Maluma breaks WiZink’s attendance record
Colombian singer Maluma last night (5 April) broke the attendance record for Madrid’s WiZink Center, with an audience of 17,412.
The Latin superstar, who is undertaking his Papi Juancho Europe Tour 2022, opted for a 360º format which meant the venue’s maximum capacity of 17,453 could be used.
The record was previously held by American heavy metal legends Metallica, who also used the 360º format and drew 17,267 fans to their 2018 concert.
The record was previously held by American heavy metal legends Metallica, who also used the 360º format and drew 17,267 fans
The WiZink Center says it deployed its maximum organisational capacity, including 704 workers, to make the Maluma concert possible.
This included 226 technical professionals, lighting, sound, assemblers, loading and unloading operators, 252 people in the security device, health services, fire prevention technicians, ushers and access controllers; and another 172 in restaurant services, bars, and kitchens; in addition to another 54 professionals in other different tasks.
Bands recruit sniffer dogs to detect Covid on tour
Artists such as Metallica, Tool and the Black Keys have recruited sniffer dogs to detect Covid backstage on their tours.
Overseen by Ohio-based Bio-Detection K9, whose president Jerry Johnson worked with dog teams in Iraq and Afghanistan in the 2000s, the canines were used for late 2021 US shows by Eric Church and Metallica.
The dogs are taught to sit down if they detect the virus on people’s hands and feet.
“If you understand the instincts of a dog’s behaviour, it makes a lot of sense,” Johnson tells Rolling Stone. “Dogs sniff each other to see if that other dog has a virus. We’re training them to look for something they’d be interested in anyway.”
“So far, knock on wood, the dogs have been knocking it out of the park”
The dogs are being utilised for upcoming dates by Church, Tool and Ashley McBryde, among others.
“So far, knock on wood, the dogs have been knocking it out of the park,” adds John Peets of management company Q Prime. “We haven’t had a dog miss anybody.”
Loudwire notes that noted that the Covid-sniffing dogs have been utilised to examine smaller groups of people, rather than entire audiences.
Research carried out in the UK last year, led by the London School of Hygiene & Tropical Medicine (LSHTM), showed that people who are infected with coronavirus have a distinct odour that can be detected by trained dogs with a high degree of accuracy.
Part-funded by the UK’s Department of Health & Social Care, the study used over 3,500 odour samples donated by the public and NHS staff, and indicated that a Covid-19 infection has a distinct smell, which specially trained dogs can rapidly, non-invasively detect with up to 94.3% sensitivity and up to 92% specificity.
“The advantage of using this method is being able to detect Covid-19 with incredible speed and good accuracy among large groups of people, even in asymptomatic cases,” said Professor James Logan, head of the department of disease control at LSHTM.
Friday round-up: World news in brief 10/12/21
Welcome to IQ‘s weekly round-up of news from around the world. Here, in bite-sized chunks, we present a selection of international stories you may have missed from the last seven days…
Slipknot are expanding their festival footprint by taking their Knotfest brand to Germany. The 25,000-cap. Knotfest Germany will debut in and around Rudolf Weber-Arena in Oberhausen on 30 July, 2022. Headlined by Slipknot, the Live Nation-promoted event will feature 10 bands in total, including In Flames and Ghostemane. Brazil and Chile editions are also planned for next year.
In his first interview since the Astroworld tragedy, Travis Scott has said he did not realise that fans were hurt during his performance at the Live Nation-promoted festival. Ten people, aged between nine and 27, died following a crowd crush during Scott’s headline set at the 50,000-cap. NRG Park in Houston, Texas on 5 November. The US rapper has been criticised for not ending his show earlier. “I stopped a couple of times… at the end of the day you just hear music,” he told Breakfast Club presenter Charlamagne Tha God.
Korea’s first ever metaverse gig, the K-Vibe Concert, was staged by the Ministry of Culture, Sports, and Tourism and the Korea Tourism Organisation on 8 December. Hosted by Asia’s largest metaverse platform Zepeto, the XR show featured acts from the first to the fourth generation of K-pop, including BoA, SHINee’s Key, Aespa, DJ Raiden, Brave Girls, Mommy Son, and Wonstein. The concert also brought together various other aspects of the Korean Wave, from dance to dramas, beauty and webtoons.
Organisers of Elements Festival are facing a class action lawsuit following the event’s ill-fated 2021 edition, which took place in Lakewood, Pennsylvania from 3-6 September. The electronic music festival fell victim to inclement weather precipitated by Hurricane Ida. EDM.com now reports that three claimants allege promoters failed to “properly organise, prepare, and provide ticket purchasers and attendees of the Elements Festival 2021 with the experience defendants extensively promoted and marketed as being a safe, packaged, multi-day camping and music festival”.
After confirming Los Angeles and Chile spin-offs, Spain’s Primavera Sound has now announced Brazil and Argentina legs for 2022. Primavera’s first Brazil event will be held in Sao Paolo from 31 October to November 6, while its inaugural Argentina festival will take place in Buenos Aires from 7-13 November.
Metallica will livestream their 40th anniversary concerts from San Francisco’s Chase Center on 17 and 19 December. The sets will air on Amazon Music and Prime before becoming available to watch on The Coda Collection/Prime Video Channel.
Scotland music convention Wide Days is returning to Edinburgh as a physical event from 19-21 May 2022, with a conference, one-to-one meetings and live performances. It will also feature a range of informal networking opportunities including guided tours, whisky tasting and exotic soft-drink sampling. As part of the convention, Wide Days will showcase the six emerging Scottish acts, selected for the international talent development programme, presented in partnership with PRS Foundation, which is open to musicians, producers and DJs of any genre who apply via a free application process (deadline 13 January). Tickets for Wide Days are on sale now at a special early bird rate.
Madison Square Garden Entertainment has announced that it will be taking its custom camera technology – being developed for its MSG Sphere venue – to space. The company has received a research award from the Center for the Advancement of Science in Space to leverage the International Space Station (ISS) US National Laboratory to develop and test its ultra-high fidelity, ultra-high-resolution camera system. MSG Entertainment is planning to conduct three missions over the next several years, with the goal of developing a custom MSG Sphere camera system capable of capturing the Earth at a level of detail never before possible.
More than 200 guests attended The Blue Moon Gala at the new Outernet London to celebrate UNICEF’s 75th anniversary. The star-studded, special event, which featured performances from Duran Duran and Arlo Parks, raised £770,000 to help UNICEF continue its work for children around the world. A major new immersive media, music and culture district in London’s West End, Outernet fully opens in 2022, with details to be announced in the new year.
Billie Eilish was virtually honoured with the German Sustainability Award by astronaut Matthias Maurer (ESA), who was on board the international space station ISS. Singers Joss Stone and Chris de Burgh also received the honorary award at the ceremony in Düsseldorf, which recognises ideas for the future and top achievements in sustainability in the fields of business, research and communities.
UK promoter and venue operator DHP Family has announced two key promotions within the marketing team as it continues its commitment to nurture and develop talent within the company. Anwyn Williams has been promoted to head of marketing, while Matt Newton steps up to become marketing manager.
ASM Global has appointed David Feeley as general manager of the Target Center in Minneapolis. An industry veteran with more than 23 years of experience in event and facility operations, Feeley joins ASM Global following a lengthy stint as an operations executive with MGM Resorts.
London-based online platform GigRealm, which provides an end-to-end solution for organising live music performances, has announced a wide-ranging new partnership with The F-List for Music. Founded by former BASCA CEO Vick Bain, the F-List is the first directory of its kind to feature up-to-date information on UK-based female musicians, songwriters and composers. The new partnership will see GigRealm and The F-List team up to create pathways and opportunities for female musicians in the live music space.
Live Nation reveals details on Download Germany
Live Nation GSA (Germany, Switzerland, Austria) has revealed more details about the inaugural edition of Download Germany.
The promoter today (14 September) revealed that US heavy metal band Metallica will headline the 2022 event, which will be the band’s only concert in Germany next year.
Metallica will be joined by heavyweights Five Finger Death Punch and Sabaton, both of which will be a 2022 festival exclusive for Germany.
Up to 10 acts will perform on a huge double stage at Download Germany, according to GSA, and more than 70,000 guests are expected to attend.
Up to 10 acts will perform on a huge double stage at Download Germany and more than 70,000 guests are expected to attend
It was previously revealed that Download Germany will take place on 24 June 2022 at the Hockenheimring, a motor racing circuit situated in the Rhine valley near the town of Hockenheim, which Live Nation GSA head Marek Lieberberg has prior experience with.
Advance ticket sales for Download Germany will start on 17 September at 12:00 CET, including passes for the interior of the racing track, as well as passes for the south stand.
The promoter revealed today that interior tickets cost €139 including parking and pre-sale fee and south stand tickets cost €159 including parking and advance booking fee.
Download Germany will be the UK brand’s fourth sister event. Other sites are Download Australia, which would have debuted in 2020, Download Madrid and Download France in Paris (both of which last took place in 2019).
$1bn artists line up global tours as confidence builds
Some of the world’s biggest artists, collectively worth more than US$1 billion in ticket revenue between 2018 and 2020, will hit the road again in 2021 and ’22, as confidence builds for a return to international touring over the next 12 months.
Sir Elton John, Celine Dion, Metallica, Michael Bublé, Guns N’ Roses, Bruce Springsteen and Eagles – all of whom ranked among the highest-grossing tours of 2018, 2019 and 2020, grossing more than $1bn between them – have in recent weeks revealed plans for new or rescheduled global tours, many of them starting as soon as this summer.
Sir Elton has extended his disrupted final tour, Farewell Yellow Brick Road, with a bumper 30-date, six-month stadium run across across mainland Europe, the UK and the United States.
Here they are – my final tour dates ever in North America and Europe! This has been an incredible tour so far and I'll be going out in the biggest possible way. I can't wait to see you all on the road one last time 🚀🚀🚀
— Elton John (@eltonofficial) June 23, 2021
“Hello, all you wonderful fans out there. I’m coming to you today with an announcement I’ve been working towards for, well, all my life: the shows that I announce today will be my final tour dates ever in North America and Europe,” he says in a statement.
“I’m going to go out in the biggest possible way, performing at my very best, with the most spectacular production I’ve ever had, playing in places that have meant so much to me throughout my career.
“Whether it’s next summer in Frankfurt or at the legendary Dodger Stadium for the grand finale in the United States, I can’t wait to see you all on the road one last time. This has been an incredible tour so far, full of the most amazing highs, and I look forward to making more wonderful memories with you at these final shows.”
The Farewell Yellow Brick Road tour, Sir Elton’s farewell tour, was brought to a halt by the coronavirus pandemic last March, with the last show on 7 March 2020 at Bankwest Stadium in Parramatta, Australia. The tour resumes on 1 September at Mercedes-Benz Arena in Berlin and will conclude in Australasia in 2023.
The tour, produced and promoted by AEG Presents, grossed $212 million in 2019 and $71.2m in 2020.
“I’m going to go out in the biggest possible way, performing at my very best”
Springsteen, who grossed an incredible $88.3m from his Springsteen on Broadway shows, which had an average ticket price of $509, in 2018, also has live plans for 2022.
As well as reviving Springsteen on Broadway, Springsteen confirmed to E Street Radio on SiriusXM he is planning a full tour with his E Street Band in 2022. “I knew we were going to tour with the band next year,” he said, “[but] I had a friend who got so enthusiastic about it [Springsteen on Broadway] that he talked me into it sitting on my couch one night. The next day I said, ‘OK, we’ll do some shows.’ It really came around kind of casually.”
Eagles, meanwhile recently added another six dates to their long-delayed Hotel California tour, which kicks off at Madison Square Garden in New York in August.
While the band has only announced the rescheduled US dates so far (the first leg ends at Chase Center in San Francisco on 23 October 2021), pre-pandemic the Live Nation-promoted tour included included dates in London (Wembley Stadium) and Los Cabos, Mexico (Cabo en Vivo), so it is expected that additional European and Latin American shows are still to be announced.
Eagles grossed $166m from their 2018 North American tour.
“We have waited far too long to say these words: we’re getting back out there”
Under the banner The Return of the European Summer Vacation, the band will play headline shows at Denmark’s Copenhell, the Netherlands’ Pinkpop, Italy’s Firenze Rocks, the Czech Republic’s Prague Rocks, Belgium’s Rock Werchter, Spain’s Mad Cool and Portugal’s NOS Alive. .
“We have waited far too long to say these words: we’re getting back out there and are finally announcing our return to Europe in 2022,” say Metallica in a statement. “Needless to say, we cannot wait to see all of you once again as our European ’tallica Family will finally have a chance to reunite in June and July of next year.”
The festivals next year will be Metallica’s first European shows since their Worldwired global tour, which grossed a total of $179m in 2019.
Elsewhere, Bublé (who grossed $115.8m in 2019 and $24.8m in 2020) is resuming his An Evening With Michael Bublé tour in North America in August, while Dion’s (2020 gross: $71.2m) postponed Courage world tour will finally kick off the same month in Winnipeg.
Also resuming a postponed tour this summer are Guns’ N Roses, whose world stadium tour – newly rechristened We’re F’n’ Back! – will begin at Hersheypark Stadium in Hershey, Pennsylvania, on 31 July 2021. The tour will include Australasian dates later this year and a string of European stadium shows next summer.
Opening the tour will be the late Eddie Van Halen’s bassist, son Wolfgang, with his band Mammoth WVH.
Metallica sue Lloyd’s over postponed tour losses
Metallica have filed a lawsuit against Lloyd’s of London, claiming that the organisation relied on an ‘unreasonably restrictive interpretation’ of an insurance policy purchased to cover its 2020 South American tour.
The band were due to play six dates across the continent in April 2020 and say that they had acquired a standard cancellation, abandonment and non-appearance insurance policy to cover their losses if any of the tour was postponed or cancelled.
The Covid-19 pandemic initially saw those dates postponed until December 2020, before being postponed again. As yet, no rescheduled dates have been announced.
The suit says Lloyd’s denied the claim for losses based on a communicable disease exclusion, which Metallica dispute
Crucially, the lawsuit, filed last week in the Los Angeles Superior Court, says that Lloyd’s denied the claim for losses based on a communicable disease exclusion, which Metallica dispute, reports CBS Los Angeles.
As with previous lawsuits targeting Lloyd’s, such as those brought by Foo Fighters and Kanye West, it is likely the Metallica suit is targeting a specific Lloyd’s insurer or syndicate rather than the market itself.
Lloyd’s has not commented on the lawsuit, except to point out that it is not an insurance company, but rather oversees and regulates a market of independent insurers.
K2 joins forces with Y Entertainment Group’s AGI
UK-based international booking agency K2, which represents the likes of Metallica, Iron Maiden and Slayer, has announced a joint venture with investment firm Yucaipa’s umbrella of companies.
Under the new partnership, K2 joins the Yucaipa-owned international booking agency Artist Group International (AGI) in the Y Entertainment Group.
Yucaipa’s existing interests in the music industry also include a joint venture with Paradigm Talent Agency, a minority stake in Primavera Sound and Primavera Pro and an acquisition of US promoter Danny Wimmer Presents (DWP).
“I have had the pleasure of collaborating with [AGI chairman] Dennis and the team at AGI for many years,” says K2 founder and renowned music agent John Jackson.
“Not only is there mutual respect between us, but we share a similar philosophy and work ethic when it comes to our artists, agents and staff. As such, joining forces is the perfect fit and an opportunity to flourish on the global stage.”
“Joining forces is the perfect fit and an opportunity to flourish”
Founder of Factory Music Management and Agency, Sharon Richardson, brought to K2 her roster of over 20 rock and metal artists, which include Delain, Sabaton, Steve Harris’s British Lion and Metal Allegiance. The acquisition of EGO brought over company founder Jim Morewood, agent Yerry Stetter, and EGO’s largely heavy metal-focused roster.
Chairman Dennis Arfa says, “John runs one of the best agencies in the world. We’re thrilled to be working with him and his K2 team. We share many clients including Metallica, Ghost, and Volbeat and over the years have developed a natural synergy. We are pleased that our ownership has staunchly facilitated and supported our expansion efforts.”
AGI was founded in 1986 and represents artists such as Billy Joel, Metallica, Def Leppard, Rod Stewart and Motley Crue.
It was acquired by The Yucaipa Companies in 2011, with an eye towards expanding its reach in the live entertainment space through strategic acquisitions and organic growth.
The companies say plans for collaboration, expansion and diversification will be further revealed in the coming months.
Spanish live industry reports another record year
The Spanish live music business generated a record €382 million (£333m) in 2019, representing its seventh consecutive year of growth.
According to the Live Music Yearbook, which is compiled by Spanish promoters’ association APM, turnover in 2019 exceeded the previous year’s record revenue by 14.6%.
Despite the positive results, the past year saw a deceleration of year-on-year growth, which had hit 20% and 24% in 2017 and 2018 respectively, following a cut in cultural tax in 2017 from 21% to 10%.
October, December, May, July and September proved to be the most profitable months of 2019, with more than €40m (£35m) generated in each.
The Spanish live music business generated a record €382 million in 2019
National tours by Manuel Carrasco, Marea and Alejandro Sanz attracted over 600,000 fans between them, with Carrasco alone selling 351,994 tickets.
In terms of international touring artists, Metallica and Ed Sheeran performed the best, drawing 122,000 and 108,386 fans respectively for just two shows each.
Morat, Muse, Mark Knopfler, Bon Jovi, Hans Zimmer, Bryan Adams, Bob Dylan and Rammstein were among other acts to visit Spain in 2019.
Formed in 2001, APM now has 78 members that together make up 80% of the Spanish live industry’s economic activity.
The Gaffer 2019: John ‘Lug’ Zajonc
It was a hell of a year for John Zajonc in 2019. Having masterminded Metallica’s massively successful North American tour, within days he found himself in Europe overseeing a build for the band’s arena tour that he’d put together between stadia shows stateside.
But that was child’s play compared with what was about to happen. During a break in the tour schedule, Zajonc travelled to Saudi Arabia to help another long-term client, WWE, prepare for its Super ShowDown event, only to wind up in hospital after a massive electric shock.
“Let’s put it like this; I’m now officially retired as an electrician,” he reports of the incident that would certainly have killed lesser mortals. Thanks to his general levels of fitness, he lived to tell the tale, despite some horrific injuries. “I was electrocuted: 400 volts across my chest and back. The force of the shock ripped my shoulders out of their sockets and broke them both.”
Within hours, Zajonc checked himself out of hospital and took himself to Amsterdam to resume duties for Metallica. But more on that later…
“I was electrocuted: 400 volts across my chest and back”
The memory remains
Born in Boston, Massachusetts, Zajonc loved sport from an early age, playing soccer, baseball, ice hockey and “anything that could get me outdoors.” But it was an indoor pastime that would earn him a place in college. “I won a wrestling scholarship, but the plain fact of the matter was that I hated school, so I dropped out after a year,” the 51-year-old tells IQ. “My dad’s reaction was that if I wasn’t going to study, then I needed to work and start paying my way in life.”
Zajonc recalls some of the many jobs: “I drove a cab, I drove a laundry truck, I worked in construction – just anything to earn money, but I worked really hard. My dad’s mantra was that if I was going to dig ditches then I should be the best damn ditch digger in the world, so that’s what I tried to do.”
Perhaps noting that drive, a friend presented Zajonc with an opportunity to earn some extra money, helping out local firm Capron Lighting & Sound with some concerts. “I did two or three shows and I really liked it, so I stayed and ended up doing their Summertime Anytime beach parties. I just did whatever I was told to do and a guy called Steve Sergeant took me under his wing.”
Wherever I may roam
A couple of years after starting at Capron Sound, Zajonc got itchy feet and decided to give sport another shot.
“That’s the case with most people on the tour circuit – you learn on the job”
“I moved to Florida to become a golf professional,” he says. “It was a hard life and I soon realised that I didn’t have the right connections – I couldn’t find sponsorship and, unlike other people, I couldn’t rely on my family to support me financially, so I moved back to Boston and went back to Capron Lighting & Sound for a while.”
Eager to start moving up the ranks, Zajonc began bombarding people in the business with job requests. “Eventually, a friend at Show Power in California said he would give me a chance if I promised to stop calling him. So in the early 90s, I moved west and started to work on bigger tours.”
As Show Power’s new kid on the block, Zajonc threw himself in at the deep end and made sure he was always on hand to help out, no matter the task. That work ethic paid off.
“I got a job as the cable guy on a Genesis tour,” he recalls. “It was a nice gig as I had no responsibility really. I did that for four or five months, until the final show at Knebworth, but that’s when things really started to take off: from there I was straight on a plane to Hershey for rehearsals with U2, and then I was on the road for months with the Zoo TV tour; then Madonna; and then back to U2 again, and so on.”
“As a production manager, I’m also a part-time therapist, uncle and father to a pretty dysfunctional family”
By the mid-90s, he had worked his way up to electrical crew chief for tours by the likes of U2, the Eagles, Metallica and others. “I’m now certified, but I’m pretty much a self-taught electrician. That’s the case with most people on the tour circuit – you learn on the job – and, thankfully, I’ve worked across every department on the road, so I can turn my hand to most things, if needed.”
Things changed when Show Power was acquired by General Electric. “I had a desk job for a few months, but it really didn’t suit me working for such a big company. They didn’t want me to limit myself to entertainment, but I wasn’t really interested in some of the other stuff they wanted me to do, so it was time to move on.”
Turn the page
In 2001, alongside fellow road warriors Henry Wetzel and Carlos Oldigs, Zajonc established Legacy Power Services to provide concerts and tours with portable power systems and solutions. “Legacy has been great to work on – whenever I’m not out on the road, I’m back in the Legacy building in Las Vegas helping other productions with their electricity needs,” he reveals, talking to IQ from those Nevada premises.
Having amassed more than a decade of touring experience, Zajonc’s next step up the ladder came about when Scott Chase, stage manager for Paul McCartney was sidelined with an injury. “Scott asked me to fill in for him, and I spent the year with McCartney, followed by Tim McGraw and Faith Hill until Tim and his team asked if I would take on the role of production manager.”
Continue reading this feature in the digital edition of IQ 87, or subscribe to the magazine here
The decade in live: 2019
The start of a new year and, perhaps more significantly, a new decade is fast approaching – and while many may be thinking ahead to New Year’s Eve plans and well-meaning 2020 resolutions, IQ is casting its mind back to the most pivotal industry moments of the last ten years.
The final edition of IQ’s decade in live brings us right up to the present day. From the turbulent early post-financial crisis years, the live industry has emerged triumphant, repeatedly setting new records and reaching new heights in the latter part of the decade.
A number of artists have cropped up repeatedly during IQ’s decade analysis with both Bon Jovi and U2 topping the year-end tour chart twice.
Other acts to perform well throughout the decade include Bruce Springsteen, Taylor Swift and Pink – with three top-five appearances, including one top spot, each; Beyoncé, with four top-five tours; Metallica with three; and AC/DC, Roger Waters, Coldplay, Guns N’ Roses, Bruno Mars and the Rolling Stones, who all achieved double top-five appearances.
Major industry players were hard at play in 2019, as Live Nation completed 20 acquisitions over the year, as well as recording its highest-ever quarterly operating income in Q3; AEG Facilities and SMG finalised their mega-merger to create ASM Global; Superstruct continued its run of festival roll-ups; Oak View Group launched internationally; CTS Eventim expanded its rapidly-growing promoter network, and much more.
However, perhaps the biggest deal of the year came from one of the live industry’s most controversial members – Viagogo. The company’s US$4.05 billion all-cash acquisition of fellow secondary ticketer StubHub signals that the secondary ticketing debate will carry over well into the new decade.
2019 in numbers
The live concert business is seeing out the decade in style, with new records set in gross revenue by the top 100 tours worldwide.
The ten biggest touring artists of 2019 brought in a collective $1.6bn, falling short of the more than $2bn brought in the year before, with 2018’s charts skewed by Sheeran’s massive Divide tour ($432.4m) and Swift’s Reputation stadium tour ($345.1m).
Sheeran was the man of the moment in 2019, as his colossal Divide tour became the highest-grossing tour in history after knocking U2 off the top spot in August. The tour wrapped up having generated $768.5m and sold 8.8m tickets over three years. The singer came in at number three on 2019’s chart, grossing $211.7m.
Pink, the highest-grossing artist of the year, generated $215.2 million on her Beautiful Trauma trek, which sold 1.8m tickets in 2019, adding to 2018’s 1.3m, and earning her Ticketmaster’s global ticket of the year accolade.
Elton John’s Farewell Yellow Brick Road tour came in at second, grossing $212m, with Metallica’s WorldWired tour at four with $179m and the Rolling Stones’ No Filter tour at five with $177.8m.
Twelve artists grossed more than $100m in 2019, one more than the year before, with BTS, Bon Jovi, Ariana Grande, Michael Bublé, Fleetwood Mac, Paul McCartney and Backstreet Boys, in addition to the top five, clearing the nine-figure mark.
2019 in brief
DEAG acquires the remaining 24.9% of shares in MyTicket from German publishing house Axel Springer SE.
Scandinavian promoter Beatbox Entertainment rebrands as Down the Drain Concerts, after its parent company Down the Drain Group.
More than ten million people “attend” EDM star Marshmello’s virtual concert in the popular free-to-play video game Fortnite.
Live Nation acquires or takes a majority shareholding in promoters Planet Events and Embrace Presents; marketing company Neste; festivals Blockfest and Tons of Rock; and ticketer Moshtix (through Ticketmaster).
Providence Equity Partners, the parent company of festival operator Superstruct, buys into industry leading staging specialist Tait.
Oak View Group (OVG), the US-based venue development, advisory and investment company co-founded by former AEG CEO Tim Leiweke and ex-Live Nation chairman Irving Azoff, launches its new international business at ILMC.
CTS Eventim announces plans to combine 26 of its majority-owned promoters into a new London-based, pan-European live entertainment network, called Eventim Live.
Australian promoters Michael Gudinski and Michael Chugg announce a new joint venture between their respective companies, Frontier Touring and Chugg Entertainment.
Marshmello performs in-game in Fortnite to over ten million people © Keneth Cruz
AEG Presents joins forces with Frontier Touring, Australia’s last major independent promoter, in a strategic joint venture that sees the companies merge operations in Australia and New Zealand.
Competition regulators examine the proposed mega-merger of venue behemoths AEG Facilities and SMG, as the companies look to roll up an international portfolio that includes more than 300 venues.
Providence Equity-backed Superstruct Entertainment takes corporate control of Global’s festival arm, amid rumours Broadwick Live is undertaking a management buyback of its events.
Superstruct Entertainment invests in Down the Drain Group, forming a partnership with the largest independent concert and festival promoter in Denmark.
BookMyShow, India’s largest online ticketing company, expands into the Middle East after signing a five-year deal with AEG Ogden’s Coca-Cola Arena in Dubai.
DEAG becomes the latest major live music player to invest in the fast-growing esports sector, acquiring a minority stake in ally4ever Entertainment, a specialist gaming events agency.
BTS-mania hits London for a second time, with the Korean pop superstars making history by playing to 120,000 people over two nights at Wembley Stadium – and another 140,000 fans across the world via a £21-a-head livestream.
Oak View Group (OVG) partners with Live Nation to build and run a new entertainment and sports arena in Santa Giulia in Milan.
DEAG acquires a majority stake in three promoters: Stuttgart-based C2 Concerts; I-Motion, the German division of electronic music behemoth, LiveStyle; and Swiss concert promoters Live Music Production and Live Music Entertainment.
Dubai’s Coca-Cola Arena © AEG Ogden
Live Nation makes moves in Latin America, confirming it will acquire a majority stake in South America’s biggest festival, Rock in Rio, and in Latin America’s largest promoter, Ocesa Entertainment.
Google suspends secondary ticketing site Viagogo as an advertiser indefinitely, following pressure from industry organisations, anti-touting groups and politicians.
After five years as partners, London’s Coda Agency formally merges into its Los Angeles-based parent company, Paradigm Talent Agency, becoming Paradigm London.
Ed Sheeran’s ÷ tour becomes the highest- grossing concert tour of all time, breaking the current record of $735.4m set by U2’s 360° stadium tour in July 2011.
Superstruct Entertainment invests in Germany’s ICS, adding leading metal event Wacken Open Air to its stable of European festivals, which also includes recently acquired hip-hop event Parookaville.
Australasian live entertainment powerhouse TEG, the parent company of Ticketek and TEG Dainty, acquires the UK’s MJR Group.
Through its Swedish division, FKP Scorpio Sverige, FKP Scorpio acquires Stockholm-based promoter Woah Dad! Live.
Oak View Group launches the International Venue Alliance, a network of independent venues modelled on its US Arena and Stadium Alliance, with Silverstone Circuit as founding member.
AEG takes full control of its ticketing business, AXS, from co-owners TPG Capital and RockBridge Growth Equity.
Ed Sheeran’s ÷ tour became the highest-grossing of all time in 2019, generating a total of $768.5m © Ed Sheeran/Instagram
CTS Eventim expands into Russia, acquiring 51% of concert promoter Talent Concert International.
AEG Facilities and SMG complete their merger to create a single worldwide venue management company: ASM Global.
Private equity firm Silver Lake Partners acquires Australia’s TEG, adding to a live portfolio that also includes Oak View Group, MSG and Endeavor.
Upcoming shows by Spanish star Enrique Iglesias in Croatia, Belarus and Latvia are cancelled, as Iglesias’s agency, CAA, declares a lack of compliance on behalf of promoter Art BG.
In a landmark deal that brings together the world’s two largest secondary ticket sellers, Viagogo announces its acquisition of StubHub for $4.05bn in cash.
Just four months after its indefinite suspension from Google Ads, Viagogo advertisements once again appear at the top of Google’s search results as the ban is lifted.
CTS Eventim makes official its acquisition of a majority stake in Barracuda Music, formerly the largest independent promoter in Austria.
Live Nation makes its 20th acquisition or equivalent deal of the year, taking a controlling stake in the live entertainment division of Malaysian promoter PR Worldwide.
Who we lost
Croatian concert promoter Jordan Rodić; the Prodigy frontman Keith Flint; singer-songwriter Scott Walker; Stephen Fitzpatrick and Audun Laading of UK band Her’s and tour manager Trevor Engelbrektson; VMS Live founder and managing director Steve Forster; Matt Ward, Manchester Arena’s head of event marketing and PR; ATC Live agent and LeeFest/Neverworld festival director Chris Meredith; SFX Entertainment founder Robert FX Sillerman.