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Live Nation GSA announces Download Festival Germany

Live Nation GSA (Germany, Switzerland, Austria) is launching a German edition of Download Festival, the UK’s premiere rock event.

Download Germany will take place on 24 June 2022 at the Hockenheimring, a motor racing circuit situated in the Rhine valley near the town of Hockenheim, which Live Nation GSA head Marek Lieberberg has prior experience with.

Lieberberg’s former company Marek Lieberberg Konzertagentur (MLK) previously held Rock’n’Heim at the same location, in cooperation with Live Nation.

The festival took place annually from 2013 to 2015, welcoming around 40,000 fans across three days for the first two years. In 2015, the event was reduced to a one-day event.

MLK also housed both Rock am Ring and Rock im Park, started by Lieberberg in 1985 and 1993 respectively, the twin festivals that from 2022, will be programmed by eventimpresents and CTS Eventim-owned DreamHaus.

At the time of writing, Download Germany has not announced any artists or released tickets for the 2022 event

At the time of writing, Download Germany has not announced any artists or released tickets for the 2022 event.

Download Germany will be the UK brand’s fourth sister event. Other sites are Download Australia, which would have debuted in 2020, Download Madrid and Download France in Paris (both of which last took place in 2019).

The UK event, promoted by Festival Republic, this year took place over the 18–20 June weekend as part of the second phase of the UK government’s scientific Events Research Programme (ERP).

Download Pilot welcomed 10,000 metal fans to the hallowed grounds of rock in Donington Park, Leicestershire, to enjoy a fully-fledged festival experience with no social distancing, no masks and moshing allowed. The event was the UK’s first major camping festival of its kind since lockdown.

The flagship event is set to return to the UK between 10-12 June 2022 with a line-up that includes Deftones, Korn and Megadeath.

 


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Mallorca Live pilot to trial Covid-19 certificate

Spain’s Mallorca Live will hold a pilot concert later this month using the local health passport to do away with social distancing.

The show, featuring Barcelona-based band Sidonie, will take place on 25 June at Antiguo Aquapark in Calvià, Majorca, with 5,000 people, all of which will have their health status certified by the Certificado Digital Covid (Digital Covid Certificate), the Balearic Islands’ digital health ‘passport’.

To gain entry to the venue, all patrons will have had to have received a dose of the Covid-19 vaccine (interestingly, only a single dose is required), to be immune after having recovered from the disease, or to have had a negative later-flow or PCR test in the previous 72 hours.

An all-standing audience of 5,000 will not be divided into sectors, though, like at previous pilot events in Spain, they will be required to wear a mask at all times.

5,000 people will have their health status certified by the Balearic Islands’ Certificado Digital Covid

Spain’s most recent major pilot event, at the Palau St Jordi arena in Barcelona, revealed no increase in Covid-19 transmission among attendees.

Tickets for the Mallorca Live Summer event cost €26 + booking fee.

The show was previously organised as a seated, socially distanced event. Promoter Mallorca Live says for those already have tickets and aren’t comfortable being in the pilot will be offered a full refund. Other shows in the Mallorca Live Summer series include Rozalén, Morcheeba, Jamie Cullum and Don Patricio.

Mallorca Live Festival will return next summer (24–26 June) with headliner Muse.

 


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International test events underline concert safety

As businesses and individuals in the UK come to terms with the government’s decision to delay the sector’s reopening by a further four weeks, a growing body of evidence demonstrates that concerts, festivals and other live events held under controlled conditions do not contribute to an increase in transmission of Covid-19.

Data gathered from test events across various European countries is building a picture that if every member of the audience is tested prior to a show, and only those who return a negative test are admitted, the chances of them being infected with Covid-19 during the show are extremely slim.

Crucially, despite the pilot shows listed below using different audience configurations, all of them tested participants before and after the event, and all were hailed as successful both by organisers and by the scientists who monitored the health aspects.

Examining the published evidence of different test events around Europe makes for fascinating reading, albeit with very similar results…

Belgium
Zero positive cases of Covid-19 were detected seven days after test events in Spa and Namur, neither among the participants nor the control group, the company in charge of testing at the shows, DNAlytics, announced in May.

Those events were the first of six pilot experiments organised in the cultural sector by the Wallonia-Brussels Federation. “In the case of Spa, they establish quantitatively that the organisation of an indoor concert can be envisaged with safety, according to an audience size of 50% of the hall’s capacity and by applying the barrier gestures that have become familiar to us,” says Thibault Helleputte, CEO of DNAlytics.

“In the case of Namur [an outdoor event], the results show that, provided some basic health rules are followed, attendance at a show is not associated with a measurable increase in coronavirus contamination.”

“Concert halls and theatres are not places of infection”

Germany
A scientific study in Germany of the movement of airborne particles in an indoor environment showed a negligible risk of infection in properly ventilated concert venues.

The test, using a robot, at Dortmund’s 1,500-seat Konzerthaus, was carried out over three days in November by the Fraunhofer Heinrich Hertz Institute of Goslar and particle measurement company Parte Q, with the backing of Germany’s Federal Environment Agency. It followed August’s Restart-19 study (using human participants) by the University Hospital of Halle, which concluded that, with adequate ventilation, live events posed a “low to very low” risk of person-to-person transmission.

“Concert halls and theatres are not places of infection,” says Dr Raphael von Hoensbroech, director of Konzerthaus Dortmund. “The past few months have shown that politics needs a scientifically sound basis for decision-making. With our study, we want to ensure that concert halls and theatres may again admit sufficient audiences when they reopen.”

The Konzerthaus Dortmund study followed the first pilot show, the similarly successful Restart-19 in Leipzig, in August 2020, which provided the template for subsequent events internationally.

In Barcelona, the indoor concert setting did not increase the coronavirus risk

Spain
Festivals per la Cultura Segura, the organiser of a Barcelona pilot concert in March, also reported that the event had no impact on Covid-19 transmission among attendees, despite the lack of social distancing observed at the show, which had 5,000 attendees.

Having analysed the data, doctors from the show’s medical partners concluded that the indoor concert setting did not increase the coronavirus risk – with concertgoers exhibiting a lower incidence of Covid-19 than the general population in Barcelona at the time.

While the use of a medical-grade FFP2 mask was mandatory, there was no social distancing among fans, who were separated into three areas, once the show got underway.

Of the 4,592 concert attendees who gave consent for the doctors to analyse Covid-19 tests taken after the event, six tested positive for Covid-19 within 14 days of the Barcelona show (and additional analysis suggests that four of the cases originated outside the concert). Those six represented a cumulative incidence of 130.7 cases of Covid-19 per 100,000 inhabitants, far lower than the 259.5 cases/100,000 people in the city’s population at the time.

Three months’ worth of pilots in the Netherlands proved the risk of infection, when following certain hygiene and testing protocols, is about the same as being at home

Netherlands
Perhaps most compelling are the findings from three months’ worth of pilot events in the Netherlands which proved that the risk of Covid-19 infection, when following certain hygiene and testing protocols, is about the same as being at home.

Organiser Fieldlab Evenementen included a series of events in its programme, including the Eurovision Song Contest in Rotterdam which was attended by 3,500 fans, but also business conferences, festivals, arena shows, an awards ceremony and outdoor sports events in a range of formats and capacities.

According to Fieldlab’s data, 100%-capacity events are possible under the Netherlands’ lower two risk levels (caution and concern), with a reduction in capacity necessary for levels three and four (serious and severe, respectively).

Fieldlab’s Dimitri Bonthuis says, “Provided you take the right measures, the risk of getting infected at a Fieldlab event is the same as at home.”

Just 15 positive cases of Covid-19 – equivalent to 0.026% of attendees – were recorded among 58,000 people at UK pilots

United Kingdom
British culture secretary Oliver Dowden described recent UK pilot shows as “a real success”, noting that just 15 positive cases of Covid-19 – equivalent to 0.026% of attendees – were recorded among 58,000 people during recent pilot events.

On the back of those figures, Dowden said he was “very hopeful” the full reopening of venues, theatres and clubs without social distancing would take place on the target date of 21 June, though this didn’t come to pass.

While the ERP has yet to be released, Dowden has confirmed there were no positive cases from the Brit Awards, which took place with an audience of 4,000 at the O2 in London last month.

There were two positive Covid-19 tests from the ERP’s Sefton Park Pilot, in Liverpool, which involved 5,000 fans, while nine cases were detected among the 6,000 clubbers who attended two dance events, also in Liverpool.

Zero cases were reported from a football match at Wembley, but four infections were detected at the Crucible Theatre in Sheffield, which hosted 17 days of the World Snooker Championship.

No social distancing was in place at any of the ERP events, which used lateral-flow tests to check attendees for the coronavirus prior to entry.

 


This article forms part of IQ’s Covid-19 resource centre – a knowledge hub of essential guidance and updating resources for uncertain times.

Get more stories like this in your inbox by signing up for IQ IndexIQ’s free email digest of essential live music industry news.

Spanish developers bring Covid-safe app to market

A new ticketing services operation based in Barcelona claims to be attracting interest from some of the world’s biggest live event companies, thanks to its ability to include health record details of fans as part of their pass to attend shows.

Barcelona-based TiketBlok says it has developed an app that makes it possible to identify everyone who attends a major event through their mobile phones. The app also allows event organisers to establish a communications channel with those attendees, as well as including identity and health certification within the ticket itself.

TiketBlok has already trialled its system successfully at a Manel concert on 21 May in Gerona, where 1,000 people gathered without social distancing after passing an antigen test. The company also says it has attracted the attention of Live Nation, the WiZink Center in Madrid and opera houses in Vienna.

“Our tool allows venues and event organisers to identify every single attendee, communicate with them and certify their identity and health status, says TiketBlok managing director Javier de Esteban, adding that for the Manel concert in Gerona’s Sala La Mirona venue, more than 5,000 notifications were sent to attendees via SMS, email or through the app itself.

TiketBlok trialled its system successfully at a concert with 1,000 people without social distancing

He continues, “Our app works as a ‘smart wallet’ so all attendees have to enter the venue with their own app: One phone, one ticket. This is how we identify the whole audience, and how we are able to communicate with them anytime in real time. We also include the identity certification through a biometric analysis of the attendee ID or passport and the health status.”

TiketBlok can integrate the AOKpass health certificate – a Covid-free certification project backed by the International Chamber of Commerce, International SOS and SGS Group – into its tickets. The company says it connects with official health certificate issuers to include on the ticket itself whether the ticket holder has passed a pre-event antigen test or has had a certified vaccination.

Company MD de Esteban adds, “The best part is that we are system agnostic. It doesn’t matter who sold the tickets, you can use TiketBlok to manage the tickets and the access.”

 


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Primavera to return in 2022 with bumper event

Primavera Sound Festival has announced the programme for 2022, confirming previously reported rumours of a new expanded format.

Next year’s 20th-anniversary edition will take place across two weekends, 2–4 June and 9–11 June, with more than 400 artists and 150 shows.

The festival will primarily be held at the Parc del Fòrum in Barcelona but this year, more than 150 shows will also take place across the city’s music venues between 5–8 June. Primavera 2022 will then close with the ‘Brunch On The Beach’ party on 12 June.

The line-up for Primavera Sound Festival 2022 was announced this morning (25 May), with more artists to be added soon.

The first weekend of Primavera 2022 (2-4 June) will feature a large number of the artists who were booked to play in 2020 and 2021, including The Strokes, Tyler, the Creator, Pavement, Tame Impala, Massive Attack, Gorillaz, The National, Charli XCX, Beck and Jorja Smith.

Nick Cave & The Bad Seeds will also perform during the first weekend, as will Caribou, Kim Gordon, Jamie xx, Fontaines D.C., Earl Sweatshirt, Parquet Courts, Beach House, Disclosure, Idles, King Krule and Slowthai.

The Strokes, Tyler, The Creator, Tame Impala, Gorillaz, Massive Attack and Jorja Smith will also return for weekend two of Primavera 2022 (9-11 June).

The festival will primarily be held at the Parc del Fòrum but this year, more than 150 shows will also take place across Barcelona

The likes of Lorde, Dua Lipa, Megan Thee Stallion, Yeah Yeah Yeahs, Interpol, Run The Jewels, M.I.A., Playboi Carti, Holly Humberstone and Burna Boy will also perform on the second weekend of Primavera 2022. You can find more information on the Primavera Sounds 2020 line-up here.

Once again, the festival has achieved a gender-balanced bill, reinforcing the festival’s public commitment. Read more about Primavera’s pledge to maintain gender parity here.

Tickets for Primavera 2022 will go on sale on 1 June via DICE. Ticketholders for the cancelled 2020 and 2021 editions of Primavera will be able to attend one weekend of Primavera 2022 of their choosing, or they can upgrade their tickets in order to attend both weekends.

Refunds will also be available for any 2020 or 2021 ticketholders who do not wish to attend Primavera 2022. You can find out more information here.

Ahead of the 2022 event, Primavera Pro, the music industry conference, will take place in a ‘hybrid’ format (part physical, part online) from 2 to 4 June 2021.

Primavera Sound’s Primavera Weekender will also return, welcoming some 30 artists and around 1,000 attendees for the second edition of the resort festival in Benidorm, this November.

 


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More major Spanish festivals pull the plug on 2021

Spain’s 2021 festival season has diminished once again with fresh cancellations from major festivals Mad Cool and Bilbao BBK Live.

Other marquee Spanish festivals including Primavera Sound and Sónar Barcelona were previously called off, while Arenal Sound, Festival Internacional de Benicàssim and Cruïlla are still forging ahead with this year’s events.

Live Nation-promoted Mad Cool (cap. 60,000) was set to take place between 7–10 July 2021 in Madrid but this morning (20 May), the organisers confirmed that this year’s event is cancelled due to the “current force majeure circumstances” of the pandemic.

“It has been a very painful decision to come to, as our desire (and probably yours) was to find ourselves all together again at Mad Cool in 2021,” they said in a statement.

“However, we would like to let you know we think this is the appropriate, sensible and right decision to make. Health is more important than anything.”

“[Mad Cool] would like to let you know we think this is the appropriate, sensible and right decision to make”

The fifth edition of Mad Cool will take place in 2022 from July 6–9. All purchased tickets for Mad Cool 2021 will be valid for the 2022 edition of the festival, while refunds and ticket changes will be available between 7–21 July.

A line-up announcement for 2022 is expected to be made before 7 July, with the organisers noting that “we are keeping as many artists as we can from 2021 and also adding some new ones so we can have the best line-up ever”.

The likes of The Killers, Haim and Cardi B had all been set to play at the 2021 edition of the event.

The cancellation of Mad Cool follows that of Bilbao BBK Live, which was called off on Tuesday (18 May) due to ongoing coronavirus restrictions.

The 15th anniversary of the Spanish event was due to take place between 8–10 July 2021, with the likes of The Killers, Pet Shop Boys, Supergrass and FKA Twigs.

“We appreciate [fans’] patience, and we share the same frustration for missing out on the festival yet again”

“First and foremost, a big thank you to all of you for your patience and resilience during these tough times,” a statement read.

“We feel your support now more than ever. As you can imagine, Bilbao BBK Live will not be held as originally planned nor on the scheduled date. We will have to wait a bit longer as the highly anticipated reunion is postponed to 2022.”

The post continues: “We appreciate your patience, and we share the same frustration for missing out on the festival yet again. All we can think about is how incredible the reunion is going to be after this long wait, and we guarantee it will be worth it.

We will return even more eager to celebrate and enjoy live music. See you next year!”

The line-up for Bilbao 2022 will arrive by 8 July.

 


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ESNS announces Spain focus for 2022

Spain will be the focus country for Eurosonic Noorderslag (ESNS) 2022, the Dutch conference and showcase event has announced.

Eurosonic typically puts the spotlight on a single European nation each year (Switzerland was the focus country in 2020) but opted instead to focus on Europe as a whole for this year’s virtual edition, which took place in January. In partnership with Live Nation Madrid and export initiative the Spanish Wave, ESNS 2022 will highlight the diversity of musical talent in Spain.

César Andión of the Spanish Wave/Live Nation says: “We are thrilled to bring to ESNS 2022 a great roster of panels and artists that will showcase the strength, quality and diversity of the Spanish music industry and future stars. For years Spain has had artists performing in Groningen, and professionals attending the conference, so it was about time that we became the focus country to show how professional, large and diverse Spain is for touring, releasing music and trade.

“We look forward to getting started on bringing an eclectic selection of new music to Groningen”

“The Spanish focus will join forces and work together with labels, promoters, media, festivals, artists and private and public agencies to make this special spotlight a success in business, networking and talent. The Spanish Wave showcase will bring a wide palette of young, emerging and talented acts from all over Spain to show what fresh, alive and exportable artists we have in our country. Thanks to ESNS for giving us the support and opportunity to do so.”

“The Spanish music scene has a lot to offer for the international market,” comments Robert Meijerink. “While there is a growing interest in music in the Spanish language in Europe and beyond, we’d like to focus on all its different regions and lively scenes, from emerging electronic acts to the new wave of indie bands hailing from the big cities, the islands and everything in between. Together with the Spanish Wave and Live Nation Madrid and their partners, we look forward to getting started on bringing an eclectic selection of new music to Groningen.”

Eurosonic Noorderslag 2022 takes place in Groningen, Netherlands, from 19 to 22 January. Artist applications open on 1 May; registration for delegates will open later this year. To pre-register, sign up here.

 


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Primavera Sound expected to expand for 2022 edition

Barcelona’s Primavera Sound is set to dramatically expand for its 20th-anniversary celebration in 2022, according to Reuters.

Reportedly, the festival will take place between 2–5 June and 9–12 June next year – double its usual length – and will host around 400 shows across two line-ups.

No decision has been made yet on whether to keep the new two-weekend format beyond 2022, according to Reuters sources.

Primavera organisers told IQ that they ‘could neither confirm nor deny’ the information.

In March, the flagship festival was cancelled for a second consecutive year due to the pandemic, shortly after the cancellation of sister festival NOS Primavera Sound, in Oporto, Portugal.

Primavera organisers told IQ that they ‘could neither confirm nor deny’ the information

As in 2020, all tickets remain valid for the delayed Primavera Sound 20 in June 2022. Ticketholders who would prefer a refund will be able to make a request from 2 June, when the 2022 line-up will be revealed.

Headliners for Primavera Sound 2021, which sold out in record time, were Gorillaz, the Strokes and Tame Impala, with FKA Twigs, Tyler the Creator, Iggy Pop and Disclosure also set to perform from 2 to 6 June.

Ahead of the 2022 event, Primavera Pro, the music industry conference, will take place in a ‘hybrid’ format (part physical, part online) from 2 to 4 June 2021.

Primavera Sound’s Primavera Weekender will also return, welcoming some 30 artists and around 1,000 attendees for the second edition of the resort festival in Benidorm, this November.

 


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Road to recovery: A timeline of pilot projects

In August 2020, Germany paved the way for live music pilot projects with Restart-19, an experiment which saw thousands of volunteers to take part in a concert at the Quarterback Immobilien Arena in Leipzig with singer Tim Bendzko.

Since then, similar experiments have popped up across the globe. From Spain to Singapore, test events with as few as 50 participants and as many as 5,000 have taken place to prove to authorities (and the world) that when it comes to safety and security, the live music industry knows what it’s doing.

Below is a timeline of the pilot projects that have taken place since late summer 2020 – all of which have proved, in one way or another, that the live entertainment sector can reopen safely under certain measures – as well as the tests that are on the horizon in 2021.

August 2020

Restart-19
When: 22 August 2020
Where: Quarterback Immobilien Arena, Leipzig, Germany
Who: University Medical Center of Halle
What they said: “[T]he contacts that do occur at an event do not involve all participants. Therefore, events could take place under specific conditions during a pandemic.”
Participants: 1,500

November 2020

Konzerthaus Dortmund (study)
When: 2–3, 20 November 2020
Where: Konzerthaus Dortmund, Germany
Who: Fraunhofer Heinrich Hertz Institute Goslar, ParteQ
What they said: “Concert halls and theatres are not places of infection. […] With our study, we want to ensure that concert halls and theatres may again admit sufficient audiences when they reopen.”

December 2020

Primacov
When: 12 December 2020
Where: Apolo, Barcelona, Spain
Who: Primavera Sound, Germans Trias Hospital, the Fight Aids and Infectious Diseases Foundation
What they said: “A live music concert, staged with a series of security measures that included a negative antigen test for Sars- CoV-2 done on the same day, was not associated with an increase in Covid-19 infections.”
Participants: 1,047

Philharmonie de Paris (study)
When: 16 December 2020
Where: Philharmonie de Paris, France
Who: Dassault Systèmes
What they said: “The combination of face masks with a fresh-air supply built into every seat gives the indoor Philharmonie a similar profile to that of an outdoor space, with a very limited risk of spread from one side [of the venue] to the other.”

Back to Live (SG)
When: 18–19 December 2020 Where: Sands Theatre, Marina Bay, Singapore
Who: AEG Presents, Collective Minds
What they said: “[T]he outcome of such pilots will be critical to our ongoing efforts to allow events of a larger scale to resume in a safe and sustainable manner.”
Participants: 500

February 2021

Because Music Matters
When: 10–14 February
Where: Rockhal, Luxembourg
Who: Rockhal
What they said: “Building confidence among all our stakeholders that live events are a safe environment is so important.”
Participants: 100 per night

Back to Live (NL)
When: 15, 20, 21, 28 February & 6, 7, 20, 21 March 2021
Where: The Netherlands
Who: Fieldlab Evenementen
What they said: “We can now show that we can organise events in a very safe way. […] We hope this can lead to a tailor- made reopening of venues.”
Participants: Varies between events

March 2021

Love of Lesbian
When: 27 March 2021
Where: Palau Sant Jordi, Barcelona
Who: Festivals per la Cultura Segura
What they said: The event had no impact on Covid-19 transmission among attendees, despite the lack of social distancing observed.
Participants: 5,000

The Berlin Philharmonic
When: 20 March 2021
Where: Chamber Music Hall, Berlin
Who: Pilotprojekt, Berlin department of culture
What they said: ‘Zero infections among the 1,000 people who attended the show is further proof that events can be organised safely during the ongoing coronavirus pandemic.’
Participants: 680

April 2021

Jonathan theatre performance
When: 26 April–9 May 2021
Where: Koninklijke Vlaamse Schouwburg (KVS), Belgium
Who: KVS and Belgium’s Ministry of Culture
What they said: “An important observation is that the CO2 value and the relative humidity have barely increased. We saw the figure increase from 500 ppm to 600 ppm, while the maximum permitted value is 1200 ppm. This is of course only a first indication.”
Participants: 50–250

May 2021

Events Research Programme
When: April/May 2021
Where: Sefton Park and Bramley-Moore Dock in Liverpool, Brit Awards in London, The Crucible Theatre in Sheffield and more
Who: Festival Republic, Circus, BPI, the Department for Digital, Culture, Media and Sport and more
What they said: “These test events will be crucial in finding ways to get fans and audiences back in safely without social distancing. We will be guided by the science and medical experts but will work flat out to make that happen.”
Participants: 300–21,000

TBC 2021

Denmark Trials
When: TBC 2021
Where: Denmark
Who: Dansk Live, Divisionsforeningen
What they said: “This should very much lead to a much-needed festival summer and many great concert experiences across the country in 2021.”

Paris test
When: TBC 2021
Where: Accor Arena, Paris
Who: Ministry of Health, Ministry of Culture, St Louis Hospital, Prodiss
Participants: 5,000

Marseille test
When: TBC 2021
Where: Dôme, Marseille
Who: The city of Marseille, Inserm, Béatrice Desgranges (Marsatac, SMA)
Participants: 1,000

 


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Barcelona to provide grants for summer 2021 shows

As part of ‘Barcelona Never Stops’, the Spanish city’s post-pandemic recovery plan, Barcelona city council has announced half a million euros’ worth of subsidies for ‘large-format’ concerts in the city this summer.

The €500,000 in grants will go towards the cost of promoting shows at two of Barcelona’s most celebrated open-air venues, the Parc del Fòrum (home to festivals including Primavera Sound and Cruïlla) and the Anella Olímpica (Olympic Ring), the complex built for 1992 Olympic games.

Jaume Collboni, first deputy mayor of Barcelona, says the grants aim to help the city “regain [its] leadership as the capital of live music in southern Europe”.

The concerts organised as part of the initiative, which must place at one of the two venues between 20 May and 30 September, will follow a Covid-secure format, taking place outdoors with social distancing and mask wearing, and are expected to have a capacity of between 1,000 and 3,000, says the council.

“Barcelona wants to regain leadership as the capital of live music in southern Europe”

To be eligible for a grant, promoters must have a confirmed date at one of the venues, after which they will be reimbursed 40% of the costs of the show. Grants will be given on a first-come, first-served basis until the €0.5m fund is exhausted.

Application forms may be downloaded from the Barcelona City Council website.

The Association of Music Promoters (APM) welcomes the announcement, with spokesperson Tito Ramoneda saying the subsidies show that Barcelona is serious about retaining its crown as a music capital.

“This is very good news,” says Ramoneda. “Barcelona has historically been a city that has welcomed music in all senses; undoubtedly music is part of its identity. It it is a very powerful sector economically speaking – therefore, it must be protected and a path to normality sought.”

 


This article forms part of IQ’s Covid-19 resource centre – a knowledge hub of essential guidance and updating resources for uncertain times.

Get more stories like this in your inbox by signing up for IQ IndexIQ’s free email digest of essential live music industry news.