Def Leppard & Motley Crue tour tops 1m sales
Def Leppard & Mötley Crüe’s rescheduled co-headlining tour of the US and Canada is being extended after notching up more than one million ticket sales.
The bands will be joined by fellow rock legends Poison and Joan Jett and the Blackhearts for The Stadium Tour, North America’s biggest stadium run of 2022.
Originally planned for 2020 before being delayed due to the Covid-19 pandemic, the Live Nation-promoted 35-plus show tour kicks off at Truist Park in Atlanta, Georgia on 16 June and wraps up with a newly announced stop at the Allegiant Stadium in Las Vegas, Nevada on 9 September.
Due to demand, new dates have also been added at Toronto’s Rogers Centre (8 August), Lucas Oil Stadium, Indianapolis (16 August), BC Place, Vancouver (2 September) and Commonwealth Stadium, Edmonton (4 September).
“It’s been a while coming and we can’t wait to get back on stage again”
Mötley Crüe reached a new generation of fans with their 2019 Netflix biopic The Dirt and celebrated their 40th anniversary last year.
“It’s on! We don’t think we’ve ever looked forward more to kicking off a tour than this one,” says Mötley Crüe in a joint statement.. We can’t wait to finally see all the fans across North America again. Get ready for a wild ride this summer!”
Def Leppard, who have sold 110 million records over the course of their career, headlined the UK’s Download Festival in 2019 and celebrate their own landmark 45th anniversary this year.
“On behalf of the band, we’re beyond thrilled that the stadium tour is finally happening this summer. It’s been a while coming and we can’t wait to get back on stage again,” says lead vocalist Joe Elliott.
Emerging rock band Classless Act, signed to Better Noise Music, is set to open the tour.
Motley Crue plot explosive touring return
Six years after signing a ‘cessation of touring’ agreement bringing down the curtain on their live career, infamous LA hair metallers Mötley Crüe are to reform, following the success of their Netflix biopic, The Dirt.
As detailed in the video above, awkwardly titled (to British ears) ‘Mötley Crüe is Back’, the notoriously tempestuous band destroyed the contract, signed after their ‘final’ show on 31 December 2015, “in true Mötley Crüe fashion, by literally blowing it up”.
“Since playing Tommy Lee in The Dirt, so many of my fans have said how they wish they could’ve seen the real Mötley Crüe play live,” comments Colson Baker, aka Machine Gun Kelly. “I never thought I would see the day when this would become a reality. But the fans spoke and Mötley Crüe listened.”
In the six months following the release of The Dirt, Mötley Crüe have celebrated a 350% increase in streams of their music across all streaming platforms, with most fans now aged 18–44.
However, say the band, “most of the new fans have never seen any of the legendary live shows that Crüeheads have relished for close to four decades.” Expect a new tour announcement soon.
Allen Kovac celebrated at AIM Independent Music awards
Rock impresario Allen Kovac was presented with the prestigious innovator award at the AIM Awards at the Roundhouse in Camden, London, tonight (3 September).
Kovac, the founder and CEO of Eleven Seven Music Group (Mötley Crüe, Papa Roach, Five Finger Death Punch), has also worked with artists including Duran Duran, Meat Loaf, the Bee Gees, En Vogue, Luther Vandross, Nelly Furtado, the Cranberries and Blondie over five decades in the business.
He was presented with the award by Helen Smith, executive chair of the Independent Music Companies Association (Impala), while Virgin Group founder Sir Richard Branson sent a personal message.
“I’ve known Allen since the early 90s,” said Branson. “Allen was managing Meat Loaf, whom Virgin Records had signed and Allen was pushing myself and the Virgin team to allow Meat Loaf to upload one of the first songs to the fledgling internet. As innovators, we would do anything for music, and of course, we did just that.
“From humble beginnings as a promoter, Allen went on to be a manager of the Bee Gees, Blondie, Mötley Crüe, Duran Duran and the Cranberries, and then started Eleven Seven Music which is now, 12 years later, one of the top rock labels in the world.”
“This could not be more well deserved”
Kovac (pictured) “has been an entrepreneur, pioneer and innovator in music all his life”, says AIM, working first as a promoter, then a manager and finally establishing a record label, publishing company, management company and strategic music marketing/research company.
Hs other achievements include pushing for Meat Loaf’s ‘I’d Do Anything For Love’ to be one of the first songs on the internet; hosting, with Duran Duran, what is believed to be the first music press conference online; supporting Spotify and music streaming in its early days, and encouraging the business away from one-time album sales; and producing The Dirt, the Netflix movie based on the Mötley Crüe book.
“Allen has innovated and tested the limits of marketing, social media, ticketing, streaming and sales reporting, which must make him feel as old as I am,” continued Branson. “He has worked towards benefitting the independent community and levelling the playing field between independents and the majors, as well as encouraging the fair valuation of music by tech giants. Whether it was Steve Jobs with the iPod and iTunes, Daniel Ek with Spotify or Amazon with smart speakers and in-car technology with Alexa, Allen has been ahead of the curve, collaborating, consulting and promoting new tech to the industry…”
“His next major project, with Nikki Sixx, is the Heroin Diaries musical,” Branson’s message concluded. “I hope that the Heroin Diaries will destigmatise addiction and do for the opioid crisis what Rent did for HIV and aids. I would like you all to join with me in congratulating Allen Kovac for his AIM innovator award. This could not be more well deserved.”
Kovac joins previous innovator award winners including artist Sophie and grime label/collective Boy Better Know. The AIM Independent Music Awards were established by the Association of Independent Music (AIM), a trade body for independent record labels, in 2011.