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Elton John forced to postpone already-rescheduled tour

Elton John has been forced to postpone the 2021 UK and European legs of his Farewell Yellow Brick Road Tour.

The already-postponed farewell shows, scheduled by international agency Marshall Arts, had been set to take place from the end of this month through to December, with UK dates in London, Manchester and Birmingham.

John, 74, has now confirmed yesterday (16 September) that he has been forced to reschedule his remaining 2021 tour dates to start in April 2023, saying that it is a decision he took “with great sadness and a heavy heart”.

The postponements extend a tour that Elton has said is his final ever.

“At the end of my summer break I fell awkwardly on a hard surface and have been in considerable pain and discomfort in my hip ever since,” John explained in his statement.

“Despite intensive physio and specialist treatment, the pain has continued to get worse and is leading to increasing difficulties moving.

“At the end of my summer break I fell awkwardly on a hard surface and have been in considerable pain and discomfort in my hip”

“I have been advised to have an operation as soon as possible to get me back to full fitness and make sure there are no long-term complications. I will be undertaking a program of intensive physiotherapy that will ensure a full recovery and a return to full mobility without pain.”

John says he still intends to play his forthcoming charity gig for the Global Citizen event on 25 September “as I don’t want to let a charity down”.

“Being just five songs it’s a very different physical undertaking to the demands of playing for close to three hours every night on tour and travelling overnight between countries,” he said. “After this I will be having the operation to ensure the tour can get back on the road in January 2022 in New Orleans.

“I know how patient my incredible fans have been since Covid halted touring last year, and it breaks my heart to keep you waiting any longer. I completely feel your frustrations after the year we’ve had.

“I promise you this – the shows will return to the road next year and I will make sure they are more than worth the wait.”

The Australasia leg of the Farewell Yellow Brick Road tour was the biggest tour globally in the first half of 2020, according to Pollstar box-office numbers.

John will headline American Express presents BST Hyde Park on Friday 24 June 2022.


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$1bn artists line up global tours as confidence builds

Some of the world’s biggest artists, collectively worth more than US$1 billion in ticket revenue between 2018 and 2020, will hit the road again in 2021 and ’22, as confidence builds for a return to international touring over the next 12 months.

Sir Elton John, Celine Dion, Metallica, Michael Bublé, Guns N’ Roses, Bruce Springsteen and Eagles – all of whom ranked among the highest-grossing tours of 2018, 2019 and 2020, grossing more than $1bn between them – have in recent weeks revealed plans for new or rescheduled global tours, many of them starting as soon as this summer.

Sir Elton has extended his disrupted final tour, Farewell Yellow Brick Road, with a bumper 30-date, six-month stadium run across across mainland Europe, the UK and the United States.

https://twitter.com/eltonofficial/status/1407684876338405378

“Hello, all you wonderful fans out there. I’m coming to you today with an announcement I’ve been working towards for, well, all my life: the shows that I announce today will be my final tour dates ever in North America and Europe,” he says in a statement.

“I’m going to go out in the biggest possible way, performing at my very best, with the most spectacular production I’ve ever had, playing in places that have meant so much to me throughout my career.

“Whether it’s next summer in Frankfurt or at the legendary Dodger Stadium for the grand finale in the United States, I can’t wait to see you all on the road one last time. This has been an incredible tour so far, full of the most amazing highs, and I look forward to making more wonderful memories with you at these final shows.”

The Farewell Yellow Brick Road tour, Sir Elton’s farewell tour, was brought to a halt by the coronavirus pandemic last March, with the last show on 7 March 2020 at Bankwest Stadium in Parramatta, Australia. The tour resumes on 1 September at Mercedes-Benz Arena in Berlin and will conclude in Australasia in 2023.

The tour, produced and promoted by AEG Presents, grossed $212 million in 2019 and $71.2m in 2020.

“I’m going to go out in the biggest possible way, performing at my very best”

Springsteen, who grossed an incredible $88.3m from his Springsteen on Broadway shows, which had an average ticket price of $509, in 2018, also has live plans for 2022.

As well as reviving Springsteen on Broadway, Springsteen confirmed to E Street Radio on SiriusXM he is planning a full tour with his E Street Band in 2022. “I knew we were going to tour with the band next year,” he said, “[but] I had a friend who got so enthusiastic about it [Springsteen on Broadway] that he talked me into it sitting on my couch one night. The next day I said, ‘OK, we’ll do some shows.’ It really came around kind of casually.”

Eagles, meanwhile recently added another six dates to their long-delayed Hotel California tour, which kicks off at Madison Square Garden in New York in August.

While the band has only announced the rescheduled US dates so far (the first leg ends at Chase Center in San Francisco on 23 October 2021), pre-pandemic the Live Nation-promoted tour included included dates in London (Wembley Stadium) and Los Cabos, Mexico (Cabo en Vivo), so it is expected that additional European and Latin American shows are still to be announced.

Eagles grossed $166m from their 2018 North American tour.

Metal titans Metallica earlier this month announced six European festival shows for 2022, adding to the open-air shows pencilled in for the US in September, October and November 2021.

“We have waited far too long to say these words: we’re getting back out there”

Under the banner The Return of the European Summer Vacation, the band will play headline shows at Denmark’s Copenhell, the Netherlands’ Pinkpop, Italy’s Firenze Rocks, the Czech Republic’s Prague Rocks, Belgium’s Rock Werchter, Spain’s Mad Cool and Portugal’s NOS Alive. .

“We have waited far too long to say these words: we’re getting back out there and are finally announcing our return to Europe in 2022,” say Metallica in a statement. “Needless to say, we cannot wait to see all of you once again as our European ’tallica Family will finally have a chance to reunite in June and July of next year.”

The festivals next year will be Metallica’s first European shows since their Worldwired global tour, which grossed a total of $179m in 2019.

Elsewhere, Bublé (who grossed $115.8m in 2019 and $24.8m in 2020) is resuming his An Evening With Michael Bublé tour in North America in August, while Dion’s (2020 gross: $71.2m) postponed Courage world tour will finally kick off the same month in Winnipeg.

Also resuming a postponed tour this summer are Guns’ N Roses, whose world stadium tour – newly rechristened We’re F’n’ Back! – will begin at Hersheypark Stadium in Hershey, Pennsylvania, on 31 July 2021. The tour will include Australasian dates later this year and a string of European stadium shows next summer.

Opening the tour will be the late Eddie Van Halen’s bassist, son Wolfgang, with his band Mammoth WVH.

 


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We risk losing a generation of talent to Brexit chaos

Reproduced with permission, below is the full statement that Sir Elton John asked Craig Stanley to read in today’s DCMS Committee session.

Last month Rocket Entertainment CEO David Furnish, Marshall Arts’ Craig Stanley, Lord Strasburger and I met with Lord Frost to spell out the damage the trade agreement he negotiated with Europe is doing to the UK’s music industry and to try to find practical solutions and ways forward.

Put bluntly, we are currently in grave danger of losing a generation of talent due to the gaping holes in the government’s trade deal. New and emerging artists will be unable to tour Europe freely – an essential part of their education and development – due to the prohibitive costs of visas, carnets and permits.

However despite this looming catastrophe, the government seems unable or unwilling to fix this gaping hole in their trade deal and defaults to blaming the EU rather than finding ways out of this mess. The situation is already critical and touring musicians, crews and support staff are already losing their livelihood.

I want to be clear that the issues of visa-free and permit-free touring aren’t about the impact on me and artists who tour arenas and stadiums. We are lucky enough to have the support staff, finance and infrastructure to cut through the red tape that Lord Frost’s no-deal has created. This gravest of situations is about the damage to the next generation of musicians and emerging artists, whose careers will stall before they’ve even started due to this infuriating blame game.

If I had faced the financial and logistical obstacles facing young musicians now when I started out, I doubt I’d be where I am today

If I had faced the financial and logistical obstacles facing young musicians now when I started out, I’d never have had the opportunity to build the foundations of my career, and I very much doubt I’d be where I am today.

During our meeting Lord Frost said trying to solve this issue is a long process. Unfortunately our industry doesn’t have time. It is dying now. The government have broken the promise they outlined in 2020 to protect musicians and other creative industries from the impact of Brexit on tours to Europe. They now need to find solutions in both the short and long term to ensure the UK music industry continues to thrive.

Due to the halt that Covid-19 has imposed on touring, we have a window of opportunity.

I call on the government to sort this mess out, or we risk losing future generations of world-beating talent. This is about whether one of the UK’s most successful industries, worth £111bn a year, is allowed to prosper and contribute hugely to both our cultural and economic wealth – or crash and burn.

 


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UK stars weigh in as visa petition reaches parliament

Colin Greenwood, bassist for Radiohead, has become the latest high-profile British artist to make the case for free movement for musicians in Europe, arguing in an article in the Guardian today that the UK government must act to eliminate red tape on touring.

The piece, titled ‘European touring made Radiohead the band we are. Brexit must not destroy it’, follows a similarly critical piece by Sir Elton John in the same paper on Sunday (7 February) – in which John contrasts his early career, playing Hamburg and Paris and touring Europe, with the “visas, work permits and equipment carnets” which could now be required by emerging British artists.

The Guardian op-eds – along with a new campaign, Carry on Touring, which also launches today – are the latest twist in the ongoing saga over musicians’ access to continental Europe post-Brexit, which has seen the UK and EU blame each other for the lack of a dedicated arrangement for touring artists following Britain’s exit from the bloc last month.

Spearheaded by Gill Morris of DevoConnect, with help from Ian Smith of Frusion and UKE Arts Work, Carry on Touring aims to force the British government back to the negotiating table to secure EU-wide free movement for touring artists and professionals. The campaign is supporting a petition for visa-free travel by freelancer Tim Brennan, which will be debated in parliament today after reaching nearly 300,000 signatures.

The parliamentary session takes place between 16.30 and 18.30 GMT and can be watched live at Parliamentlive.tv.

“Freelancers and touring professionals desperately need MPs and the government to fight our corner”

“Support for my petition has been phenomenal,” says Brennan, whose petition has won the support of a number of members of parliament, as well as Horace Trubridge of the Musicians’ Union, Parklife’s Sacha Lord and artists Fish (Marillion) and Eliza Carthy. “Freelancers and touring professionals like myself desperately need MPs and the government to fight our corner and renegotiate the current Brexit deal for this industry.

“This is an issue that has a huge impact on my life and my ability to earn and pay tax through my work in an industry that brings pleasure to millions of people.”

Following today’s parliamentary hearing, Carry on Touring will send a letter to the prime minister, Boris Johnson, urging him to seek an amendment or exemption for touring artists.

At press time, there are at least 14 European countries – including major markets like France, Germany, the Netherlands, Sweden and the Republic of Ireland – where free, short-term entry is guaranteed for touring musicians and their crew, according to a new guide published by umbrella body LIVE. Only Spain, Portugal, Bulgaria and Croatia definitively require a work or temporary stay visa for UK artists.

 


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Elton John records biggest tour in Covid-hit H1 2020

With gross earnings of nearly US$90 million, Elton John’s Farewell Yellow Brick Road was the biggest tour globally in the first half of 2020 according to the latest Pollstar box-office numbers.

The site’s mid-year Top 100 Worldwide Tours shows Sir Elton had grossed $87.1m from 38 shows, with a total of 664,749 tickets sold, when concert touring ground to a pandemic-induced halt in March. (The ‘mid-year’ reporting period runs from 21 November 2019 to 20 May 2020, though the final show of John’s only 2020 touring period, at Western Sydney Stadium in Australia, took place months before, on 7 March.)

Sir Elton’s AEG-promoted success down under outshone his nearest competition to the tune of $16m, Celine Dion placing second with Courage world tour, which played arenas in North America from September to March. Another AEG tour, Courage grossed $71.2m from 33 shows, with 408,407 tickets sold.

Third and fourth, and the only other artists grossing more than $50m, were Trans-Siberian Orchestra and U2, respectively, while fifth-placed Post Malone recorded $38.8m from 22 dates.

Live Nation, unsurprisingly, retains its crown as the number-one promoter; Madrid’s WizInk Center is a new entry for top arena, having sold 30,000 more tickets than second-placed Madison Square Garden.

 


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Virtual concerts raise money, spirits amid Covid-19 crisis

A whole host of virtual benefit concerts has seen significant amounts of money and awareness raised for charities and funds tackling the coronavirus crisis.

Perhaps the most prominent of fundraising events, the recent Elton John-hosted iHeart Living Room Concert for America saw acts including Billie Eilish, Dave Grohl, Mariah Carey, Alicia Keys, Sam Smith and Backstreet Boys perform from their homes.

Attracting more than 8.7 million viewers, the event has so far raised over $8 million for US charities Feeding America and First Responders Children’s Foundation.

British comedian James Corden last night (30 March) broadcast a similar event – dubbed HomeFest – from his garage with performances from BTS, Andrea Bocelli, Dua Lipa, Billie Eilish and John Legend.

Corden stated the aim of HomeFest was “to bring some joy and some music into your home at what is without a question one of the strangest and scariest moments in all our lives.”

Over the weekend, gaming-focused streaming platform Twitch hosted the Stream Aid 2020 charity event, including short performances from artists including Biffy Clyro, Rita Ora, OneRepublic, Sigrid, Diplo, Die Antwoord, Joe Jonas, the Lumineers, Lauv, Ellie Goulding and John Legend.

The event, which also saw celebrities compete against fans in a number of videogames, has so far raised over $2.7m for the World Health Organisation’s (WHO) Covid-19 solidarity response fund.

“The generosity of our entire community resulted in a large donation to two non-profits that can ensure the stability of our world and our industry”

Twitch also partnered with electronic music platform Beatport for 34-hour live stream marathon ReConnect, which raised more than $180,000 for the WHO’s Covid-19 fund and the Association for Electronic Music’s (Afem) Covid-19 hardship fund.

DJs including Carl Cox, Bonobo, Pete Tong, Nina Kraviz, Griz, Rüfüs Du Sol, A-Trak, Nicole Moudaber and Chris Liebing performed live as part of ReConnect.

More than 8.5 million viewers tuned in across 150 countries, with 6,500 individual donors.

“We are deeply grateful for all the talented artists and their teams that made the ReConnect event possible, and equally impressed with the dedication and passion shown by the global electronic music community that tuned in for over 34 hours this past weekend to reconnect with their favourite DJs,” comments Beatport CEO Robb McDaniels.

“The generosity of our entire community, including so many great industry partners that donated products to give away, is what resulted in a large donation to two non-profits that can ensure the health and stability of our world and our industry in the months to come.”

Event discovery platform Bandsintown also joined forces with Twitch to host a live music marathon, with all proceeds going to the MusiCares Covid-19 relief fund. The Bandsintown Live channel is today hosting live sets from Imogen Heap and Flux Pavilion, among others.

Meanwhile, in Spain, the La Liga Santander Fest, organised by Spanish football division La Liga, Universal Music and technical services company GTS, has raised over €800,000.

“Together we can convince people of the importance of staying at home and achieve our aim of providing funding for essential hospital materials”

Hosted by Spanish actress Eva González and radio DJ Tony Aguilar, the virtual festival saw performances from Alejandro Sanz, Juanes, Luis Fonsi, Morat and Manuel Carrasco, among others, as well as appearances from Spanish footballers and tennis player Rafael Nadal.

The Santander Bank Foundation will dedicate the funds for medical equipment and supplies in conjunction with the health authorities and national sports council.

“This initiative has turned into something huge,” says La Liga president Javier Tebas. “We have the best artists, the best clubs, the best players and the best fans. Together we can convince people of the importance of staying at home and achieve our aim of providing funding for essential hospital materials.”

‘Secret gig’ platform Sofar Sounds is also doing its bit, launching a ‘Listening Room’ where artists can perform live and announcing all artists who had shows cancelled will be paid as normal. All upcoming Sofar shows were cancelled on 13 March, affecting 2,000 artists.

Sofar has also launched a Global Artist Fund, aiming to raise $250,000 for artists, which will be distributed in grants of $250 each.

In January, the platform paid out over $460,000 among people who worked its concerts for free between 2016 and 2019, after agreeing a settlement with New York state’s Department of Labor.

In Australia, acts including Casey Donovan, Dami Im, Courtney Act and Patti Newton have joined forces with the Australian Philharmonic Orchestra, or John Foreman’s Aussie Pops Orchestra, performing a rendition of ‘What a Wonderful World’ from their respective homes and encouraging donations to music industry charity Support Act.

The orchaestra urges the public to “stay home, stay safe and when the time is right, please support live performance.”

Support Act’s Covid-19 emergency appeal has so far raised almost AU$240,000 (€133,819) to help the music industry through the coronavirus pandemic. Read how Australia’s Michael Chugg (Chugg Entertainment/Frontier Touring) is coping with the challenges thrown up by the coronvairus pandemic here.

Tales from Covid: Michael Chugg Q&A

 


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Live music returns to Longleat for new festival

Live music is returning to the UK’s Longleat, home to stately home and safari park of the same name, this summer, as the site prepares to host the Longleat Live music festival on 4 and 5 July.

British bands the Wombats and Razorlight are headlining the two-day event in the grounds of the stately home in Wiltshire, south-east England, which is run by Viscount and Viscountess Weymouth.

The festival marks the return of live music to Longleat, which in 2016 was marked as a potential site for a planned Glastonbury Festival sister event.

The park made its musical name in the 1960s, holding a series of outdoor concerts featuring acts including the Rolling Stones, Freddie and the Dreamers, Acker Bilk, Billy J Kramer and the Dakotas, and the Bachelors.

The most recent performance at the park came in 2016, when Elton John performed to 15,000 fans as part of Longleat’s 50th anniversary celebrations.

“Longleat has been the stage for a number of iconic artists. For 2020, we are reviving its musical heritage”

“I am incredibly excited to be launching this new summer festival weekend showcasing three of my very favourite things: music, animals, and food,” comments Viscountess Weymouth.

“Longleat has been the stage for a number of iconic artists. Now, for 2020, we are reviving our musical heritage with the launch of Longleat Live: The Festival with Bite – which will become an annual event.

“The combination of fantastic live music, in a stunning setting with great food, celebrity chefs and cooking demonstrations alongside our amazing animals and other fun attractions will make this a truly unique event.”

Cooking demonstrations from celebrity chefs the Hairy Bikers and James Martin will also take place at the event.

Tickets for Longleat Live go on sale soon, with day tickets priced at £54 for Saturday and £49.50 for Sunday, with a weekend pass costing £90.

Photo: Saffron Blaze (CC BY-SA 3.0

 


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Ill health affects major tours despite best efforts

Worldwide concert tours by Ozzy Osbourne and Elton John have been disrupted this week, as the stars battle with poor health.

Earlier today (18 February), Ozzy Osbourne cancelled the North American leg of his upcoming No More Tours 2 tour – which had been rescheduled from last year – “to recover from various health issues”.

“I don’t want to start a tour and then cancel shows at the last minute, as it’s just not fair to the fans,” reads a statement on the singer’s website. “I’d rather they get a refund now and when I do the North American tour down the road, everyone who bought a ticket for these shows will be the first ones in line to purchase tickets at that time.”

Osbourne was due to start the Live Nation-promoted tour in Atlanta at the end of May. A run of European tour dates starting in October 2020 are currently due to go ahead as planned.

Another artist to experience health-related issues this week is Elton John, who was forced to leave the stage during a show at Auckland’s Mount Smart Stadium in New Zealand on Sunday night. The singer had been diagnosed with walking pneumonia – a milder strain of the illness – earlier that day.

“I don’t want to start a tour and then cancel shows at the last minute, as it’s just not fair to the fans”

Chugg Entertainment, which is promoting Elton John’s upcoming shows in New Zealand and Australia, has confirmed that the star’s two remaining Auckland dates will be postponed to 2021.

“Despite the best efforts of a performer who never wants to disappoint his fans, upon further consultation from doctors and specialists, it has this evening been decided that Sir Elton John’s two remaining Mt Smart Stadium, Auckland, performances will be rescheduled to Friday 15 and Saturday 16 January 2021,” reads a press statement.

The rescheduled dates extend the singer’s mammoth Farewell Yellow Brick Road tour, which was due to conclude at London’s O2 Arena on 17 December 2020. Tickets for this year’s postponed shows will be valid for the dates in 2021, with those unable to attend next year able to request a refund via Ticketmaster.

Ill health has also troubled Madonna recently, causing the cancellation of 11 of the 93 dates on her Madame X tour. The singer called off three shows of her recent 14-show residency at London’s Palladium theatre due to injury.

“As you all know I have multiple injuries and have had to cancel shows to give me time to recover,” said the artist in a statement.

Photo: Ernst Vikne/Flickr (CC BY-SA 2.0) (cropped)

 


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The decade in live: 2019

The start of a new year and, perhaps more significantly, a new decade is fast approaching – and while many may be thinking ahead to New Year’s Eve plans and well-meaning 2020 resolutions, IQ is casting its mind back to the most pivotal industry moments of the last ten years.

The final edition of IQ’s decade in live brings us right up to the present day. From the turbulent early post-financial crisis years, the live industry has emerged triumphant, repeatedly setting new records and reaching new heights in the latter part of the decade.

A number of artists have cropped up repeatedly during IQ’s decade analysis with both Bon Jovi and U2 topping the year-end tour chart twice.

Other acts to perform well throughout the decade include Bruce Springsteen, Taylor Swift and Pink – with three top-five appearances, including one top spot, each; Beyoncé, with four top-five tours; Metallica with three; and AC/DC, Roger Waters, Coldplay, Guns N’ Roses, Bruno Mars and the Rolling Stones, who all achieved double top-five appearances.

Major industry players were hard at play in 2019, as Live Nation completed 20 acquisitions over the year, as well as recording its highest-ever quarterly operating income in Q3; AEG Facilities and SMG finalised their mega-merger to create ASM Global; Superstruct continued its run of festival roll-ups; Oak View Group launched internationally; CTS Eventim expanded its rapidly-growing promoter network, and much more.

However, perhaps the biggest deal of the year came from one of the live industry’s most controversial members – Viagogo. The company’s US$4.05 billion all-cash acquisition of fellow secondary ticketer StubHub signals that the secondary ticketing debate will carry over well into the new decade.

 


2019 in numbers

The live concert business is seeing out the decade in style, with new records set in gross revenue by the top 100 tours worldwide.

The ten biggest touring artists of 2019 brought in a collective $1.6bn, falling short of the more than $2bn brought in the year before, with 2018’s charts skewed by Sheeran’s massive Divide tour ($432.4m) and Swift’s Reputation stadium tour ($345.1m).

Sheeran was the man of the moment in 2019, as his colossal Divide tour became the highest-grossing tour in history after knocking U2 off the top spot in August. The tour wrapped up having generated $768.5m and sold 8.8m tickets over three years. The singer came in at number three on 2019’s chart, grossing $211.7m.

Pink, the highest-grossing artist of the year, generated $215.2 million on her Beautiful Trauma trek, which sold 1.8m tickets in 2019, adding to 2018’s 1.3m, and earning her Ticketmaster’s global ticket of the year accolade.

Elton John’s Farewell Yellow Brick Road tour came in at second, grossing $212m, with Metallica’s WorldWired tour at four with $179m and the Rolling Stones’ No Filter tour at five with $177.8m.

Twelve artists grossed more than $100m in 2019, one more than the year before, with BTS, Bon Jovi, Ariana Grande, Michael Bublé, Fleetwood Mac, Paul McCartney and Backstreet Boys, in addition to the top five, clearing the nine-figure mark.

 


2019 in brief

January
DEAG acquires the remaining 24.9% of shares in MyTicket from German publishing house Axel Springer SE.

Scandinavian promoter Beatbox Entertainment rebrands as Down the Drain Concerts, after its parent company Down the Drain Group.

February
More than ten million people “attend” EDM star Marshmello’s virtual concert in the popular free-to-play video game Fortnite.

Live Nation acquires or takes a majority shareholding in promoters Planet Events and Embrace Presents; marketing company Neste; festivals Blockfest and Tons of Rock; and ticketer Moshtix (through Ticketmaster).

Providence Equity Partners, the parent company of festival operator Superstruct, buys into industry leading staging specialist Tait.

March
Oak View Group (OVG), the US-based venue development, advisory and investment company co-founded by former AEG CEO Tim Leiweke and ex-Live Nation chairman Irving Azoff, launches its new international business at ILMC.

CTS Eventim announces plans to combine 26 of its majority-owned promoters into a new London-based, pan-European live entertainment network, called Eventim Live.

Australian promoters Michael Gudinski and Michael Chugg announce a new joint venture between their respective companies, Frontier Touring and Chugg Entertainment.

The decade in live: 2019

Marshmello performs in-game in Fortnite to over ten million people © Keneth Cruz

April
AEG Presents joins forces with Frontier Touring, Australia’s last major independent promoter, in a strategic joint venture that sees the companies merge operations in Australia and New Zealand.

Competition regulators examine the proposed mega-merger of venue behemoths AEG Facilities and SMG, as the companies look to roll up an international portfolio that includes more than 300 venues.

Providence Equity-backed Superstruct Entertainment takes corporate control of Global’s festival arm, amid rumours Broadwick Live is undertaking a management buyback of its events.

May
Superstruct Entertainment invests in Down the Drain Group, forming a partnership with the largest independent concert and festival promoter in Denmark.

BookMyShow, India’s largest online ticketing company, expands into the Middle East after signing a five-year deal with AEG Ogden’s Coca-Cola Arena in Dubai.

DEAG becomes the latest major live music player to invest in the fast-growing esports sector, acquiring a minority stake in ally4ever Entertainment, a specialist gaming events agency.

June
BTS-mania hits London for a second time, with the Korean pop superstars making history by playing to 120,000 people over two nights at Wembley Stadium – and another 140,000 fans across the world via a £21-a-head livestream.

Oak View Group (OVG) partners with Live Nation to build and run a new entertainment and sports arena in Santa Giulia in Milan.

DEAG acquires a majority stake in three promoters: Stuttgart-based C2 Concerts; I-Motion, the German division of electronic music behemoth, LiveStyle; and Swiss concert promoters Live Music Production and Live Music Entertainment.

The decade in live: 2019

Dubai’s Coca-Cola Arena © AEG Ogden

July
Live Nation makes moves in Latin America, confirming it will acquire a majority stake in South America’s biggest festival, Rock in Rio, and in Latin America’s largest promoter, Ocesa Entertainment.

Google suspends secondary ticketing site Viagogo as an advertiser indefinitely, following pressure from industry organisations, anti-touting groups and politicians.

After five years as partners, London’s Coda Agency formally merges into its Los Angeles-based parent company, Paradigm Talent Agency, becoming Paradigm London.

August
Ed Sheeran’s ÷ tour becomes the highest- grossing concert tour of all time, breaking the current record of $735.4m set by U2’s 360° stadium tour in July 2011.

Superstruct Entertainment invests in Germany’s ICS, adding leading metal event Wacken Open Air to its stable of European festivals, which also includes recently acquired hip-hop event Parookaville.

Australasian live entertainment powerhouse TEG, the parent company of Ticketek and TEG Dainty, acquires the UK’s MJR Group.

September
Through its Swedish division, FKP Scorpio Sverige, FKP Scorpio acquires Stockholm-based promoter Woah Dad! Live.

Oak View Group launches the International Venue Alliance, a network of independent venues modelled on its US Arena and Stadium Alliance, with Silverstone Circuit as founding member.

AEG takes full control of its ticketing business, AXS, from co-owners TPG Capital and RockBridge Growth Equity.

The decade in live: 2019

Ed Sheeran’s ÷  tour became the highest-grossing of all time in 2019, generating a total of $768.5m © Ed Sheeran/Instagram

October
CTS Eventim expands into Russia, acquiring 51% of concert promoter Talent Concert International.

AEG Facilities and SMG complete their merger to create a single worldwide venue management company: ASM Global.

Private equity firm Silver Lake Partners acquires Australia’s TEG, adding to a live portfolio that also includes Oak View Group, MSG and Endeavor.

November
Upcoming shows by Spanish star Enrique Iglesias in Croatia, Belarus and Latvia are cancelled, as Iglesias’s agency, CAA, declares a lack of compliance on behalf of promoter Art BG.

In a landmark deal that brings together the world’s two largest secondary ticket sellers, Viagogo announces its acquisition of StubHub for $4.05bn in cash.

Just four months after its indefinite suspension from Google Ads, Viagogo advertisements once again appear at the top of Google’s search results as the ban is lifted.

December
CTS Eventim makes official its acquisition of a majority stake in Barracuda Music, formerly the largest independent promoter in Austria.

Live Nation makes its 20th acquisition or equivalent deal of the year, taking a controlling stake in the live entertainment division of Malaysian promoter PR Worldwide.

 


The decade in live: 2019

Keith Flint (1969–2019) © The Prodigy

Who we lost

Croatian concert promoter Jordan Rodić; the Prodigy frontman Keith Flint; singer-songwriter Scott Walker; Stephen Fitzpatrick and Audun Laading of UK band Her’s and tour manager Trevor Engelbrektson; VMS Live founder and managing director Steve Forster; Matt Ward, Manchester Arena’s head of event marketing and PR; ATC Live agent and LeeFest/Neverworld festival director Chris Meredith; SFX Entertainment founder Robert FX Sillerman.


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Study: Capaldi, EIlish among hardest-working artists

The Institute of Contemporary Music Performance (ICMP) has named Lewis Capaldi the “hardest-working musician” of the past two years, after research revealed the Scottish singer played close to 200 shows from January 2018 to August 2019.

Billie Eilish, Pink, Ed Sheeran and Elton John complete the ICMP’s top five most conscientious artists.

Taking Billboard’s top 100 artists from 2018 and 2019, ICMP analysed the total number of domestic and international shows played and countries visited by each act to calculate a final tally.

Scottish crooner Capaldi, who earlier today cancelled a UK gig due to voice issues, came out on top with 195 shows in total – the most of any artist on the list. Among those, Capaldi clocked up 127 international dates, second only to Elton John at 147, and closely followed by Dua Lipa and Ed Sheeran at 124.

Billie Eilish, Pink, Ed Sheeran and Elton John complete the ICMP’s top five most conscientious artists of last year

In terms of domestic shows, the singer lagged behind in 27th place with 68 home-country concerts, although he was the only non-US artist among the top thirty in this category.

Teen sensation Billie Eilish topped the domestic shows chart, playing 92 US dates, as well as 92 international dates, putting her in second place overall. A capella group Pentatonix, fast-rising star Lizzo, country music band Old Dominion and Pink also played a high number of shows in their native United States.

Both Eilish and Capaldi have visited 23 different countries since the start of last year, fewer than Portugal the Man (24), Sam Smith (25), Post Malone (26), J Balvin (27) and the Chainsmokers (31). Thanks to his mammoth Divide tour, Sheeran had the highest country tally at 32 and fourth highest number of shows overall at 156.

The complete list of results can be found here.

The ICMP is an independent music school in London, UK.

 


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