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Earth Day 2024: Live’s sustainability priorities

A range of industry figures have shared their sustainability priorities for the live music business to mark Earth Day 2024 – an annual event highlighting the importance of environmental protection.

While the sector continues to raise its game on green issues, there remains plenty of room for improvement. It was announced earlier this year that a comprehensive study of the live music industry’s carbon footprint is being conducted by the Massachusetts Institute of Technology (MIT) and co-funded by Coldplay, Live Nation and Warner Music Group.

The report will suggest practical solutions to reduce the environmental impact of live music events “at every level,” from pubs and clubs to stadiums.

Last week, meanwhile, The O2 in London revealed that more than 545.9 tonnes of carbon were extracted across The 1975’s four headline concerts in February. The shows marked the world’s first carbon-removed arena events and took place in collaboration with carbon removal experts CUR8 and sustainable event specialists A Greener Future (AGF).

“This year is all about firming up our path to net zero,” AEG Europe director of sustainability Sam Booth tells IQ. “After the success of our recent pilot series of carbon removed arena events at The O2, we now need to undertake some detailed work around our general gas usage, as well as figuring out our approach to dealing with fan travel and continue working with brand partners to address the emissions of the products we sell in the arena.

“Education is also an incredibly important area of focus, so we’re rolling out training to all our employees to ensure they know how to make more sustainable choices in their day-to-day roles.”

“How sustainable we can be with our power, transport, water, food, etc, all depends on policies, legislation, taxes and subsidies that make better choices possible”

Elsewhere, in January, sustainability initiative Vision:2025 and Julie’s Bicycle launched a 12-month pilot with 10 local authorities to test how the Green Events Code of Practice (GECOP) can be used to embed sustainability within local authority processes.

“We’re all looking for a simple answer to the question: What does good look like?” Vision:2025 chair Chris Johnson, co-founder of the UK’s Shambala Festival, tells IQ. “Our priority for 2024 is to test the new Green Events Code of Practice with local authorities, and take steps toward establishing an acceptable minimum best practice for sustainability across the UK that promoters, supply chain and local authorities understand.”

AGF (A Greener Future) recently hailed “significant areas of improvement” in festival sustainability after surveying more than 40 European events. The sustainability not-for-profit released its Festival Sustainability Report, comprising data analysis on mobility, food & drink, water & sanitation, power & fuel use, waste & recycling, and carbon emissions at events on the continent.

“In 2024 the largest number of the global population will be called to vote,” says AGF co-founder Claire O’Neill, who organises the Green Events & Innovations Conference (GEI). “How sustainable we can be with our power, transport, water, food, etc, all depends on policies, legislation, taxes and subsidies that make better choices possible. We need to have governments in power who will understand and support a just transition to a green economy.

“In the UK, voters now have to use photo ID to vote, which is a hurdle for many. We’re supporting #JustVote24 to help young and disadvantaged people to get their voter ID if they don’t have a passport/driving license or old persons bus pass, and to then get them to vote. The music campaign is called #crashtheparty and we urge everyone in live music to get behind this and local equivalents.”

Germany-based Holger Jan Schmidt, who heads up pan-European think-tank GO Group (Green Operations Europe) and is  general secretary of the European festival association Yourope, points out the latter organisation has adapted its approach a little of late.

“The focus today is less on honouring the spearheads of sustainable festivals and more on making the sector future-proof at large”

“Although we continue to present the Green Operations Award, the focus today is less on honouring the spearheads of sustainable festivals and more on making the sector future-proof at large,” says Schmidt, speaking to IQ. “Yourope today offers freely usable tools that enable every festival out there to position itself accordingly, train the team and benefit from the great expertise of the frontrunners. Examples of this are our European Green festival Roadmap 2030 and the Future Festival Tools with self-assessment tool, e-learning course and best practice guide.

“For this purpose, our association works with both the expert organisations in the live entertainment industry and with the festivals directly in order to identify their needs and develop tailor-made measures.”

In a further notable development, six Spanish music promoters – Advanced Music, Bring The Noise, Centris, elrow, The Music Republic and Sharemusic! – have inked strategic sponsorship agreements with Madrid-based global energy company Repsol to jointly promote the use of different multi-energy solutions and reduce their CO2 footprint.

The agreement initially covers 77 events managed by the firms in Spain and Portugal, rising to 89. Festivals such as the FIB, Arenal Sound, Sonar Lisbon and O son de Camiño will use 100% renewable fuels, among other solutions, to reduce their CO2 emissions.

Meanwhile, venue management company ASM Global, which operates more than 50 green certified venues, has marked Earth Month 2024 by naming Lindsay Arell as chief sustainability officer as it ramps up its efforts to convert its 400-strong venue portfolio to “the most sustainable on earth”.

After founding her own company, Honeycomb Strategies, Arell led the development of the ASM Global ACTS sustainability plan and is a past chair of both the Events Industry Council Sustainability Committee (EIC) and ASTM Venue Sustainability Standard. Arell’s new role forms part of ASM’s sustainability goals, announced in 2023, which include the elimination of single use plastic.

“Sustainability should be the cause of our lifetime in our industry”

“I’m thrilled at the chance to spearhead ASM’s sustainability initiatives working alongside our teams and communities across our over 400 global venues.” says Arell. “By providing our venue teams with the necessary knowledge and resources, we can accelerate the progress of our programme significantly.”

Just last week plans were announced for ASM to join with reuse platform r.World to rapidly introduce reusable service ware in venues throughout ASM’s portfolio.

Fellow venue giant Oak View Group (OVG) welcomes the world’s second carbon-neutral arena this month in Manchester’s Co-op Live, following the firm’s Climate Pledge Arena, with UBS Arena slated to follow. Speaking at ILMC 36 in London, OVG chief Tim Leiweke said: “Climate Pledge can’t be the only carbon-neutral arena in the world or else [the industry] has failed. We as an industry should lead this charge… sustainability should be the cause of our lifetime in our industry.”

He added: “We as a company are going to continue to build these arenas and make sustainability a priority and a way of life in our culture and then hopefully, it will inspire our industry to come along with us.”

OVG COO Francesca Bodie agreed: “Sustainability is part of our core DNA and we want to make sure that we’re not only championing but challenging our industry to get better.”

In addition, REVERB, which partners with artists, festivals, and venues to reduce their environmental footprint, is celebrating its 20th anniversary this year. Working with artist partners like Billie Eilish, The 1975, Odesza, Harry Styles, Dave Matthews Band, Boygenius, Jack Johnson, The Lumineers, Dead & Company, Tame Impala, and many more, REVERB has created and executed comprehensive sustainability and fan engagement programmes on over 350 tours, 60 festivals, and 7,000 concerts.

Positive impacts to date include neutralising 375,000+ tons of CO2e, raising over $12m for environmental causes, hosting over 5,000 NGOs in fan-facing Action Villages, and preventing the use of over 4m single-use plastic bottles at concerts.

 


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Yourope restructures, relocates to Germany

European festival association Yourope, which represents 108 festivals including Sziget and Primavera Sound, is restructuring and relocating.

Founded in 1988, the association has ties with London, Roskilde and St.Gallen but as of April 2021, the organisation is based in Bonn, Germany.

The move comes as Christof Huber, director of festivals at the Swiss Gadget ABC Entertainment Group who is also responsible for Yourope member festivals OpenAir St.Gallen and SummerDays, moves from general secretary to working chairman.

Huber will chair Yourope’s executive board and continue to ‘actively steer the association’s fortunes from the top’.

“The importance of our organisation became more obvious than ever last year, because especially in times when major events are impossible due to the pandemic, the need of the actors in this cultural field for exchange, international cooperation and speaking with a common voice grew once again,” says Huber.

“And despite these challenging times we succeeded in restructuring our organisation, expanding the network and securing even closer relationships with valued associates.”

“The importance of our organisation became more obvious than ever last year”

“I look forward to continuing to use my strength and experience for this purpose – together with our members and the new Yourope team.”

Assuming Huber’s former role as general secretary is Holger Jan Schmidt, who was previously anchorman and coordinator of Yourope’s sustainability-related working group Go Group (Green Operations Europe) and Take a Stand, the association’s social engagement initiative.

He will also run Yourope’s new office in Bonn, which will become part of the Bonn-based Compentence Network along with Schmidt’s Bonn Promotion Dept (BN*PD) and the IBIT (International Training Centre for Event Safety), which has been a key contributor to the steering committee of the Yes Group (Yourope Event Safety Group) for years.

“We have been a member of Yourope for almost twenty years – first with our festival, Rheinkultur, and for 10 years as an associated member with the Competence Network here in Bonn,” says Schmidt.

“I have identified with this institution from the beginning and travelled all over Europe with and for Yourope. To talk about festivals, to give festivals the opportunity to exchange, and above all to get to know and experience festivals and their philosophy.

“I couldn’t be prouder and happier to be trusted to take on this new role for Yourope and to continue to work on those issues that are close to my heart. And to do so from my hometown, which means a lot to me.”


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