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Increase in spiking reported at Danish festival

Danish heavy metal festival Copenhell says it is “deeply saddened” by a worrying increase in drug spiking at this year’s event.

VIP Booking reports that organisers were made aware of up to 10 people who unknowingly had substances slipped into their drinks in the festival’s large party tent ‘Biergarten’, adding the trend has also been detected across the wider nightlife scene.

Festival booker and director Jeppe Nissen tells Kulturmonitor the event will “take measures to combat” the development moving forward.

“We are deeply saddened by this and urge everyone to contact us directly if they have had any experiences with drugging or possess any information that can help identify the perpetrators,” says Nissen.

The 35,000-cap Copenhell took place in Copenhagen from 14-17 June and featured acts such as Guns N’ Roses, Motley Crue, Def Leppard, Pantera and Slipknot.

“We have not previously recorded any incidents of drugging at Copenhell, and it has not been a problem that we specifically addressed or warned our audience about,” adds Nissen. “But when we see seven to 10 cases, unfortunately, we cannot say that we have done enough in terms of prevention. It is definitely a problem we will address and take measures to combat.”

“We’re delighted to join forces on our mission to stamp out spiking with the Association of Independent Festivals”

Other Danish festivals such as Smukfest are calling for further dialogue on the subject, while trade body Dansk Live has vowed to address the issue.

Elsewhere, the UK’s Association of Independent Festival (AIF) has announced a partnership with LGBT+ anti-abuse charity Galop and anti-spiking charity Stamp Out Spiking to bolster its Safer Spaces Charter.

Stamp Out Spiking was established to tackle increasing incidents of spiking across the UK and worldwide. The charity exists to highlight the dangers of spiking, and offer effective and practical solutions to keep people safe in pubs, clubs, house parties, festivals and beyond.

“We’re delighted to join forces on our mission to stamp out spiking with the Association of Independent Festivals,” says Dawn Dines, CEO and founder of Stamp Out Spiking. “Working together will make such a difference in safeguarding men and women at festivals across the UK. Highlighting how these cowardly crimes are taking place, sharing key information on the typical signs and symptoms, will make it so much more difficult for perpetrators and ultimately safeguard festival goers.”

The partnerships have contributed to new Safer Spaces resources that directly addresses the needs of LGBT+ survivors of abuse, and the broader issue of spiking.

“It’s important for AIF to work towards creating safer and more inclusive spaces for everyone, and work with those who provide specialised support,” says AIF membership & operations coordinator Phoebe Rodwell-Carson. “We hope to build on this with as many festival organisers as possible, supporting them in upholding their duty of care towards music fans and festival staff, whilst ensuring we remain inclusive and open to all.”

 


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LIVE CEO Jon Collins on next steps for key issues

Jon Collins, the recently appointed CEO of live music industry umbrella group LIVE, has spoken to IQ about sustainability, diversity, consumer confidence and the spiking crisis, in the second instalment of a two-part interview.

In the first part of the interview, published last week, Collins discussed his approach to tackling VAT reduction, government engagement, post-Brexit touring and the cost of living crisis.

Here, the CEO sets out the remainder of his key priorities and his plan of action for each, going forward.

“We’re out of the habit of going out and we need to find ways to get people back out”

Consumer confidence
We’re post-Covid restrictions but still dealing with the impact they’ve had on customers’ confidence to go out to gigs. We’re just finalising some consumer research which found that 14% are reticent. And there is still that tranche of people who did go to gigs beforehand and are saying they’re not quite there in terms of being comfortable to go out. The average person is holding 2.3 tickets from events that have been rolled over so they’re waiting to go to those events before buying something else  – in some cases because they don’t have as much disposable income.

You’ve got 55% whose attitude towards attending gigs, in general, has changed – with 20% of those saying they’re going to fewer events overall. Not having as much energy to go out and not thinking about going out counts for 15% each, and 13% say travelling to events now feels like a lot of effort. We’re out of the habit of going out and we need to find ways to get people back out.

One thing we would like the government to do is to encourage people to come out. I think it’s Spain where they gave people a couple of 100 euros to go and spend in their local economy. That drives activity, which drives tax take, so there’s demonstrable value there. But beyond that, we also think there could be a positive communications campaign, a bit like Let’s Do London. We’re world-class at live music, so let’s bang the drum about it.

“We’re looking to do is build out a Green Information Hub which will have the information there in an understandable way”

Sustainability
Live Green chair John Langford has done a brilliant job of corralling everybody around that net zero by 2030 commitment. There’s a whole workstream that flows out of that about how can LIVE support the organisations on our board to then support their members to be able to hit that target – which is not that far away.

There are lots of passionate, informed expert actors in this space – such as Earthpercent, Julie’s Bicycle, Music Declares Emergency etc – and we’re not going to claim to have the same level of knowledge and understanding – but what we do have is an ability to broadcast to the live music industry in an effective way through our structures. So what we’re looking to do is build out a Green Information Hub which will have the information there in an understandable way, sometimes drawn from our own auspices but often we will just be signposting to those brilliant organisations.

I feel very encouraged by how serious LIVE, and the organisations within LIVE, are taking this issue and also by the practical steps that they are taking to really reshape how the industry operates for things like green riders – which is an addendum to an artist’s contract. We’re looking at putting something around sustainability into the contract itself because once both parties have signed that, there’s no wiggle room.

“There’s a risk that diversity, equity and inclusion become a talking shop… we’re pivoting to focus on actions”

Diversity
There’s a risk that diversity, equity and inclusion become a talking shop. It’s so broad that you can be paralysed. We’re pivoting away from talking about the issues to focusing on actions. The first step is looking at how we diversify the entrance into our industry. We know that there’s huge vacancy across all parts of live music, across broader hospitality, so actually, there’s sound commercial and economic logic to asking: are you looking at the most diverse talent pool possible? By doing that we foster a more diverse, inclusive workforce. You have to supplement that with action taken for people mid-career too and action taken for people who have stepped away from the industry but want to come back. So as ever, these things are multi-dimensional.

Drink spiking
We’re doing an immediate piece of work right now with the home office around spiking and tackling that threat within the wider context of delivering safe spaces. It’s such an opaque issue and the evidence base is very difficult to get to. Some people say it’s being underreported and other parties say it’s been overreported. What we care about ultimately, is the safety of our customers. So what we want is to make sure is that we tackle spiking in a way that doesn’t suck resources away from spotting vulnerable people in other circumstances.

 


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