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Longstanding Danish festival goes bankrupt

Langelandsfestival, one of Denmark’s largest and longest-standing festivals, has filed for bankruptcy after wracking up debt in the millions.

Launched in 1991, the annual event typically takes place over four days in late July on Langeland island in south Denmark, with 35,000 people.

Earth, Wind and Fire, Santana, The Corrs, Boyzone, The Doors, East 17, Thin Lizzy, Craig David, Sugarbabes and Rick Astley are among the artists that have performed at the festival over the years.

In December 2022, it was announced that Langelandsfestival would not take place in 2023 due to a financial hangover from that year’s 30th-anniversary edition.

In a statement, organisers explained that they made a more significant investment in talent for the landmark 2022 edition, despite the festival reeling financially from the Covid-19 pandemic and the state of the economy.

“After all the bills for 2022 are paid, the result is a large deficit in the millions”

On top of that, the festival was unable to “sell the number of festival tickets that was crucial to ensure an acceptable festival economy” for that edition.

“After all the bills for 2022 are paid, the result is a large deficit in the millions,” read a statement. “Therefore, the conclusion is now that Langelandsfestival will not take place in 2023 under the auspices of AKP Group.”

AKP Group’s Allan K. Pedersen, who has owned the festival since 2006, said at the time: “It has always been a great joy for me to do the Langelands Festival, and even though the economy has fluctuated, I have always believed in the concept. However, the challenges of recent years, the market and future prospects as such have challenged me in that way of thinking.”

The company officially closed on 14 June “after an extensive search of the market for alternative solutions and several meetings with potential partners and stakeholders”.

The company says that there are no eligible invoices that are unpaid at this time.

“Although Langelandsfestival closes down, the memories and moments from the festival will always be part of our shared history,” read a recent statement. “Thank you for 30 years – we hope you will all support other festivals and cultural events in the future.”

 


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European markets seek clarity on festival season

Major European festival markets are urgently seeking clarity on the viability of this year’s summer season in a race against the clock.

In Switzerland, promoters’ association SMPA has released a statement, co-signed by 26 of the country’s festivals, calling for clarity on the conditions under which Swiss festivals can be held regularly and at full capacity without social distancing.

The appeal also relays three key requirements for the restart of Swiss festivals: a transparent strategy and uniform conditions for holding events safely, a continual review of measures to ensure they are proportionate to the risks posed, and an event cancellation fund that covers 100% of losses.

“2021 is not 2020, the statement reads. “There are better treatment options, testing options are constantly evolving, and vaccinations are ongoing. In combination with the expected lower case numbers in the summer months, this creates a different starting position for the summer of 2021. The task now is to find a strategy for summer 2021.”

“2021 is not 2020. There are better treatment options, testing options are constantly evolving, and vaccinations are ongoing”

The statement has been co-signed by festivals including OpenAir St Gallen (cap. 30,000), which is part of the majority CTS Eventim-owned wepromote, SummerDays (12,000), and Seaside Festival (10,000) – all of which were cancelled last year after the Swiss government outlawed live events until the end of summer 2020.

In Denmark, festival organisers have been given a glimmer of hope after the government announced the spring arrival of a vaccine passport, but are still seeking the security needed in order to plan for the summer.

Acting minister of finance, Morten Bødskov, announced in a press conference on Wednesday (3 February) that digital Coronavirus passports will be ready for use in three to four months but will initially apply only to travel.

According to Bødskov, whether the digital passport can be used to go to a concert or a festival is a political discussion that will be decided by the infection situation.

The Danish live industry is cautiously optimistic about the news and have called for a roadmap for reopening to allow organisers to plan for the summer.

“[The vaccine passport] can be crucial in ensuring that we can quickly reopen venues and hold festivals this summer”

“The corona passport is an important tool that can be crucial in reopening the live industry,” says Esben Marcher, head of Dansk Live. “It is positive that a digital corona passport is now being established. It can be crucial in ensuring that we can quickly reopen venues and hold festivals when the summer comes.”

“Time is, of course, a significant challenge right now, and in organiser optics, three to four months is a very long time. The infection is currently fairly under control and the vaccine plan is being rolled out. Therefore, it should now be time to reconsider the plan for reopening. It will allow the country’s many organisers to plan for the future. ”

Danish festivals organisers say the ongoing uncertainty about whether the festival summer is to go ahead is keeping them in a stalemate situation.

“There are quite a few deals we do not close so as not to commit too much financially. Otherwise, we can have problems if the health authorities believe that we can not hold the festival,” Nicklas Lundorf, Langelandsfestival told Berlingske.

Lundorf revealed that the organisers are still planning to hold the festival until told otherwise.

“When are we going to throw ourselves in at the last minute and close the agreements that are crucial?”

“It’s something we go and discuss internally. When do we have a cut-off date? When are we going to throw ourselves in at the last minute and close the agreements that are crucial in order to get the festival off the ground?” he says.

Vaccine passports have been gaining traction across Europe, with Poland becoming the latest concert market to confirm it will issue its citizens with a vaccine passport when they have been immunised against Covid-19.

Elsewhere in Europe, Portugal is examining whether ‘safe bubbles’ of vaccinated festivalgoers could be the key to keeping fans and artists safe this summer, French festival operators ‘have 11 days to save festivals’, and the UK festival sector is waiting with bated breath for the prime minister to reveal a roadmap on the 22 February.

The lessons that can be learned from 2020’s lost festival summer will be discussed at ILMC during Festival Forum: Reboot & Reset, while leading festivals operators will be discussing the evolving passions, priorities and unique features of their events in Festival Futures: Core Priorities.

 


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