have been so upended by Covid a chance to get back to doing what they do best.”
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Australian promoter the Van Egmond Group joins TEG
Australian promoter the Van Egmond Group has joined live entertainment giant TEG, adding to the company’s live music arms TEG Live, TEG Dainty and TEG MJR.
Led by Garry and Christo Van Egmond, the Melbourne-based company has over 45 years’ experience in event promotion, merchandising and ticketing and has promoted tours including Dire Straits’ Brothers in Arms and AC/DC’s Black Ice.
Under the deal, the group will be renamed TEG Van Egmond. Financial terms have not been disclosed.
“The Van Egmond Group has a long pedigree of delivering blockbuster tours with huge acts such as Dire Straits, Billy Joel, Rod Stewart, INXS, Riverdance, Prince, Bette Midler, Dolly Parton and the great AC/DC,” says TEG CEO Geoff Jones.
“Garry has sold well in excess of 30 million tickets across contemporary concerts and theatre productions in the Australasian marketplace and we are delighted to have him and Christo on board as part of the TEG family.”
“We have seen TEG’s phenomenal growth over the last few years and we look forward to delivering some big tours and events under TEG Van Egmond”
Garry Van Egmond adds: “We have seen TEG’s phenomenal growth over the last few years under Geoff’s leadership and we are very excited about joining TEG and look forward to delivering some big tours and events under TEG Van Egmond.
“TEG Van Egmond will be active in both the North America and UK/Europe for top-tier touring opportunities for Australia and South East Asia.”
Cindy Wilson, previously managing director of BASE Entertainment Asia, will represent TEG Van Egmond in North America, based in Los Angeles.
TEG, which was bought by private equity firm Silver Lake Partners in October 2019, last year expanded into Europe through its acquisition of the MJR Group, now TEG MJR, and launched a new family entertainment arm, TEG Experiences. The company also issues over 28 million tickets a year through its ticketing platform Ticketek.
Along with TEG Live and TEG Dainty, the company organised the Fire Fight Australia bushfire benefit concert earlier this month.
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TEG raises over AU$9.5m for bushfire relief
Sunday’s Fire Fight Australia charity concert has raised almost AU$10 million (US$6.7m) for bushfire relief, with promoters TEG Dainty and TEG Live expecting more donations to come.
The mammoth nine-and-a-half-hour benefit concert took place at Sydney’s ANZ Stadium on 16 February, with an audience of 75,000 watching performances from Queen and Adam Lambert, Alice Cooper, Michael Bublé, 5 Seconds of Summer and Peking Duk, among others.
The concert was broadcast live across Australia, thanks to a partnership between TEG and television networks Foxtel and Seven Network. Highlights of the show will be broadcast worldwide in the coming days with a call to action to donate.
The AU$9.5 m ($6.4m) raised so far will go to rural and regional fire services, Red Cross Disaster Relief and Recovery, RSPCA Bushfire Appeal and the BizRebuild programme.
“What a day and what a night it has been,” comments TEG CEO Geoff Jones. “Our huge thanks are owed to the 23 artists and bands and to the many companies and people who donated their time and services to make Fire Fight Australia happen.
“It has been an enormous effort from the music industry to pull this concert together in five weeks and we are just so proud of what has been achieved through our collective effort.”
“It has been an enormous effort from the music industry to pull this concert together in five weeks”
“We are overjoyed at the response from all of the fans here tonight at ANZ Stadium in Sydney and around the world,” adds TEG Dainty CEO Paul Dainty. “From the first conversation with Queen’s manager, Jim Beach, the band’s immediate response to support this amazing event was what set everything in motion.
“We want to give a special shout out to Celeste Barber for hosting this historic event, she has been one of the greatest supporters and we thank her.
“People can continue to donate and purchase the official Fire Fight Australia T-Shirt online with 100% of proceeds going to the fundraising efforts.”
A full breakdown of the final amounts raised will be made available in due course. TEG intends to keep donations open until mid May, when international broadcasts end. Accounting firm Deloitte will provide a post-event report detailing revenues, expenses and confirmation of the final donations to the various charities.
Jones, Dainty and TEG Live CEO Tim McGregor wrote in IQ ahead of Fire Fight Australia this weekend, describing how the star-studded event came to be. Read TEG’s journey to Fire Fight Australia here.
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Fire Fight Australia: The journey so far
Geoff Jones, Paul Dainty and Tim McGregor write for IQ in advance of TEG’s mammoth Fire Fight Australia benefit concert this weekend.
This Sunday the Australian music industry will come together to present its response to the worst bushfire season in living memory – and it promises to be something pretty special.
FIRE FIGHT AUSTRALIA is a nine-and-a-half-hour benefit stadium concert in Sydney featuring a cavalcade of leading international and local acts performing in in front of 75,000 fans, with millions more watching on TV across Australia, New Zealand, the US and the UK.
We hope to raise many millions to aid rural and regional Australia’s short, medium and long-term recovery through the generosity of fans who have bought tickets, merchandise, food and drink and have donated through firefightaustralia.com.
The concert has come together in five short weeks thanks to the creativity and collaborative spirit of our industry’s people. This is the story of how we did it but first, a bit about why.
We are sure you have read about the recent devastation Down Under, caused by sustained drought and intense heat that sparked terrifying wildfires.
Dozens of lives have been lost, thousands of homes and businesses destroyed, thousands of people evacuated, countless animals killed and more than 46 million acres of Australia’s bushland razed. Sydney and Melbourne dwellers had daily reminders of our fellow Aussies’ plight just miles away, in the form of choking smog.
Many of TEG’s staff and their families and friends were affected personally by the bushfires and, like so many others, we were keen to do our bit. In late November, with the bushfire season still in its early throes, we spied the opportunity.
The concert has come together in five short weeks thanks to the creativity and collaborative spirit of our industry’s people
Geoff and Paul had spoken about the idea of a Live Aid-style bushfire benefit. It would feature the very same band who had stolen the show at Wembley in 1985, a little group from England called Queen (now Queen + Adam Lambert).
On Saturday 15th February, Queen + Adam Lambert would be playing ANZ Stadium in Sydney’s Olympic Park as part of their global Rhapsody Tour, promoted by TEG Dainty. They were back to the top of their game and big as ever in the wake of the hit movie Bohemian Rhapsody.
On paper, it seemed we had the infrastructure, the iconic act, and the opportunity – in tragic circumstances – to create something special that could galvanise many other acts to join the bill and make a difference.
Paul made a call to the band’s manager Jim Beach and, to our immense gratitude, they were supportive from the word go. The same was true of Michael Bublé and Alice Cooper, who were also due to be in Australia with TEG Dainty and TEG Live respectively at that time.
It was an ambitious deadline and it would be a massive challenge to add to our non-stop day jobs. But at our final meeting before the holidays TEG’s senior leadership team roared in approval. By Christmas Eve we had snapped up the firefightaustralia.com domain name.
First thing Sunday morning on 5 January, Geoff, Paul and TEG Live managing director Tim McGregor hit the phones to start filling out the bill. The response from the acts and the labels was incredible.
ANZ Stadium made a generous offer to provide us the venue for free the day after Queen + Adam Lambert’s full concert. Our own venue, the Qudos Bank Arena next door could operate as a production staging point and host artist dressing rooms.
We had the infrastructure, the iconic act, and the opportunity – in tragic circumstances – to create something special
On Monday 6 January we appointed a project leader – the highly capable Jared Wright – and together we put together a project leadership team of 13 including executives and staff from TEG Dainty, TEG Live, TEG Corporate and Ticketek, with a total team of more than 25 working around the clock on top of their day jobs.
With the idea now becoming a reality, we felt confident enough to send out a “save the date” media release on Tuesday 7 January and start doing radio, TV and press.
Our message was simple: we wanted to raise as much money as possible towards bushfire relief to help those affected – and to raise spirits in the process through the unifying power of live music. Our ethos: to be inclusive and to communicate clearly with all stakeholder groups.
By the Friday, we had secured most of the 23 wonderful acts that would perform (you can read the full line-up here) and – in another coup – our host, the writer, actor and comedian Celeste Barber, whose record-breaking online appeal had just raised more than AU$50 million (US$34m) towards bushfire relief and won global acclaim.
To determine FIRE FIGHT AUSTRALIA’s recipient organisations and charities we undertook extensive due diligence. All concert ticket profits would go to rural and regional fire services in affected states, the Red Cross Disaster Relief and Recovery Fund and the RSPCA Bushfire Appeal, with the BizRebuild program added later.
At 1pm on 13 January, we went on sale. Tickets were priced at top price of $100. By close of business, we had all but sold out. We were stunned by the fans’ generosity and desire to be involved.
We were inundated with offers from global and local media companies to televise and stream the event. That created an opportunity for a live telecast to raise more money and to allow music fans everywhere to see the concert.
Our message was simple: we wanted to raise as much money as possible towards bushfire relief – and to raise spirits in the process through the unifying power of live music
We settled on one of the leading local free to air television networks, Seven, and the leading subscription television service Foxtel, which also set up global distribution. All donations made through the broadcasts would go to the Foundation for Rural & Regional Renewal’s Fire Fight Fund.
And that’s when the real hard work began…
As anyone who works in live entertainment will know, we have spared you a million details about what it has really taken to make FIRE FIGHT AUSTRALIA happen – and we want to acknowledge Jared Wright and the TEG FIRE FIGHT Team for the long nights and weekends it has taken, and the challenges ahead to deliver the show on the day.
TEG’s thanks are owed to so many who moved so fast to make the event possible, including (deep breath): the 23 artists and bands who gave it their all; the 1,400 workers on the day, including production crew, stagehands, riggers, audio, lighting, video and backline personnel, stage managers, volunteers; the suppliers and drivers of 35 trucks; the providers of numerous hotel rooms and suites; and the 23 media and marketing companies, 22 production companies, eight catering and food and beverage companies and seven car companies that donated staff, products and services.
Shout outs too to NSW Transport for waiving public transport costs for ticket holders, to Cotton On for creating and supplying FIRE FIGHT AUSTRALIA T-Shirts, to Fetch TV for buying tickets for 1000 rural fire fighters to attend the event, to Gildan Brands for supplying those firies with specially designed FIRE FIGHT T-shirts, to those we were not able to accommodate and all those we have not had space to mention.
Just like the generosity and resourcefulness of the live music and entertainment industry, the list goes on and on.
Now, on with the show!
Geoff Jones is CEO of TEG, Paul Dainty is CEO of TEG Dainty and Tim McGregor is CEO of TEG Live
“Regret” as promoters call off Sound Relief 2020
Sound Relief, a concert series co-organised by major Australian promoters in aid of wildfire relief, will not go ahead ahead as planned.
Earlier today, the Sound Relief team, consisting of Frontier Touring, Chugg Entertainment, Live Nation Australia and New Zealand, IMC Music HQ and Secret Sounds, announced that the charity concert series would not happen.
“It is with regret that the organisers of Sound Relief have decided not to proceed with concerts in March as originally planned,” reads a Facebook post.
“Since announcing our intention to undertake Sound Relief 2020 the offer of assistance from international and domestic artists, industry, media and suppliers has been second to none.
“However Sound Relief is a series of concert events that we don’t wish to stage lightly and after careful consideration, we believe proceeding with the concerts in March won’t produce the impactful result that we believe these events can – and should – have.”
“Discussions for any future event are shifting to restoration, recovery and prevention and a view to maximising results to best benefit these areas”
The organisers add that there is “no overnight fix” for the issues the country is facing and state that “discussions for any future event are subsequently shifting to restoration, recovery and prevention and a view to maximising results to best benefit these areas.”
The fires have been raging through southern and eastern Australia since September 2019, burning over ten million hectares of land.
Sound Relief first took place in 2009, organised by Chugg Entertainment, Frontier Touring, and others, to provide relief from Victorian bushfires and flooding in Queensland. The concerts featured performances from the likes of Coldplay, Taylor Swift and Kings of Leon, as well as many local acts.
Fire Fight Australia, a benefit concert organised by TEG Dainty and TEG Live, is taking place on Sunday 16 February, at the ANZ Stadium (83,500-cap.) in Sydney. Queen and Adam Lambert, Alice Cooper, 5 Seconds of Summer, Michael Bublé, Hilltop Hoods and Olivia Newton-John are among acts playing the all-day event, which sold over 65,000 tickets in under five hours earlier this month.
A limited number of tickets for Fire Fight Australia are available here.
Photo: Jana Beamer/Flickr (CC BY 2.0) (cropped)
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Touts burnt as Fire Fight Australia sells out
The Fire Fight Australia benefit concert has sold out, promoters TEG Dainty and TEG Dainty have confirmed, with Sydney’s ANZ Stadium set to host more than 70,000 concertgoers for over nine hours of music on Sunday 16 February.
Organisers revealed yesterday that some 65,000 tickets had been sold in under five hours for the Queen-headlined benefit, which aims to raise funds to provide relief for those fighting or affected by the Australian bushfires. All profits from concert tickets will be donated to rural and regional fire services, the Australian Red Cross Disaster Relief and Recovery programme and the Royal Society for the Prevention of Cruelty to Animals (RSPCA) Bushfire Appeal.
Other performers include Alice Cooper, KD Lang, Olivia Newton-John, Delta Goodrem and Tina Arena, with a second wave set to be announced in the coming weeks.
All tickets for the benefit have been removed from eBay
Inevitably, tickets for the event – only available initially through TEG-owned Ticketek – have already started to be listed on secondary sales websites, with The Music reporting bids of up to A$455 (compared to a face value of $100) on eBay.
However, Viagogo – to the surprise of many – is preventing the resale of Fire Fight tickets, and an eBay spokesperson tells The Music all tickets for the benefit have been removed from their website.
Fire Fight Australia is one of a number of benefit concerts taking place in Australia in aid of bushfire relief. Details of Sound Relief 2020, a concert organised by leading Australian promoters Chugg Entertainment, Frontier Touring, Live Nation Australia, Secret Sounds and IMC Music HQ, will be released soon. Live Nation’s Australian businesses, meanwhile, have pledged $500,000 to bushfire relief.
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