Art & Industry founder Mick Griffiths passes
Mick Griffiths, veteran agent and founder of live music booking agency Art & Industry, has passed away.
Griffiths formed the London-based agency in 2010 after working as an agent at Asgard for 30 years.
During his career, Griffiths worked with artists including Mogwai, Ocean Colour Scene, The Go! Team and Julian Cope.
Following his passing, a raft of executives and artists from the live music industry have paid tribute on social media.
Anton Lockwood, director of live at DHP Family, wrote on Facebook: “Terrible news that Mick Griffiths has died. A proper independent agent who saw things his own way, and always took the creative path.
“A proper independent agent who saw things his own way, and always took the creative path”
“I had the pleasure of working with him on many shows, taking (one of my favourite artists) The House Of Love to the Roundhouse [in London], some incredible nights with The Go! Team Tindersticks and so many more.
“And l loved that Mick was more than an agent – under the name Schneider he created great minimalist, geometric artworks – one of my favourite times was only 4 years ago when we agreed for him paint on the rear wall of The Garage in his beloved Islington. Very sad to lose one of our proper original, maverick characters, will miss him.”
Ocean Colour Scene paid tribute to Griffiths on Twitter this morning: “We are very sad to hear the news that our friend and tour agent Mick Griffiths has passed away.
“Mick has helped plan the tours for over 25 years since the days of our album Moseley Shoals. Our thoughts are with his friends and family.”
The Go! Team tweeted: “Gutted to hear our live booking agent Mick Griffiths has passed away. Mick was with us from the very beginning and such a genuine lover of music. RIP Mick.”
Memphis Industries, the British independent record label that is home to The Go! Team, added: “Devastated to hear that our friend Mick Griffiths, agent to The Go! Team amongst many others, has passed away. A genuine inspiration to us for his independent spirit and passion for music and so much more besides. He’s going to be sadly missed.”
“A genuine inspiration to us for his independent spirit and passion for music”
Sebastien Vuignier, who worked with Griffiths on a number of concerts, wrote: “Very sad to hear that Mick Griffiths passed away. Mick was a wonderful person and passionate booking agent.
“I worked with him since 1999. We did wonderful shows together such as Tindersticks, Mogwai, Yann Tiersen, Efterklang and many more. My thoughts are with his family and friends, and of course his colleague Dave Jennings.”
Ade Dovey, live music promoter at Luminescent Live and former event programming and content manager for ASM Global, tweeted: “Absolutely gutted to hear that Mick Griffiths has left us. Owe this man a lot of gratitude for all the amazing shows we’ve worked and supporting me with putting gigs on over the years. Especially with Mogwai, Julian Cope, The Go Team and Ocean Colour Scene.”
Rob Whitaker, manager of acts including Editors, Slowdive and Public Service Broadcasting at Zoot Management, said: “Back in the mists of time, before the management adventure, when myself and Jacko were young promoters, he was the very kindest and most encouraging of all the agents. We continue to have many mutual friends and he’s always just felt like one of the good guys. The world is a worse place without him in it!”
“He’s always just felt like one of the good guys. The world is a worse place without him in it!”
Promoter Dave Travis wrote on Facebook: “I’ve been booking bands off him for around 40 years, I always enjoyed the bartering over sometimes small amounts on bands fees.
“Mick was also the artist Schneider, he produced incredible works of art that I was fortunate enough to display at Havill and Travis gallery.
“I took the photo below at Mick’s pop up exhibition in London 3 years ago, when I helped him hang the exhibition, it took the 2 of us 9 hours as I knew Mick would insist that it was millimetre perfect, it was a happy day.
“I ended up being Barman at the preview. I treasure the print he gave me as a gift for helping him, even though it was quite large and I took it to a Henge gig at The Lexington then walked to Euston with it after. I’ll miss our lovely chats about music, art and football.”
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IFF ’21: WME, CAA, Marshall, MVT complete schedule
The full schedule for the 2021 edition of the International Festival Forum (IFF) is now complete, with the final addition of WME, CAA, Marshall Live, and a final night in partnership with Music Venue Trust.
WME, CAA and Marshall Live join a line-up of partner agencies which already includes 13 Artists, ATC Live, Earth Agency, ICM Partners, ITB, Paradigm Agency, Primary Talent International, UTA and X-ray Touring, many of whom are showcasing new artists from their rosters.
IFF has also partnered with grassroots venue champions Music Venue Trust (MVT) to present the final night of their recent Revive Live tour, which is supported by the National Lottery. Taking place on Thursday 30 September (19:30 – late), MVT will present five unique artist showcases, with the full line up announced next week.
The completed schedule also includes a double keynote interview with Melvin Benn and Folkert Koopmans, as well as an array of sessions with high-profile speakers.
Replacing the usual closing party on the Thursday night of IFF, MVT will present five unique artist showcases
Joining IQ Magazine‘s Gordon Masson on The Therapy Session will be Earth agent and co-founder Claire Courtney, as well as Mercury Wheels @ Live Nation’s head promoter, Barnaby Harrod.
The Roaring 20s will see chair Clementine Bunel (Paradigm) take the stage with Jim King (AEG Presents), Lowlands Festival Director Eric van Eerdenburg; WME agent Andy Duggan; and Primary Talent International/Decked Out! agent Martje Kremers.
The Agency Business 2021 conversation, chaired by Anna Sjölund (Live Nation Sweden), will see One Fiinix Live’s Jon Ollier joined by ATC Live agent and founder Alex Bruford and Mad Cool festival booker Cindy Castillo.
Finally, virtual panel Counting the Cost of Brexit welcomes UTA senior agent James Wright to a lineup including Marshall Arts’ Craig Stanley, Anita Debaere from Pearle* and Annabella Coldrick of the MMF. Other online topics include sustainability and insurance.
Over 500 music festivals and booking agents are expected to attend the invitation-only event, which returns to Camden, north London, for the sixth in-person edition. This year’s physical event follows an online-only edition in 2020, in light of the Coronavirus pandemic.
Some 500 delegates are expected to attend this year’s IFF
As the first major live music industry gathering in 18 months, IFF 2021 will kick off with the opening party on Tuesday 28 September and end late on Thursday 30 September. And with some international delegates still unable to travel to the UK, all of this year’s conference sessions will be available to watch back on-demand for up to 30 days after the event.
This year’s edition is supported by key partners that include Live Nation, Ticketmaster, Tysers and Megaforce. Association partners on the 2021 are Yourope, AIF and DeConcert!
More information about how to attend, along with the full event schedule is online at www.iff.rocks.
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More details emerge on Abba’s Voyage concerts
More details have emerged about ABBA’s upcoming ‘Voyage’ concerts, as tickets today (7 September) go on general sale.
The Swedish pop icons announced the “revolutionary” live experience last week (2 September) heralding the band’s first reunion in 40 years.
The Voyage concerts will see Agnetha, Björn, Benny and Anni-Frid performing digitally with a live 10-piece band, in a 3,000-capacity purpose-built arena in Queen Elizabeth Olympic Park, London.
The residency is set to run from May 2022 until October 2022.
A variety of different ticket types are available for the concerts, including general admission (standing), auditorium seating and dance booths – of which there are eight, each named after people from the ABBA universe.
Each booth has seating and its very own dance floor. Fans can either book the entire booth or individual seats.
“The world has never seen a concert on a scale like this before”
Tickets for the ABBA Voyage were made available from 10 am on Sunday 5 September for fans who pre-ordered the album from the official ABBA store, and from 10 am Monday 6 September for those who pre-registered.
General sale commenced this morning (7 September) at 10 am with tickets starting from £21.
Ticketmaster UK was yesterday (6 September) named the official ticketing partner for the ‘Voyage’ concerts in London, tasked with providing the technology required to run all shows as 100% digital.
“The world has never seen a concert on a scale like this before and we’re beyond proud to be involved,” says Andrew Parsons, MD Ticketmaster UK.
“We’ve had the privilege of working alongside the ABBA team since the concert’s conception, and together we’re going to give ABBA fans the greatest experience from the moment they buy a ticket right through to show time.”
I have been a lifelong @abba fan so it is an absolute honour to share that I will be joining @abbavoyage live on stage on keyboards/ synth and BVs. I am beyond excited for this journey to continue and hope you can join us…. https://t.co/cIEiSiEOJs #abbavoyage #abba pic.twitter.com/dGUGbQAmPr
— little boots (@littleboots) September 6, 2021
It was also revealed yesterday that British electro-pop artist Little Boots will be part of the live band (aka the ‘ABBAtars’) for the Voyage shows, performing keyboards, synth and backing vocals.
The musician – whose real name is Victoria Hesketh – wrote on Instagram: “It has already been a dream to spend time in the studio with my musical heroes.
“I am beyond excited for this journey to continue and to have the privilege of performing these songs with a group of the most incredible musicians I have ever played with. The sound of this band will give you goosebumps!”
View this post on Instagram
The live band will be supporting digital avatars of ABBA, which have been created by an 850-strong team from Industrial Light & Magic (ILM), the company founded by George Lucas (Star Wars, Indiana Jones).
According to Ben Morris, creative director at ILM, the avatars replicate the band members’ appearance in 1979 – their ‘prime’.
The characters’ movements, however, are based on five weeks’ worth of performances from the present-day members.
The four members performed every song in the 22-track ‘Voyage’ set over and over for five weeks in front of motion-capture technology.
ABBA’s ‘Voyage’ is ILM’s first foray into music but the company is joined by a number of stalwarts from the business.
The project is being spearheaded by producer Svana Gisla (David Bowie Blackstar/Lazarus, Beyoncé and Jay Z for HBO, Springsteen and I), producer Ludvig Andersson (And Then We Danced, Yung Lean – “In My Head”, Mamma Mia! Here We Go Again) and director Baillie Walsh (Flashbacks of a Fool, Being James Bond, Springsteen and I).
Co-executive producer Johan Renck (Spaceman, David Bowie Blackstar/Lazarus, Chernobyl) and choreographer Wayne McGregor CBE (The Royal Ballet, Company Wayne McGregor, Paris Opera Ballet) are also leading the project.
ABBA’s ‘Voyage’ concert series will be supported by a new studio album of the same name.
‘Voyage’ will be released on 5 November on Polydor (UK)/Universal Music Group (UMG).
The album has already become the most pre-ordered album in UMG UK’s history, according to the Official Charts, receiving over 80,000 pre-orders in the UK alone.
The band have already released two songs from the album, I Still Have Faith In You and Don’t Shut Me Down.
See the full tracklisting for ‘Voyage’ below:
I Still Have Faith In You
When You Danced With Me
Don’t Shut Me Down
Just A Notion
I Can Be That Woman
Keep An Eye On Dan
No Doubt About It
Ode To Freedom
The New Bosses 2021: Anna Parry, The O2
The New Bosses 2021 – the latest edition of IQ’s annual celebration of the brightest young talent in the live business today, as voted for by their peers – was published in IQ 103 this month, revealing the 12 promising promoters, bookers, agents, entrepreneurs that make up this year’s list.
To get to know this year’s cohort a little better, IQ conducted interviews with each one of 2021’s New Bosses, discovering their greatest inspirations and pinpointing the reasons for their success.
The first 2021 New Bosses interview is with Anna Parry, programming manager at the O2, London.
Born in Calgary, Canada, Parry travelled to Spain to study global entertainment and music business at Berklee College of Music in Valencia. With an independent promoter as a father, she grew up in backstage corridors and tour buses and quickly learned the ropes of the live business as a production runner, tour manager, logistics coordinator, and promoter rep.
Her move to London initially involved an internship at UTA, while also running the events programme for she.grows, the mentorship programme for shesaid.so. Parry joined the programming team at the O2 in 2018 and now works with some of the biggest artists in the world.
What’s been the highlight of your career so far?
There are two: seeing Paul McCartney at the O2. My dad [Jeff Parry of Jeff Parry Productions] became a promoter because of his love for the Beatles and seeing him perform in my place of work was a full-circle moment for me; and I’m currently working on a project with Prince’s estate to honour his 21-night legacy at The O2. It’s a surreal feeling to be working with one of the most influential teams in the business.
You spent part of the lockdown back in Canada, what challenges did that present in your working day?
Well, the obvious one would be the time difference, but luckily I was in Canada during the months of January and February which was a quiet time for the O2. My team are also extremely supportive and allowed for somewhat flexible working hours. Generally, I think that January and February were a hard time for everyone and it was difficult being so far from my team but I was very fortunate to be able to spend the time with my family.
“What is really going to make a difference [to the live music industry] is diversity in the top positions”
As a new boss, what one thing would you change to make the live music industry a better place?
A more diverse recruitment process. We need to see diversity in every level of organisations, ensuring equal opportunities for people to get their foot in the door and a framework for them to progress. What is really going to make a difference is diversity in the top positions.
Tell us a bit about your work with she.grows/she said.so.
I came across shesaid.so when I was a promoter rep in my hometown of Calgary, and I was working with the only female promoter in the area who told me about the incredible community. She then said her biggest regret was not moving internationally and that’s when I started thinking about the opportunity the industry provided in a global context. It then all came full circle for me when I was able to act as the events manager for the she.grows mentorship programme in London, and was introduced to a plethora of inspiring women.
You’ve travelled thousands of miles to study and find work, what advice would you give to anyone trying to break into the business?
Never give up, and never take no for an answer. The door is never fully closed, you just need to find a new way to open it.
“It is a very exciting time as we get to reinvent a lot of processes”
Where do you see yourself in five years?
I am fortunate to work for a global company in AEG with a stream of creative people where opportunities feel limitless so it is hard to say, but I am very happy at the O2 and feel like we have a lot of catching up to do after the past 18 months!
What’s the biggest challenge for you and the O2 team now that the business is emerging from lockdown restrictions?
Re-engaging the workforce. As a company we have gone through a lot of changes and have a lot of new processes in place. Re-entrance anxiety is a real issue, and as it stands, 2022 is projected to be our busiest year ever at the O2 and we need to ensure that, after over 500 days of no events, people will be well equipped and feel comfortable getting back at it.
With that said it is also a very exciting time as we get to reinvent a lot of processes and I think we have all learned a lot during lockdown and have an even further appreciation for what we do and why we do it.
Roblox plans London-themed launch party for KSI
Roblox, the family-friendly social videogaming platform, has announced a virtual album launch party for YouTube star and professional boxer, KSI.
Organised in partnership with BMG, Proper Loud, and MBA Live, the launch party will see KSI perform songs from his chart-topping debut album ‘All Over The Place’ under a virtual London Eye on a boxing ring themed dance floor.
Roblox users will be able to jump into cars and race each other through the streets of London before the performance and afterwards, they’ll be able to hang out and live chat with KSI during a VIP rooftop after-party. Exclusive virtual merchandise will be available to fans during the experience.
KSI’s first performance starts on Friday 13 August at 16:00 PDT with encore performances hourly over the weekend.
The VIP after-party experience for fans, including an exclusive virtual Q&A, will take place on Saturday 14 August on the Roblox platform.
“We are delighted to be hosting the chart-topping and multi-talented KSI’s first launch party on Roblox in partnership with BMG,” said Jon Vlassopulos, vice president and global head of music for Roblox.
“Roblox provided the perfect platform to immerse fans in the world of KSI, bringing to life his persona with an avatar”
“I can’t wait to race around London and join the exclusive VIP after-party that will connect KSI with fans from all corners of the globe, this is a great example of how Roblox launch parties bring together millions of fans in personal, engaging, interactive, and immersive ways.”
Christopher Ludwig, BMG VP global digital partnerships and strategy, added: “At BMG, our approach is to look at things from the artist’s perspective. For KSI, this means being at the cutting edge of technology and remaining authentic and raw to reach his global, digital-native audience where they are.
“Roblox provided the perfect platform to immerse fans in the world of KSI, bringing to life his persona with a photo-realistic avatar and building a space to spotlight his talent and passions. We’re delighted to kick off our partnership with Roblox through this first activation and bring global fans into the KSI experience.”
President of Proper Loud and manager of KSI, Mams Taylor, says: “We are thrilled to be teaming up with Roblox. It’s a great creative opportunity for team KSI and Roblox to do something unique and crossover both audiences, showcasing KSI’s music and Roblox’s awesome and fun platform.”
Roblox’s vice president and global head of music previously told IQ that he plans to grow Roblox’s music offering significantly “so music becomes an organic part of the users’ daily experience”. Read the full interview here.
Pitchfork Music Festival to debut in London in 2021
The first edition of Pitchfork Music Festival London will take place from 10 to 14 November, marking the long-running festival’s UK debut.
Comprising a series of 12 concerts at venues in the UK capital, Pitchfork Music Festival London will feature more than 50 performances across five days. The London festival will run back to back with Pitchfork Music Festival Paris, now in its tenth year, which is being held from 16 to 20 November.
Performers will include Bobby Gillespie and Jehnny Beth, Anna Meredith, Mykki Blanco, Emma Jean Thackray, Black Midi, Stereolab and Girl Band, with events taking place at venues including the Roundhouse, Southbank Centre, Village Underground, Moth Club, Oslo in Hackney and more.
“After an incredibly difficult year for artists, fans, and our music community, we’re excited to celebrate the return of live music with so many legendary venues across two of the most important music cities in the world,” says Puja Patel, editor in chief of Pitchfork. “That we’re able to host festivals in London and Paris during the publication’s 25th anniversary feels all the more special.”
The UK event will be co-promoted by Form Presents, the Kilimanjaro Live-backed venture formed by the merger of Rockfeedback and One Inch Badge last year, and ticketed by Dice.
“We’re so excited about this season of events with such vital artists”
Daniel Monsell, Form Presents’ co-MD, says: “We at Form are delighted to be partnering with Pitchfork to bring this inaugural UK edition of the festival to London. Pitchfork is such an important resource for so many music fans in the UK and it feels even more special to do so in its 25th year of existence, being both long-term fans of the site and the amazing event in Paris.
“We’re so excited about this season of events with such vital artists, and to be able to bring the series into an array of the city’s best venues at a time when we’ve missed them so much.”
Regarding You Know What, organisers add that Pitchfork Music Festival London “will adhere to local Covid-19 protocol and will keep attendees updated as regulations evolve”.
The flagship Pitchfork Music Festival in Chicago takes place from 10 to 12 September, with headliners including Phoebe Bridgers, Animal Collective, St Vincent, Kim Gordon, Erykah Badu and Flying Lotus. A German spin-off, set to debut in Berlin 2020, is on hiatus.
See the full line-up for Pitchfork Music Festival London in the poster below:
TEG MJR acquires Camden Assembly and XOYO
TEG MJR has acquired two of London’s best-loved live music venues, XOYO and the Camden Assembly, both of which will reopen on 21 June, lockdown lifting permitting.
The 400-capacity Camden Assembly (formerly the Barfly) in Camden usually hosts more than 400 events a year and has been played by the likes of Muse, Coldplay, Adele and the 1975. XOYO (800-cap.) in Shoreditch is known for its club nights and DJ shows at the weekend and live music programme on weekdays.
TEG MJR, the UK subsidiary of Sydney-based live entertainment and ticketing firm TEG, says it will host concerts, brand experiences and community events in both venues, “working closely with local and national promoters to curate a full and diverse calendar of artists and genres”.
Dan Ickowitz-Seidler, COO of TEG MJR, says: “We are excited to be a part of London’s diverse night-time culture and to soon be delivering great events and hospitality at two of London’s leading venues.
“We will honour their legacies while bringing new and unbeatable live music experiences”
“The location of both venues is incredible and we are committed to respecting their past and investing in their future, with plans to offer fantastic, contemporary experiences.”
Plans for XOYO include an overhaul of the production infrastructure, with the venue set to relaunch with a three-day residency by dubstep pioneer Skream. Camden Assembly will continue to trade daily with a mix of live shows, club nights and electronic music events upstairs, the company adds.
Geoff Jones, CEO of TEG, comments: “These are two of London’s most-loved venues. We will honour their legacies while bringing new and unbeatable live music and event experiences to patrons. This move gives us a presence in the vibrant London music scene.”
Burna Boy to open the O2’s Welcome Back Shows series
Afrofusion star Burna Boy will kick off the O2’s Welcome Back Shows series this summer, heralding a return to normality for the London arena.
The Welcome Back Shows series will welcome capacity crowds to the 20,000-cap. arena for the first time since 2020, starting with Burna Boy’s first-ever headline show on 27 August.
The concert, dubbed Twice as Tall, will be the first event in the Welcome Back Shows series which also features Ministry of Sound Classical on 13 November and UK comedian Mo Gilligan + Friends with ‘The Black British Takeover’ on 8 December, as previously reported on IQ.
“We’re ecstatic that the series will kick off the arena returning to full capacity this August with global superstar Burna Boy”
“We’re ecstatic that the Welcome Back Shows will kick off the arena returning to full capacity this August with global superstar Burna Boy,” says Anna Parry, programming manager at the O2. “He’s been a trailblazer in the music industry and we can’t wait to hear him fill the arena with his feel-good hits, providing a much-needed antidote to this past year.”
Gareth Griffiths, head of sponsorship at O2 added: “What a way to kickstart the Welcome Back Shows in August, we’re delighted to welcome Burna Boy back to The O2 with his Twice As Tall show. Getting the arena open again and full of fans is so important, there are brighter times coming and we can’t wait.”
Burna Boy first graced the stage of the O2 arena alongside Stormzy at the Brit Awards in 2020. This year’s awards were also hosted at the O2, marking the UK’s largest indoor pilot event.
The O2 to reopen at full capacity
An earlier version of this story said erroneously that the O2 will reopen in December. While the Mo Gilligan event is the first to be announced, The Welcome Back Shows actually commence in August.
On the back of hosting the Brit Awards 2021, the UK’s largest indoor pilot event, last week, the O2 in London has announced plans to reopen at full capacity with a series of ‘welcome back’ events beginning this summer.
The Welcome Back Shows series will welcome capacity crowds to the 20,000-cap. arena for the first time since 2020, with a show on 8 December, featuring comedian Mo Gilligan headlining the Black British Takeover, an event celebrating black British culture, the first event announced.
Emma Bownes, VP of programming for the venue’s owner-operator, AEG Europe, says: “The Welcome Back Shows mark a really exciting moment for the O2 and for our fans, as we get ready to welcome full-capacity crowds back to the venue after such a long period. We’re planning a stunning string of events that will bring the best in comedy, dance, afrobeat, rock and pop to London and give fans what they’ve been waiting for.
“We’re delighted to be launching our return season with the very best of British comedy and know that hearing the O2 Arena roar with 20,000 laughs is the tonic we all need.”
“We’re delighted to be launching our return season with the very best of British comedy”
“I’m really proud of the black British comedy circuit that I started on. The talent on this scene is exceptional, but all too often ignored by mainstream media, so what better place to showcase the culture than the most famous venue in the country?” comments Gilligan. “We’re ready to bring the Great British public a show like you’ve never seen before.”
The O2 itself was converted into a National Health Service training facility at the start of the pandemic and before the Brits had been used for closed, livestreamed events such as the ATP Tennis Finals and Pete Tong’s Ibiza Classics.
“We’re ready to welcome full capacity crowds back to the O2 again, and The Welcome Back Shows are going to bring so much joy to fans who have been missing us almost as much as we’ve been missing them,” says the arena’s GM, Steve Sayer. We have created a truly spectacular programme of events to reopen the venue, and 2022 looks set to be our year busiest ever.”
Further acts performing as part of The Welcome Back Shows will be announced in the coming weeks.
Music venues to benefit from London’s £6m campaign
London’s live music venues are set to benefit from a £6 million campaign to boost the capital’s culture, hospitality and retail economies, as the city reopens under the government’s roadmap.
The mayor of London, Sadiq Khan, launched the campaign yesterday, hours after his re-election for a second term was confirmed.
The initiative, dubbed ‘Let’s Do London’, aims to harnesses the talents of major London arts and culture institutions with the mantra ‘jobs, jobs, jobs’.
Speaking to Time Out, Khan said: “Let’s Do London is the biggest tourism campaign our city has ever seen. The reason it’s so important is that the last 15 months have been incredibly tough for us. But I also recognise not just the intrinsic enjoyment we get from retail, culture and hospitality, but that one in five jobs in London are in those areas. We’ve got to make sure that we bounce back as quickly as possible to avoid mass unemployment, leading to a massive recession.
“Let’s Do London is about bringing all the key players in London together: the Globe, the National Theatre, the Southbank, the V&A, the O2, great chefs, great artists like David Hockney, great live music venues, pubs, bars and restaurants. We want to make sure that this summer is the best summer we’ve ever seen.”
“We’ve got to make sure that we bounce back as quickly as possible to avoid mass unemployment, leading to a recession”
Last year, international tourism to London fell by a reported 90% due to the coronavirus pandemic. Khan says he expects this year will be similar to the last and that it will be vital the capital attracts more visitors from around the UK.
As per the government’s roadmap, British music venues are permitted to reopen with social distancing measures and capacity limits from next week (17 May).
Indoor performances will be restricted to the lower of 1,000 people or 50% capacity, outdoor performances limited to the lower of either 4,000 people or 50% capacity, and seated outdoor performances, to either 10,000 people or 25% of capacity.
According to a recent survey from Music Venue Trust, it is estimated that there will be 91,500 individual live performances during the period, offering over 300,000 work opportunities for musicians as they finally get the chance to return to paid employment.
While UK music fans are eager to return to live music as quickly as possible, according to a survey of 25,000 commissioned by UK trade body LIVE (Live music Industry Venues and Entertainment).