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Germany’s Goodlive announces reshuffle

Germany’s Goodlive has announced a new management structure “in preparation for ‘the roaring 20s’ of the post-pandemic live entertainment industry”.

Co-founders and managing partners Stefan Lehmkuhl and Thomas Resch have announced their departure from the company, leaving Fruzsina Szép, Julian Gupta and Justus Mang with greater responsibility.

Gupta, alongside his role as managing director of Ferropolis-based festival splash! (cap. 30,000), will also assume responsibility for the festival booking team at Goodlive.

In addition, he will also take over the management and booking of Freiburg-based festival Heroes, which Goodlive partnered with in early 2020, working alongside the festival’s founder Lukas Apfelbacher.

Szép, who was appointed MD of Superbloom in 2019, will be primarily responsible for the Munich launch of the festival.

“[Fruzsina, Julian and Justus] have one of the best teams in the world at their disposal”

Meanwhile, Mang heads Goodlive Artists, the company’s touring arm (description), which recently expanded to Austria.

In the future, all three will actively support the management of Goodlive, alongside the remaining confounders and managing partners at the company Marko Hegner and Mirko Roßner. The fifth cofounder of Goodlive, Matthias Hörstmann, left in 2017.

Stefan Lehmkuhl says: “I am incredibly proud and delighted that trusted friends like Fruzsina, Julian and Justus will play a more leading role in shaping the future of Goodlive. They have one of the best teams in the world at their disposal, and many of the people I’ve worked with over the years are taking on more responsibility for some of the projects I’ve had the pleasure to help shape over the past 20 years.

“Personally, I long for a period of pause and reflection on whether and in what capacity I see my future in the live entertainment industry after the pandemic, and I am happy to have the privilege of taking a longer break after more than two decades of never standing still.”

“We feel well-positioned to further expand our role as an independent alternative in the festival and touring market”

Thomas Resch adds: “When I stumbled into the live entertainment industry 25 years ago at the young age of 18, I could not have imagined where this journey would lead. It was a very exciting time with many challenges and even more unforgettable moments.

“During the last years, Julian Gupta has firmly shaped splash! and achieved a great deal. I am sure that under his leadership, our strong team will master all other challenges and that Goodlive will continue on its successful path.”

Marko Hegner, MD, Goodlive, says: “We feel well-positioned to further expand our role as an independent alternative in the festival and touring market from 2022 onwards and are incredibly excited to finally tackle projects that had already been planned before Corona, such as Superbloom Festival in Munich, Heroes Festival in Freiburg and the launch of Goodlive Artists in Austria.

“I have a lot of respect for Thomas’ and Stefan’s decisions to put their own needs first after a pandemic that was demanding for all of us, and I am grateful that together we have succeeded in optimally positioning Goodlive for the future in terms of personnel during a longer preparation phase.”

 


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Fruzsina Szép named MD of Munich’s Superbloom fest

Experienced European festival pro Fruzsina Szép has joined Superbloom, a new event debuting in Munich next September, as managing director.

Szép was most recently festival director of Lollapalooza Berlin, which she had overseen since its launch in 2015. Before joining Lolla Berlin (produced by Superbloom organiser Goodlive for Live Nation’s C3 Presents and Festival Republic), she spent seven years as programme director for Budapest’s Sziget festival.

“I will dedicate my entire expertise, passion, attention to detail and creativity to the exciting challenge as managing director and festival director of Superbloom within Goodlive GmbH,” she comments. “I am especially happy that we are bringing this exceptional format to my hometown, Munich.

“My focus is to combine tradition and innovation, local and international, in a loving and special way, to craft a unique and new experience that can only take place in Munich.”

Superbloom will take place for the first time on 4 and 5 September 2021, its debut delayed by Germany’s summer-long large-event ban.

Held at Munich’s Olympic Stadium/Olympiapark, Superbloom promises a “new festival experience” that “redefines the music festival concept” with mix of “international and national live acts” and “art, culture, diversity, lifestyle, society, research and development, sustainability and science”.

“Building a new festival brand in these times is a unique opportunity”

Performers including Miley Cyrus, David Guetta, DJ Snake, the Pussycat Dolls, Scooter and Liam Payne were to have played the 2020 festival.

“Building a new festival brand in these times is a unique opportunity,” says Stefan Lehmkuhl, managing partner of Goodlive, “in a new era, without blinders from the past, but also with major social challenges. With Superbloom I couldn’t imagine a better team for this than the one under the leadership of my longtime friend and colleague, Fruzsina.”

In addition to her years with Lollapalooza and Sziget, Hungarian-born Szép founded the Hungarian Music Export Office and helped develop the EU project CEETEP (Central-Eastern European Talent Exchange Programme). She is also a board member of the European Festival Association (Yourope), a chevalier (knight) of the Ordre des Arts et des Lettres and an honorary associate professor.

“With great longtime colleagues like Julia Gudzent in booking, Steven Kruijff in production and Jule Kauert in project management, as well as the whole Goodlive team, I think we are absolutely capable of setting new standards in the European festival landscape,” adds Lehmkuhl.

The ticket presale for Superbloom 2021 will open in the coming weeks, with two-day tickets starting at €155 and day tickets from €89.

 


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Angry punks and happy faces: industry pros talk breakthroughs

Hard work, knowing the right people and a slice of good luck can all play a part in getting a proper footing on the career ladder. IQ puts some more ILMC regulars in the spotlight and asks them to share their breakthrough moments…

 


John Giddings, Solo Agency

When I was about 14 years old, a mate at school persuaded me to learn to play bass guitar, with the promise that we would pull chicks. I had to borrow a bass because I could not afford to buy one and that’s why, to this day, I play bass guitar with a right-handed guitar, upside down, because I’m left handed.

We were at a gig and we were playing ‘The Nile Song’ from Pink Floyd’s More album and this punk came up to the stage and said, “If you don’t stop playing, now, then I’m going to fucking hit you!”

That was the end of my career as a musician, but I knew I wanted to be part of the live music thing, even if I was not capable of being onstage.

In those days, we just used to listen to LPs on our own in our bedroom, but I remember going to Isle of Wight Festival and walking over the top of the hill to see 600,000 other people who liked the same music as me – it was like going on a pilgrimage. And that was that – I was hooked.

Going to Isle of Wight Festival was like going on a pilgrimage – I was hooked

Christof Huber, OpenAir St. Gallen/Yourope

When I was around 15, I knew that I wanted to work in music and organise events. I even wrote business plans about my future virtual company. After my apprenticeship, I looked around for job options, but at that time there were very few in the Swiss market and I couldn’t find a way in. I never lost that focus, but I had to work in several other jobs, including as a bookkeeper in real estate in 1992. Hell!

Out of the blue, a former work colleague called me to tell me that she was working for OpenAir St. Gallen, as the assistant for the festival director but was going to leave. As I was so persistent in telling her about my vision, she suggested I put myself forward for the job interview. This was my chance!

I went to the interview and tried to convince them that there was only one person who would be perfect to do the job. They asked me for some time as they had other candidates, but due to a timeline in my other job, I needed a quick answer. They had me complete some tests and I convinced them that I would do everything to make my dream come true. And they finally offered me the job.

I remember as I drove home that I looked at other people and felt so lucky to have achieved my dream.

I started in 1993, was able to take over the event company a few years later and work with wepromote Switzerland on a national level for many festivals and concerts.

In addition, for the past 20 years, I have been part of the European festival family of Yourope where I’ve made so many close friends.

Thank you, Lisa and Andreas, for having given me this opportunity.

I remember as I drove home that I looked at other people and felt so lucky to have achieved my dream

Fruzsina Szép, Lollapalooza Berlin

Since childhood I had always been very passionate and enthusiastic about arts and music and creating and organising things. Watching the happy faces during a festival is “my fuel“ and has kept me going for so many years in the industry, despite the gigantic workload many of us deal with day to day.

In 2008, I was offered the position of programme and artistic director for Sziget Festival in Budapest. I was 30 and I thought ‘Oh my God!’ – this coat is really not my size. My size is S/M and that coat felt XXL.

But I listened to my inner voice. I knew that if I didn’t try, I would never know if I was capable. I can always fail, I told myself, but only after trying.

I’m so extremely happy that I was wise enough to listen to my inner voice, to have the support of my family, and to believe in myself.

If Elon Musk asked me to organise the first festival on Mars, I’d be up for the job

I’m so thankful for having gained such an enormous amount of experience in those seven years working at Sziget. Without which, I could have never taken the next huge challenge and worn the even bigger coat known as Lollapalooza Berlin.

Moving the Lolla festival site four years in a row allowed me to learn so much and overcome so many challenges. I must say that I’m very thankful for these experiences because now, if Elon Musk asked me to organise the first festival on Mars, I’d be up for the job.

I’m so grateful to have been able to work in such an amazing industry, to have colleagues from whom I can learn day by day, and to be part of an international festival family with like-minded humans that are rocking their own festivals every summer.

 


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