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Global investment firm buys Superstruct for €1.3bn

American global investment firm KKR has acquired festival giant Superstruct Entertainment from Providence in a €1.3 billion deal.

Superstruct was founded in 2017 by Creamfields founder and former Live Nation president of electronic music James Barton and Roderik Schlosser while at Providence. The company owns and operates more than 80 music festivals across 10 countries in Europe and Australia, and generates annual revenue of more than €100 million.

Its network includes Elrow (ES), Sziget (HU), Wacken Open Air (DE), Mysteryland (NL), Hideout (HR), Sonar (ES), Flow (FI), Øya (NO), Parookaville (DE) and Tinderbox (DK), while its UK interests include Y Not, Truck, Nass, Bluedot, Victorious, South West Four, Kendal Calling, Tramlines, Boardmasters and Lost Ventures – many of which were acquired when Global’s portfolio was divvied up in April 2019.

Last year, it bought majority stakes in London-based festivals Mighty Hoopla and Cross the Tracks, as well as Austria’s Snowbombing, and also acquired The Music Republic, promoter of iconic Spanish festivals Arenal Sound and Benicàssim (FIB).

“We are delighted to partner with Roderik Schlösser, James Barton and the team at Superstruct who have established themselves as a leader in delivering unparalleled live music experiences globally,” says Philipp Freise, partner and co-head of European private equity and Franziska Kayser, partner at New York-based KKR, whose existing interests include global music company BMG.

“With a robust foundation as a top-tier live entertainment platform, we see significant growth opportunities ahead for Superstruct”

“With a robust foundation as a top-tier live entertainment platform, we see significant growth opportunities ahead for Superstruct. Drawing on our strong partnership approach and experience in the digital entertainment and ticketing space, such as BMG, ProSiebenSat1, GetYourGuide, and Trainline, as well as KKR’s global resources and extensive network, we will support the company and its entrepreneurial team to bring their compelling portfolio of live event formats to a wider audience and drive further growth.”

Financial terms of the deal were not disclosed, but the Financial Times reports it as €1.3bn, citing people familiar with the matter. Providence has an option to invest €250m into Superstruct as part of the transaction.

“The founding vision for Superstruct was to create a natural home for successful entrepreneurs, creative visionaries, and business-minded professionals in live entertainment,” say Schlösser and Barton. “We wanted to create a network of influence setting the standards for live experiences. Through our development, we are a leader in the professionalization of this industry, enabling our dedicated teams to excel in a collaborative and inspiring environment and create and deliver best-in-class events for millions of fans.

“We are proud to have secured the backing of KKR, whose expertise and network will strengthen our ability to scale and innovate in the vibrant experiential economy. We would like to thank Andrew Tisdale, Daniel Zwicky and the team at Providence for their outstanding support. Their belief in Superstruct has been fundamental to our success.”

KKR says it will “support Superstruct in its next phase of development”, noting that it is “one of the key players in a highly fragmented sector that continues to grow, expand and professionalise”. It also pledges to preserve “the creative and cultural DNA of the company”.

“We are confident that with KKR’s support, Superstruct will continue to thrive”

A formal auction process for the live behemoth – the second-largest festival promoter in the world after Live Nationreportedly took place last month. A report by Reuters in April named Blackstone and CVC as potential bidders, with KKR, Advance Publications and EQT listed as interested parties.

Providence was said to be working alongside banks Liontree and HSBC to gauge interest after planning the sale last summer.

“We are incredibly proud of the rapid growth and success Superstruct has achieved since its inception,” adds Andrew Tisdale, senior MD, and Daniel Zwicky, director, at Providence Equity Partners. “With Providence’s backing, Superstruct has become a truly exceptional live entertainment company. In particular, we believe the company’s resilience and emergence from the global pandemic as a stronger business is testament to the entrepreneurial spirit of Roderik Schlösser, James Barton and the impressive management team.

“We are confident that with KKR’s support, Superstruct will continue to thrive.”

 


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Bidders line up for Superstruct – report

A formal auction process for live behemoth Superstruct is set to be launched next month, according to a new report.

Insiders tell Reuters the Providence Equity Partners-backed firm could be valued at up to £1.5 billion (€1.75bn) in a sale. A source previously told Reuters that the company, which is the second-largest festival promoter in the world after Live Nation, generates annual revenue of more than €100 million.

Providence is said to be working alongside banks Liontree and HSBC to gauge interest after planning the sale last summer.

The report lists Blackstone and CVC as potential bidders, with Advance Publications, KKR and EQT also named as interested parties

The report lists Blackstone and CVC as potential bidders, with Advance Publications, KKR and EQT also named as interested parties. Providence, CVC, Blackstone, EQT, Advance, KKR and HSBC declined to comment on the rumours, while Superstruct and Liontree did not respond.

Superstruct was founded in 2017 by Creamfields founder and former Live Nation president of electronic music James Barton and Roderik Schlosser while at Providence.

Its UK interests include Y Not, Truck, Nass, Bluedot, Victorious, South West Four, Kendal Calling, Tramlines, Boardmasters and Lost Ventures – many of which were acquired when Global’s portfolio was divvied up in April 2019.

Elsewhere in Europe, its network includes operators and festivals such as Elrow (ES), Sziget (HU), Wacken Open Air (DE), Mysteryland (NL), Hideout (HR), Sonar (ES), Flow (FI), Øya (NO) and Tinderbox (DK).

Last year, it bought majority stakes in London-based festivals Mighty Hoopla and Cross the Tracks, as well as Austria’s Snowbombing, and also acquired The Music Republic, promoter of iconic Spanish festivals Arenal Sound and Benicàssim (FIB).

 


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Superstruct acquires trio of European festivals

Superstruct has bought majority stakes in London-based festivals Mighty Hoopla and Cross the Tracks, as well as Austria’s Snowbombing.

IQ understands the controlling stakes were bought from various companies owned by Gareth Cooper (founder and former CEO of Broadwick Live). Financial details have not been disclosed.

The deal marks the second time the two companies have done business together, after divvying up Global’s festival portfolio in April 2019. Snowbombing and Mighty Hoopla were among the festivals that remained under Broadwick’s control.

Established in 1999, Snowbombing is the biggest and longest-standing of the three events. The luxury ski holiday, touted as Europe’s biggest snow and music festival, now brings 100+ international acts to perform around the slopes of Mayrhofen, in the Austrian state of Tyrol.

Fatboy Slim, Madness, Pendulum, Example, Magnetic Man, Sub Focus, Tinie Tempah, Chase & Status, Skream & Benga, Mark Ronson and Dizzee Rascal are among the acts that have performed at the festival.

The inaugural edition of Snowbombing took place in Risoul, France. It then moved to Villars, Switzerland, in 2002-2003 and Les Arcs, France, in 2004 before settling in Mayrhofen in 2005.

Superstruct’s acquisition of the festival is a result of the company taking a stake in Snowbombing parent SBH Events – a company controlled by Cooper.

Mighty Hoopla is described as “a pop festival embracing the best of pop, alternative and queer culture” and has featured acts including Sugababes, Steps, Jessie Ware, Cheryl, Chaka Khan and TLC, Kelly Rowland and Kelis.

Mighty Hoopla is described as “a pop festival embracing the best of pop, alternative and queer culture”

Launched in 2017, the festival’s inaugural edition took place in east London’s Victoria Park on the Sunday after the two-day Field Day festival, also produced by Broadwick Live.

In 2018, Mighty Hoopla and Field Day moved to south London’s Brockwell Park (cap. 30,000) after AEG Presents/Goldenvoice was awarded a five-year contract for the exclusive use of Victoria Park for events. AEG Presents’ All Points East was launched that same year.

In 2019, Field Day festival moved again, trading fields for warehouses located at Meridian Water in north London. Mighty Hoopla remained at Brockwell Park and Broadwick Live launched new festival Cross The Tracks on the Sunday of the same weekend.

Hoopla expanded to a two-day festival in 2022, taking place on a Friday and Saturday while Cross the Tracks followed on Sunday. The 2023 edition of the queer pop festival took place last weekend (2–3 June) with acts including Years & Years, Sophie Ellis-Bextor, Natasha Beddingfield, Kelis, Artful Dodger and Beverly Knight.

Cross the Tracks, launched in 2019, is dubbed “a family-friendly festival, celebrating the world of soul, funk and jazz with a mix of international artists and local homegrown talent”.

The Brockwell Park festival has welcomed acts including Chaka Khan, Martha Reeves & The Vandellas, Khruangabin, Gilles Peterson, Joy Crookes, Anderson. Paak, Macy Gray, The Cinematic Orchestra and Sister Sledge. This year’s sold-out edition of Cross the Tracks moved to the bank holiday Sunday in May.

Superstruct Entertainment has now amassed nearly 90 festivals in Europe and Australia, which makes it the second-largest festival promoter in the world after Live Nation.

The company was founded in 2017 by Creamfields founder and former Live Nation president of electronic music James Barton and Roderik Schlosser whilst at Providence Equity Partners.

Cross the Tracks is dubbed “a family-friendly festival, celebrating the world of soul, funk and jazz”

The company has a presence in at least eight markets including the UK, Denmark, Norway, Finland, the Netherlands, Spain, Germany and Australia.

In the UK, it has interests in Y NotTruckNassBlue DotVictoriousSouth West FourKendal CallingTramlinesBoardmasters and Lost Ventures – many of which were acquired when Global’s portfolio was divvied up in April 2019.

Elsewhere in Europe, the company’s network includes leading operators and festivals such as Elrow (ES), Sziget (HU), Wacken Open Air (DE), Mysteryland (NL), Hideout (HR), Sonar (ES), Flow (FI), Defqon1 (NL), Parookaville (DE), Zwarte Cross (NL), Arenal Sound (ES), Øya (NO), O Son do Camiño (ES) and Tinderbox (DK).

IQ also understands that Superstruct has an interest in 10–12 festivals in Australia, some of which operate under the same brand.

Alongside festivals, the live entertainment behemoth also owns festival travel and accommodation companies such as Festival Travel and Liffin, both of which are based in the Netherlands.

 


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Meet the world’s second-largest festival promoter

The global Covid-19 pandemic may have brought a halt to music festivals worldwide, but for one firm in the space, it only accelerated an already energetic acquisition schedule. And for such a monumental shift in market share across the festival business, it’s a roll-up that has taken place with barely a press release issued, or comment given.

According to research conducted by IQ, Superstruct Entertainment has now amassed over 85 festivals in Europe and Australia, which makes it the second-largest festival promoter in the world after Live Nation.

Superstruct Entertainment was founded in 2017 by Creamfields founder and former Live Nation president of electronic music James Barton and Roderik Schlosser whilst at Providence Equity Partners.

At the time, Barton said: “The relationship with Providence is – it’s an easy pitch. To bring a level of professionalism and organisation to what we’re trying to do, to try and be not just the most creative festival platform out there but the best run.”

Superstruct has a presence in at least eight markets including the UK, Denmark, Norway, Finland, the Netherlands, Spain, Germany and Australia.

Superstruct has a presence in the UK, Denmark, Norway, Finland, the Netherlands, Spain, Germany and Australia

In the UK, it has interests in Y NotTruckNassBlue Dot, Victorious, South West Four, Kendal Calling, Tramlines, Boardmasters and Lost Ventures – many of which were acquired when Global’s portfolio was divvied up in April 2019.

Elsewhere in Europe, the company’s network includes leading operators and festivals such as Elrow (ES), Sziget (HU), Wacken Open Air (DE), Mysteryland (NL), Hideout (HR), Sonar (ES), Flow (FI), Defqon1 (NL), Parookaville (DE), Zwarte Cross (NL), Arenal Sound (ES), Øya (NO), O Son do Camiño (ES) and Tinderbox (DK).

Its most recent acquisition, and the first of 2023, was The Music Republic, the Valencia-based organiser behind iconic Spanish festivals Arenal Sound and Benicàssim (FIB).

IQ also understands that Superstruct has an interest in 10–12 festivals in Australia, some of which operate under the same brand.

Alongside festivals, the live entertainment behemoth also owns festival travel and accommodation companies such as Festival Travel and Liffin, both of which are based in the Netherlands.

“[Superstruct] has a commitment to building a strong portfolio of live entertainment brands”

While neither Schlosser nor Barton has rarely spoken publicly about Superstruct’s ambitions, the latter of the two referenced a “commitment to building a strong portfolio of live entertainment brands… and supporting the different festivals in their growth in their respective markets” upon the acquisition of Global’s festival arm in 2019.

And in 2021 they said the ID&T acquisition reflected Superstruct’s “deep conviction in the value of experience-focused live music festivals and our excitement about the significant joint growth opportunities that lie ahead as live events return”.

Superstruct Entertainment is headquartered in Kensington, west London, and employs more than 30 people. The company is directed by Schlosser as CEO and Barton as chairman.

Providence Equity is a global asset management firm with $32 billion aggregate in private equity capital commitments. Since the firm’s inception in 1989, Providence has invested in more than 170 companies spanning media, communications, entertainment, software, and services industries across North America and Europe.

Providence is headquartered in Providence (Rhode Island, US) and also has offices in New York, London, Hong Kong, Singapore and New Delhi.

Superstruct Entertainment declined to comment on this article.

 


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Superstruct acquires UK festival Bluedot

Live entertainment powerhouse Superstruct Entertainment has acquired a majority stake in the UK festival Bluedot.

Touted as “four days of music, science and cosmic culture,” Bluedot has been held annually in July since 2016 at Jodrell Bank Observatory in Cheshire, England.

The 25,000-capacity event has previously played hosts to artists such as Kraftwerk, Chemical Brothers, Hot Chip, Prof Brian Cox, Helen Sharman, Richard Dawkins, Jean-Michel Jarre, New Order and Future Islands.

The 25,000-capacity event has previously played hosts to artists such as Kraftwerk, Chemical Brothers and Hot Chip

The festival was founded by Ben Robinson, director of music festival agency From the Fields.

Robinson also co-founded Kendal Calling which was acquired by Superstruct from Global when the latter company divvied up its festival portfolio in 2019.

Providence Equity-backed Superstruct counts Sziget, Elrow, Parookaville, Wacken Open Air, Boardmasters, Sonar, Tuska and Zwarte Cross among its extensive portfolio of European festivals.

IQ has contacted Superstruct for a comment.

 


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ID&T joins forces with Superstruct Entertainment

Dutch promoter ID&T has signed a partnership agreement with leading live organisation Superstruct Entertainment.

According to today’s announcement, the deal has helped steer ID&T into “a safe haven” after a tough year and a half that saw the company take out a number of loans, slash its workforce, and cancel its festivals.

“By creating this financially sound situation, we have secured the employment of our 100+ employees and are able to move forward with our suppliers who are also struggling at this time,” says Ritty van Straalen, CEO of the ID&T Group.

Financial terms of the partnership have not been disclosed but it has been revealed that the founders and senior management of the ID&T Group have become shareholders in Superstruct.

Providence Equity-backed Superstruct produces a number of major festivals across Europe including Sziget, Elrow, Parookaville, Wacken Open Air, Boardmasters, Sonar and the Dutch festival Zwarte Cross – the company’s first acquisition since the onset of the pandemic in March 2020.

ID&T’s portfolio includes Mysteryland, Defqon.1, Awakenings, and Milkshake – all of which have been cancelled two years in a row due to restrictions.

It is also the parent company of organisations such as Q-dance, ID&T Events, B2S, Monumental (Awakenings), Art of Dance, Platinum Agency, and Headliner Entertainment.

“ID&T is a significant milestone for Superstruct and reflects our deep conviction in the value of experience-focused festivals”

James Barton, chairman of Superstruct Entertainment: “We are very excited to join forces with ID&T, a business that I have long admired. Our partnership with ID&T is a very significant milestone for Superstruct and reflects our deep conviction in the value of experience-focused live music festivals and our excitement about the significant joint growth opportunities that lie ahead as live events return.”

The companies say the deal will provide great opportunities in sharing knowledge and creating synergies between the companies to further improve the fan experience at their festivals.

Ritty van Straalen, CEO of the ID&T Group adds: “ID&T will celebrate its 30th anniversary in 2022. This partnership is an important strategic step in the development of our company, which we already embarked upon in 2019, pre-covid, and was ultimately delayed by 1.5 years.

“The past 19 months have been very tough for us and the entire event industry, but we are excited to see that Superstruct has been able to look through the current environment, recognising the combined potential of these two world-class companies.

“The international live events industry is increasingly consolidating and Superstruct has developed itself into a high quality, market-leading powerhouse in our industry. We are happy to be part of such an experienced group and strongly believe we can reinforce each other in many ways.”

 


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The decade in live: 2017

The start of a new year and, perhaps more significantly, a new decade is fast approaching – and while many may be thinking ahead to New Year’s Eve plans and well-meaning 2020 resolutions, IQ is casting its mind back to the most pivotal industry moments of the last ten years.

The memories of a turbulent 2016 were left far behind in 2017, as the concert business enjoyed a record-breaking twelve months, as the year’s gross revenue and number of tickets sold saw 2013 finally knocked off the top spot.

The success of the live business in 2017, however, was somewhat overshadowed by a number of devastating terror attacks, with the Manchester Arena bombing, the shootings at Route 91 Harvest and BPM Festival, the Reina nightclub shooting and other incidents targeting music fans.

In response to the tragedies, the live industry united and made a positive impact, in the form of the One Love Manchester and We are Manchester charity concerts and candlelit vigils and fundraising for victims of the Route 91 Harvest attack.

Elsewhere, the booking agency world continued to consolidate through 2017, with a number of acquisitions, mergers and partnerships while Live Nation welcomed several more promoters, festivals, ticketing agencies and venues to its fast-growing family.

 


2017 in numbers

The live music business reached new heights in 2017, with the top 100 tours worldwide generating a record US$5.65 billion, up almost 16% from the previous year.

The number of tickets sold throughout the year also saw a notable increase from the year before, climbing 10.4% to 66.8 million, at an average price of almost $4 more per ticket than in 2016, at $84.60.

Eleven tours surpassed the $100m mark in 2017, with U2 topping the year-end charts having generated $316m on their Joshua Tree tour. Guns N’ Roses narrowly missed out on $300m, grossing $292.5m on the Not in this Lifetime tour.

Coldplay came in next, as the band’s A Head Full of Dreams tour made $238m. Bruno Mars’ 24K Magic tour was also successful, grossing just over $200m, whereas Metallica’s WorldWired tour generated $152.8m.

Depeche Mode, Paul McCartney, Ed Sheeran, the Rolling Stones, Garth Brooks and Celine Dion were the other acts whose 2017 tour earnings exceeded $100m.

 


2017 in brief

January
A lone gunman attacks New Year’s revellers at the Reina nightclub in Istanbul, resulting in the death of 39 people and injuries to a further 70. Two weeks later, four are killed and 12 injured during a shooting at the BPM Festival in the coastal resort of Playa del Carmen, Mexico.

AM Only and The Windish Agency rebrand as Paradigm Talent Agency, signalling the next phase of their joint ventures, launched in 2012 and 2015, respectively.

Global asset management firm Providence Equity Partners acquires a 70% stake in Sziget Festival and reveals plans to launch eight to ten branded festivals, with James Barton, former president of electronic music for Live Nation, leading the international expansion.

AEG Live finalises negotiations to acquire New York-based promoter/venue operator The Bowery Presents.

February
Ticketbis, the multinational resale operation acquired by eBay in May 2016, is rebranded as StubHub, bringing to an end the Ticketbis name across Europe, Asia and Latin America.

Live Nation enters the Middle East’s biggest touring market with the acquisition of a majority stake in Bluestone Entertainment, one of Israel’s leading promoters.

March
Iron Maiden’s decision to use paperless tickets on the UK leg of The Book of Souls arena tour helps reduce the number of tickets appearing on secondary sites by more than 95%, according to promoter Live Nation.

Live Nation acquires a controlling stake in the UK’s Isle of Wight Festival.

The Australian leg of Adele’s Live 2017 tour makes concert history after playing to more than 600,000 people over eight stadium dates.

The decade in live: 2017

Sziget Festival 2017 © László Mudra/Rockstar Photographers

April
In the biggest primary deal so far for the world’s largest secondary ticketing site, StubHub is named the official ticket seller for Rock in Rio 2017.

Creative Artists Agency increases its investment in the Chinese market via a new alliance with private equity firm CMC Capital Partners.

May
Luxury Ja Rule-backed boutique event, Fyre Festival, descends into chaos on its first day, with visitors to the Bahamas site comparing conditions to a refugee camp.

22 people, including children, lose their lives after a suicide bombing at Manchester Arena, for which Islamic State terror claims responsibility. The attack targets people leaving the 21,000-cap. venue at the end of an Ariana Grande concert.

June
Pandora Media announces the sale of Ticketfly to Eventbrite. Despite purchasing the company for $450m less than two years ago, it sells for a package worth $200m.

AEG invests in Immortals, one of the world’s leading esports teams, with professional players in the North American League of Legends, Counter-Strike: Global Offensive, Super Smash Bros, Overwatch and Vainglory leagues. The team will now play their Los Angeles tournaments and matches at AEG’s LA Live entertainment district.

The organisers of ILMC announce the launch of the Event Safety and Security Summit (E3S), a one-day meeting focusing on security at live events.

The decade in live: 2017

The reality of Fyre Festival © Here_Comes_the_Kingz/Reddit

July
Helsinki-based Fullsteam Agency acquires Rähinä Live, whose roster includes some of Finland’s biggest hip-hop and pop artists.

Oak View Group, which counts Irving Azoff and Tim Leiweke among its founders, completes its acquisition of Pollstar, adding the US-based concert business magazine to its portfolio of trade titles.

August
Madison Square Garden Company makes a significant move into the esports sector by acquiring a controlling stake in Counter Logic Gaming.

Paradigm Talent Agency acquires Chicago- and California-based agency Monterey International, including its 14 agents and 200 acts.

Live Nation launches in Brazil with former Time for Fun (T4F) chief entertainment officer Alexandre Faria Fernandes at the helm.

September
Three quarters of staff at Function(x), the online business founded by former SFX Entertainment CEO Robert Sillerman, are effectively laid off, with the company telling investors it lacks the funds to pay them.

A sovereign wealth fund controlled by the government of Saudi Arabia, says it is forming a new SR10 billion ($2.7bn) investment vehicle in a bid to kick-start the kingdom’s entertainment sector.

Music returns to Manchester Arena as a capacity crowd turn out for We are Manchester, a benefit concert that raises funds for a memorial to the victims of the 22nd of May bombing.

The decade in live: 2017

The We are Manchester charity concert drew a full-capacity crowd at the 21,000-cap. arena © Showsec

October
A gunman kills 58 people and injures a further 546 at the Route 91 Harvest country music festival in Las Vegas. Local resident Stephen Paddock targeted the concertgoers from the 32nd floor of the nearby Mandalay Bay hotel.

WME-IMG rebrands as Endeavor, with company assets that include martial- arts promoter, UFC; ad agency, Droga5; Professional Bull Riders; the Miss Universe Organization; Frieze Art Fair; management companies, Dixon Talent and The Wall Group; and joint ventures such as Euroleague Basketball and esports championship ELEAGUE.

November
Ticketmaster confirms its long-rumoured expansion into Italy. The launch of Ticketmaster Italia, headquartered in Milan, follows the end of the exclusive long-term online partnership in Italy between Ticketmaster’s parent company, Live Nation, and CTS Eventim-owned TicketOne.

After 11 years in East London’s Victoria Park – now exclusive to AEG – Eat Your Own Ears’ Field Day Festival will head to Brockwell Park in South London. Live Nation’s Lovebox and Citadel are also rumoured to be moving to Brockwell Park.

Secondary ticketing websites will, from January 2018, be subject to stringent restrictions on their use of Google AdWords, as the search-engine giant cracks down on ticket resellers’ controversial use of its online advertising platform.

December
Leading self-service ticketer Eventbrite announces a series of new partnerships, rolling out integrations with events guide The List, festival package provider Festicket, word-of-mouth ticket sales platform Verve, and brand ambassador software Ticketrunner.

Michael Rapino, CEO of Live Nation Entertainment since 2010, will remain in his role until at least 2022 after signing a new five-year contract worth up to $9m per annum. Also re-upping are leading execs Kathy Willard, Michael Rowles and Joe Berchtold.


The decade in live: 2017

Primary Talent’s Dave Chumbley (1960-2017) picks up his Platinum Endurance Arthur Award at ILMC 25 © ILMC

 

Who we lost

Peter Rieger, founder of German promoter Peter Rieger Konzertagentur (PRK); Joseph Rascoff, business manager to the Stones, David Bowie, U2, Sting and more; ILMC’s long-time producer Alia Dann Swift; ShowSec International Ltd founder Mick Upton; Dave Chumbley, Primary Talent International director; Mary Cleary, former booker and tour manager; American singer-songwriter Tom Petty; pioneering concert promoter Shmuel Zemach, founder of Zemach Promotions; Australian country music promoter, agent and artist, Rob Potts; Linkin Park frontman Chester Bennington; Reading festival founder Harold Pendelton; Washington, DC, promoter Jack Boyle; Live Nation Belgium booker Marianne Dekimpe; rock and roll pioneer Chuck Berry.

 


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Boardmasters axed amid weather worries

Vision Nine’s Boardmasters festival (50,000-cap.) has been cancelled twelve hours before gates were due to open, as severe weather warnings hit the UK.

The organisers of the live music and surfing festival announced the “potential risk” to attendees’, performers’ and crew safety was “too severe” for the event to go ahead.

Campers were supposed to arrive at the festival site in Newquay, Cornwall today (7 August), with music beginning on Friday.

Wu-Tang Clan, Florence and the Machine, Foals, Jorja Smith and Dizzee Rascal were all billed to play the festival.

“Due to forecasted severe weather conditions, specifically high winds, Boardmasters 2019 has been cancelled,” organisers posted on social media at 11 p.m. last night.

Organisers say they “sincerely regret the disappointment to fans” and apologise for disruption to local businesses.

Information regarding refunds will appear on the event’s social media pages in due course. Tickets were priced from £69 for one day to £205 for a five-day camping pass. VIP camping options cost £280.

“Due to forecasted severe weather conditions, specifically high winds, Boardmasters 2019 has been cancelled”

James Barton’s Superstruct Entertainment acquired Boardmasters from Global Festivals in April, along with the UK’s South West Four, Kendal Calling and Tramlines, as well as Croatian dance festival Hideout.

Prior to forming part of the Global portfolio, Boardmasters was owned by Impresario Festivals.

Severe weather conditions caused the cancellation of Rewind North in Cheshire, UK, earlier this month and was cited as the reason for the axing of Roxodus festival in Canada. Flood risks also forced the last-minute venue move which resulted in the cancellation of Neo Sala’s Doctor Music Festival in Spain.

The consequences of extreme weather has been a subject of discussion at the ILMC Production Meeting for many years, with production experts urging more long-term monitoring of weather conditions.

Great Western Railway is allowing all those with return tickets from Newquay to use their returns from today. Bus company Megabus is making extra seats available on it service from Newquay to London.

 


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Scott Barton to lead LN UK’s Electronic Nation

Live Nation has launched Electronic Nation, a new electronic music-focused division, in the UK.

Led by Scott Barton, managing director of Live Nation’s Cream brand, Electronic Nation will be based in London and will be responsible all electronic music activities at Live Nation UK, including the Creamfields festival, touring, shows and clubs.

Creamfields (70,000-cap.), launched in 1998, is one of the biggest electronic music events in the world, and has spawned spin-offs Chile, Abu Dhabi, Ibiza, Malta, Brazil, Argentina, Peru, Australia and Hong Kong. Taking place in Cheshire over the last weekend in August, 2019 performers include Swedish House Mafia, Calvin Harris, Tiesto, Skrillex, the Chemical Brothers and the Chainsmokers.

The Creamfields also birthed Steel Yard, a 15,000-capacity arena structure which hosts shows by the biggest names in dance music in London and Liverpool.

“This new division is a major advance for Live Nation and for artists and acts in this genre”

“With Scott’s outstanding record managing global brands Cream and Creamfields, this new division is a major advance for Live Nation and for artists and acts in this genre,” comments Denis Desmond, chairman of Live Nation UK and Ireland.

Barton – whose older brother James, co-founder of Cream, now leads fast-expanding European festival operator Superstruct – says he hopes to drive Live Nation’s  “continued expansion into the electronic arena, with the aim of connecting big-name dance acts to more fans across the UK through tours and festivals”.

“Electronic music has always been at the heart of what we do,” he says. “We have a dedicated team who work hard to connect fans to electronic music events across the UK. As the scene continues to grow, the knowledge and experience we have is key to our success.”

Live Nation formed a similar division in east Asia, Live Nation Electronic Asia, in August 2017.

 


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Superstruct invests in Norway’s Øyafestivalen

Øyafestivalen, one of the biggest festivals in Norway, has entered into an investment agreement with Superstruct Entertainment, adding a fourth festival brand to Superstruct’s expanding roster of European events.

The deal is the latest development in what has been a busy year for Superstruct – led by CEO James Barton, the founder of Creamfields and former president of electronic music at Live Nation – following May’s acquisition of Sónar festival in Barcelona, February’s investment in Spanish promoter Elrow and the acquisition in January of a majority stake in Sziget.

The company is backed by private-equity firm Providence Equity Partners, and describes its mission as “building a group of leading music festivals in Europe and other parts of the world with the same level of quality and unique position in their home market” as Øyafestivalen, Sónar and others.

Øyafestivalen (60,000-daily cap.), founded in 1999, is held annually in Tøyen Park in Oslo. This year’s edition, which is taking place now (from 7 to 11 August), sold out in advance, with a line-up featuring acts including Kendrick Lamar, Arctic Monkeys, Arcade Fire, Lykki Li, Fever Ray, Patti Smith and Charlotte Gainsbourg.

“This partnership is about the festival becoming part of a larger group with common interests”

As part of the deal with Providence, the festival’s senior leadership will join Superstruct’s management team.

“We are happy to have been given the opportunity to become investors in Superstruct and join forces with them at this stage of their expansion, and are confident that our new position will allow us to promote Norwegian music through channels we would otherwise not have had access to while also boosting Oslo as a festival city,” says Claes Olsen, Øyafestivalen’s booking manager.

“This partnership is about the festival becoming part of a larger group with common interests. However, our festival will continue to be run by the same management, it will maintain the profile that our audience knows and loves and Øyafestivalen AS will remain a Norwegian company based in Oslo. Additionally, as part of this agreement, our award-winning environmental work will become international.”

Barton adds: “We are delighted to be partnering with Øyafestivalen, one of Europe’s leading urban festivals and the leading festival in Norway. We look forward to welcoming their senior leaders to our management team and continuing to promote outstanding live music events.”

 


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