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Live music revenue in Ireland rose 23.5% in 2023

Ireland’s live music revenue reached €243m in 2023 – a 23.5% year-on-year rise – according to the PwC’s latest report on the country’s entertainment and media industry.

Live music contributed 69% of Ireland’s total music revenues of €354m in 2023, buoyed by shows by acts such as Bruce Springsteen, Harry Styles, The 1975, George Ezra, Depeche Mode, Blur, Pet Shop Boys, Arctic Monkeys, Florence + The Machine and Irish singer-songwriter Dermot Kennedy, who sold 155,000 tickets in his home market last year.

The sector is expected to grow at 2.8% CAGR (compound annual growth rate) to €279 million in 2028, compared with 2.5% globally.

“The Irish entertainment & media industry is set for robust growth to 2028,” says Amy Ball, partner, PwC Ireland Entertainment & Media Practice. “The industry in Ireland is showing great success and opportunity on the global stage.”

The PwC says the report underscores the importance of in-person experiences such as live music and cinema, highlighting them as “crucial growth” industries, with music ticket sales and movie box office representing 38.6% of the net increase in consumer spending worldwide.

Live music revenues rose globally by 26% in 2023 – accounting for more than half of the overall music market

Last month, it revealed that live music revenues rose globally by 26% in 2023 – accounting for more than half of the overall music market – skewed towards large events such as the tours by Taylor Swift, Beyoncé, Coldplay and Elton John.

And the Irish market could be set for another upturn. Speaking earlier this year, Denis Desmond, co-founder of Ireland’s biggest promoter MCD Productions, said the firm was expected to sell three million tickets in 2024 – 50% more than last year –  boosted by “new opportunities” in Limerick and Cork.

MCD’s highlights from this summer have included three shows by Taylor Swift at Dublin’s Aviva Stadium in June, with a sold-out four-night run by Coldplay at Croke Park set to begin tonight (29 August).

The firm, which is promoting Oasis’ reunion shows at Croke Park next August, also sold 120,000 tickets for nine concerts at Virgin Media Park (15,000-cap) in Cork in June, featuring the likes of Becky Hill, Sting, Take That, Shania Twain and the Wolf Tones.

It also hosted Snow Patrol, Paolo Nutini and Liam Gallagher in three 30,000-cap live events over one weekend at Thomond Park in Limerick, selling more than 75,000 tickets.

An in-depth report on the Irish market will feature in the next edition of IQ.

 


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Ireland’s MCD projects 3m ticket sales for ’24

MCD Productions expects to sell three million tickets in Ireland in 2024 – 50% more than last year – according to co-founder Denis Desmond.

The country’s biggest promoter, which was acquired by the UK-based Live Nation-Gaiety joint venture in 2019, has a host of major events coming up, including three shows by Taylor Swift at Dublin’s Aviva Stadium in June and four nights with Coldplay at Croke Park in August/September.

The JV sold more than two million tickets in Ireland last year, generating $133.48 million (€122.7m), according to Pollstar data. Desmond says he was pleased with the sales, highlighting Harry Styles and Irish singer/songwriter Dermot Kennedy, the latter of whom sold 155,000 tickets in his home market in 2023.

“Harry Styles at Slane Castle and Dermot Kennedy at Marlay Park and Thomond Park shows were special,” says Desmond, as per RTE.

Desmond speaks of “new opportunities” in Limerick and Cork, as well as a series of marquee shows the firm is presenting with acts such as Madness, The Waterboys and Fatboy Slim at Galway Airport.

“The biggest problem is hotels quadrupling their rates on the back of concerts and sporting events”

“The live music business continues to grow,” he says. “The audience age is six to 76-plus.”

Desmond also defends the price of concert tickets, pointing out they are cheaper than for many West End and Broadway theatre productions. A ticket for an MCD show in 2023 cost €58 on average.

“Ticket prices are affordable,” says Desmond. “There is a huge cost in putting on shows be it insurance, ferries, flights, hotels, wages etc.”

Indeed, the biggest problem for the industry, he adds, is surging hotel prices around shows. Desmond is calling for government intervention on the matter.

“The biggest problem is hotels quadrupling their rates on the back of concerts and sporting events,” he says. “The government should step in and make it illegal to increase published rate card.”

 


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Football icon Eric Cantona announces music tour

Football legend Eric Cantona is launching a music career, announcing a trio of live dates in the UK and Ireland for this autumn.

The 57-year-old’s Cantona Sings Eric Tour will kick off at the 482-seat Stoller Hall in Manchester on 26 October, followed by a show at London’s 535-cap Bloomsbury Theatre on 28 October. It will then wrap up in Dublin at the 411-cap Liberty Hall Theatre on 31 October.

The concerts are being promoted by Live Nation and MCD Productions, by arrangement with Solo Agency.

“Next year, I’ll be playing with a band, but for now, I’m starting with a modest piano to play alongside me in intimate venues”

Cantona will release his debut single via Decca Records next Friday (2 June). The Marseille-born star, who turned to acting after retiring from football in 1997, made more than 400 appearances during his career and won 45 caps for France. He is best remembered for a trophy-laden five-year spell with Manchester United.

“Next year, I’ll be playing with a band, but for now, I’m starting with a modest piano to play alongside me in intimate venues,” says Cantona “I’ll be starting in Manchester because it’s a city that has stayed with me so much for the football, of course, but also the general atmosphere.”

 


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Spend, no-shows and demand all up in UK, say promoters

Leading promoters in the UK live industry say they’re experiencing mixed fortunes following the full reopening in England on 19 July.

As the sector launches into recovery mode, executives are reporting high levels of pent-up demand for many shows.

Denis Desmond, chairman of Live Nation UK and Ireland, says: “Artists, promoters, production and marketing teams are champing at the bit and ready to meet the demands.

“Thankfully our festivals happened, and we were very pleased with sales which proves that the demand for live music is still going strong. Now we’re moving into touring season and we have a busy schedule lined up for the rest of the year and into 2022.”

As the live sector prepares for what looks to be its busiest year ever from 1 January, promoters say the UK’s next challenge will be keeping up with demand given that much of the supply chain has yet to recover.

“We’ve got 18 months of touring coming up across the UK and all of the suppliers are going to be hugely stretched,” says Richard Buck, CEO of TEG MJR, the UK subsidiary of Sydney-based live entertainment and ticketing firm TEG.

“Artists, promoters, production and marketing teams are champing at the bit and ready to meet the demands”

Desmond agrees, adding: “Going forward there are still challenges including issues with the supply chain and many talented specialists have been forced to leave the sector, plus there remain complexities for touring in Europe post-Brexit.”

And as an autumn period of touring kicks off, the ongoing spectre of Covid-19 is a continued source of uncertainty for promoters who say the rate of no-shows at concerts is far higher than usual.

Buck reports “anywhere up to 50% no-shows, especially on postponed shows. It’s a little less if the show is taking place closer to the time when it was announced but at sell-out shows, there has been significant no-attendance”.

Buck believes the no-shows are down to an “amalgamation of low confidence, forgotten tickets and isolating” and predicts three to six months for the levels of attendance to go back to what they were pre-pandemic.

UK-based promoter and venue operator DHP Family is also experiencing high rates of no-shows and says it’s increasingly hard to predict attendance post-Freedom Day.

“[Attendance] varies by artist and how many times the show has been rescheduled etc,” says DHP’s director of live, Anton Lockwood.

“[There has been] anywhere up to 50% no-shows, especially on postponed shows”

“We’ve seen 20–30% on bigger shows. Typically smaller shows are less predictable; it can be 100% attendance or, if it’s the kind of show where the artist has been relying on their friends and family to turn up, it can be up to 75%. It’s all over the place.”

While refund requests are reportedly very low, most events are currently offering a refund to ticket holders who can’t attend due to a Covid-related illness on a discretionary basis.

“If it’s a rescheduled show, you’re entitled to a refund, the end,” says DHP’s Lockwood. “But there’s a debate about if you’ve got Covid, whether you’re entitled to a refund or we should just give a refund out of kindness.”

Fortunately, DHP has also not seen huge numbers of refund requests so far: “It’s not caused a problem but it is a worry because if you settle the show with the artist and then some of the refunds come in, you’ve got a problem.”

Buck says TEG MJR is being “lenient” when it comes to refunds but they are dealing with it on a case-by-case basis.

“We’re being a lot more liberal with refunds because we want people to buy in confidence when the market opens which is a slight double-edged sword,” he explains.

“2022 and 2023 sales have been disproportionately strong… probably 20-25% up on forecast”

“Previously, if you had a sold-out show it was sold out. Now, it’s a lot more difficult to settle on the other side because you’ve got refunds post-event,” Buck concludes.

But while Covid continues to cause operational complexities, Buck says the increase in spend-per-head at concerts is “dramatically up” versus pre-Covid and ticket sales for new shows have soared.

“2022 and 2023 sales have been disproportionately strong,” he says, “Probably 20-25% up on forecast.”

And with the threat of last-minute venue closures due to staff being ‘pinged’ (told to self-isolate by the NHS app) or contracting the disease, alongside similar worries with touring parties, many say recovery feels like a gradual process.

“We don’t know whether the shows are going to happen or not, whether the artist is going to be able to travel or they end up catching Covid,” says Lockwood.

“People assume it is all back to normal but everything is just much harder. It’s great to be back, don’t get me wrong, but the uncertainties have ramped up.”

 


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Electric Picnic cancelled: “We have run out of time”

Electric Picnic 2021 has been cancelled following the local council’s refusal to grant the organisers a licence.

The Irish festival was scheduled for 24–26 September at Stradbally Hall Estate, County Laois but, at the beginning of August, the council declined to issue a permit based on “the most up-to-date public health advice”.

Electric Picnic’s promoters, Festival Republic and MCD, had previously petitioned Laois County Council to reverse its decision.

The council has since said it cannot legally revisit its previous refusal of an event licence for Electric Picnic 2021 and that statutory timelines would not allow for the processing of a new application in time for the original date.

“We would not be able to do the festival justice this close to show day”

“We have now run out of time,” the promoters wrote in a statement.

“Regrettably, we have no other choice but to cancel this year’s edition. We would not be able to do the festival justice this close to show day, and it would be unfair to ask ticket holders who’ve stood by us throughout this pandemic to come to EP and not get the full experience they are used to and deserve.”

Snow Patrol, Foals, Chemical Brothers, Rage Against The Machine, Lewis Capaldi, Skepta, James Vincent McMorrow, Denzel Curry were due to perform.

Ticketholders now have the option of obtaining a full refund or holding onto them for next year’s event, scheduled to take place from 2–4 September 2022.

A day before the festival was cancelled, the Irish government announced a new phased reopening plan which Festival Republic and MCD among others have long been calling for.

 


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Ireland’s live sector reacts to new reopening plan

Live music will return to Ireland for the first time in 18 months under the government’s new phased reopening plan.

In an announcement yesterday (29 August) evening, Taoiseach (prime minister of Ireland) Micheál Martin announced the government’s plan for reopening society over the coming months – including the gradual easing of restrictions on live events.

From 6 September, indoor events and mass gatherings can take place at 60% of a venue’s capacity where all patrons are immune (fully vaccinated or recovered from Covid-19 within the previous six months). At live entertainment events, all attendees must be seated.

For patrons who have mixed immunity status, there will be no change to the current restrictions during September.

“Now, more than ever, we need our government to listen to our voices and support us well into 2022”

Outdoor events and mass gatherings can take place at 75% of a venue’s capacity where all patrons are immune. Where patrons have mixed immunity status, the capacity limit will be 50%, subject to measures including social distancing between groups and face masks.

The next phase of Ireland’s reopening will start on 22 October, when the government will effectively end all restrictions including:

This phase is contingent on Covid-19 cases remaining manageable and 90% of adults being fully vaccinated. Currently, more than 88% of the population over 18 are fully vaccinated, with almost 92% of adults (aged 18 and over) having received at least one dose.

“Imposing a limit of 60% of seated capacity will render most (standing or seated) shows inoperable”

In a statement issued yesterday evening, the Music and Entertainment Association of Ireland (MEAI) welcomed the announcement but called for support as live music returns at reduced capacity.

“Our industry will not be fully reopened until we achieve 100% capacity,” it said. “Our industry will still display the scars of the financial hardship and mental health struggles many of us have endured and now, more than ever, we need our government to listen to our voices and support us well into 2022.

“We need that support so we can build our businesses, build our and your confidence, but most importantly, so we can build, upon our rich and proud heritage and culture, an industry that is bigger, brighter, bolder than ever before.”

Shane Dunne, promoter at MCD Concerts; board member of Epic working group; MD of Irish festival Indiependence, echoed the call for support: “It’s important that government financial support like Pandemic Unemployment Payment (PUP) remains in place for those in our industry who have been out of work for over 550 days and that a scaffolding fund is put in place for 2022 to hold the industry upright at least equal to the funding given yearly to the funded sector here.”

“Seventy-five per cent capacity outdoors is workable but we weren’t given the notice on this that we’ve been asking for”

In regards to the capacity limits, Dunne added: “The 60% seated capacity restriction doesn’t work for our business so really we are closed until 22 October when it is planned for restrictions to be lifted. Seventy-five per cent capacity outdoors is workable but it’s a pity we weren’t given the notice on this that we’ve been asking for, for over a year – we’re swiftly running out of summer.”

Fin O’Leary, veteran promoter and co-founder of Singular Artists (a joint venture between DEAG/Kilimanjaro), told IQ: “Any movement on the relaxation of restrictions is welcomed, but imposing a limit of 60% of seated capacity will render most (standing or seated) shows inoperable, so we’re forced to move all pre-October 22 shows into 2022.”

Ireland’s minister for culture, Catherine Martin, says she will continue to lobby the government for sector-specific support.

“I am pleased that the cabinet understands the challenge our performance sector faces. I personally will ensure that this engagement continues.

“Public health is our priority and this phased approach to alleviating restrictions will take time but by continuing to listen to, and work together with, partners from the sector, we will start to repair an industry that has suffered so severely over the last 18 months. While today’s announcement is a milestone in our recovery, the government knows that Ireland’s art and culture sector needs support to help it thrive once more.”

 


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Ireland’s MCD: “We are angry and disappointed”

MCD Productions boss Denis Desmond says the Republic of Ireland’s live sector is “frustrated, disappointed and angry,” by the prolonged shutdown of the industry.

Industry representatives held a two-hour meeting with ROI’s minister for arts yesterday (18 August) but still, no date was set for the return of live concerts and cultural events.

“There are 35,000 people who are employed in the sector who haven’t worked in 525 days and it’s terrible,” Desmond tells IQ. “It’s very hard on people who have families and mortgages to pay. The government support is a small amount of money. A lot of people are struggling – not only financially but mentally.”

In comparison, the UK’s live industry has been fully open for a month and Scotland lifted most restrictions on 9 August.

Festival Republic director Melvin Benn told RTÉ’s News at One that the failure to allow live music events to return, including Electric Picnic (co-promoted with MCD), is “unnecessary and wrong,” given Ireland’s high vaccination rate.

He went on to say that Ireland’s situation contrasted with “political leadership” in other countries, including the UK. “It isn’t a different virus [in Ireland].”

“What we really need is a full reopening and a government-backed insurance scheme, similar to the UK”

The promoters’ comments come after their event, Electric Picnic, was denied a licence by the local council on the grounds of the current restrictions.

“We’re still looking at the options and we have written to the government asking why they made the decision. We’ve been assured that we’ll get an answer by next Monday so we’ll wait until we get a reply to review what happens next,” says Desmond.

The government has also promised a roadmap for reopening by the end of next week but it won’t be a silver bullet for the industry, says the MCD boss.

“What we really need is a full reopening and a government-backed insurance scheme, similar to the UK,” he tells IQ. “The most important thing about the UK’s scheme is that the insurance package is valid for 12 months because Covid is not going away. We’ve got to learn to live with it but there needs to be support for businesses.”

Desmond believes the lack of support for Ireland’s live music industry – and other markets in Europe – is down to a lack of understanding. “The reality is, there is little understanding of the contribution this industry makes to the economy and to the wellbeing of people,” he says.

The Republic of Ireland’s perceived lack of understanding is likely exacerbated by a lack of representation in political spheres. It was recently revealed that minister for arts Catherine Martin – whose plan to reopen the sector was snubbed by government – is not yet on the cabinet committee on Covid-19.

The Music and Entertainment Association of Ireland (MEAI) says the lack of representation is “disastrous” for the industry.

 


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Ireland’s Electric Picnic presses gov for reopening plan

Electric Picnic is calling on the Irish government to interrupt its summer recess and “immediately issue reopening guidelines,” after the festival was refused a licence for this year’s event.

The event, which would usually take place with 70,000 attendees per day, was scheduled to go ahead from 24–26 September at Stradbally Hall Estate, County Laois.

However, despite the organisers’ proposal to ensure that everyone attending the event would be fully vaccinated and registered in advance for contact tracing, the local council has declined to issue a permit based on “the most up-to-date public health advice”.

The council cited current government guidance in relation to “events of this nature being restricted to an attendance of 500 people only”.

“This was a very difficult decision for the council to make and I’m sure it will be disappointing to thousands of music fans and the live music industry,” says Laois County Council’s chairman, councillor Conor Bergin. “However, in the current climate, it’s the lack of certainty over Covid. We’d all love to see it go ahead but with no certainty, it’s very hard.”

The promoters, Festival Republic and MCD, described the news as a “huge blow and set back to our entire sector, which was mandated to close on the 12th March 2020 (over 500 days ago).”

The statement said that the decision means “the further loss of employment for over 3,000 people, who had clung to the hope that Electric Picnic would bring an end to their period of hardship”.

“This is a huge blow and set back to our entire sector”

“To see Scotland, a country with a similar population and virtually identical vaccine rollout and uptake as our own, only announce yesterday that they were easing restrictions and allowing events such as Trnsmt in Glasgow go ahead in September makes this decision even more difficult to accept,” it said.

It was announced yesterday that Trnsmt was granted ‘gateway event’ status by the government, exempting it from the capacity limit for outdoor events.

The three-day event will take place this September with up to 50,000 non-socially distanced fans per day.

Electric Picnic is now calling on the Irish government to reopen the live music sector “on a phased basis” from 14 August, building to the lifting of restrictions from 1 September onwards.

The organisers say they’re now “reviewing their options” and will be in contact with ticket holders over the next week.

Should Electric Picnic 2021 be cancelled, it will mark two years in a row without the festival. The festival has been staged annually since 2004.

 


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Ireland to permit some shows, festivals in August

The Republic of Ireland has released its roadmap for reopening society and business following the Covid-19 shutdown, which sees shows and festivals return from 10 August, provided that capacity restrictions and social distancing measures are complied with.

Under the five-step plan presented by Irish prime minister (taoiseach) Leo Varadkar, “festivals, events and other social and cultural mass gatherings” will make a comeback in the final stage, under certain constrictions.

The reopening of events will be contingent on “both indoor and outdoor number restrictions”, according to the exit plan, although the specifics of such capacity restrictions are not communicated.

It was announced last month, however, that events over 5,000 people would not return until after the end of August, leading to the cancellation of MCD Productions’ Longitude and Sunstroke festivals, as well as Pod/Aiken Promotions All Together festival.

Under the five-step plan “festivals, events and other mass gatherings” will make a comeback in the final stage, under certain constrictions

The plan also mandates that “social distancing” must be adhered to during events. Once again, the details of such measures are not laid out. Currently, social distancing in Ireland implies maintaining a distance of two metres between individuals.

The fifth phase of Ireland’s recovery will also see pubs and nightclubs open their doors, “where social distancing and strict cleaning can be complied with”.

The capacity reductions and social distancing measures referenced in Ireland’s reopening roadmap are akin to those imposed on venues in Spain, which released its exit strategy last week. Spain’s plan indicated that concerts could return as early as May with certain capacity and distancing restrictions, but was criticised by members of the live industry for being “unclear” and unrealistic for many promoters.

Photo: Peyton Edward/Wikimedia Commons (CC BY-SA 4.0) (cropped)

 


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Festivals cancelled as Ireland outlaws events over 5k

The Republic of Ireland’s major summer festivals, including Longitude, All Together Now, Life Festival, Body & Soul and the new-for-2020 Sunstroke, have been called off after the Irish government confirmed there would there would be no licences issued for events over 5,000 people until the end of August.

A statement issued by the Irish prime minister (taoiseach), Leo Varadkar, says while licensing decisions in Ireland are usually reserved for local councils, local authorities “have been advised by government that event promoters should be informed that events requiring licences in excess of 5,000 will not be considered for the period up to the end of August”.

MCD Productions, which promotes Longitude (3–5 July) and Sunstroke (13–14 June), as well as Electric Picnic on 4–6 September, says while it is “obviously devastated” Longitude isn’t going ahead, “the health and safety of our fans and staff is paramount and we fully respect the government’s decision. We would like to take this opportunity to thank the frontline workers currently giving their all to keep us safe.”

Longitude’s 2020 line-up featured headliners Kendrick Lamar, Tyler the Creator and Asap Rocky, along with Mabel, Young Thug, J Hus and Charli XCX.

As for Electric Picnic, MCD head Denis Desmond says: “It’s a long shot. The chances of it happening are not good.”

“The health and safety of our audience, team and performers takes total precedence at this time of global crisis”

Restrictions on major events are also in place in the Netherlands, where large events are banned until 1 September; GermanyBelgium and Denmark, where a ban is in place until 31 August; and Luxembourg and Finland, which have prohibited mass gatherings until 31 July. France, meanwhile, has given mid-July as the earliest date when events could go ahead, while Austria has identified the end of June.

The restrictions across Europe are in line with the latest European Union guidance.

“Like everyone across the world, we’ve been watching the ongoing effects that Covid-19 is having on our everyday lives,” say All Together Now (31 July–2 August) organisers Pod Concerts and Aiken Promotions, which had booked Iggy Pop, Lauryn Hill, Mura Masa, Goldfrapp and more for its third edition. “The health and safety of our audience, team and performers, plus the extended communities to which they belong, takes total precedence at this time of global crisis.

“Being ‘All Together’ has never been more poignant. While for now, we can’t be together physically, we must be together in spirit by following HSE [Health Service Executive] and government guidelines [and] supporting frontline staff, our local communities, independent businesses and artists who need our support more than ever.”

Avril Stanley, promoter and festival director of Body & Soul (19–21 June), says: “While we may not be able to gather in person this summer, we are with you in spirit. We’re not going anywhere.”

 


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