Scottish industry slams gov’s reopening roadmap
The Scottish live industry has dubbed the government’s roadmap out of lockdown ‘meaningless’ and ‘vague’ for the return of live entertainment.
According to the NME, the government has confirmed that from 17 May, socially distanced indoor performances will be allowed to take place with up to 100 attendees while outdoor events and festivals can welcome up to 500 people.
The next phase of reopening will commence in early June when those numbers will hopefully increase to 200 people for indoor venues and 1,000 for outdoor events.
“It’s currently meaningless for the viability of live entertainment in Scotland”
By the end of June, it is hoped that event organisers will be able to host events for up to 400 indoors and 2000 outdoors – although higher capacities will be open to negotiation.
Sturgeon has not yet disclosed a provisional date for the ending of social distancing restrictions – while British prime minister Boris Johnson is poised to lift all restrictions by 21 June.
Commenting on the roadmap, Geoff Ellis, CEO of DF Concerts – Scotland’s biggest concert promoter and owner of King Tut’s Wah Wah Hut (cap. 300) in Glasgow – told IQ: “It’s currently meaningless for the viability of live entertainment in Scotland. A maximum of 100 people indoors and all physically distanced is under 20 people in King Tut’s Wah Wah Hut – to put it into context.
“The Scottish music industry remains closed and in a more precarious position than in England and Wales”
“We need Scottish government to give us a proper roadmap that goes beyond ‘level 0 by end of June’ as that still means physical distancing will be in place. However, based on common sense and logic arising from the progress being made in Scotland with both the suppression of the virus and the roll-out of the vaccine programme, I am very optimistic for shows without restrictions by the late summer – at the very latest in good time for our TRNSMT festival at full capacity.
“Meanwhile though, the Scottish music industry remains closed and in a more precarious position than its counterparts in England and Wales due to a lack of further committed funding from Scottish government.”
Donald MacLeod – MD of Holdfast Entertainment Group, promoter at CPL, and owner of Glasgow-based clubs The Garage and the Cathouse Rock Club – told IQ: “The latest ‘draft’ guidance from the Scottish government on social distancing for the hospitality sector is as clear as mud, and a cut and paste socially distanced shambles.
“The latest ‘draft’ guidance on social distancing for the hospitality sector is as clear as mud”
“It is obvious that whoever drafted them has not one scintilla of business sense or an ounce of care for the sector, whose operators are desperate and struggling to make ends meet in these exacting times. For venue owners, promoters, managers, bands and of course Scotland’s battalions of live music fans, with the Scottish government still not committing or even discussing with the sector indictive re-opening dates, pilot test events, and contemptuously refusing to include them in the strategic opening Tier Levels, I fear the worst. This is not a roadmap to recovery but an industry car crash.
“Now that we have the vaccine, the peddling of fear and caution from the government and their army of health advisors must stop and replaced with a concerted and confident drive back to normality, otherwise Scotland’s hospitality and live music industries will become a cultural wasteland.”
The uncertainty surrounding the potential Covid restrictions that may be in place in summer has already caused a number of major Scottish festivals to cancel, including The Belladrum Tartan Heart (July) and Glasgow’s Summer Nights (July/August).
However, DF Concerts is set to go ahead with TRNSMT between 10–12 September on Glasgow Green with headliners Courteeners, Liam Gallagher and The Chemical Brothers, as well as Edinburgh’s Summer Sessions in early August with headliners DMAs, Tom Jones, Anne-Marie and Travis.
Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.
Venues push for agent of change in Scotland
The owners of some of Glasgow’s leading venues have joined forces to drum up support for the agent-of-change principle north of the Scottish border, following the recent announcement from Westminster it plans to write agent of change into UK planning guidance.
The group – which includes King Tut’s Wah Wah Hut (300-cap.) owner DF Concerts, along with SWG3 (450-cap.), Sub Club (410-cap.), O2 Academy (2,500-cap.) and O2 ABC (1,362-cap.) – are calling for other venue owners, music fans and any other interested parties to push for the agent-of-change principle to be adopted by Scotland’s Local Government Committee by visiting AgentOfChangeScotland.wordpress.com by 2 February.
Unlike England and Wales, there is no protection in place in Scotland to protect established businesses from development in surrounding areas. Agent of change, if adopted, would make developers building new homes near Scottish venues responsible for addressing noise issues.
A spokesperson for the campaign tells IQ that while the so-called Spellar bill to introduce agent of change is backed by the British government, it will also need to be separately adopted by the devolved Scottish government to take effect in Scotland.
“Scottish planning guidance must be brought into line urgently”
DF Concerts & Events CEO Geoff Ellis says: “Right now, music venues in Scotland are under threat and we need to act quickly to protect their future. Our venues are vital – they’re incubators for future headline acts, bring communities together through live concerts and generate £334 million for the Scottish tourism economy – so its therefore crucial we make sure they remain open.
“But to do this, we need to be heard, which is why we’re asking for the public, venue owners, people working in the creative industries and everyone who wants to protect these venues to work with us in pushing for agent of change. The UK government in Westminster has now implemented this move but it doesn’t yet apply up here, so we need the people of Scotland to contact the Local Government Committee to ensure our venues have the same level of protection.”
“Mike Grieve, MD of Sub Club, adds: “Nightlife is a massive contributor to the cultural wellbeing of our city. It’s vital that Glasgow’s creative community is protected from the threat posed by developers, many of whom seem apathetic to the concerns of music and arts venues, some of which may well be forced to close due to inadequate soundproofing in proposed new buildings.
“The agent-of-change principle has been adopted into planning guidance in England and Wales, and has now passed through a second reading in the UK parliament. Scottish planning guidance must be brought into line urgently if we want to avoid losing the venues which create the very conditions which most appeal to visitors to the city in the first place.”
Help Musicians UK launches Scottish operation
Industry charity Help Musicians UK (HMUK) is to launch a permanent Scottish operation, Help Musicians Scotland (HMScotland), it announced today.
Glasgow-based HMScotland, which aims to help all those working in the Scottish music industry, will be inaugurated with an acoustic Idlewild-headlined show, Rooted in Scotland, at King Tuts (300-cap.) on 1 February.
The opening of the Scottish office follows HMUK’s launch of its first regional office, in Northern Ireland, in 2016. The charity hopes by 2021 to also have a regional presence in Wales, the Republic of Ireland and the north of England.
Claire Gevaux, director of HMScotland, comments: “After a year of listening and reflecting on the needs of the Scottish music scene, I’m excited to see HMScotland launch in a few weeks.
“We are wholly committed to being an impactful national charity”
“I look forward to sharing more of our ambitions at the launch on 1 February 2018 when we will set down our permanent roots across the whole of Scotland.”
Richard Robinson, HMUK’s chief executive, adds: “Following a successful launch in Northern Ireland in 2016, this marks HMUK’s second permanent regional operation.
“We are wholly committed to being an impactful national charity, and our new Scottish operation will aim support and enrich the musical landscape of Scotland by taking an entrepreneurial and proactive approach to programming, supporting and giving.”
Further Rooted in Scotland events will be announced in the coming days.
HMUK last year launched Music Minds Matter, a campaign to raise funding for a new 24/7 mental-health service for people working in music, following the suicide of Linkin Park’s Chester Bennington.