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Here and queer: IQ Magazine’s Pride edition has arrived

IQ 112, the latest issue of the international live music industry’s favourite magazine, is available to read online and in print now.

The July 2022 issue sees the return of IQ Magazines annual Pride issue, which was made possible thanks to support from Ticketmaster.

Once again, the Pride issue’s marquee feature is the LGBTIQ+ List which profiles 20 queer professionals making an impact in the international live music business and beyond. This year’s top 20, which were announced yesterday, share their challenges, triumphs, advice and email addresses with us in the bumper feature.

Issue 112 also sees the return of the Loud & Proud playlist and feature, in which our agency partners profile some of the most exciting queer acts on their rosters. Contributing agencies include 13 Artists, ATC Live, CAA, FMLY, Hometown Talent, Progressive Artists, Wasserman Music, and X-ray Touring.

More recommendations for queer artists are shared in Your Shout, where executives including Rauha Kyyrö (Fullsteam), Raven Twigg (Metropolis Music), Paul Bonham (MMF) reveal the best queer act they’ve seen live.

Elsewhere, Pride editor Lisa Henderson speaks to executives working in the LGBTIQ+ events space to find out more about the economic and social value of the pink pound.

For this edition’s columns and comments, DICE’S Nix Corporan outlines ways the live music industry could make concerts safer and more inclusive for queer fans. In addition, Hatice Arici details the ramifications for the LGBTIQ+ community in Turkey, following the shutdown of Istanbul Pride.

Beyond the Pride-specific content, IQ Magazine editor Gordon Masson learns how the freight and transport business is dealing with its busiest and most challenging year ever.

Derek Robertson looks back on half a century of history that helped to shape Denmark’s iconic Roskilde Festival and Adam Woods reports on the extraordinary growth of live music in Latin America.

As always, the majority of the magazine’s content will appear online in some form in the next six weeks.

However, if you can’t wait for your fix of essential live music industry features, opinion and analysis, click here to subscribe to IQ for just £7.99 a month – or check out what you’re missing out on with the limited preview below:

 


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LGBTIQ+ List 2022: Submissions now open

Submissions are now open for the LGBTIQ+ List 2022 – IQ Magazine‘s second annual celebration of queer pioneers in the international live music business.

Launched last year as part of IQ Magazine’s first-ever Pride edition, the list highlights and profiles lesbian, gay, bisexual, trans, intersex and queer professionals contributing to, improving, or making an impact in the international live entertainment business.

Anyone who works in the global live music industry can put themselves forward, or be nominated by friends or colleagues.

Anyone who works in the global live music industry can put themselves forward, or be nominated by friends or colleagues

The final list will be decided from nominations, alongside an invited steering committee made up of individuals from key companies across the business and last year’s LGBTIQ+ List.

Finalists from last year will not be eligible for the LGBTIQ+ List 2022, in order to give others a chance to fly the flag. A full list of last year’s 20 outstanding queer professionals can be found here.

To submit yourself or someone you know for the LGBTIQ+ List 2022, email Pride editor Lisa Henderson with details of your nomination, and the reason why they should be on the list.

The deadline for submissions is Wednesday 8 June, giving you three full weeks to spread the word.

 


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IQ 110 out now: ILMC, Phil Bowdery, Fullsteam & more

IQ 110, the latest issue of the international live music industry’s favourite magazine, is available to read online and in print now.

The April issue sees IQ magazine return to physical print for the first time in two years. In what is possibly the biggest-ever issue, readers can view the full conference and events agenda for the in-person return of ILMC (International Live Music Conference).

Elsewhere, IQ celebrates Phil Bowdery’s half century career in live music, 20 years of Finland’s Fullsteam agency, and Hans Zimmer’s latest tour.

This issue also examines the world’s fastest-growing entertainment market, the Gulf States, and profiles ten new tech innovations.

For this edition’s columns and comments, Music Export Ukraine’s Alona Dmukhovska expresses her country’s passion for music and Semyon Galperin speaks of the Russian music sector’s support for their friends in Ukraine.

In addition, ASM Global’s Marie Lindqvist highlights the importance of supporting and bringing young people into the heat of the business as part of ILMC’s Bursary Scheme partnership.

As always, the majority of the magazine’s content will appear online in some form in the next six weeks.

However, if you can’t wait for your fix of essential live music industry features, opinion and analysis, click here to subscribe to IQ for just £7.99 a month – or check out what you’re missing out on with the limited preview below:

 


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

IQ 108 out now: 10 things we learned from the pandemic

IQ 108, the latest issue of the international live music industry’s favourite monthly magazine, is available to read online now.

In the February 2022 edition, IQ talks to a number of business leaders to identify ten key lessons that the pandemic has taught us.

Elsewhere, IQ editor Gordon Masson talks to the recipient of the 2022 Gaffer Award, Phay ‘Phaymous’ Mac Mahon, about his 40-year career and how he became one of the go-to production managers in the international touring business.

This issue also sees Masson talk to experts about the evolving world of virus mitigation and profile ten products and services that are helping to get businesses up and rolling again.

For this edition’s columns and comments, tour manager Suzi Green explains how music industry support group The Back Lounge is helping the community through a new series of timely and topical free workshops and Driift’s Ric Salmon relives the success of The Smile’s live-stream triple header.

In this month’s Your Shout, execs including Marc Geiger (SaveLive), Georg Leitner (Georg Leitner Productions) and Nick Hobbs (Charmenko) reveal the best showcase they’ve ever seen.

As always, the majority of the magazine’s content will appear online in some form in the next four weeks.

However, if you can’t wait for your fix of essential live music industry features, opinion and analysis, click here to subscribe to IQ for just £5.99 a month – or check out what you’re missing out on with the limited preview below:

 


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

IQ 107 out now: Industry heads map the road ahead

IQ 107, the latest issue of the international live music industry’s favourite monthly magazine, is available to read online now.

In the January 2022 edition, industry leaders from around the world share their thoughts about the state of the industry and the recovery of the sector, over the coming weeks and months.

Elsewhere, the IQ news team looks back at the trends, deals, events and, of course, the Covid restrictions that made the headlines during 2021.

On page 34, IQ Magazine editor Gordon Masson explores the benefits that blockchain technology can offer the live music industry.

For this edition’s columns and comments, Wayne Forte details the process behind producing his critically acclaimed Mad Dogs & Englishmen documentary, and Richard Davies urges the industry to adopt a more strategic approach in its efforts to beat ticket touts.

And, in this month’s Your Shout, Dan Steinberg (Emporium Presents), Rob Challice (Paradigm), Mark Davyd (Music Venue Trust) and Nick Hobbs (Charmenko) describe their best moments of 2021.

As always, the majority of the magazine’s content will appear online in some form in the next four weeks.

However, if you can’t wait for your fix of essential live music industry features, opinion and analysis, click here to subscribe to IQ for just £5.99 a month – or check out what you’re missing out on with the limited preview below:


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

LGBTIQ+ List 2021: Remembering this year’s queer pioneers

This year, IQ Magazine launched the LGBTIQ+ List 2021 – the first annual celebration of queer professionals who make an immense impact in the international live music business.

The landmark list was the jewel in the crown of IQs first-ever Pride edition, which was published on Monday (28 June) and followed our Loud and Proud agency-curated playlist.

The 20 individuals comprising the LGBTIQ+ List 2021, as nominated by our readers and verified by our esteemed steering committee, are individuals that have gone above and beyond to wave the flag for an industry that we can all be proud of.

The inaugural cohort comprised agents, promoters, COOs, CEOs, event producers, wellness specialists, tour managers and more, all of whom identify as LGBTIQ+ and, in the face of adversity, have made enormous contributions to their respective sectors.

“IQ received an unbelievable amount of heartwarming testimonials”

In no particular order, the LGBTIQ+ List 2021 is:

Steven Braines, co-founder, He.She.They (UK). Full profile here.
Sean Hill, director of tour marketing, UTA (UK). Full profile here.
Zoe Williamson, agent, UTA (US). Full profile here.
Will Larnach-Jones, managing director/head of bookings, Iceland Airwaves (IE). Full profile here.
Raven Twigg, promoter assistant, Metropolis Music/founder, Women Connect (UK). Full profile here.
Nadu Placca, global event & experience architect, The Zoo XYZ (UK). Full profile here.
Maxie Gedge, Keychange project manager, PRS Foundation (UK). Full profile here.
Mark Fletcher, CEO, Manchester Pride (UK). Full profile here.
Maddie Arnold, associate promoter, Live Nation (UK). Full profile here.
Lauren Kirkpatrick, promoter assistant, DF Concerts (UK). Full profile here.
Laura Nagtegaal, guitar technician and tour manager, MsGyver (NL). Full profile here.
Joanne Croxford, wellness + diversity specialist/ live touring/ tour assistant (UK)
James Murphy, chief operating officer North America, See Tickets (US). Full profile here.
Guy Howes, music partnerships executive, CAA (UK). Full profile here.
Doug Smith, SVP field operations UK & Ireland, Ticketmaster (UK). Full profile here.
Chris Ibbs, agent, CAA (UK). Full profile here.
Leigh Millhauser, coordinator, Wasserman Music (US). Full profile here.
Austin Sarich, director of touring, Live Nation (US). Full profile here.
Daniel Brown, event producer/programmer, Birmingham Pride (UK). Full profile here.
Rauha Kyyrö, head promoter, Fullsteam Agency (FI). Full profile here.

“I never imagined I’d be so thrilled to see my inbox soar into triple digits – that is until we opened nominations for the LGBTIQ+ List 2021,” says IQ staff writer Lisa Henderson, who guest-edited the Pride issue. “We received an unbelievable amount of heartwarming testimonials from across the business but, thanks to the help of our revered steering committee, we’ve ended up with 20 exemplary individuals who continually prove that diversity is the industry’s greatest strength.”

Subscribers can read the entire Pride edition (issue 101) of IQ Magazine now.

Click here to subscribe to IQ for just £5.99 a month – or check out what you’re missing out on with the limited preview below:

 


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IQ 106 out now: Navigating the new industry landscape

IQ 106, the latest issue of the international live music industry’s favourite monthly magazine, is available to read online now.

The December 2021 edition is spearheaded by an exclusive preview of next year’s highly anticipated International Live Music Conference (ILMC).

Elsewhere, IQ news editor James Hanley speaks to Paradigm Agency’s Alex Hardee and Adele Slater about Liam Gallagher’s sold-out Knebworth shows.

This issue also sees IQ editor Gordon Masson quiz venue management from around the world about their plans for arenas to reopen and stay open.

For this edition’s columns and comments, Suzanne Hunt details how Squeeze became one of the first UK acts to resume touring in the United States, lawyer Gregor Pryor notes the challenges that the metaverse could pose for the music industry, and Debbie Taylor shares her experience of Guns N’ Roses’ Covid-compliant US tour.

And, in this month’s Your Shout, live industry executives pick their three ideal guests for a dinner party.

As always, the majority of the magazine’s content will appear online in some form in the next four weeks.

However, if you can’t wait for your fix of essential live music industry features, opinion and analysis, click here to subscribe to IQ for just £5.99 a month – or check out what you’re missing out on with the limited preview below:

IQ subscribers can log in and read the full magazine now.

 


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

James Hanley joins IQ as News Editor

IQ’s daily live music business coverage has been bolstered by the addition of veteran music business journalist James Hanley as News Editor.

Hanley joins the IQ team to work alongside Deputy Editor Lisa Henderson and IQ Magazine editor Gordon Masson. He replaces former news editor Jon Chapple.

Prior to joining IQ, Hanley worked as senior staff writer at Music Week from 2015 until going freelance earlier this year. He was previously news editor at former live music business titles Audience and Live UK.

I am excited to join IQ and look forward to building its news coverage

“James’s knowledge of the live sector is encyclopaedic, and the whole IQ team has been a fan of his writing for years,” says Masson. “It’s fantastic that he’s finally joined the team.”

“I am excited to join IQ and look forward to building its news coverage, continuing to get critical information out first, and launching new projects in the coming months,” adds Hanley. “I am delighted to be working with Greg and Lisa as we document the industry’s resurgence from the pandemic and build towards a brighter future.”

Hanley can be contacted at [email protected], while Henderson can be contacted at [email protected].

 


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IQ 104 out now: IFF, GEI, Steve Strange

IQ 104, the latest issue of the international live music industry’s favourite monthly magazine, is available to read online now.

The October 2021 edition reflects on two of the industry’s best-known events, the International Festival Forum and the Green Events & Innovations conference – both of which returned last month.

The issue also pays homage to renowned booking agent and X-ray co-founder Steve Strange, who recently passed away.

Elsewhere, Adam Woods talks to some of the innovators behind contactless payment systems, IQ gets to grips with audience insights tools and Derek Robertson learns about the rollercoaster ride that suppliers have experienced during the pandemic.

For this edition’s columns and comments, IQ passes the mic to Music Venue Trust’s Mark Davyd, as well as Jürgen Schlensog and Sven Meyer from Jazzopen Stuttgart.

And, in this month’s Your Shout, we ask the industry how they would use an extra hour a day.

As always, the majority of the magazine’s content will appear online in some form in the next four weeks. However, if you can’t wait for your fix of essential live music industry features, opinion and analysis, click here to subscribe to IQ for just £5.99 a month – or check out what you’re missing out on with the limited preview below:

 

IQ subscribers can log in and read the full magazine now.

 


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The New Bosses 2021: Anna Parry, The O2

The New Bosses 2021 – the latest edition of IQ’s annual celebration of the brightest young talent in the live business today, as voted for by their peers – was published in IQ 103 this month, revealing the 12 promising promoters, bookers, agents, entrepreneurs that make up this year’s list.

To get to know this year’s cohort a little better, IQ conducted interviews with each one of 2021’s New Bosses, discovering their greatest inspirations and pinpointing the reasons for their success.

The first 2021 New Bosses interview is with Anna Parry, programming manager at the O2, London.

Born in Calgary, Canada, Parry travelled to Spain to study global entertainment and music business at Berklee College of Music in Valencia. With an independent promoter as a father, she grew up in backstage corridors and tour buses and quickly learned the ropes of the live business as a production runner, tour manager, logistics coordinator, and promoter rep.

Her move to London initially involved an internship at UTA, while also running the events programme for she.grows, the mentorship programme for shesaid.so. Parry joined the programming team at the O2 in 2018 and now works with some of the biggest artists in the world.


What’s been the highlight of your career so far?
There are two: seeing Paul McCartney at the O2. My dad [Jeff Parry of Jeff Parry Productions] became a promoter because of his love for the Beatles and seeing him perform in my place of work was a full-circle moment for me; and I’m currently working on a project with Prince’s estate to honour his 21-night legacy at The O2. It’s a surreal feeling to be working with one of the most influential teams in the business.

You spent part of the lockdown back in Canada, what challenges did that present in your working day?
Well, the obvious one would be the time difference, but luckily I was in Canada during the months of January and February which was a quiet time for the O2. My team are also extremely supportive and allowed for somewhat flexible working hours. Generally, I think that January and February were a hard time for everyone and it was difficult being so far from my team but I was very fortunate to be able to spend the time with my family.

“What is really going to make a difference [to the live music industry] is diversity in the top positions”

As a new boss, what one thing would you change to make the live music industry a better place?
A more diverse recruitment process. We need to see diversity in every level of organisations, ensuring equal opportunities for people to get their foot in the door and a framework for them to progress. What is really going to make a difference is diversity in the top positions.

Tell us a bit about your work with she.grows/she said.so.
I came across shesaid.so when I was a promoter rep in my hometown of Calgary, and I was working with the only female promoter in the area who told me about the incredible community. She then said her biggest regret was not moving internationally and that’s when I started thinking about the opportunity the industry provided in a global context. It then all came full circle for me when I was able to act as the events manager for the she.grows mentorship programme in London, and was introduced to a plethora of inspiring women.

You’ve travelled thousands of miles to study and find work, what advice would you give to anyone trying to break into the business?
Never give up, and never take no for an answer. The door is never fully closed, you just need to find a new way to open it.

“It is a very exciting time as we get to reinvent a lot of processes”

Where do you see yourself in five years?
I am fortunate to work for a global company in AEG with a stream of creative people where opportunities feel limitless so it is hard to say, but I am very happy at the O2 and feel like we have a lot of catching up to do after the past 18 months!

What’s the biggest challenge for you and the O2 team now that the business is emerging from lockdown restrictions?
Re-engaging the workforce. As a company we have gone through a lot of changes and have a lot of new processes in place. Re-entrance anxiety is a real issue, and as it stands, 2022 is projected to be our busiest year ever at the O2 and we need to ensure that, after over 500 days of no events, people will be well equipped and feel comfortable getting back at it.

With that said it is also a very exciting time as we get to reinvent a lot of processes and I think we have all learned a lot during lockdown and have an even further appreciation for what we do and why we do it.

 


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