Valentine’s Day marked one of the biggest mornings of UK onsales in living memory, as fans rushed to snag tickets for stadium outings for the likes of Beyoncé, Black Sabbath and Kendrick Lamar & SZA.

The shows have added to an already jam-packed summer schedule of outdoor shows in 2025, with superstars such as Coldplay, Oasis, Dua Lipa, AC/DC, Lana Del Rey, Imagine Dragons, Guns N’ Roses and Sam Fender also lining up to perform at the biggest venues.

The latest scramble has reignited fan and media chatter about the price of entry for major concerts, with some ticket types for Beyoncé’s upcoming Cowboy Carter Tour seeing hikes of up to 50% from her last outing two years ago.

The superstar returns to London’s Tottenham Hotspur Stadium (cap. 62,850) this June for a six-show run in support of the Award-winning album, with ticket prices ranging from £71-£950. Beyoncé sold out five shows at the same venue two years ago during her Renaissance World Tour (RWT), the second highest-grossing tour of 2023 after Taylor Swift’s Eras Tour.

The run grossed $579.8 million and sold 2.8 million tickets across 56 shows in North America and Europe, according to Billboard Boxscore. That venture took the Grammy Award-winner to 39 cities across 10 countries, while the upcoming trek will only visit eight cities in three countries, seeing Beyoncé play 29 total shows.

While the touring route has tightened up, ticket prices have predictably risen from her outing two years ago. Prices for seated tickets have risen by at least 20%, with the cheapest option available for these dates starting over £71.

Standing tickets took a greater hike, rising by up to 50% from 2023 prices. Fans looking to stand at the Cowboy Carter Tour can expect to pay a minimum of £220, and almost £500 to stand nearer the stage in the ‘club’ option. General standing tickets for RWT ranged from £106.80-£177.50.

“This expansion is driven by increasing consumer demand for live experiences”

Ticket prices are on the rise across all levels of touring, with Pollstar reporting average ticket prices rose 3.91% in 2024 to $135.92 (£107.80), and momentum is showing no signs of slowing.

“This expansion is driven by increasing consumer demand for live experiences fuelled by flagship concerts and residencies of global superstars and the proliferation of large-scale events in general,” said FKP Scorpio CEO Stephan Thanscheidt in a recent interview with IQ.

Featured Artists Coalition (FAC) boss David Martin credits past research by former Spotify economist Will Page for signalling the direction of travel.

“Even back in 2022, it was evident that much of the ‘boom’ that was being witnessed in live music was due to high value, major, large-scale shows,” Martin tells IQ. “Add inflation which impacts both artists’ costs and fans’ wallets, along with the lasting audience impacts of the pandemic and the trend for the biggest artists to host their own events and residencies and it’s easy to see the drivers of increased prices.

“While it is positive to see demand at that level, I’m concerned about the impact on mid-level and grassroots artists. If fans are spending huge sums on one-off events, it appears that there is a real danger that they’ll attend fewer shows elsewhere.”

Some artists are seeking ways to keep costs down for fans. Coldplay have offered a limited number of Infinity Tickets, priced at £20/$20/€20 each plus taxes and fees, across their record-shattering Music of the Spheres World Tour. For their return to Wembley Stadium for a historic 10-night stand in autumn, the band’s second London stint on the same tour, fans could score standing tickets for £112.75.

The rise in general ticket prices for top stadium shows has also been more than matched across premium offerings — Beyoncé’s VIP pit sections in front of the stage come at the price of £850, while Black Sabbath fans seeking a side-stage premium experience could fork out just under £3,000.

“Clearly there’s some quite fascinating trends in our culture right now”

The cheapest tickets available for the “greatest heavy metal show ever” start at £197.50, while general admission standing starts at £262.50. The July reunion will see Black Sabbath’s original lineup – Osbourne, Tony Iommi, Geezer Butler and Bill Ward – top the bill, marking Osbourne’s final performance and the first time the quartet have played together in 20 years. More than 150,000 fans reportedly joined the queue for tickets when they went on general sale at 10am today.

Meanwhile, those looking to see Kendrick Lamar & SZA’s UK/EU outing this summer can expect to spend £75-£750 for tickets, with GA standing starting at just under £160. Other tours set to descend on stadiums across the UK this summer include Linkin Park, Billy Joel, Bruce Springsteen & The E Street Band, and Robbie Williams, to name a select few.

“Clearly there’s some quite fascinating trends in our culture right now,” observes Martin. “On one level, there’s an inexhaustible supply of new music, film, video, podcasts, books, substacks, and a whole mass of interesting niches and genres. It’s a complete cultural sprawl. On the other hand, there’s also that kind of ‘Barbenheimer’ effect, where audiences want to participate en masse for events by the likes of Coldplay, Oasis, Taylor Swift or Beyoncé. And they’re prepared to pay a premium for those experiences, even if it’s at the cost of others.”

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As wildfires across Los Angeles rage on, the global music industry continues to grapple with the devastating crisis.

The 67th annual Grammy Awards, set for 2 February at Ingelwood’s Crypto.com Arena (cap. 20,000), is still projected to go on.

“This year’s show, however, will carry a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honouring the bravery and dedication of first responders who risk their lives to protect ours,” said Recording Academy CEO Harvey Mason Jr.

Yet, Universal Music Group (UMG) has cancelled all Grammy-related events, and will instead “redirect the resources that would have been used for those events to assist those affected by the wildfires,” the firm wrote. UMG historically coordinates an artist showcase and awards after-party around the event.

“L.A. is home to so many of us. We are committed to helping and supporting the music community, our artists, our teams and the people of Los Angeles get through this horrific episode.”

After donating $2.5 million in relief efforts yesterday, Beyoncé has postponed today’s rumoured tour announcement.

“I will continue to pray for healing and rebuilding for the families suffering from trauma and loss. We are so blessed to have brave first responders who continue to work tirelessly to protect the Los Angeles community,” she says.

“My focus remains on supporting the recovery of these communities and aiding its incredible people as they rebuild”

The Weeknd has postponed the release of his new album Hurry Up Tomorrow by one week to 31 January and cancelled a one-off show at the Rose Bowl Stadium (89,702) on 25 January.

“This city has always been a profound source of inspiration for me, and my thoughts are with everyone impacted during this difficult time … My focus remains on supporting the recovery of these communities and aiding its incredible people as they rebuild,” he says.

Donations have been pouring in to aid in the city’s recovery. Sony Corporation will donate $5m in emergency aid and rebuilding efforts, while AEG donated $1m as part of a greater $8m package from 12 professional sports teams.

Metallica, through its All Within My Hands Foundation, has donated $500,000 to various funds supporting recovery efforts.

“In the past week, the community has suffered at least 24 lives lost, nearly 100,000 people under evacuation orders, 40,000 acres burned, and more than 12,000 structures—commercial and residential—destroyed. However, numbers cannot articulate the magnitude of anguish as the disaster upends families and dismantles livelihoods,” the band wrote online.

Other organisations are staging benefit events. Independent promoter Another Planet Entertainment has partnered with IHEARTCOMIX, Brownies & Lemonade and Teragram to present LA Gives Back: Fire Relief at The Bellwether (1,600). The 7th edition of the event, which is set to feature multiple stages, will see 100% of the funds raised go to charity.

“Los Angeles is home to a vibrant independent creative community – we’re proud to open our stage in support of our neighbours who lost everything in this disaster,” says Casey Lowdermilk, The Bellwether general manager.

FireAid, organised by Live Nation, AEG Presents and the Azoff family, will precede the Grammys on 30 January at the neighbouring Intuit Dome (18,000). Performers are expected to be announced in the coming days.

“We are devastated by the impact of the fires in our community and are grieving alongside our city”

Dance music promoter Insomniac Events announced a series of benefit events with “100% of the net proceeds [going] directly to assist those in need.” Details will be announced this week.

Even still, show disruptions are rife. Young The Giant’s two The Troubadour (500) shows, set to celebrate their debut self-titled album and 10 years of their sophomore Mind Over Matter, have been pushed to 4-5 September.

“We are devastated by the impact of the fires in our community and are grieving alongside our city. Our heartfelt gratitude goes out to the first responders and emergency personnel working tirelessly to protect lives and contain fires,” the band wrote.

The blazes have ripped through more than 40,000 acres since igniting last week, causing more than 150,000 people to evacuate and burning 12,000 structures, according to NPR. At least 24 people have been killed, with the cause of the widespread fires’ initial spark currently unknown.

The economic damage could top $50 billion and may rank as one of the most costly natural disasters in US history, according to the Los Angeles Times.

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