Famed Nippon Budokan arena unveils Olympic overhaul
Modernisation work on Japan’s Nippon Budokan arena – famously the venue for the Beatles’ only Japanese concerts – has concluded, just under a year before the Tokyo 2020 Olympic games.
Known as the spiritual home of Japanese martial arts, the 14,471-capacity indoor arena, located in Tokyo’s Chiyoda ward, is also one of Japan’s best-known large concert venues. In addition to hosting the Fab Four in 1966, the Budokan was the site of Abba’s last-ever show in 1980, and is also a popular venue for live recordings: celebrated albums Made in Japan (Deep Purple), Cheap Trick at Budokan (Cheap Trick), Live in Japan (the Carpenters), Bob Dylan at Budokan (Bob Dylan) and Live at the Budokan (Blur) were all recorded at the arena.
At the 2020 Olympics, which have been postponed to 23 July–8 August 2021 because of Covid-19, the Budokan will host judo and karate events, according to the Yomiuri Shimbun. Its Olympic capacity will be 11,000.
The Budokan is one of seven central-Tokyo venues being used for the 2020 games
Among the new-for-2020 additions are an earthquake-proof roof, permanent accessible seating with space for wheelchairs, new LED lighting inside and out, and a training hall for athletes.
The Budokan is one of seven central-Tokyo venues, many of which (like the Budokan) were built for the 1964 Olympics, being used for the 2020 games, while another 13 – including the new Ariake Arena – are located in the Tokyo Bay area.
The Ariake Arena is one of several large venues being created especially for the Olympics, along with the now-completed 80,000-capacity New National Stadium, 15,000-capacity Oi Hockey Stadium and the 10,000-capacity Musashino Forest Sport Plaza. The 2020 Olympics will take place across 41 venues in total.
The decade in live: 2012
The start of a new year and, perhaps more significantly, a new decade is fast approaching – and while many may be thinking ahead to New Year’s Eve plans and well-meaning 2020 resolutions, IQ is casting its mind back to the most pivotal industry moments of the last ten years.
As in the previous 12 months, 2012 saw the live music industry still grappling with the effects of the global economic crisis, with many countries just beginning to clamber out of recession and others heading for dreaded ‘double dips’.
This continuing economic uncertainty naturally bit into the leisure spend of discriminating ticket buyers with a variety of entertainment options – though the world did not, as predicted by some long-dead Mexicans, come to an end.
Elsewhere, the weather gods interfered with yet more festivals, while Hurricane Sandy had a devastating effect on the industry in the New York area. In the UK, meanwhile, the Olympics scored on many levels, but provided far too much competition for many.
2012 in numbers
The top 50 worldwide tours grossed a combined US$3 billion in 2012, according to Pollstar, down around 2% from $3.07bn in 2011.
Madonna’s MDNA tour was the clear No1, grossing $296.1 million, ahead of second-placed Bruce Springsteen, whose E Street Band earned $210.2m. Both acts played to more than 2m fans worldwide 2012.
Roger Waters’ The Wall generated $186.4m to come in at No3, and was also the highest-ranking hold-over from the 2011 chart, where he placed No5 with a gross of $103.6 million.
Reflecting the lingering impact of the financial crisis, the total tickets sold by the top 50 tours was 34.9m, which continued the decline from 35.5m the previous year (and well off the pace from 2009, when the top 50 sold 45.3 million, says Pollstar).
2012 in brief
FKP Scorpio buys a stake in Utrecht-based booking agency and artist management company Friendly Fire.
Touring festival Big Day Out calls time on its New Zealand leg after promoter Ken West admits that falling audience numbers have made the Auckland show unviable.
Madonna sparks controversy when she tells Newsweek magazine fans should “work all year, scrape the money together” for a $300 ticket to her MDNA tour.
Private-equity firm CVC Asia Pacific puts its Australian ticketing company, Ticketek, and Sydney’s Allphones Arena up for a sale in a bid to reduce a A$2.7bn (€2.1bn) debt run-up by Nine Entertainment, which owns the assets.
Stuart Galbraith buys out AEG’s 50% stake in Kilimanjaro Live for an undisclosed sum. Both parties say they will continue to work together on events in future. (Kili later cancels the 2012 edition of Sonisphere at Knebworth, which was to have featured Kiss, Faith No More and Marilyn Manson.)
Ebay-owned secondary ticketing service, StubHub, launches operations in the UK and admits it is looking at further expansion across Europe.
Serbian authorities arrest the venue owner and other individuals following a fire at the Contrast nightclub in Novi Sad that leaves six people dead.
Tupac Shakur, who died 15 years previous, is the main talking point at Coachella, as a multimillion-dollar hologram of the rapper appears on stage alongside Dr Dre and Snoop Dogg.
Viagogo raises eyebrows by shifting its operational base from the UK to Switzerland, amid speculation it wants to resell tickets for the Olympic Games without falling foul of British law.
Investment firm Silver Lake Partners completes a transaction to acquire a 31% stake in William Morris Endeavor.
Former AEG Germany CEO Detlef Kornett forms a venue consultancy, Verescon, with DEAG with Peter Schwenkow.
Swedish telecom operator Tele2 pays an undisclosed sum to secure naming rights for Stockholm’s new 40,000-capacity stadium, operated by AEG.
Live Nation appoints former CAA exec David Zedeck to the role of executive VP and president of global talent and artist development.
Artists including Paul McCartney, Mike Oldfield, Dizzee Rascal and Emeli Sandé are each paid £1 for their performances at the Olympics opening ceremony. The show attracts 26.9m viewers in the UK alone, and billions more worldwide.
Three members of Russian punk band Pussy Riot are jailed for two years each, after staging an anti-Vladimir Putin protest in a Moscow cathedral.
AEG drops its claim against Lloyd’s of London on a multimillion-dollar insurance policy, following the death of Michael Jackson.
Glastonbury Festival takes just 100 minutes to sell out all 135,000 tickets for next summer’s event, despite not naming a single act on the 2013 bill.
C3 Presents extends an arrangement with Globo Organization’s GEO for more events in Brazil, following a successful Lollapalooza.
AEG is awarded the contract to take over shows at London’s prestigious Hyde Park, ending Live Nation’s decade-long relationship with the 80,000-capacity space.
Frank Barsalona, founder of Premier Talent, dies aged 74. Premier was the first agency to work exclusively with rock artists, with clients including the Yardbirds, Bruce Springsteen, Tom Petty, U2 and Van Halen.
The Wall Street Journal reports that a number of bidders are in contention to acquire AEG, despite a reported $10bn asking price.
Irving Azoff unexpectedly resigns as chairman of Live Nation and CEO of its Front Line Management Group, to concentrate on his own artist management company.
Who we lost
Notable industry deaths in 2012 included South by Southwest creative director Brent Grulke, Lasse Ollsen of Swedish promoter Viva Art Music, Jon Lord of Deep Purple, Armin Rahn, founder of Munich-based Armin Rahn Agency and Management, Radiohead drum tech Scott Johnson, Perth Arena general manager David Humphreys, R&B legend Etta James, pop powerhouse Whitney Houston, the Bee Gees’ Robin Gibb, disco diva Donna Summer, the Monkees’ Davy Jones and legendary agents Armin Rahm and Frank Barsalona.
British acts take centre stage at Rio Olympics
London artists represented the UK’s creative industries at the Olympics in Rio on Sunday, with performances from grime acts Nadia Rose (pictured), Elf kid and Logan Sama, and electronic duo Chase & Status.
Taking place on Sunday, 14 August, a London Soundtrack showcase saw the artists play live to celebrate the city’s culture, organised by the Major of London, Sadiq Khan, and curated by British Underground.
Says Khan: “I hope Elf Kid, Nadia and Logan will inspire others to make the best of what our great city has to offer and encourage the world to invest in London’s thriving cultural and creative industries.
“British Underground have been doing an excellent job exporting British music to important international showcases across the world for the last 15 years and this event in Rio demonstrates very clearly that London is open for business.”
The gig took place at British House – the official residence of Britain during the Rio Olympics.
“British Underground have been doing an excellent job exporting British music to important international showcases across the world for the last 15 years and this event in Rio demonstrates very clearly that London is open for business,” Khan says.
Elsewhere, 23 songs published by Universal Music Publishing Group have featured, or are set to feature, during the opening and closing ceremonies.
On Monday, the famed Jobim/Moraes standard The Girl From Ipanema (Garota De Ipanema) was streamed more than 40,000 times after the song soundtracked model Gisele Bundchen’s opening catwalk on Friday, when UMPG Brazil artist and songwriter Anitta also performed.
Norwegian musician Kygo will play his early 2016 single Carry Me with guest vocalist Julia Michaels during the closing ceremony on 21 August.
The show will start at 8pm BRT at the Maracanã Stadium in Rio de Janeiro, and is part of the new Olympic Channel launch, which will be available worldwide via a mobile app and online.
“As one of the hottest music acts in the world, Kygo’s music speaks to new generations of Olympic fans,” says Mark Parkman, General Manager of the Olympic Channel.
“His performance is sure to electrify viewers around the world on Sunday night as we prepare to launch the Olympic Channel.
“Kygo and his music will be an important element of the Olympic Channel where fans will be able to continue their excitement of Rio and the Olympic Games all year long.”