Ticketing platforms claim market-firsts
Amsterdam venue Paradiso and TicketSwap are claiming the first 100% face-value price cap for ticket resale in the Netherlands.
The new partnership ensures that tickets for Paradiso events can only be resold at their original purchase price (excluding service costs) or less, preventing price inflation and “supporting Paradiso’s mission as a non-profit organisation to make arts and culture accessible to a wide audience”.
To make the buying and reselling of tickets as seamless as possible, TicketSwap is integrating with Paradiso’s primary ticketing provider See Tickets Benelux.
“With rising costs for artists to go on tour and a possible VAT increase in 2026, ticket prices are under pressure. Visitors can only spend their money once and increasingly have to make
choices,” said Erik Luyten, Head of Ticketing, ICT & Data at Paradiso.
“Our partnership with TicketSwap ensures that we can keep prices low on their platform, while sellers can still earn back the full price they paid. Through TicketSwap’s SecureSwap technology, we can also guarantee that tickets resold on their platform are valid for admission. Tens of thousands of tickets per year for Paradiso events have already been sold via TicketSwap, from now on safer and more fairly priced than before.”
“With rising costs for artists to go on tour and a possible VAT increase in 2026, ticket prices are under pressure”
Elsewhere, Platinumlist says it is introducing the Middle East and North Africa’s first fan-to-fan ticket resale on its app.
The feature – which is already live in the UAE, Saudi Arabia, Qatar, Bahrain, and Oman – allows users to securely buy and sell tickets within the app marketplace.
In October, Platinumlist moved to combat fraud by transitioning from traditional PDF tickets to QR code technology called SafeTickets. The two new offerings have now been integrated.
Elsewhere, CTS Eventim and TikTok have rolled out their ticketing feature in Spain after launching the partnership in Germany earlier this year.
The feature will enable fans to discover live events and buy tickets through Eventim Spain’s platform Entradas.com from within the TikTok platform.
Any artist or content creator with more than 1,000 followers will be able to promote tickets to concerts, plays, musicals, festivals, exhibitions or sporting events in their TikTok videos.
“We seek to connect users with artists through the language of social media,” said Susana Voces, Managing Director of Eventim Spain. “This collaboration represents a step forward in the innovation of the ticketing sector, uniting technology, social media and live entertainment to offer fans a more direct and simple experience.”
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Charity gig raises €775k for Spanish flood victims
A charity concert held in Barcelona has raised €775,000 for victims of the Spanish flooding disaster.
Barcelona amb València took place at Barcelona’s Palau Sant Jordi on 29 November, with tickets priced between €38-80, and attracted almost 15,000 people.
The event, which was coordinated by Barcelona-based promoter TheProject, featured acts such as Joan Manuel Serrat, Estopa, Andrea Motis, Judit Neddermann and Lucia Fumero.
The concert was co-organised by Barcelona City Council and the Generalitat with the support of ARC (Professional Association of Representatives, Promoters and Managers of Catalonia), ASACC (Association of Concert Halls of Catalonia) and APM (Association of Music Promoters). Donations can still be made here until 5 December.
The Spanish sector also united for the sold out Music from the Heart benefit gig at Madrid’s WiZink Center (cap. 17,456) on 24 November. Performers included Amaral, Arde Bogotá, Dani Fernández, David Bisbal, Hijos de la Ruina (Natos, Waor & Recycled J), Malú, Manuel Carrasco, Pablo Alborán, Raphael, Rozalén, Sole Giménez, Vanesa Martín and Viva Suecia.
Promoter Pino Sagliocco is teaming with Teatro Pereyra Ibiza to present a further charity gig on 14 December
Collaborators included Valencia-based promoter The Music Republic, as well as other Spanish event organisers, record labels, artist managers and music associations. The amount raised from the show is yet to be confirmed.
Meanwhile, Live Nation Spain president Pino Sagliocco is teaming with Teatro Pereyra Ibiza to present a further charity gig: Ainhoa Arteta and Ramón Vargas together for the DANA. The show will be held at the theatre on 14 December.
The fundraisers come in the wake of the weather phenomenon known as DANA (Depresión Aislada en Niveles Altos), which caused the deadliest flooding catastrophe to hit Europe in 50 years and led scores of events to be cancelled.
Valencia was the hardest-hit region, with the death toll exceeding 200, with fatalities also reported in the Castilla La Mancha region and Andalusia. Valencia’s live music industry reported material losses exceeding €5 million and the cancellation of 300 concerts and festivals.
The Valencian Federation of the Music Industry, which represents 60 companies including venues, promoters, artistic agencies and festivals, has requested the creation of a short, medium and long-term recovery plan that includes financial aid, logistical support and fiscal measures that allow the reactivation of the sector.
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Promoter fines over Bernabeu concerts reach €1.5m
Fines imposed on concert promoters for breaching noise limits at Real Madrid’s Santiago Bernabéu Stadium have reached €1.5 million, according to Spain’s Association of Musical Promoters (APM).
Gigs at the venue have been suspended since September following noise complaints from neighbouring residents.
According to a recent report by El Pais, all 16 concerts held at the stadium since April exceeded the 58 decibel limit, prompting fines from the city council ranging between €17,000 and €280,000. Penalties have included €142,000 and €146,000 for producers of Taylor Swift’s two Eras concerts in May, which were slammed as “disproportionate” by one promoter.
“We also did not manage to find out the criteria for the sanction,” they added.
Furthermore, the APM says the penalties were handed out despite the shows being held “under current regulations and with the corresponding permits”. The trade body also referred to its previous statement, insisting that responsibility for non-compliance lies with the stadium and the authorities.
The Bernabéu only reopened for concerts in April following a €1.76 billion renovation. As well as two nights with Swift, it hosted a record four-night stint by Karol G in July, plus performances by the likes of Duki, Manuel Carrasco, Luis Miguel and Aitana.
“Real Madrid is working actively, together with the Community of Madrid and the Madrid City Council, for sustainability and coexistence”
The APM, which represents around 100 members, says the sanctions have had a “negative impact on Madrid’s economy and cultural image as a destination for large-scale events”.
“Since April 2024, penalties have increased both in number and amount, directly affecting the sustainability of live music in Madrid,” adds the organisation. “This increase not only represents a serious detriment to the promoter companies, but also to the entire music industry, which generates a multi-million dollar economic impact in the capital, benefiting sectors such as hospitality, tourism and commerce.
“The APM stresses the importance of ensuring a framework that allows for coexistence between live music and local residents, ensuring the sustainable development of culture in Madrid. It also reiterates the need to establish measures that reinforce the infrastructure and acoustic conditioning of venues to avoid new conflicts that compromise the viability of the industry.”
Cancelled shows included headline performances by Dellafuente, Aitana and Lola Índigo, as well as K-pop’s Music Bank World Tour. Índigo announced a rescheduled date at the venue this week for next June, only for it to be quickly pulled, with the club saying they were still working with the council on soundproofing measures.
“At the present time, the club is not in a position to confirm any dates for the holding of concerts at the Santiago Bernabéu stadium until the relevant tests are carried out to ensure that the promoters of the concerts will be in a position to comply with the regulations, once the measures put in place in coordination with public administrations have been implemented,” says a statement from Real Madrid.
“We would like to reiterate that Real Madrid is working actively, together with the Community of Madrid and the Madrid City Council, for sustainability and coexistence, so that the activities at the Santiago Bernabéu stadium are carried out with full respect, not only for the law, but also for the environment and the neighbourhood.”
“We simply rent out the stadium and I would like you to know that the income from this would be around 1% of our annual budget”
The five-year renovation project was led by L35 Architects in collaboration with GMP Architekten and Ribas & Ribas, with British firm Arup appointed to “deliver architecture, façade engineering, acoustic and lighting design services to enhance the fan experience and future proof the facility”.
Arup, which had not responded to a request for comment at press time, has reportedly again been enlisted by the club to carry out acoustic studies as it seeks to make the stadium compliant with Noise and Thermal Pollution Ordinance (OPCAT) regulations by next June.
Real Madrid president Florentino Pérez played down the dispute at last week’s members’ meeting, claiming the organisation of concerts was “not a particularly lucrative activity” for the reigning European football champions.
“We simply rent out the stadium and I would like you to know that the income from this would be around 1% of our annual budget,” he said.
Elsewhere in Madrid, the Riyadh Air Metropolitano – home of Real’s city rivals Atlético Madrid – has already confirmed eight concerts for 2025, including Ed Sheeran, Imagine Dragons and Stray Kids.
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Ticketmaster Spain reports 15% hike in live music sales
Ticketmaster Spain has reported a 15% increase in the sale of tickets to live music events compared to 2023.
An analysis of live music fans in Spain was presented by Reyes Sáenz de Juano, sales and marketing director of Ticketmaster in Spain, at the company’s recent Live Music Observatory.
De Juano revealed that the average expenditure per ticket amounted to €84, a 5% hike compared to €80 last year. Per transaction, buyers spend an average of €184, 3% more than in 2023.
The company found that the majority of live event ticket buyers reside in Madrid (39%), while 17% come from Catalonia and 9% from Andalusia. They are between 45 and 54 years old (26%), followed by the 25–34 age group (24%), the segment where transactions are increasing the most, specifically 30% compared to 2023.
Urban music is the musical genre that is seeing the biggest growth – 82% compared to the previous year
Live event tourism is also on the rise, representing an average of 12% of the total number of attendees, with the majority coming from the United Kingdom (16%), France (15%) and the United States (12%).
Urban music is the musical genre that is seeing the biggest growth – 82% compared to the previous year. Artists such as Dellafuente, Morad, Duki, Feid and Milo J have boosted ticket purchases by young people thanks to, among other factors, the Cultural Bonus. This is followed by Latin music, which is growing by 25%, driven by artists such as Karol G and Luis Miguel.
Likewise, VIP tickets represent 4% of tickets sold, while in 2023 they were purchased by 1.60% of the public. De Juano says this is an upward trend “since fans are willing to invest more money to enjoy an experience with greater added value”.
Ticketmaster Spain’s FAN to FAN ticket exchange platform was activated at 95% of this year’s events, including Taylor Swift, Ed Sheeran and Metallica.
Spain’s live music industry was valued at around €4.2 billion in a recent report, conducted by Sympathy For The Lawyer and Incentiva. Read more here.
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Pandemic legacy? Europe hails domestic artist boom
The Covid effect has been credited for triggering a boom in the popularity of domestic acts in markets around Europe.
In one of the more positive legacies of the pandemic, homegrown talent stepped up to fill the void left by international artists, who were taken out of the touring equation for the best part of two years. And more than two years since the world opened up again, the shift looks to be sticking.
The trend is no more pronounced than in Scandinavia, where Swedish rapper Ant Wan performed the biggest hip-hop concert in the country’s history last month after selling in the region of 40,000 tickets for his Stockholm’s Tele2 Arena gig, promoted by FKP Scorpio Sweden.
Meanwhile, David Maloney of All Things Live Sweden pointed to the “amazing business” of the company’s tours with local acts such as Veronica Maggio, HammerFall and Evergrey.
“The domestic market in Sweden now is bigger than it’s ever been,” Maloney recently told IQ. “That’s something we are really concentrating on now.”
“We’ve seen a big change with Danish acts playing bigger venues than they used to”
In neighbouring Norway, recent All Things Live (ATL) shows have included Girl In Red and Sundfør at Oslo’s Spektrum – as well as 30th anniversary-celebrating Klovner I Kamp in Torshovdalen park in Oslo in August.
“Domestic artists are doing very well,” said ATL Group CEO Gry Mølleskog. “We have just sold 75,000 tickets for Åge Aleksandersen in Trondheim [at Lerkendal Stadion] next year. He is a legend – the whole of Norway loves him so much, and he is also playing big outdoor shows in several cities, including Oslo [Voldsløkka] and Bergen [Bergenhus Fortress].”
Mølleskog also highlights solo artists Ingebjørg Bratland and Odd Nordstoga, who joined forces again to play 120 concerts in Norway in the past year and have announced a Christmas tour, and veteran Sámi singer Mari Boine.
Elsewhere in Denmark, Brian Nielsen, CEO of DTD Group hailed the ascent of Aarhus-born Tobias Rahim, who topped Denmark’s singles charts for nearly 40 weeks with his second album, as “an Ed Sheeran-type story”. Rahim went on to headline Copenhagen’s 17,000-cap Royal Arena and land prominent slots at key Danish festivals Tinderbox, NorthSide and Roskilde.
“As a new artist, he went straight to arenas from airplay,” Nielsen told IQ. “With the way the audience is finding new music, primarily via streaming, the movement is so much faster. We’ve seen a big change with Danish acts playing bigger venues than they used to, and Tobias is a really strong example.”
“I don’t know if that hailed out of Covid, but the local scene is stronger than ever”
The fresh wave of Danish talent also includes artists such as D1MA, Andreas Odbjerg, Drew Sycamore, Blæst, and rappers including Gobs, TopGunn, and Lamin.
“It’s golden days for Danish artists coming up,” added smash!bang!pow! senior promoter Xenia Grigat. “I don’t know if that hailed out of Covid, but the local scene is stronger than ever. It doesn’t mean there isn’t room for international artists, but if you look at the top 20 tracks on radio or in the charts, it will probably be 80% Danish artists. And, of course, there is a high demand from festivals for those artists, but it also means that for [up and coming] Danish acts, there is a huge focus on trying to find the next big thing.”
In addition, Italian musician Gabry Ponte will become the first DJ to headline Milan’s 80,000-cap San Siro Stadium in June next year, with other domestic stadium artists including Vasco Rossi, Marco Mengoni, Elisa and Negramaro.
Spain has also produced homegrown stadium headliners such as Dellafuente, Aitana and Lola Índigo and Estopa, while the country’s best-selling tours last year were all by Spanish artists: Manuel Carrasco (365,652 tickets sold), Melendi (308,258) and Joaquín Sabina (253,809 tickets).
“Traditionally, promoters used to hire much more international artists, specifically Anglo-Saxon ones,” Concert Studio’s Carlos Pérez told IQ last year. “However, after the pandemic, the work of national artists is highly valued. In fact, they occupy a large part of the lineups of our festivals.”
“They are selling pretty well – like, 80% sold out in some cases”
Speaking earlier this year, Sara Kordek, creative director of Poland’s Good Taste Production, noted the company had 30 arena shows announced for domestic acts like Mrozu, Daria Zawiałow, Kwiat Jabłoni, and Ralph Kaminski.
“Last year, we were doing club tours with these artists, and then we put them on our Summer Sounds project, our travelling festival, and now we have announced arena tours for spring, and they are selling pretty well – like, 80% sold out in some cases,” said Kordek.
In Germany, Schlager singer Roland Kaiser drew more than 400,000 visitors to his 2024 shows, selling out 20 concerts including stadium shows in Leipzig, Cologne, Rostock and Hanover, while hip-hop stars such as Luciano, Apache 207, Kontra K and Bushido have risen to arena level.
Luciano will tour arenas in Cologne, Hanover, Hamburg, Munich, Frankfurt, Stuttgart and Berlin in late 2025, whereas Apache 207 concluded a 24-date tour of Germany, Austria and Switzerland earlier this year, hitting the biggest German arenas, typically for two to three nights each.
Pashanim, Ski Aggu, Luciano, and Apache 207 have all scored number one singles in Germany this year, while Luciano and Alligatoah have both released chart-topping albums.
“A lot of German hip-hop artists already have very good fanbases and a good market playing in Germany, Austria and Switzerland”
Promoters including DreamHaus, All Artists Agency, and Landstreicher Booking are among those to have nurtured the genre as it has exploded over the past decade, with DEAG going as far as to spin off its hip-hop booking division into a standalone brand called District Live. Led by Alexander Handwerker, it focuses on booking for up-and-coming hip-hop talent, and sold 70,000 tickets in its first year.
“Germany is also a very big market in itself,” added Neus López, head of export at German music funding institution Initiative Musik. “So a lot of German hip-hop artists already have very good fanbases and a good market playing in Germany, Austria and Switzerland.”
And French hip-hop acts are now selling tickets in France on a par with some of the biggest international acts. Local promoters suggest the country is the second-biggest market for hip-hop in the world after the US, driven by an especially vibrant local rap scene.
The domestic artist boom has been charted by IQ‘s regular market reports. Subscribers can read our latest edition, which focuses on Norway, here.
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Valencia’s live biz counts cost of flooding disaster
Valencia’s live music industry has reported material losses exceeding €5 million due to the recent catastrophic floods in the region.
Valencia was the hardest-hit region in Spain’s worst flooding disaster in modern history and the deadliest to hit Europe in 50 years.
At least 224 have died due to the weather phenomenon, known in Spain as DANA (Depresión Aislada en Niveles Altos), with the vast majority of those tragedies in Valencia.
The disaster has also had a ‘profound impact’ on the live music industry, according to preliminary data collected by the Valencian Federation of the Music Industry.
Over 30 companies operating across the supply chain have reported more than €5m in losses and the cancellation of 300 concerts and festivals.
Cancellations in November are said to represent a direct loss of €1.7m but the total economic impacts on the Valencian economy amount to €35.2m in sales not made by companies, €9.2m of GDP loss and the loss of 310 jobs.
Over 30 companies reported an excess of €5m in losses and the cancellation of 300 concerts and festivals
It is estimated that the total impact could be much higher, as the damage to public spaces dedicated to music, such as auditoriums and municipal theatres, has not yet been quantified, nor has the impact on music education in schools, music societies and conservatories in the area.
The Valencian Federation of the Music Industry, which represents 60 companies including venues, promoters, artistic agencies and festivals, has requested the creation of a short, medium and long-term recovery plan that includes financial aid, logistical support and fiscal measures that allow the reactivation of the sector.
Meanwhile, the Spanish sector is uniting for a benefit gig at Madrid’s WiZink Center on 24 November in aid of those affected worst by DANA.
Music from the Heart will feature artists such as Amaral, Arde Bogotá, Dani Fernández, David Bisbal, Hijos de la Ruina, Malú, Manuel Carrasco, Pablo Alborán, Raphael, Rozalén, Sole Giménez, Vanesa Martín and Viva Suecia.
A separate charity concert, Barcelona amb València, will take place at Barcelona’s Palau Sant Jordi on 29 November. Tickets are priced between €38-80 for the event, which will star Joan Manuel Serrat, Estopa, Andrea Motis, Judit Neddermann and Lucia Fumero.
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Superstruct strikes deal with Riff Producciones
Superstruct Entertainment has signed a partnership and investment agreement with Spanish promoter Riff Producciones, it has been announced.
Co-founded in 1994 by Carlos Espinosa and Chris Ortiz, Riff has brought several major international draws to Spain, including Bob Dylan, Los Lobos, Paul Simon, Mark Knopfler, John Fogerty, Iron Maiden and Joe Satriani.
The Andalusia-based firm also books a handful of Spanish artists and organises several festivals including I Like Festival and Eutopía in Cordova, Musicians in Nature in Castilla y León and Blues Cazorla in Jaén.
Superstruct, which has interests in 23 Iberia-based festivals such as Arenal Sound, Benicàssim and Sónar, says it will support the development and growth of Riff with its resources and international experience. Riff’s current team will continue to manage the company.
“We are delighted to add Riff Producciones to our global network,” says Roderik Schlösser, CEO of Superstruct Entertainment.
“This alliance with Superstruct is a recognition of the work and effort of our team over the years”
“Their legacy of excellence and commitment to quality in event production in Spain is unmatched, and together we will be able to continue offering unforgettable experiences to millions of people.”
Espinosa, director of Riff Producciones, adds: “This alliance with Superstruct is a recognition of the work and effort of our team over the years. We share a common vision of raising the standards of live music and we are sure that this union will open new doors to continue creating unique shows in Spain and the rest of the world.”
Last month, private equity firm CVC secured a stake in Superstruct just weeks after KKR’s acquisition of the festival behemoth was given the green light.
Fellow global investment giant KKR, whose interests include music company BMG, acquired Superstruct from Providence for €1.3 billion in June – a deal that was approved by the European Commission last month.
Superstruct owns and operates over 80 music festivals across 10 countries in Europe and Australia, including Wacken Open Air, Parookaville, Tinderbox, Sónar, Øya, Benicàssim, Kendal Calling and Boardmasters. It was founded in 2017 by Creamfields founder and former Live Nation president of electronic music James Barton and Roderik Schlosser while at Providence.
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WiZink Center to host Spanish flooding benefit
The Spanish music sector is uniting for a benefit gig in aid of those affected by the worst natural disaster in the country’s modern history.
Music from the Heart will take place at Madrid’s WiZink Center on 24 November, featuring artists Amaral, Arde Bogotá, Dani Fernández, David Bisbal, Hijos de la Ruina, Malú, Manuel Carrasco, Pablo Alborán, Raphael, Rozalén, Sole Giménez, Vanesa Martín and Viva Suecia.
It follows the weather phenomenon known as DANA (Depresión Aislada en Niveles Altos), which caused the deadliest flooding catastrophe to hit Europe in 50 years and led scores of events to be cancelled.
Valencia was the hardest-hit region, with the death toll exceeding 200, with fatalities also reported in the Castilla La Mancha region and Andalusia.
Collaborators include Valencia-based promoter The Music Republic
The charity concert has the support of the Generalitat Valenciana and the Community of Madrid, which owns the 17,456-cap WiZink Center. Collaborators include Valencia-based promoter The Music Republic, as well as other Spanish event organisers, record labels, artist managers and music associations.
Tickets go on sale today (8 November), with prices starting at €30. All profits raised, plus any additional income from the show, will go to the Som Solidaritat platform of the Generalitat Valenciana, which will channel aid to flooding victims. A phone line will also be set up for further donations.
Operator Baila.fm will not charge a commission and will “assume the transaction costs to ensure that 100% of the proceeds reach their destination”.
Elsewhere, a sold-out fundraising concert in Austria on 26 October, organised by Barracuda Music, held at Arena Nova in Wiener Neustadt, raised €250,000 for victims of the recent Austrian floods resulting from Storm Boris.
And in the US, Luke Combs’ Concert for Carolina at Charlotte’s Bank of America Stadium raised $24.5 million for the Hurricane Helene relief effort.
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Festival promoters capitalise on ‘golden era’ of EDM
European festival organisers are capitalising on the growth of electronic dance music (EDM) with new dedicated events.
Next year, Primavera Sound Porto in Portugal will hold an extra day on Sunday 15 June dedicated to EDM – the lineup and details of which are yet to be announced.
The 12th edition of the festival will return to the city’s Parque da Cidade between 12–15 June 2025, the week after Primavera Sound Barcelona.
Charli XCX, Central Cee, Jamie xx, Beach House, Deftones, Fontaines DC, HAIM and Turnstile are among the acts that were today confirmed for Primavera Sound Porto 2025.
Elsewhere, FEST Team is planning to launch Bulgaria’s first major EDM festival in Sofia next summer.
Belgian DJ and record producer Lost Frequencies is the first confirmed headliner for the three-day event, named Aura.
Having brought international EDM stars such as Armin Van Buuren, Dimitri Vegas & Like Mike to the market, FEST Team CEO Stefan Elenkov told IQ that he’s banking on the genre.
“I really believe we will be recognised as the company that organised the best EDM party in the country,” he says.
The global dance music business saw 17% revenue growth in 2023 to a valuation of $11.8bn
Meanwhile, Belgium has gained a new five-day festival and conference dedicated to EDM called Abrupt.
The inaugural edition took place in Brussels earlier this month and comprised seven concerts, six club nights and numerous debates and workshops.
Organised by the non-profit Arty Farty Brussels, the festival took over iconic music venues and clubs such as Botanique, the C12, Bozar and the Ancienne Belgique.
The increasing popularity of EDM is not just underscored by new events but also by the growth of pre-existing ones.
C2C Festival in Turin, which has spawned 22 editions, has gone from strength to strength in recent years.
Organisers yesterday (6 November) reported the highest attendance yet for the 2024 edition, which was the third consecutive sell-out.
This growth is further evidenced by the IMS Business Report 2024, which declared a ‘golden era’ for the global dance music business after 17% revenue growth in 2023 to a valuation of $11.8bn.
Take a closer look at key numbers and trends that are shaping the global electronic music scene here.
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Latin star smashes WiZink Center attendance record
Mexican music star Carin León has broken the attendance record at WiZink Center in Madrid with his debut performance in Europe.
The Latin Grammy-award-winner drew 17,426 people to his 31 October concert, achieving the highest attendance of more than 1,200 concerts held at the iconic venue.
The record sees 35-year-old León unseat American heavy metal band Metallica, who held the previous record for 17,267 attendees at their 2018 concert at WiZink Center.
León’s concert in Madrid was the first stop on the European leg of his Boca Chueca Tour, which also visited London (UK) and Amsterdam (NL) and concludes tonight in Paris (FR).
The record sees 35-year-old León unseat American heavy metal band Metallica
The AEG Presents-promoted trek also visited 23 cities in North America between July and October, and included a stop at Madison Square Garden in New York.
The tour came on the heels of the star’s historic achievement as the first Latin artist to perform at Coachella Valley Music and Arts Festival and Stagecoach Festival in the same year. In addition, León was honoured with the keys to the City of Coachella, California.
The Música Mexicana star is due to return to North America in April 2025 for two arena shows in Florida and another in North Carolina.
Carin León is represented by UTA worldwide, except in Latin America.
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