China’s STORM Electronic Music Festival is to be resurrected as part of the inaugural “Shanghai Summer” International Consumption Season.

Running from July until mid-October, Shanghai Summer is being launched by Shanghai Municipal People’s Government to help attract international tourists to the city. It will include more than 100 events, including concerts, music festivals, cultural performances, art exhibitions and major sports.

Hailed as “the largest and the most influential local electronic music IP in China”, STORM is booked for Citizen Sports Park in Shanghai from 2-3 October. The festival brand was founded by Eric Chow of A2LiVE in 2013.

Starting out in Shanghai, STORM was aligned with the IMS Asia-Pacific conference and ran for five years, expanding to eight other Chinese cities and debuting an Australian spin-off at The Crescent in Sydney in 2017. DJs such as The Chemical Brothers, Axwell & Ingrosso, Marshmello, Kygo and Afrojack starred during its most recent edition.

While details of its return are currently scarce, it promises “a star-studded lineup, stunning stage production, interactive experiences and spectacular fireworks displays”. Both local and international acts are set to feature.

“STORM strongly believes in collaborations and aims to nurture the EDM culture with up-and-coming new talents”

“STORM strongly believes in collaborations and aims to nurture the EDM culture with up-and-coming new talents,” states the Shanghai Summer guidebook.

Other notable events being held under the Shanghai Summer banner are the Civilisation of Ancient Egypt Exhibition, Shanghai International Cruise Festival, City Walk Pro: Experience Shanghai Now, Shanghai Tourism Festival, Shanghai International Light Festival and ATP 1000 Shanghai Masters.

Global partners include China Mobile, China Telecom, China Eastern Airlines, Bailian Group, Jinjiang International, Ctrip, Marriott International and Cathay Pacific.

According to a press release, more than two million foreign visitors entered Shanghai through its ports from January to June this year – about 2.8x more than the same period last year.

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StubHub has revealed plans to close its San Fransisco and Shanghai offices by the end of the year, and lay off the majority of employees based in each location.

According to CEO Eric Baker, the decision comes as the ticket resale platform looks to optimise and streamline its operations following Viagogo’s takeover of the company.

Baker says that the business will focus on building its new offices in New York and Los Angeles and using these locations as key hubs for in-person work.

StubHub announced the news via a post on LinkedIn, which included a copy of the letter that Baker sent to employees.

The CEO wrote: “This is never easy news to share. Those who are impacted by these changes have already been contacted by our People Team about their individual departure plans.

“To the team that remains, it’s growth time”

“We are grateful for the contributions of these employees and wish them well as they go on to their next chapters.

“To the team that remains, it’s growth time. Moving forward, our work will focus on in-person participation in our offices around the world, which – in addition to LA and NY – will still include locations in Utah, Switzerland, Ireland and Taiwan.”

In September last year, Switzerland-headquartered Viagogo got the green light from the UK Competition and Markets Authority (CMA) to complete its takeover of StubHub.

The deal was approved after it was agreed that StubHub would sell its business outside of North America – including the UK – to investment firm Digital Fuel Capital LLC for an undisclosed sum.

Viagogo originally agreed the purchase of eBay’s ticketing division StubHub for $4.05bn in cash in February 2020.

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Chinese post-punk band Re-Tros made history on Saturday 22 May with the biggest rock show in China since the beginning of 2020.

The sold-out concert, promoted by Live Nation, saw Re-Tros (Rebuilding the Rights of Statues) performing to 10,000 people at the Mercedes-Benz Arena in Shanghai. The production centred on a unique triangular stage that reflected the band’s logo, with the two-hour show also divided into three parts or ‘chapters’.

The band, who formed during the Chinese indie-rock renaissance of the mid-2000s, played some of their biggest hits, including ‘Momentarily Out of Mind’, ‘Pigs in the River’, ‘Billy Cannot Stop’ and ‘My Great Location’, closing with ‘Sounds for Celebration’.

“The show tonight was just a beginning for … all of us who are here for the return to live”

Edward Liu, managing director of Live Nation China, says: “Like the closing song itself, the show was a momentous celebration of sound, and there is no greater joy than that of live music and seeing fans connect with their favourite artists.

“It’s been four years since the last time we saw Re-Tros on stage for a headline show and tonight was and unprecedented, ingenious and a spectacular display of Chinese rock music that will go down in history. The show tonight was just a beginning for Re-Tros and all of us who are here for the return to live.”

As of 31 May, China – where Covid-19 originated – had just 14 new cases of the coronavirus.

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EDM festival juggernaut Electric Daisy Carnival (EDC) will touch down in China for the first time this April, promoter Insomniac has announced.

In partnership with local promoter Zebra Entertainment Enterprise, Live Nation-owned Insomniac will transform Shanghai’s International Music Park with “awe-inspiring stages, incredible laser and light displays, imaginative theatrical performers and world-renowned dance music artists” for the inaugural EDC China on Sunday 29 and Monday 30 April.

“To bring EDC halfway around the world is a milestone for our entire Insomniac family,” says Pasquale Rotella, founder and CEO of Insomniac. “China marks EDC’s sixth international location, and I’m excited to connect and create beautiful new moments with the country’s passionate and ever-growing dance music community.”

Insomniac’s flagship EDC Las Vegas festival welcomes more than 400,000 fans over three days each year, with international events including past and present EDCs in Mexico, India, Brazil, the UK and Japan.

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Electric Zoo: Countdown Shanghai, the first iteration of the electronic dance music (EDM) festival in mainland Asia, has been hailed as a success by promoter Made Event after selling out in its maiden year.

The festival, which joins the flagship event in New York and spin-offs in Mexico and Japan, took place last Saturday (12 November) at Shanghai’s Expo Park (pictured) and was headlined by Sander van Doorn, Dada Life and Oshi.

After selling out its entire allocation of 5,000 tickets, SFX-owned Made’s director of marketing, Michael Julian, says the festival will return bigger and better in 2017.

“Local fans have really inspired us with their endless energy, big warm smiles and groovy dance moves. We can’t wait to return and produce a bigger version of our festival next year”

“We are very humbled that the very first Electric Zoo show in Shanghai has sold out,” he comments. “Local fans have really inspired us with their endless energy, big warm smiles and groovy dance moves. We can’t wait to return and produce a bigger version of our festival next year.”

Electric Zoo New York, on Randall’s Island, posted its highest audience figures since 2013 this year, despite ongoing financial problems for parent company SFX Entertainment.

China has the potential to be a huge growth area for Western promoters: A Nielsen study found in February wealthy Chinese are more willing to spend on live music than the average American.

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Electric Zoo, Made Event’s New York EDM festival, is following Electric Daisy Carnival to mainland Asia with the launch of its first event in China.

Electric Zoo: Countdown Shanghai, which takes place on 12 November at Shanghai Expo Park, will be produced in partnership with Shanghai-based distribution/promotion outfit Kanjian. No line-up has yet been announced, although SFX-owned Made promises “world-class artists and performers”.

“Following the success of Electric Zoo New York 2016 we felt the perfect next move was to continue the expansion of the festival to new markets,” says Adam Richman, festival director and Made Event’s senior vice-president in New York. “We couldn’t have picked a more exciting market – Shanghai – or a better partner, Kanjian. Electric Zoo Countdown is the perfect introduction of our brand to China and will be the stepping stone to bigger editions of Electric Zoo throughout Asia.”

“Electric Zoo Countdown is the perfect introduction of our brand to China and will be the stepping stone to bigger editions of Electric Zoo throughout Asia”

The festival recently expanded to Japan and, closer to home, Mexico.

“Kanjian, meaning ‘to be seen’, is committed to bringing the world’s best music to China,” adds Kanjian’s CEO, the ominous-sounding Mr Shen. “The music industry is about to take a tremendous leap forward in the name of EDM, and we’re proud to lead the way and introduce the world-class Electric Zoo experience to China. In close cooperation with SFX, one of the largest producers of live events and entertainment content, we aim to propel the festival to a whole new level.”

Here’s a poster:

At the time of its bankruptcy in February, SFX owed Made Event around US$10 million.

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