No new infections from Clubculture Reboot Berlin
The organisers of Berlin’s Clubculture Reboot have welcomed what they describe as positive interim results from the recent pilot event series, which saw around 2,000 people attend indoor club nights at six venues after taking PCR tests for Covid-19.
According to Clubcomission, the association which organised the event alongside the Berlin Senate’s department for culture and the Charité hospital, there were zero new infections as a result of the event, proving once again that “dance [music] events may be held safely even under pandemic conditions”.
Participants in Clubculture Reboot, which took place from 6–8 August across six Berlin clubs, needed to produce a negative PCR test to gain entry, as opposed to the rapid lateral-flow/antigen tests more commonly used for concerts and festivals.
All clubgoers, regardless of their vaccination status, had to go undergo a PCR test – the ‘swab test’ which is more accurate than a rapid test, but which takes at least 24 hours to return its results – at one of three designated test centres in the 48 hours leading up to the weekend’s events.
“The project offers real [guidelines] for the opening of clubs, even if infections and hospitalisations rise sharply in autumn”
Of the 2,110 people who were tested pre-event, seven were turned away after testing positive, and all attendees who submitted to follow-up PCR test (1,447 people, or almost 70%) tested negative for the virus. While the full results are expected at the end of the month, the interim findings are welcome, says Clubcommissionc chair Pamela Schobeß: “The project offers real perspective for the opening of clubs, even if incidences [of Covid-19] and hospitalisations rise sharply in autumn.
“It proves that with this method, safe spaces can be created that make it possible to bring club culture to life even in a pandemic.”
Dr Florian Kainzinger, who designed the testing process, adds: “With this project we were able to show that PCR tests can also be implemented in a very short period of time from sampling to transmission of results. This enables new perspectives for a safe reopening even in high-risk areas.”
Berlin pilot project trials pre-entry PCR testing
Participants in a pilot event series held in Berlin over the weekend were asked to provide a negative Covid-19 PCR test, as opposed to the more common lateral-flow/rapid antigen tests becoming an increasingly common entry requirement as festivals and shows restart.
Clubculture Reboot, organised by Clubcommission, an association of Berlin nightclubs, as part of the city-backed Perspektive Kultur: Berliner Pilotprojekt Testing initiative, is the latest pilot scheme intended to demonstrate to German authorities that live events can be held safely “even under pandemic conditions”. Six clubs, the Kitkat-Club, SO36, Festsaal Kreuzberg, Crack Bellmer, Salon zur Wilden Renate and Metropol, and around 2,000 people participated in the pilotprojekt, which began on Friday 6 August.
All clubgoers, regardless of their vaccination status, had to go undergo a PCR test – the ‘swab test’ which is more accurate than a rapid test, but which takes at least 24 hours to return its results – at one of three designated test centres ahead of the weekend events. There were seven positive results out of the 2,200 tests administered, according to the city’s website.
“I’m totally blown away by how people are standing here with umbrellas in the Berlin rain and just want to get in here. It’s like being at a festival”
In addition to the weekend-long series of club nights, the Clubcommission, in partnership with the city of Berlin and the German Red Cross, is organising three ‘Long Nights of Vaccination’ (Lange Nächte des Impfens) at the vaccination centre in Arena Berlin (7,500-cap.) in Treptow. Taking place on 9, 11 and 13 August, the ‘long nights’ run from 8pm to 1am and combine live DJs with free BioNTech/Pfizer vaccinations for younger people.
Speaking to AFP, Sebastian Schwarz from Tiefschwarz, one of the seven acts who played on Monday 9 August, said: “It’s overwhelming, the empathy and the niceness with which people are working together here. I’m totally blown away by how people are standing here with umbrellas in the Berlin rain and just want to get in here. It’s like being at a festival.” According to Berlin’s ministry of health, 420 people were vaccinated on Monday alone.
Germany’s chancellor, Angela Merkel, said earlier this week that the country’s vaccination rate has fallen behind its neighbours and urged state and local governments to promote vaccines and make them easy to obtain.
No infections at multi-venue pilot in Leipzig
There were zero Covid-19 infections during a pilot event series held across nine venues in Leipzig in May and June, organisers announced today.
Comprising 17 events, ranging from club nights to cabaret and children’s shows, Modellprojekt Kultur/Reallabor Leipzig (Model Project [for] Culture/Real Laboratory Leipzig) was held between 26 May and 27 June and involved over 1,000 participants.
All events were held without face masks and social distancing, though all guests were tested for Covid-19 prior to entry, as well as after the shows. As of a week after the final event, no cases of Covid-19 had been detected by researchers from Leipzig University Hospital, the Max Planck Institute of Leipzig and Klinik St Georg, the series’ medical partners.
Participating venues included Academixer, Cammerspiele, Die Villa, Distillery, Kulturhof Gohlis, Moritzbastei, Schauspiel Leipzig, Thomanerchor/Thomaskirche und Werk 2.
A total of 400 people attended two of the 18 events, a two-night club event held at Distillery, with two people turned away beforehand after testing positive for the virus.
“The ball is now in the politicians’ court”
The Modellprojekt followers earlier pilot shows held in Leipzig, including the Restart-19 concert, the first major pilot event, which served as a model for other ‘test’ concerts internationally.
“We are pleased with the positive progress of Modellprojekt Kultur/Reallabor Leipzig,” says project coordinator Tobias Loy in a release. “We have gained insights into how a wide range of cultural events can be held easily and safely. The fact that we were even able to show how dance events can work safely without a mask and distance was an important step.
“The ball is now in the politicians’ court. The concepts are available and tested. Now these must also be permitted for normal event operations.”
Dr Stephan Borte from Klinik St Georg says pre-event testing will allow live events to go ahead safely this autumn and winter. “Similar projects are also feasible in schools and daycare centres and should be used instead of closing [them],” he adds.
Steffen Kache, board member of LiveMusikKommission and another coordinator of the project, adds: “For us club operators, this model project shows a way to keep operations going even in a pandemic. […] It gives the entire culture industry a perspective and scope for action.”
This article forms part of IQ’s Covid-19 resource centre – a knowledge hub of essential guidance and updating resources for uncertain times.
Paris test results: Concerts don’t pose extra Covid risk
The findings from a recent test concert in France show that attending a concert is not associated with an increased risk of transmission when certain hygiene and testing protocols are followed.
The clinical trial, organised by French live music association Prodiss and Paris hospital AP-HP under the banner ‘Ambition Live Again’, took place on 29 May at the Accor Arena (20,300-cap.) in Paris with DJ Etienne de Crécy and the band Indochine.
The trial compared the risk of contamination between two randomised groups: an experimental group of 4,451 people who attended the concert and a control group of 2,227 people who did not attend the concert.
In the first stage, 6,968 people took a rapid antigen test within three days of the concert. Of those, 290 people had ‘non-inclusion criteria’ – one of whom had a positive rapid antigen test – and were not allowed to participate in the experiment.
On the day of the concert, all participants had to present proof of their negative test at the entrance, either downloaded on the TousAntiCovid-Carnet app – which was trialled for the first time at a public cultural event – or in paper format.
Throughout the event, participants’ compliance with wearing masks was assessed by an artificial intelligence tool
The health protocols at the event included the continuous wearing of surgical masks by all participants, reinforcement of hand sanitisation, and optimised ventilation of the room. The bars/restaurants and the smoking areas were closed. Bottles of water were distributed at will.
Throughout the event, participants’ compliance with wearing masks was assessed by an artificial intelligence tool from images captured in real-time by cameras placed in the room thanks to a scientific collaboration with Datakalab.
During the four hours that attendees were present in the AccorArena, the overall compliance with wearing a mask was evaluated at 91%.
Seven days after the event, all participants were required to take a PCR test. The number of participants with a positive PCR test was eight among the 3,917 participants in the experimental group, compared to three among the 1,947 participants in the control group.
Among those eight participants in the experimental group, five were already positive on the day of the concert, excluding the possibility of contamination during the show. Some participants did not return their saliva samples or did not come to the concert.
Prodiss says that its primary aim now is to dissuade the government from a “stop and go” approach
In conclusion, the study showed a similar infection rate in people attending the indoor, standing concert while wearing a mask (0.20%) compared to the people not attending (0.15%). (The incidence rate observed in the study corresponds to the estimated incidence rate in France in the two weeks preceding the event.)
AP-HP is now submitting the analysed data from the study for publication in a peer-reviewed journal, while Prodiss has requested a meeting with the government to discuss next steps.
The association says that its primary aim now is to dissuade the government from a “stop and go” approach and avoid the live industry shutting down when the incidence rate goes up.
The Paris results follow similar positive data out of studies in multiple other European countries, all of which showed that live events do not pose a risk to public health while Covid-19 is still a threat.
10,000 enjoy moshing without masks at Download Pilot
The organisers of Download Pilot – the UK’s first major camping festival of its kind since lockdown – are hailing it a resounding success and are confident that the test will encourage government to green-light other summer events.
The specially created three-day festival took place over the 18–20 June weekend as part of the second phase of the UK government’s scientific Events Research Programme (ERP). The Download Pilot involved 10,000 metal fans welcomed to the hallowed grounds of rock in Donington Park to enjoy a fully-fledged festival experience with no social distancing, no masks and moshing allowed.
All attendees were required to take both a PCR and lateral-flow test prior to the event, sharing details with the NHS contact-tracing system. Attendees had to show proof of a negative result to enter the festival gates and have committed to submitting a second PCR test five days post-event to help scientists monitor any Covid-19 infection activity.
Headlined by Enter Shikari, Bullet for My Valentine and Frank Carter and the Rattlesnakes, 40 acts in total from the UK’s world-leading rock scene waived their fees, united by the prospect of moving the live events industry forward and playing in front of an audience for the first time in over a year.
As the last of the fans left the venue today, promoter Festival Republic dismissed any notion that live events are not possible while the Covid-19 pandemic continues. “[This] is 100% evidence that this is not true,” stated managing director Melvyn Benn. “This is a very clear demonstration that you can do it.”
“This is a very clear demonstration that you can do it”
He continued, “It’s really fantastic. I am very heart-warmed by it all. The level of compliance around the testing and requirements we have is absolutely extraordinary. It is coupled with a level of normality that is equally extraordinary when you have been out of it for so long.”
Benn believes the data gathered through the festival will prove similar events can take place this summer. “In fairness, the [Department for Digital, Culture, Media and Sport] are on board with the message which is that these things can happen and they can happen safely,” he told reporters.
“What we want from Download is data that scientists can analyse that will effectively reinforce that position, and that data is being gathered and I am certain it will do just that.”
Indeed, another Festival Republic gathering, Latitude, has confirmed it will go ahead for its 22–25 July event, while it’s expected that the Reading and Leeds festivals in August will also proceed as planned.
Benn added that following talks with the DCMS in recent days, he felt “sufficiently encouraged” to push ahead with Latitude and he suggested the UK government is finalising plans to launch a limited coronavirus insurance scheme that will allow other festivals to push ahead with their 2021 editions.
“There is no guarantee, but I believe the government will come forward with a limited government-backed insurance scheme,” he commented. “It wouldn’t be everything that we want, by any means, but it would certainly be enough to encourage us to all get going again.”
“We urge the government to reappraise its approach and to listen to the recommendations of its own reports”
However, while that optimism will buoy the UK business, any government backing has come too late for Kendal Calling festival, which today criticised the government for delaying the publication of ERP report, as it outlined the decision to shelve its festival for the second year running.
“Without this safety guidance, there are numerous aspects of the festival we cannot plan, and which could lay us wide open to last minute unforeseen regulations or requirements which could scupper an already built festival,” reads a statement on the Kendal Calling website. “Capacity or density restrictions, track and trace protocol, testing regime, Covid certification – a host of unknown actions required, yet potentially requested too late to be implemented.
“Our understanding is that the DCMS are keen to publish the ERP findings and guidance, but that it now does not fit around [the British government’s] communications plan. This is insulting to our entire industry, who have been awaiting the results of a pilot event that took place almost two months ago to inform our approach to staging events safely this summer.
“This has been a frankly devastating 16 months for our industry. If calls for a government-backed insurance scheme had been heeded – as recommended by the DCMS, emulating successful schemes now up and running in other countries – we could have potentially continued to plan and invest in the coming weeks. We take this opportunity to urge the government to reappraise its approach and to listen to the recommendations of its own reports, as the continued lack of leadership hampers the recovery of our live event industry.”
Meanwhile, the iconic Notting Hill Carnival will also not go ahead in 2021, it has been confirmed, for similar pandemic concerns.
Mallorca Live pilot to trial Covid-19 certificate
Spain’s Mallorca Live will hold a pilot concert later this month using the local health passport to do away with social distancing.
The show, featuring Barcelona-based band Sidonie, will take place on 25 June at Antiguo Aquapark in Calvià, Majorca, with 5,000 people, all of which will have their health status certified by the Certificado Digital Covid (Digital Covid Certificate), the Balearic Islands’ digital health ‘passport’.
To gain entry to the venue, all patrons will have had to have received a dose of the Covid-19 vaccine (interestingly, only a single dose is required), to be immune after having recovered from the disease, or to have had a negative later-flow or PCR test in the previous 72 hours.
An all-standing audience of 5,000 will not be divided into sectors, though, like at previous pilot events in Spain, they will be required to wear a mask at all times.
5,000 people will have their health status certified by the Balearic Islands’ Certificado Digital Covid
Spain’s most recent major pilot event, at the Palau St Jordi arena in Barcelona, revealed no increase in Covid-19 transmission among attendees.
Tickets for the Mallorca Live Summer event cost €26 + booking fee.
The show was previously organised as a seated, socially distanced event. Promoter Mallorca Live says for those already have tickets and aren’t comfortable being in the pilot will be offered a full refund. Other shows in the Mallorca Live Summer series include Rozalén, Morcheeba, Jamie Cullum and Don Patricio.
Mallorca Live Festival will return next summer (24–26 June) with headliner Muse.
Back to Dance: Pilot project to get Hanover dancing again
Academics, associations and festivals in Lower Saxony are aiming to prove that open-air dance music events may be held safely this summer with a new pilot project, Back to Dance, which begins Friday (18 June).
An initiative of Fuchsbau Festival, SNNTG Festival, local industry associations such as Musikland Niedersachsen, MusikZentrum Hannover and KlubNetz, and Hanover’s Leibniz University, the Back to Dance events will take place over four days (18 June and 2, 3 and 4 July) in four different settings, with scientists from Leibniz University in Hanover and the Hanover Department of Health examining the impact of each format on the risk of infection with Covid-19.
The pilot will look particularly at effects of dancing on the transmission of aerosols, with organisers noting that, for both promoters and fans, dance music events are “simply unthinkable without guests having permission to dance”.
As scientists are testing different formats, masks will be be compulsory for the first event, on 18 June, while alcohol is available for all shows except those on 2 July. All eight events (two each day) will take place in the inner courtyard of MusikZentrum Hannover (pictured). All visitors must be at least 18 years and have produced a negative Covid-19 test within 12 hours of attending the event (even those who are already fully vaccinated against Covid-19).
“We want to show that an event of this kind is possible … under pandemic conditions”
Organisers will make use of Germany’s Corona-Warn-App for contact tracing purposes during and after the shows, which will feature a mix of live DJs and recorded electronic dance music.
Tickets for all eight events cost €5 each, and ticketbuyers may attend more than one.
A statement from Musikland Niedersachsen explains the motivation behind the Back to Dance ‘model project’: “In Lower Saxony, dancing without social distancing and without a mask is still not possible, even though it has been proven that the risk of infection in the open air is minimal and the overall incidence is low. With the model project we want to show, on the one hand, that an event of this kind is possible. On the other hand, we are interested in the factors that influence the organisation and behaviour of visitors under pandemic conditions.”
In the Netherlands, the government was influenced in its recent decision to lift all restrictions by the success of the Back to Live pilot series, which included several dance music shows organised by ID&T. There have been multiple similar pilots in Germany, though the country is still operating under a patchwork of state-by-state restrictions and the majority of its major summer festivals have already been cancelled.
International test events underline concert safety
As businesses and individuals in the UK come to terms with the government’s decision to delay the sector’s reopening by a further four weeks, a growing body of evidence demonstrates that concerts, festivals and other live events held under controlled conditions do not contribute to an increase in transmission of Covid-19.
Data gathered from test events across various European countries is building a picture that if every member of the audience is tested prior to a show, and only those who return a negative test are admitted, the chances of them being infected with Covid-19 during the show are extremely slim.
Crucially, despite the pilot shows listed below using different audience configurations, all of them tested participants before and after the event, and all were hailed as successful both by organisers and by the scientists who monitored the health aspects.
Examining the published evidence of different test events around Europe makes for fascinating reading, albeit with very similar results…
Zero positive cases of Covid-19 were detected seven days after test events in Spa and Namur, neither among the participants nor the control group, the company in charge of testing at the shows, DNAlytics, announced in May.
Those events were the first of six pilot experiments organised in the cultural sector by the Wallonia-Brussels Federation. “In the case of Spa, they establish quantitatively that the organisation of an indoor concert can be envisaged with safety, according to an audience size of 50% of the hall’s capacity and by applying the barrier gestures that have become familiar to us,” says Thibault Helleputte, CEO of DNAlytics.
“In the case of Namur [an outdoor event], the results show that, provided some basic health rules are followed, attendance at a show is not associated with a measurable increase in coronavirus contamination.”
“Concert halls and theatres are not places of infection”
A scientific study in Germany of the movement of airborne particles in an indoor environment showed a negligible risk of infection in properly ventilated concert venues.
The test, using a robot, at Dortmund’s 1,500-seat Konzerthaus, was carried out over three days in November by the Fraunhofer Heinrich Hertz Institute of Goslar and particle measurement company Parte Q, with the backing of Germany’s Federal Environment Agency. It followed August’s Restart-19 study (using human participants) by the University Hospital of Halle, which concluded that, with adequate ventilation, live events posed a “low to very low” risk of person-to-person transmission.
“Concert halls and theatres are not places of infection,” says Dr Raphael von Hoensbroech, director of Konzerthaus Dortmund. “The past few months have shown that politics needs a scientifically sound basis for decision-making. With our study, we want to ensure that concert halls and theatres may again admit sufficient audiences when they reopen.”
The Konzerthaus Dortmund study followed the first pilot show, the similarly successful Restart-19 in Leipzig, in August 2020, which provided the template for subsequent events internationally.
In Barcelona, the indoor concert setting did not increase the coronavirus risk
Festivals per la Cultura Segura, the organiser of a Barcelona pilot concert in March, also reported that the event had no impact on Covid-19 transmission among attendees, despite the lack of social distancing observed at the show, which had 5,000 attendees.
Having analysed the data, doctors from the show’s medical partners concluded that the indoor concert setting did not increase the coronavirus risk – with concertgoers exhibiting a lower incidence of Covid-19 than the general population in Barcelona at the time.
While the use of a medical-grade FFP2 mask was mandatory, there was no social distancing among fans, who were separated into three areas, once the show got underway.
Of the 4,592 concert attendees who gave consent for the doctors to analyse Covid-19 tests taken after the event, six tested positive for Covid-19 within 14 days of the Barcelona show (and additional analysis suggests that four of the cases originated outside the concert). Those six represented a cumulative incidence of 130.7 cases of Covid-19 per 100,000 inhabitants, far lower than the 259.5 cases/100,000 people in the city’s population at the time.
Three months’ worth of pilots in the Netherlands proved the risk of infection, when following certain hygiene and testing protocols, is about the same as being at home
Perhaps most compelling are the findings from three months’ worth of pilot events in the Netherlands which proved that the risk of Covid-19 infection, when following certain hygiene and testing protocols, is about the same as being at home.
Organiser Fieldlab Evenementen included a series of events in its programme, including the Eurovision Song Contest in Rotterdam which was attended by 3,500 fans, but also business conferences, festivals, arena shows, an awards ceremony and outdoor sports events in a range of formats and capacities.
According to Fieldlab’s data, 100%-capacity events are possible under the Netherlands’ lower two risk levels (caution and concern), with a reduction in capacity necessary for levels three and four (serious and severe, respectively).
Fieldlab’s Dimitri Bonthuis says, “Provided you take the right measures, the risk of getting infected at a Fieldlab event is the same as at home.”
Just 15 positive cases of Covid-19 – equivalent to 0.026% of attendees – were recorded among 58,000 people at UK pilots
British culture secretary Oliver Dowden described recent UK pilot shows as “a real success”, noting that just 15 positive cases of Covid-19 – equivalent to 0.026% of attendees – were recorded among 58,000 people during recent pilot events.
On the back of those figures, Dowden said he was “very hopeful” the full reopening of venues, theatres and clubs without social distancing would take place on the target date of 21 June, though this didn’t come to pass.
While the ERP has yet to be released, Dowden has confirmed there were no positive cases from the Brit Awards, which took place with an audience of 4,000 at the O2 in London last month.
There were two positive Covid-19 tests from the ERP’s Sefton Park Pilot, in Liverpool, which involved 5,000 fans, while nine cases were detected among the 6,000 clubbers who attended two dance events, also in Liverpool.
Zero cases were reported from a football match at Wembley, but four infections were detected at the Crucible Theatre in Sheffield, which hosted 17 days of the World Snooker Championship.
No social distancing was in place at any of the ERP events, which used lateral-flow tests to check attendees for the coronavirus prior to entry.
This article forms part of IQ’s Covid-19 resource centre – a knowledge hub of essential guidance and updating resources for uncertain times.
Ambition Live Again: 5,000 attend French pilot show
Five thousand people packed into Paris’s Accor Arena with no social distancing on Saturday night for Ambition Live Again – the long-awaited pilot event with which the French live industry hopes to persuade the government to allow it to reopen as soon as possible.
Headlined by popular French pop-rock band Indochine, the concert, organised by industry association Prodiss and the AP-HP (Assistance publique-Hopitaux de Paris), forms part of a clinical trial which aims to demonstrate – as in Germany, Spain and, most recently, the Netherlands – that live events can be held safely during the ongoing coronavirus pandemic.
Contrary to earlier announcements that the show would admit people with Covid-19, all 5,000 attendees had to test negative twice before entry – once via an antigen test performed in the previous three days, and then again with a rapid test on the day of the show (29 May). Like the Barcelona pilot but unlike the UK’s Events Research Programme, all concertgoers were also required to wear masks inside the arena.
Fans are also requested to provide a PCR test seven days after the show (5 June).
“Do not forget to return your saliva sample this Saturday, 5 June,” Prodiss urged attendees on social media. “The research team needs it! We are counting on you!”
Due to the 9pm curfew still in place in France, the concert took earlier than planned, with Indochine on stage by 6pm, according to the AFP. Etienne de Crécy played a DJ set at 5pm.
As of 28 May, just 37% of the French population had received one Covid-19 vaccine. As a result, vaccination status was not taken into account “in this experiment because most young people are not vaccinated in France yet. In fact, we specifically selected participants between 18 and 45 years old who mostly aren’t vaccinated,” AP-HP’s Jean-Marc Treluyer tells ABC News.
Results from the Ambition Live Again study – which will compare infection rates among those in the arena with a 2,500-person control group not selected to attend the show – are expected in June.
Barclaycard Arena invites thousands for test events
Barclaycard Arena Hamburg is welcoming spectators for the first time in over a year, for a series of tests that aim to find out if and how major events can take place safely during the Covid-19 pandemic.
The tests have been approved by the Hamburg Ministry of the Interior and Sport and will take place in conjunction with Handball Sport Verein Hamburg (HSVH), the Handball Bundesliga (HBL), the Fraunhofer Heinrich Hertz Institute and the Barclaycard Arena.
For the first test on 28 May, the arena welcomed 1,000 spectators from Hamburg for the home game of handball team Handball Sport Verein Hamburg, which was against ThSV Eisenach.
Provided the first event is deemed successful, it is expected that 2,000 spectators will be allowed into the arena for the REWE Final4 and the last HSVH home game of the season against ASV Hamm-Westfalen on 22 June. Visitors from outside of Hamburg will be welcome at this event.
Both events are seated and socially distanced. Attendees are required to present a negative coronavirus test to gain entry, wear mask a throughout the event, and take another test 7–10 days after the event.
Modified mannequins that emit marked particles will be placed next to the real spectators during the game
Under the direction of Prof. Dr Wolfgang Schade, the Fraunhofer Heinrich Hertz Institute will examine the aerosol distribution in the arena, which is equipped with a ‘state-of-the-art ventilation system,’ as well as the risk of infection.
For this purpose, modified mannequins that emit marked particles will be placed next to the real spectators during the game.
“The data from the pilot project collected here will provide important information on the spread of aerosols at major events, which can then also be transferred to other event venues with comparable ventilation systems. In this way, fact-based risk assessments can then be carried out in the future for holding such events,” says Prof. Dr Wolfgang.
Steve Schwenkglenks, managing director of the Barclaycard Arena, adds: “The Barclaycard Arena is the ideal location for these scientific test events and we hope that it will provide the entire industry with important knowledge that will enable us to take further steps towards normality in the near future.”
The arena had prepared to open its doors in early May for a concert series organised by Hamburg Concerts but Hamburg authorities called off the events due to the rising Covid-19 infections at the time.