Today marks one year since the deadliest-ever attack at a music festival, when Hamas gunmen killed 364 concertgoers and took dozens of others hostage at Supernova festival in Israel.

The Supernova Sukkot trance music gathering was stormed at 6:29 am on 7 October 2023, as part of coordinated attacks on Israel. Around 4,000 people from 36 countries attended the festival, which was held in the desert near Kibbutz Re’im – less than 5km from the Gaza Strip.

The festival was organised by promoter Tribe of Nova and staged under Brazil’s Universo Paralello brand.

Hundreds of survivors and bereaved relatives gathered yesterday at Tel Aviv’s Hangar 11 event hall for a memorial ceremony, organised by the Tribe of Nova community.

“On this evening we will stand together as one, to support each other, hear the voice of pain and longing, share stories and memories, and find comfort in the power of love and hope,” wrote Tribe Of Nova ahead of the event on Instagram.

The two-hour event featured speeches by bereaved family members, short films and music performances, and concluded with a call to release the hostages still held in Gaza – about 100, a third of whom are feared to be dead.

At 6:29 a.m today, the families of those killed at the Nova music festival, joined by Israeli President Isaac Herzog, gathered at the festival site in Kibbutz Re’im to mark the anniversary. Before the minute’s silence, organisers played the last track attendees danced to before the deadly assault.

Following the attack last year, the festival’s promoter launched a foundation to support the long-term recovery of the 3,882 survivors and bereaved families with gatherings, workshops, memorials and financial support.

Tribe of Nova said it was “shocked and pained” by the tragedy, adding that the attack was “the epitome of pure and unbridled evil”

Memorials, art exhibitions and installations have popped up across the globe since the 7 October massacre.

At this year’s Burning Man festival in the US, attendees paused at 6:29 am to honour the victims of the atrocity and an installation featuring the multi-coloured tent that stood at the centre of the festival was erected.

This installation has since appeared in an exhibit called 06:29am The Moment Music Stood Still, which was launched this year in Tel Aviv, and has since been displayed in New York, Los Angeles and Philadelphia and opens today in Buenos Aires.

The exhibit includes remains salvaged from the festival grounds, including scorched cars, bullet-riddled bathroom stalls and personal belongings, as well as video testimonies from survivors, volunteers and family members.

Last month, the BBC released a documentary about the attack called We Will Dance Again, featuring the testimony of survivors, mobile phone footage, and footage from Hamas fighters.”

It forms part of a group of programmes the BBC is producing around the 7 October anniversary, with the next set to be Life and Death in Gaza, a documentary filmed by four Palestinians documenting the humanitarian crisis following the invasion of the Gaza Strip.

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Fontaines D.C. have cancelled their upcoming concert at Zorlu PSM in Turkey in solidarity with Palestinian people.

The Irish band were due to perform at the 3,500-capacity Istanbul venue on 20 August but have dropped out as part of ongoing calls for companies to divest in Israel, amid the war in Gaza.

The venue’s naming rights sponsor, Zorlu, is a Turkish multinational conglomerate that reportedly part-owns the Dorad power plant in Israel which supplies 5-8% of the country’s energy.

“The global Boycott, Divestment and Sanctions (BDS) movement led by the largest Palestinian coalition, has called on artists to refuse to play Zorlu PSM until Zorlu fully divests from the supply of energy to Israel while it carries out what the International Court of Justice now agrees is plausibly a genocide,” read a statement from Fontaines D.C. posted on Instagram last Thursday (1 August).

“We were really looking forward to visiting and playing Istanbul, however in this instance, we must be clear in our convictions and put solidarity with the people of Palestine first. We promise to play in Turkey as soon as we can make it possible.”

The band, which is represented by Alex Bruford at ATC Live, has pledged full refunds to ticket holders.

“We must be clear in our convictions and put solidarity with the people of Palestine first”

In a statement posted last week, BDS called on international artists booked for the venue to cancel and “for all others to refuse offers, as a meaningful contribution to ending complicity in Israel’s regime of oppression”.

The movement noted that a campaign from BDS Turkey has already compelled Zorlu Energy to partially divest from the Israeli energy market.

“But until it fully divests from the Dorad plant, Zorlu Holdings and all its subsidiaries should be held accountable.”

Elsewhere, a number of acts that were scheduled to perform at Manchester Pride Festival in the UK have pulled out over the event’s headline sponsor, Booking.com, which has been accused of profiteering from the occupation of Palestine.

Drag Race UK’s Bimini Bon Boulash is the latest act to drop out, following in the footsteps of BollyWitch, Felix Mufti and Dan Chan.

Bimini, who had a headline slot last year, wrote on Instagram that it was a “tough decision” not to be involved.

“This choice is not taken lightly; I deeply value the Manchester community and the celebration of love and diversity that Pride represents,” the artist wrote on social media.

“As an artist and activist, I stand for justice and accountability”

“However, after learning of allegations against one of the event’s sponsors, Booking.com, I have decided I cannot in good conscience perform at this year’s event.”

“Booking.com list vacation homes in disputed territories and has been blacklisted by the United Nations Human Rights Council as a company that has human rights violations concerns. As an artist and activist, I stand for justice and accountability.”

Manchester Pride has said it “respects and understands” the decision, adding that they would continue to “engage in meaningful dialogue” with Booking.com.

Meanwhile, Brighton Pride is reviewing its sponsors ahead of next year’s event, after protestors blocked the Coca-Cola float during Saturday’s parade.

Protesters, and Brighton Pavilion MP Sian Berry, say Coca-Cola is an unsuitable sponsor for the city’s Pride.

Green Party literature posted to Ms Berry’s X account states: “For several years, Coca-Cola has faced calls to remove its factory from illegally occupied land in Palestine, but has refused to do so.”

Coca-Cola said it supports the right to peacefully protest and that it decided the float could not continue due to safety concerns over its staff and other attendees.

In the past few months alone, Barclays suspended its sponsorship of Live Nation UK’s remaining 2024 festivals following a raft of artist withdrawals over the bank’s ties to Israel, and South By Southwest (SXSW) discontinued its partnership with the US Army and the defense contractor RTX Corporation after more than 80 artists pulled out of this year’s event in Austin, Texas, in protest of the military’s support for Israel in the war in Gaza.

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Imagine Dragons frontman Dan Reynolds has responded to the criticism the band have received for performing concerts in Israel and Azerbaijan.

Last year, System Of A Down’s Serj Tankian publicly petitioned the band to cancel their September 2023 concert in Azerbaijan’s capital city, Baku, citing the country’s campaign of ethnic cleansing against Armenians.

Further pressure came from Brian Eno, Thurston Moore and Pink Floyd’s Roger Waters, who shared an open letter asking Imagine Dragons to pull the show.

“Performing in Baku under these circumstances, regardless of intent, can only help the government of Azerbaijan cover up its crimes,” a section of it read.

The Las Vegas band went ahead with the Baku concert, drawing criticism from Armenian-American musician Tankian, who said he has “zero respect for those guys”.

“There are corrupt leaders and warmongers all over the world – and where do you draw the line?”

“When there’s a government that’s about to commit ethnic cleansing, when Azerbaijan was starving the 120,000 Armenians in Nagorno-Karabakh, and not allowing any food or medicine in… you know, as an artist, if I found that out, there is no fucking way I could have gone and played that show. But some artists do,” he said.

Imagine Dragons also played Israel last August – before the Supernova festival massacre – despite calls from pro-Palestine campaigners to ditch their show in Tel Aviv over the country’s human rights record.

In an interview published yesterday (2 July) on Rolling Stone, the band’s frontman Dan Reynolds addressed those decisions.

“I don’t believe in depriving our fans who want to see us play because of the acts of their leaders and their governments,” said Reynolds. “I think that’s a really slippery slope. I think the second you start to do that – there are corrupt leaders and warmongers all over the world – and where do you draw the line?”

Responding to Tankian’s comments specficially, Reynolds reiterated his position: “I think I just said it. It’s a slippery slope, and I’m never going to deprive our fans of playing for them.”

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Barclays has suspended its sponsorship of Live Nation UK’s remaining 2024 festivals following a raft of artist withdrawals over the bank’s ties to Israel.

Pest Control, Scowl, Speed and Zulu pulled out of this weekend’s Download Festival, with Pillow Queens, CMAT, Mui Zyu and Georgia Ruth dropping out of July’s Latitude 2024 earlier this month and The Waeve cancelling their slot at Isle of Wight Festival.

Barclaycard became headline partner of Isle of Wight and Latitude in 2023 as part of its partnership renewal with Live Nation UK. The five-year extension also included collaborations with events including TGE, Download, Lytham Festival, Camp Bestival and Reading & Leeds.

“Following discussion with artists, we have agreed with Barclays that they will step back from sponsorship of our festivals,” says a Live Nation spokesperson.

Previously, more than 100 speakers and acts pulled out of March’s SXSW, held in Austin, Texas, in protest at the event’s sponsorship by the US Army and its support for Israel during the Gaza war, while a similar number of acts withdrew from the UK’s The Great Escape (TGE) due to the Brighton event’s Barclays sponsorship. Massive Attack, Idles and Brian Eno were among dozens of acts who were not booked to play at TGE but signed an open letter launched in April calling for it to drop Barclays as a partner.

A spokesperson for Barclays tells the Guardian: “Barclays was asked and has agreed to suspend participation in the remaining Live Nation festivals in 2024. Barclays customers who hold tickets to these festivals are not affected and their tickets remain valid. The protesters’ agenda is to have Barclays debank defence companies which is a sector we remain committed to as an essential part of keeping this country and our allies safe.

“The only thing that this small group of activists will achieve is to weaken essential support for cultural events enjoyed by millions”

“They have resorted to intimidating our staff, repeated vandalism of our branches and online harassment. The only thing that this small group of activists will achieve is to weaken essential support for cultural events enjoyed by millions. It is time that leaders across politics, business, academia and the arts stand united against this.”

The publication notes that it understands the suspension does not apply to the entire contract.

Pressure has been directed towards the festivals to cut ties with sponsors linked to Israel, with campaigners and artists pressuring other musicians not to perform at them.

“This is a victory for the Palestinian-led global BDS movement,” says protest group Bands Boycott Barclays following today’s announcement. “As musicians, we were horrified that our music festivals were partnered with Barclays, who are complicit in the genocide in Gaza through investment, loans and underwriting of arms companies supplying the Israeli military. Hundreds of artists have taken action this summer to make it clear that this is morally reprehensible, and we are glad we have been heard.

“Our demand to Barclays is simple: divest from the genocide, or face further boycotts. Boycotting Barclays, also Europe’s primary funder of fossil fuels, is the minimum we can do to call for change.”

“We have been asked why we invest in nine defence companies supplying Israel, but this mistakes what we do”

IQ recently spoke to industry figures to find out how the business is dealing with the issue.

In response to the boycotts, Barclays have repeatedly pointed to their online Q&A which states: “We have been asked why we invest in nine defence companies supplying Israel, but this mistakes what we do. We trade in shares of listed companies in response to client instruction or demand and that may result in us holding shares. We are not making investments for Barclays and Barclays is not a ‘shareholder’ or ‘investor’ in that sense in relation to these companies.”

The activism has extended beyond live music to become a growing topic of debate in the wider arts world. Speaking on The Rest is Entertainment podcast, presenter Richard Osman said: “There’s an awful lot of pressure on Latitude and artists playing Latitude because of their ties to Barclays… And people I spoke to in the last week, they’re all talking amongst themselves, saying, ‘I don’t really want to boycott in this way. I understand what’s happening, but it feels like this isn’t the best thing to do.'”

The Financial Times reports that Wimbledon is now being targeted over its Barclays sponsorship, while investment management firm Baillie Gifford cancelled its sponsorship deals with literary festivals in the UK last week following protests over its links to Israel and fossil fuel companies.

Nick Thomas, a partner at Baillie Gifford, said: “The assertion that we have significant amounts of money in the Occupied Palestinian Territories is offensively misleading. Baillie Gifford is a large investor in several multinational technology companies, including Amazon, NVIDIA, and Meta.

“Demanding divestment from these global companies, used by millions of people around the world, is unreasonable and serves no purpose. Much as it would be unreasonable to demand authors boycott Instagram or stop selling books on Amazon.

“Nor is Baillie Gifford a significant fossil fuel investor. Only 2% of our clients’ money is invested in companies with some business related to fossil fuels. We invest far more in companies helping drive the transition to clean energy.”

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Mui Zyu and Georgia Ruth are the latest artists to pull out of this year’s edition of Latitude festival over its sponsorship with Barclays and the bank’s ties to Israel.

The pair follow in the footsteps of Pillow Queens, who became the first band to boycott Latitude 2024, and CMAT, who dropped out last week.

Zyu shared a statement on her official Instagram account explaining her decision to boycott the Suffolk Music Festival.

“The festival is sponsored by Barclays who are continuing to profit from the genocide in Palestine,” began her statement.

She continued: “Barclays are on the BDS Movement’s boycott list. Throughout the last six months they have continued to increase their financing to companies making weapons that are then used on Gaza where at this moment over 37,000 people have been killed and over 82,000 people injured (many of whom are children).

“As a small artist this may not have much impact on the festival, but if others join it can. If you are planning to attend the festival please consider using your voice as a customer to speak out against your money going towards a genocide.

“As a small artist this may not have much impact on the festival, but if others join it can”

Her statement concluded with “Follow Bands Boycott Barclays who are leading this movement. Familiarise yourself with the BDS Movement, and the Palestine Solidarity Campaign.”

Zyu was also one of over 100 acts that dropped out of The Great Escape in Brighton last month in solidarity with Palestine and as part of the Bands Boycott Barclays. The campaign group listed Isle of Wight and Latitude festivals – both of which are presented by Barclaycard – and Download as their “next festival targets”.

Ruth also took to Instagram account to share her own statement explaining her decision to boycott Latitude and highlight the Palestine Solidarity Campaign’s (PSC) latest report which revealed that Barclays “now invests over £2 billion in, and provides loans and underwriting worth £6.1 billion, to nine companies whose weapons, components and military technology are used in Israel’s attacks on Palestinians”.

“I was inspired by the effective boycott of Hay Festival this week by participating authors, which led directly to Baillie Gifford being dropped as main sponsor,” she wrote. “We can make a difference; festivals can make meaningful change. I urge Latitude to cut financial ties with Barclaycard.”

In response to the boycotts, Barclays have repeatedly pointed to their online Q&A which states: “We have been asked why we invest in nine defence companies supplying Israel, but this mistakes what we do. We trade in shares of listed companies in response to client instruction or demand and that may result in us holding shares. We are not making investments for Barclays and Barclays is not a ‘shareholder’ or ‘investor’ in that sense in relation to these companies.”

Last week, IQ spoke to industry figures to find out how the business is dealing with artist boycotts.

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The last couple of months have seen artist boycotts ripple through the showcase festival season, with hundreds of acts pulling out of SXSW in Austin, and others from new music showcase festival The Great Escape (TGE) due to their sponsors’ ties to Israel.

More than 100 speakers and acts pulled out of March’s SXSW in protest of the Texas event’s sponsorship by the US Army and its support for Israel during the Gaza war. A similar number of acts were reported to have dropped out of the UK’s TGE due to its sponsorship by Barclays and its ties to Israel.

Now, attention is turning to other events, with campaign group Bands Boycott Barclays listing Isle of Wight and Latitude festivals – both of which are presented by Barclaycard – and Download as their “next festival targets”.

Last week, Pillow Queens became the first act to boycott this year’s Latitude. Posting on social media, the Irish rock band said: “As a band, we believe that artistic spaces should be able to exist without being funded by morally corrupt investors.”

A handful of acts that boycotted TGE – Picture Parlour, King Alessi, Nieve Ella, Mui Zyu – are also billed to perform at Latitude Festival. IQ reached out to the acts but none have commented.

“The impacts are going to be different for each and every artist, depending on their circumstances”

Like other acts before them, Pillow Queens referenced a May 2024 report by Palestine Solidarity Campaign (PSC) which details Barclay’s financial ties to companies producing weapons and military technology used in Israel’s attacks on Palestinians.

In response to the boycotts, Barclays have repeatedly pointed to their online Q&A which states: “We have been asked why we invest in nine defence companies supplying Israel, but this mistakes what we do. We trade in shares of listed companies in response to client instruction or demand and that may result in us holding shares. We are not making investments for Barclays and Barclays is not a ‘shareholder’ or ‘investor’ in that sense in relation to these companies.”

Annabella Coldrick, CEO of Music Managers Forum (MMF) says it is not straightforward for an artist to pull out of a festival. “The impacts are going to be different for each and every artist, depending on their circumstances, she says. “With SXSW, there may have been funding agreements and contractual obligations to consider. There’s also the cost of getting to Austin and visas, which for an upcoming act can be considerable.”

Northern Irish artist Conchúr White, who boycotted SXSW, revealed that he “accepted a significant amount of money from PRS [for Music]” to perform at the festival.

“The financial implications for me, however, pale in comparison to the tragedies occurring in Gaza,” he continued. “I don’t want to align myself with weapon manufacturers.”
White added he will “try to be more mindful moving forward”.

“We would caution against people pressuring and making assumptions about the views of others”

Belfast band Kneecap also canceled their sets at SXSW “in solidarity with the people of Palestine” even though pulling out “would have a significant financial impact on the band”. But they said it wasn’t comparable to the “unimaginable suffering” in Gaza.

While there are a number of possible ramifications for bands boycotting festivals, artists choosing to stay on festival bills are also facing difficulties.

“There’s a lot of pressure coming from social media,” says Coldrick. “Plus you’ve got fans who may have paid to see you. Not every artist is political or feels confident enough or informed enough to express an opinion about what might be a complex global issue. Alternatively, artists may decide to play and use their platform to express their views in other ways.”

David Martin, CEO at Featured Artists Coalition (FAC), seconds that point, adding: “Music is an artistic expression, a vehicle through which to challenge political, social and financial structures. We support each artist’s freedom to take decisions about using their platform. It is up to individual artists to decide how they choose to demonstrate their views. The circumstances of such decisions will vary from artist to artist and show to show, and only those involved will be in a position to judge the best course of action. We would caution against people pressuring and making assumptions about the views of others.”

Pressure has also been directed towards the festivals to cut ties with sponsors linked to Israel. Massive Attack, Idles and Eno were among dozens of artists who were not booked to play at TGE but signed an open letter launched in April calling for it to drop Barclays as a partner.

The letter said the artists were “drawing inspiration” from Artists Against Apartheid. “A Barclays boycott was a key part of ending apartheid in South Africa, after thousands of people closed their accounts with Barclays to pressure them to withdraw investments from South Africa,” it reads.

“We are now looking closely at a festival’s sponsors in advance of confirming any appearance”

It’s yet to be seen how upcoming Barclays-sponsored festivals, which include the UK’s Camp Bestival and Summertime Ball, will respond to – or be impacted by – artists’ political interest in the Gaza-Israel war. Isle of Wight Festival declined to comment for this IQ story and Latitude Festival did not respond.

Denmark’s ENGAGE Festival is a recent example of an event that has dropped its sponsor amid controversy. The Copenhagen festival, organised by the Veterans Foundation, has asked its defence industry partners to withdraw as a sponsor following criticism and confusion from some.

“Some cannot distinguish between Danish veterans and current international conflicts,” a spokesperson for the festival said. “The Veterans Foundation does not support war and will never take a stance on international conflicts that does not align with the Danish government. We do not collaborate with organisations or companies that oppose this.”

Pressure on festivals to remove controversial sponsors is not limited to music; Hay literary festival last week dropped its principal sponsor – investment firm Baillie Gifford – after boycotts from speakers and performers over the firm’s links to Israel and fossil fuel companies.

Whether festivals change tact with sponsorships or not, one agent suggested to IQ that the recent furore may prompt more caution with booking.

“We support our artists in whatever choice they make,” they told IQ. “But we are now looking closely at a festival’s sponsors in advance of confirming any appearance.”

MMF’s Coldrick says such vigilance is business as usual in the record industry: “Clearly, if any artist is passionate about a particular cause or issue and that might have implications on the shows they play, then they need to make this known to their manager and agent. Those kinds of conversations are quite standard when it comes to sync or brand deals. Going forward, maybe they need to be standard in live music too.”

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The build-up to the 68th Eurovision Song Contest has been marred by protests over Israel’s inclusion in the event.

Israeli singer Eden Golan qualified for tomorrow’s (11 May) grand final at Sweden’s Malmö Arena after a public vote. The 20-year-old received a mixed reaction from the audience during last night’s semi-final and had been booed during rehearsals the previous evening.

Eurovision has faced boycott calls over Israel’s participation in the 2024 contest, amid the ongoing war and escalating humanitarian crisis in Gaza. Thousands of pro-Palestinian protestors gathered in the streets of Malmö yesterday. The Guardian reports that further protests, and an alternative concert, which organisers have billed as “a song contest without genocide”, are planned for Saturday.

A smaller demonstration in support of Israel also reportedly took place.

The European Broadcasting Union (EBU), which organises the competition, allowed Israel to compete after it changed the lyrics to its song, originally titled October Rain, which was understood to reference the 7 October attacks by Hamas, breaching Eurovision’s rules on political neutrality. It has since been renamed Hurricane and features amended lyrics.

“It is truly such an honour to be here on stage, representing [Israel] with pride,” said Golan, as per the BBC. “I’m so grateful for everyone who voted and took part in supporting us, and me.”

“The European Broadcasting Union acknowledges the depth of feeling and the strong opinions that this year’s Eurovision Song Contest – set against the backdrop of a terrible war in the Middle East – has provoked”

According to Al Jezeera, About 1,139 people were killed in the coordinated 7 October attacks according to Israeli authorities – including more than 360 in the Supernova festival massacre – while over 34,904 people have since been killed in Gaza, and 78,514 wounded.

The EBU released a statement last month regarding the “abuse and harassment” of Eurovision artists.

“The European Broadcasting Union acknowledges the depth of feeling and the strong opinions that this year’s Eurovision Song Contest – set against the backdrop of a terrible war in the Middle East – has provoked,” says Jean Philip De Tender, deputy director general of the EBU. “We understand that people will want to engage in debate and express their deeply held views on this matter. We have all been affected by the images, stories and the unquestionable pain suffered by those in Israel and in Gaza.

“However, we wish to address the concerns and discussions surrounding this situation, especially the targeted social media campaigns against some of our participating artists.”

De Tender continues: “The decision to include any broadcaster, including the Israeli’ broadcaster Kan, in the Eurovision Song Contest is the sole responsibility of the EBU’s governing bodies and not that of the individual artists. These artists come to Eurovision to share their music, culture, and the universal message of unity through the language of music.

“The EBU has previously explained the reasoning for the inclusion of KAN and the differences between them as an independent broadcaster and previous participants who were excluded. Constructive debate is a positive consequence of such decisions.

“However, while we strongly support freedom of speech and the right to express opinions in a democratic society, we firmly oppose any form of online abuse, hate speech, or harassment directed at our artists or any individuals associated with the contest. This is unacceptable and totally unfair, given the artists have no role in this decision.”

“We urge everyone to engage in respectful and constructive dialogue and support the artists who are working tirelessly – on what is a music and entertainment show”

He adds: “The EBU is dedicated to providing a safe and supportive environment for all participants, staff, and fans of the Eurovision Song Contest. We will continue to work closely with all stakeholders to promote the values of respect, inclusivity, and understanding, both online and offline.

“We urge everyone to engage in respectful and constructive dialogue and support the artists who are working tirelessly – on what is a music and entertainment show – to share their music with the world.”

Meanwhile, Sky News reports that the Netherlands’ Eurovision entry Joost Klein is under EBU investigation due to an “incident”.

“We are currently investigating an incident that was reported to us involving the Dutch artist,” says an EBU statmement. “He will not be rehearsing until further notice. We have no further comment at this time and will update in due course.”

Malmö Arena, owned by Parkfast Arena, can host up to 15,000 people for music events depending on the position of the stage, according to the venue’s website. It will be the seventh time Sweden will host to Eurovision and coincides with the 50th anniversary of ABBA’s first triumph. Former winners Charlotte Perrelli, Carola and Conchita Wurst are set to perform an homage to the legendary Swedish band during Saturday’s ceremony.

Latvia, Austria, the Netherlands, Norway, Greece, Estonia, Switzerland, Georgia and Armenia also qualified for tomorrow’s final. Last year’s trophy was taken home by Sweden’s contestant, Loreen, who won the competition, hosted by Liverpool, UK, on behalf of Ukraine, for the second time. Croatia are the current favourites to win the 2024 contest.

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South By Southwest (SXSW) says it “fully” respects the decision of dozens of artists to pull out of this year’s event in protest of the festival’s ties to the US Army and defence industry.

Acts such as Squirrel Flower, Kneecap, Lambrini Girls, Sprints, Proper, Eliza McLamb, Mamalarky, Scowl, Gel and Okay Shalom cancelled scheduled sets in response to the military’s support for Israel in the war in Gaza.

SXSW 2024 runs in Austin, Texas, from 8-16 March and typically attracts more than 300,000 attendees to each annual edition.

The army is listed as a “super sponsor” of the event, which has also agreed a number of defence industry partnerships.

Texas governor Greg Abbott posted yesterday (12 March) on X: “Bands pull out of SXSW over US Army sponsorship. Bye. Don’t come back. Austin remains the HQ for the Army Futures Command. San Antonio is Military City USA. We are proud of the US military in Texas. If you don’t like it, don’t come here.”

The tweet prompted a response from SXSW, which stressed it “does not agree” with Abbott’s viewpoint.

“We fully respect the decision these artists made to exercise their right to free speech”

“We are an organisation that welcomes diverse viewpoints,” it said via its official social media accounts. “Music is the soul of SXSW, and it has long been our legacy. We fully respect the decision these artists made to exercise their right to free speech.

“Across the globe, we are witnessing unspeakable tragedies, the rise of repressive regimes, and the increasing spread of violent conflict. It’s more crucial than ever that we come together to solve these greater humanitarian issues.”

The festival went on to explain its reasoning regarding the controversial sponsorship agreements.

“The defence industry has historically been a proving ground for many of the systems we rely on today,” it said. “These institutions are often leaders in emerging technologies, and we believe it’s better to understand how their approach will impact our lives.

“The Army’s sponsorship is part of our commitment to bring forward ideas that shape our world. In regard to Collins Aerospace, they participated this year as a sponsor of two SXSW Pitch categories, giving entrepreneurs visibility and funding for potentially game-changing work.

“We have and will continue to support human rights for all. The situation in the Middle East is tragic, and it illuminates the heightened importance of standing together against injustice.”

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A number of artists are boycotting this year’s South By Southwest (SXSW) in protest of the event’s sponsorship deal with the US Army.

The BBC reports that acts including Kneecap, Lambrini Girls, Sprints, Proper, Eliza McLamb, Mamalarky, Scowl, Gel, Okay Shalom and Squirrel Flower have pulled out of the conference and showcase festival in response to the military’s support for Israel in the war in Gaza.

The army is listed as a “super sponsor” of SXSW, which is currently being held in Austin, Texas, from 8-16 March.

Belfast rap trio Kneecap, who were due to play three shows, say they will no longer perform “in solidarity with the Palestinian people”.

“We cannot in good conscience attend an arts festival that has ‘the US Army’ as a ‘super sponsor’ and is platforming RTX (formerly Raytheon), Collins Aerospace and BAE Systems,” says in a series of statements shared by the group on social media.

“We did consider only playing ‘unofficial events’ but this would still contribute to the festival indirectly.”

“We can’t affiliate ourselves whatsoever with SXSW without our solidarity becoming totally inauthentic”

The band say the decision will have “a significant financial impact on Kneecap, both on lost income and on logistical costs already incurred”, but add: “it isn’t an iota of hardship when compared with unimaginable suffering” of the people of Gaza.

Earlier, Brighton duo Lambrini Girls announced their withdrawal, tweeting on X: “We won’t be going to Austin whatsoever. For transparency, the reason it’s taken us a few days to pull out the festival is because we received funding from PRS Foundation to play. We were trying to find a way out of the situation whilst keeping our moral integrity intact and not having to pay thousands of pounds at the same time.

“That really just isn’t possible. Money has to be repaid and we can’t affiliate ourselves whatsoever with SXSW without our solidarity becoming totally inauthentic.”

In addition, Squirrel Flower tweeted that she was pulling out of her official SXSW showcases “in protest of SXSW’s ties to the defence industry and in support of the Palestinian people”, while Brooklyn-based singer-songwriter Okay Shalom posted on Instagram: “There’s always a right thing to do and it’s almost never as complicated as the establishment wants you to believe. and sometimes it costs you a dream, but a dream is a dream and not a life.”

The US Army tells the BBC it was “proud to be a sponsor of SXSW, and to have the opportunity to showcase America’s Army… explore new ideas and insights, and create dynamic industry partnerships,” while SXSW did not respond to a request for comment.

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Forty-two survivors of the 7 October massacre at Israel’s Supernova Sukkot festival are suing the government’s security forces for NIS 200 million ($56 million) in damages.

The plaintiffs filed the claim at the Tel Aviv District Court on Monday (1 January) against the Shin Bet security service, the Israel Defense Forces, the Israel Police, and the Defense Ministry, alleging multiple instances in which they failed in their duties.

“One phone call separated the plaintiffs’ lives and the integrity of their bodies and souls from the destruction of their lives,” reads the lawsuit, which is the largest tort claim ever filed in Israel against the state.

“A single phone call by IDF officials to the commander responsible for the party to disperse it immediately in view of the expected danger would have saved lives and prevented the physical and mental injuries of hundreds of partygoers, including the plaintiffs,” it continues. “The negligence and the gross oversight is beyond belief.”

According to the lawsuit, 364 attendees were killed and 40 kidnapped after Hamas stormed the second day of the trance music gathering, held near the Gaza-Israel border, as part of a wider coordinated attack on Israel. The festival, near Kibbutz Re’im, was attended by 3,500.

The claim cited reports following the massacre, which claimed senior officers in the Gaza Division expressed concerns over the party, and that the operations commander opposed it being held. It also noted that Shin Bet chief Ronen Bar held consultations the night before, and even sent a special operations team to the border the night before the onslaught.

“On the night between October 6 and October 7, at least two IDF assessments were held due to unusual incidents on the Gaza Strip border, one near midnight and another assessment close to 3 am, several hours before the Hamas attack,” the lawsuit reads.

“The negligence and the gross oversight is beyond belief”

The plaintiffs said that the IDF was unable to provide adequate security for the event since many soldiers were at home over the Simchat Torah holiday. Only 27 police officers were stationed at the festival, most of them not in possession of long arms, as required when based near the border.

Attorney Shimon Buchbut, a retired Air Force commander cited as an expert in the lawsuit, said that the IDF was negligent in giving approval for the party and that any reasonable official would not have allowed it to go ahead.

Among the damages listed in the lawsuit are loss of earnings, pain and suffering, loss of life’s pleasures, loss of future earnings, and medical expenses.

Executives from Israel’s live music industry have called the Hamas attack the “biggest-ever disaster at a music festival”, adding that business will be paused for the foreseeable future.

Festival organiser Tribe of Nova said it was “shocked and pained” in the immediate aftermath of the tragedy.

“This is the epitome of pure and unbridled evil, the horrifying and senseless murder of countless innocent angels, whose only ‘crime’ was being Jewish and living in Israel,” it added.

Nearly three months into the war, the death toll from Israeli attacks on Gaza surpassed 22,000 yesterday (3 January), according to reports from The Guardian.

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