Pioneering a greener future for live music
The live events industry is facing increasing scrutiny for its environmental footprint. Large-scale events with massive crowds, complex logistics, and extensive energy consumption, can contribute significantly to carbon emissions and waste generation. However, new opportunities are emerging to rethink the way live music events are staged.
M&S Bank Arena Liverpool is at the forefront of this revolution. In collaboration with Massive Attack, Act 1.5 and SJM Concerts, the venue is hosting a series of groundbreaking shows headlined by Massive Attack, IDLES and Nile Rodgers & Chic, and designed to test ways to minimise environmental impact. Building upon the success of Act 1.5’s Bristol accelerator, these events aim to showcase innovative decarbonisation strategies that can be replicated across the industry.
The unique series of shows is being staged to celebrate the recent announcement that Liverpool is the world’s first ‘UN Accelerator City’ for climate action – an accolade to recognise the city’s commitment to innovation and smart regulation to rapidly decarbonise the live music and TV/film production sectors.
Building on the methods first trialled in Bristol, and continuing their partnership with clean energy provider Ecotricity, ‘Act 1.5 presents…’ has a variety of incentives in place to dramatically reduce the level of carbon emissions that would usually be produced at an event of this scale. These include:
- A localised presale period for anyone living in the Liverpool City Region
- An entire event site powered by 100% renewable energy.
- A public transport incentive initiative in partnership with Merseytravel and Avanti West Coast .that will generate a vital reduction in audience travel emissions (where up to 80% of emissions for major live music events are generated)
- Single technical set up shared by each act
- Show to end at 22:00 to allow audiences to use public transport to get home
- A meat free arena
- 100% zero to landfill waste removal
- Zero Single-Use Plastics
“The success of this initiative has the potential to inspire other venues and artists to adopt similar practices”
The majority of carbon emissions and air pollution for major live events comes from how the audience travel. To try and tackle this issue, tickets for this unique event were released in two blocks.
The first block release was available to those that live in the Liverpool City region, with an exclusive 48-hour regional presale taking place. For these ticket buyers, an additional small but fixed fee was added to gig tickets to cover public transport to the event. This will mean that on the day of the show, attendees can enjoy unlimited travel on any train, any bus or any ferry on the Merseytravel network – all day – getting them to and from the show.
In the second block release of tickets, all fans were able to purchase tickets. Offers and incentives on public transport from outside the region – especially rail travel – were shared with buyers via their ticketing agent.
Alongside the live concerts, a headline industry event, called Expedition 1, will be taking place in the arena’s sister venue, Exhibition Centre Liverpool, from 29-30 November to test and showcase eight cross-sectoral pilot projects for rapid decarbonisation across live music, TV and film productions scheduled in 2025.
The success of this initiative has the potential to inspire other venues and artists to adopt similar practices. By demonstrating that it is possible to stage large-scale events in a sustainable manner, ‘Act 1.5 Presents…’ is paving the way for a greener future for the music industry.
As Robert Del Naja of Massive Attack commented, “The talking stage is over, it’s time to act.” By taking bold steps to reduce its environmental footprint, M&S Bank Arena is leading the charge towards a more sustainable and responsible future for live music.
More info on ‘Act 1.5 Presents…’ can be found here. Sign up for updates about Expedition 1 Industry Event here.
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Liverpool’s Eurovision legacy
As the final sequins are swept up and the outfits packed away, we’re reflecting on a whirlwind week for our venue and city.
It was an honour to be chosen to host Eurovision ’23 on behalf of Ukraine, and in the same year as we celebrate our 15th anniversary. From the moment Liverpool was announced as the host city, we knew this would be an event like no other and would require a massive effort from our teams, in a very short timescale. But delivering fantastic events is what we do best and we were ready to rise to the challenge.
It was a huge collaboration between our teams and service partners, working closely with the BBC; EBU; Culture Liverpool; Combined Authority; DCMS and Merseyside Police.
The event utilised the whole campus, with the live shows taking place in the arena, the convention centre hosting the delegation bubble and dressing rooms, and crew catering, media centre and hospitality in the exhibition centre. The event build was extensive, with the BBC taking tenancy from 27 March and technical rehearsals starting in April.
There were 12 shows in total, nine of which were open to the public. The staging for the live shows involved more than 600 rigging points, 140 tons of steel ground support structure, and 1KM of additional steel truss work. It featured eight miles of cabling for lighting, sound, video and SFX, over 2,000 specialist lighting fixtures, 200 custom staging decks, 950sqm of staging for the main stage, and 500sqm of staging for the green room.
The grand final smashed viewing figures, with a record breaking 180 million tuning in
Outside of the campus, an additional 500,000 visitors flocked to the city during the two-week period to soak up wider events including a Eurovision Village, art commissions at a Eurofestival, glittering open ceremony and numerous community and school engagement programmes.
The grand final smashed viewing figures, with a record breaking 180 million tuning in, making it the most viewed final in Eurovision history. Both audience and client feedback has been outstanding, with the European Broadcasting Union hailing this year’s event as ‘the best production and host city we have ever seen’.
The impact of Eurovision 2023 will become clear in coming months. There are already some key legacy projects emerging, including the development of a Eurovision music legacy fund driven by the Liverpool City Region Music Board, which will support local grassroots artists. We are also engaging with TikTok, who was the official entertainment partner of the contest, to platform the local music scene.
As a UNESCO City of Music, we want to fully embrace the slogan United by Music. Eurovision has been a living, breathing example of the power of live events. For us, it is the culmination of the challenging journey that we, like so many others in our industry, have been on since 2020. From lobbying the government to support the events industry and acknowledge the power of live experiences, to welcoming one of the biggest events in the world to the UK, our industry has achieved so much. It has been a privilege to be at the heart of this phenomenal global event and we are excited for the next chapter of our incredible journey.
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Liverpool ready to host Eurovision Song Contest
Eurovision 2023 host city Liverpool has geared up for tomorrow night’s song contest by holding a week-long series of events in the city.
Featuring free one-off shows, live performances, DJ sets and special guest appearances, dedicated fan zone The Eurovision Village opened at Pier Head last Friday 5 May and is running every day until the 13 May Grand Final.
Tomorrow night’s Grand Final Party at the Pier Head, for which tickets cost £15, is already sold out. Acts will include Steps’ Claire Richards, Vengaboys, Katrina of the UK’s last Eurovision winners Katrina and the Waves and Jedward’s Epic Eurovision Singalong, along with a screening of the contest itself. The final will also be screened live in UK cinemas for the first time in the event’s history.
The competition is taking place on UK soil for the first time since 1998 following Kalush Orchestra’s victory for Ukraine in Turin, Italy last May, after it was concluded that it could not be held in the winning country for safety and security reasons. The UK’s Sam Ryder finished second in last year’s contest at PalaOlimpico in Turin, Italy.
Liverpool’s M&S Bank Arena (cap. 11,000) was given the nod ahead of Glasgow’s OVO Hydro to stage the final and semi-finals after the seven-strong UK shortlist was cut to two. Liverpool was chosen following a bid process that examined facilities at the venue, the ability to accommodate thousands of visiting delegations, crew, fans and journalists, infrastructure, and the cultural offer of the host city in reflecting Ukraine’s win in 2022, amongst other criteria.
“We need to look at a lot of requirements for hosting an event of this size”
“We need to look at a lot of requirements for hosting an event of this size,” Eurovision directing supervisor Martin Österdahl tells the Liverpool Echo. “It’s quite massive [when it comes to logistics] but the soft factors include a city that’s really engaged, enthusiastic, engaged, has the experience and expertise but also the passion to make the most of it and I think Liverpool has that.”
The initial batch of 6,000 tickets for the 2023 event sold out in 36 minutes in March, with around 64,000 tickets for rehearsals and semi-finals also snapped up within an hour. A final batch of tickets released sold out last month.
The UK is hosting the Eurovision Song Contest for a record ninth time having previously stepped in to host the event for other broadcasters in London in 1960 and 1963, in Edinburgh in 1972 and Brighton in 1974. The BBC also staged the Contest following four of their five wins: in London in 1968 and 1977, Harrogate in 1982 and Birmingham in 1998.
“I think Liverpool and the BBC have done a phenomenal job with it,” adds Österdahl. “This is a special edition, it’s completely unique and we’ve never seen a contest like this before and I don’t think anyone is going to miss the message. Walking around Liverpool you see tributes to Ukraine everywhere.
“You have to remember the Eurovision Song Contest has not been in the UK for 25 years and it has changed a lot in that time. When we first moved around and spoke to a lot of different cities, they still didn’t understand but after Liverpool, they will know.
“I think there’s a special shift in the UK. What I’ve seen in the past couple of years, the contest is growing phenomenally, the fan base is growing, the viewers are increasing, and we’re getting more partnerships. Across the board, Eurovision is expanding in the big markets.”
“Through this partnership we’ll be bringing Liverpool’s rich musical heritage and personality, to our global community”
The Eurovision Song Contest is the world’s largest live music event, with over 180 million people tuning in across linear and digital channels in 2022. The contest has launched the global careers of artists including Måneskin, Celine Dion, ABBA and Julio Iglesias.
TikTok has been named by the European Broadcasting Union as the Official Entertainment Partner for Eurovision 2023, and will be supporting key busking sites around Liverpool at Holy Corner, Liverpool One, Sugar House Steps and Liverpool Lime Street. The app will be working alongside tourism body VisitLiverpool to provide workshops and support to small businesses, local attractions and emerging artists.
“Through this partnership we’ll be bringing Liverpool’s rich musical heritage and personality, to our global community,” says James Stafford, TikTok’s general manager, marketing & operations UKI & Nordics. “TikTok is where stars get started and that’s true whether you’re an artist, a small business or a TikTok creator.
“We’ll be providing workshops to businesses, museums and local landmarks, working with local creatives and supporting busking spots across the city; so whether you are a visiting for the first time or discovering the Scouse sense of humour in app, let TikTok be your guide to Liverpool!”
“We are delighted to be partnering with The National Lottery again to extend the celebrations to the rest of the UK”
Elsewhere, the Music Venue Trust (MVT) teamed up with The National Lottery to stage the United By Music Tour of Liverpool, which has seen more than 20 gigs at 20 venues during Eurovision week to showcase the city and support grassroots music venues. On Wednesday (10 May), the partnership hosted a stage at The Eurovision Village, featuring artists including Miles Kane and Lightning Seeds, as well as Eurovision 2023 entrants from Italy, Finland, Norway and Azerbaijan.
The National Lottery and the MVT will also be staging live music events in all 17 UK towns and cities that bid to host Eurovision. In total, more than 20 acts will embark on national tours as part of the initiative. Tickets go on sale on Monday 15 May.
“Following the success of the Liverpool Tour, which saw us host a week-long series of music gigs across the city, we are delighted to be partnering with The National Lottery again to extend the celebrations to the rest of the UK,” says MVT CEO Mark Davyd. “Supporting grassroots music venues has never been more important and we’re delighted to be using venues across the country to highlight new and established artists the world will come to know and love.”
Upcoming concerts at M&S Bank Arena, meanwhile, include Pet Shop Boys, Olly Murs, S Club 7, Madness and Noel Gallagher’s High Flying Birds.
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Eurovision 2023 final to be screened in cinemas
The grand final of the Eurovision Song Contest will be screened live in UK cinemas this year for the first time in the event’s history.
The 2023 competition is due to take place at the M&S Bank Arena (cap. 11,000) in Liverpool from 9-13 May, on behalf of Ukraine.
Today (March 24), it has been announced that the closing round of Eurovision will be broadcast in 500 cinemas nationwide.
“Fans can bring their usual Eurovision parties from the front room to the cinema, with fancy dress heavily encouraged,” a press release reads.
“Fans can bring their usual Eurovision parties from the front room to the cinema”
“Presented on the big screen and in 5.1 surround sound, the screenings of the Eurovision – Grand Final Live encourage sing-a-longs with all of the 26 acts that will make up this year’s final.”
John Travers of CinemaLive, distributor of the event in cinemas, adds: “We’re delighted to be working with the BBC to bring Eurovision’s Grand Final live into cinemas across the UK for the first time ever!
“We want audiences to enjoy themselves, come along in groups, get your fancy dress on, and come together to enjoy this historic occasion on the big screen!”
All 6,000 tickets for the 2023 event at Liverpool’s M&S Bank Arena sold out in 36 minutes, with around 64,000 tickets for rehearsals and semi-finals also snapped up within an hour.
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Liverpool to host Eurovision 2023 for Ukraine
Liverpool has won the race to host the 67th Eurovision Song Contest on behalf of Ukraine.
The 2023 competition will take place in the UK following Kalush Orchestra’s victory for Ukraine in Turin, Italy in May, after it was concluded that it could not be held in the winning country for safety and security reasons. The UK’s Sam Ryder finished second in this year’s contest.
Liverpool’s M&S Bank Arena was picked ahead of Glasgow’s OVO Hydro to stage the final on Saturday 13 May along with the semi-finals on 9 & 11 May after the seven-strong UK shortlist was cut to two. Liverpool was chosen following a bid process that examined facilities at the venue, the ability to accommodate thousands of visiting delegations, crew, fans and journalists, infrastructure, and the cultural offer of the host city in reflecting Ukraine’s win in 2022, amongst other criteria.
The 11,000-cap venue has previously hosted events such as the MTV EMAs and MOBOs and has upcoming shows by acts such as Westlife, N-Dubz and Rod Stewart.
The BBC, together with the European Broadcasting Union (EBU), will organise next year’s Eurovision in consultation with Ukraine’s public broadcaster UA:PBC. Tickets will go on sale for nine shows, including dress rehearsals, in due course.
“The city is synonymous with music and Liverpool Arena exceeds all the requirements needed to stage a global event of this scale”
“Liverpool is the ideal place to host the 67th Eurovision Song Contest on behalf of Ukraine,” says Eurvision Song Contest executive supervisor Martin Österdahl. “The city is synonymous with music and Liverpool Arena exceeds all the requirements needed to stage a global event of this scale. We have been very impressed with the passion the city has shown in embracing the contest and their inclusive ideas for placing last year’s winners, Ukraine, front and centre when thousands of fans visit next May.”
The UK will host the Eurovision Song Contest for a record ninth time having previously stepped in to host the event for other broadcasters in London in 1960 and 1963, in Edinburgh in 1972 and Brighton in 1974. The BBC also staged the Contest following four of their five wins: in London in 1968 and 1977, Harrogate in 1982 and Birmingham in 1998.
“It is symbolic that the 2023 Eurovision Song Contest will be held in Liverpool, a twin city of Odesa,” adds Mykola Chernotytskyi, head of the managing board of UA:PBC. “The organisation of a contest of this level sets super demanding requirements. I am confident that the city recognised as the capital of pop music will meet them in the best way and will deliver the celebration of music that will amaze both delegations and fans of Eurovision.”
The Eurovision Song Contest is the world’s largest live music event, with over 180 million people tuning in across linear and digital channels in 2022. The contest has launched the global careers of artists including Måneskin, Celine Dion, ABBA and Julio Iglesias.
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M&S Bank Arena Liverpool CEO steps down
Bob Prattey, chief executive of the ACC Liverpool Group, has announced he is stepping aside after 16 years at the helm of the company.
Under his leadership, the Liverpool, UK, event campus – comprising ACC Liverpool, Exhibition Centre Liverpool and the 11,000-capacity M&S Bank Arena (formerly Echo Arena), has hosted over 3,000 events, welcomed more than eight million visitors and delivered an economic impact to the city of almost £2 billion.
Prattey was appointed ACC CEO in 2005 and launched the arena and convention centre in 2008. He continued to oversee the expansion of the business with the subsequent addition of Exhibition Centre Liverpool and the Pullman hotel in 2015, as well as attracting some of the biggest events in Europe. He will step aside at the end of March, succeeded on an interim basis by deputy CEO Faye Dyer.
“It has been a great honour and privilege to lead the ACC Liverpool Group for the past 16 years,” says Prattey. “I believe that this venue campus is amongst the premier league of European venues and has further enhanced the city’s reputation as a leading visitor destination. Since opening in 2008, we have attracted major international artists and global organisations and have reinforced Liverpool’s position as one of the most exciting cities in Europe.
“I have had time to reflect over the past 12 months and this feels like the right moment for both me personally and for the company to step aside and pass on the baton of leadership.
“While the last 12 months have undoubtedly been the hardest for all businesses in the events industry, I have been proud to lead the team through this unprecedented period. I have been amazed, but not surprised, by the resilience and determination shown by my team here at the ACC Liverpool Group, as well as our clients across all sectors and the entire industry, which has come together like never before.”
“We have a strong and committed senior leadership team and I am honoured to have been entrusted with Bob’s legacy”
Dyer takes up the role of interim managing director from 1 April 2021 and will be responsible for leading the business through the Covid-19 recovery phase, alongside events and operations director Kerry Mulloy and commercial director Ben Williams.
ACC Liverpool Group chair Max Steinberg CBE explains: “After careful consideration and planning, we have taken the decision to move to an interim leadership structure for a 12-month period to allow us to provide continuity for the business at a time when we will be focused on recovery and providing stability for our staff and our clients.
“I am pleased to welcome Faye to her new role as interim managing director and look forward to supporting her as she leads the business through this next phase of our journey.”
Dyer joined the ACC Liverpool Group in 2019 as corporate services director and deputy chief executive, following eight years at the Manchester Central convention centre complex.
“I am looking forward to taking up my position as interim managing director in April and leading the ACC Liverpool Group through our Covid-19 recovery plans as this remarkable industry gets back on its feet,” she comments.
“We have a strong and committed senior leadership team and I am honoured to have been entrusted with Bob’s legacy and to lead the team alongside Kerry and Ben through this next phase.”
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Liverpool’s Echo Arena to become M&S Bank Arena
Liverpool Arena, known as Echo Arena since it opened in 2008, is to become M&S Bank Arena from early next year.
The 11,000-capacity venue, part of the ACC Liverpool complex on the King’s Dock, has agreed a new naming-rights deal with the HBSC-owned retail bank, after a ten-year association with local paper the Liverpool Echo.
Bob Prattey, CEO of the ACC Liverpool Group, comments: “We’re incredibly excited to announce the launch of the M&S Bank Arena. It’s a fantastic way to conclude a phenomenal year that has seen us mark ten years since the arena first opened its doors.
“M&S Bank is one of the UK’s leading challenger banks, with a long-established history in the region. The business shares our passion for the city of Liverpool, making it the perfect naming partner for the arena, complementing the great partnership we already have in place with the Liverpool Echo, which will continue as a key business partner.”
Sue Fox, CEO of M&S Bank, adds: “M&S Bank has been based in the north-west since the business was formed in 1985. It has continued to evolve over this time to the full-service bank it is today, and our past, present and future are firmly rooted in the region.
“We’re extremely delighted to be a part of something incredibly special”
“We’re very much committed to supporting our local community, and over the last ten years we’ve seen the arena bring a phenomenal breadth of entertainment and cultural events to the city of Liverpool, delivering fantastic economic benefits to the city and the wider region. We’re extremely delighted to be a part of something incredibly special and look forward to the launch of the M&S Bank Arena early in 2019.”
Liverpool Arena has welcomed 5.6m visitors to more than 1,200 performances since 2008, with entertainment highlights including Sir Paul McCartney, the MTV EMAs featuring Beyoncé, the MOBO Awards and BBC Sports Personality of the Year.
It unveiled a new 7,000-cap. live venue, dubbed Space, last summer.
“We are proud to have helped create something that all of Liverpool has taken to its heart,” says Echo editor Ali Machray. “The last ten years have seen the arena become an iconic venue. In that time the city has enjoyed spectacular growth and the Echo has powered ahead in digital media to underline its position among the best-known and most powerful regional media brands in the world.
“We will work closely with ACC Liverpool and M&S Bank to ensure the next ten years are as thrilling and successful as the last.”
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