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Details announced of first Andalusia Music Forum

The first speakers have been announced for the debut edition of the Andalusia Music Forum (AMF), a gathering for the international music industry in southern Europe.

Scheduled for 5-7 September at the Albeniz Cinema in Málaga, Spain, AMF will feature panels, workshops and master classes featuring the likes of Raye Cosbert (Metropolis Music), Rob Challice (Wasserman Music), Alexandra Ampofo (Metropolis), Jess Kinn (One Fiinix Live), Nuria Rico (Live Nation), Cindy Castillo (Mad Cool), Sergio Arbelaez (FIMPRO), Chucky Garcia (Rock al Parque) and Diana Dadonova (Ukraine Music Export).

The event’s mission is to create direct networking opportunities, as well as generating a space to unify the annual goals and objectives of the sector.

Mexico will serve as the guest country for the inaugural AMF

Mexico will serve as the guest country for the inaugural AMF and will be showcased via presentations, conversations, round tables and special performances.

Other speakers will include Fran Sandoval (Chilemusica), Amie Therrien (MMF Canada), Anna Rodriguez (International Music Managers Forum), Camilo Lara (Instituto Mexicano del Sonido) and Fabrizio Onetto (Seitrack). The full programme will be announced shortly.

AMF is part of the Andalusia Big by Mad Cool project, which also includes the new 30,000-cap Andalusia Big Festival, which will take place near Sacaba Beach from 8–10 September, with headliners Muse and Jamiroquai.

The ministry of tourism is reportedly dedicating €4m of its EU funds to the festival in order to bring tourism to the area outside the normal peak season.

 


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XP Music Futures conference gears up for sequel

XP Music Futures is set to return to Riyadh from 28-30 November as the most forward-thinking gathering of music leaders in the region.

One of the most exciting developments taking place in Saudi Arabia has been the emergence of a vibrant music industry. There is immense opportunity and talent present today ready to hit stages and share their sounds worldwide. Studies show that the MEA music market is expected to grow by up to 16.5% by 2027, reaching $670.03 million – and MDLBeast, a Saudi music entertainment company, is playing a significant role in supporting this growth.

At the core of this musical and cultural transformation is XP Music Futures – MDLBeast’s music conference, set to take place for its second edition from 28-30 November 2022. As the warm-up to Saudi’s seismic weekend EDM festival, Soundstorm (taking place 1-3 December), XP will once again attract many of the most exciting young, up-and-coming talent from across the region and around the world, plus a packed guestlist of globally respected artists, producers, and music makers.

Last year’s breakout year in 2021, saw over 4,500 attendees, all of which had one key purpose, to grow and build the regional music infrastructure, with a focus across four central pillars: Talent, Scene, Impact and Innovation touchpoints considered vital to further establishing and building greater regional infrastructure around artists and the wider music ecosystem.

If we look at the “Impact” pillar a little closer, we can see a focus on the positive reach of music culture wider into communities and other areas such as wellbeing, equality, and sustainability. Energetic activations included fishbowl sessions and passionate panel discussions covering the means of hosting safe events in collaboration with public health institutions, several empowering stories of female musicians in emerging markets, and the building of an environmentally sustainable touring model within the Middle East music industry, and much more.

Today, we catch up with multi-media artist, actor and professor, Yassin “Narcy” Alsalman; entrepreneur Lindi Delight, founder of De Light Management; Lutz Leichsenring, co-founder of VibeLab; and Jane Slingo, director at VibeLab, to talk us through their experience at XP 2021, and the elements they believe were needed to create impact in the music industry and beyond…

“It was very inspiring to see the showcased artists and collectives perform in their own city, some for the very first time”

Talking about experiencing XP for the first time…

Lindi Delight: At certain times, it felt very emotional and humbling. I had no expectations traveling to Saudi to attend XP, however, I was truly blown away by the nationals. Their generosity and openness and welcoming nature was incredible to experience. Even better, it was amazing to see so many women at the music conference ready to begin the work needed to develop the music industry for themselves, and others, either as artists or music industry professionals. During the night program of the conference, I visited the different stages to discover the local talent performing. It was very inspiring to see the showcased artists and collectives perform in their own city, some for the very first time. I would never have thought that I would ever witness such a music scene in Saudi Arabia in my lifetime, let alone contribute to its growth and development. It was an honour and I’m excited of being part of this year’s programming team.”

The audience believed that they are the drivers of societal change…

Lutz Leichsenring: “The first thing I noticed is the participants’ appreciation and enthusiasm to learn and discuss different aspects of the Impact pillar during our fishbowl sessions.”

Lindi: “After each of the sessions I was involved in, many young women came over to speak with me about what they learned, and how exciting it was for them to see international industry professionals travel to Saudi to share their experiences and insights in efforts to advance the music scene. They were very pleased to know there was room for them in the industry as well – highlighting the importance of equality and empowering stories of female artists.”

“We need to pass down the codes to the youth now, not later”

Education and mentorship are key aspects to have the aspired Impact…

Yassin “Narcy” Alsalman: “We need to pass down the codes to the youth now, not later. This will activate the cultural space in a unique and non-conformist way. Most of the time, in the region, there seems to be a transactional relationship around gatekeeping the industry. We need to break that down and just mentor youth, empower through confidence all while building new, fresh infrastructure and representation outside of the region.”

Jane Slingo: “The developed music world is going through a process of ‘unlearning’ practices and systems that don‘t support a thriving, and sustainable music ecosystem. Impact through XP has a significant opportunity to build this new music ecosystem with diverse representation and support for the mental well-being of creators and workers at the forefront. When the industry has diverse representation and well-supported mental health, the more exciting and respected, the more profitable it is. To achieve this, the focus should be on authentic international exchange, willingness for change, and a commitment to applying the learnings from other countries’ failures to the development of the local industry.”

“XP is evolving and adapting to the topics that are relevant to today’s industry ecosystem”

On the promotion of impact in MENA…

Narcy: “I believe that it could be achieved through regional grant systems like models in parts of Europe and Canada. The youth would benefit from artistic funding, a way to sustain themselves outside of general systems of funding art projects. This would be groundbreaking for the youth in the MENA region.”

Lutz: “I believe that it needs efforts from the top-down and bottom-up to promote Impact.”

Wrapping up the talk with a sneak peek into the XP 2022…

Lindi: “We have created a forward-thinking and diverse program for the next edition of XP that we’re all excited about. This includes a wide range of topics such as sustainability, Web3, the Metaverse, immersive technology, music policies, professionalisation, music production, data collection, and analytics to name a few. XP is evolving and adapting to the topics that are relevant to today’s industry ecosystem – this is what we need for the music scene in Saudi and around the world. We will also be introducing sessions in Arabic to increase the engagement of the local community. We aim to captivate the minds of the audience with thought-provoking insights, and future-proof careers through robust knowledge transfer from regional and international industry experts to existing and aspiring music industry professionals.”

 


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The Great Escape ramps up for ‘historic’ comeback

UK showcase festival and convention The Great Escape (TGE) will return to its in-person format for the first time in two years.

TGE 2022 is set to take place next week (11–14 May) in venues across the seaside city of Brighton, with around 3,500 music industry professionals in attendance.

This year’s edition will showcase 500 emerging artists from all over the world including Baby Queen, Muna, Lynks, Moa Moa, Let’s Eat Grandma and Cassyette.

Running alongside the showcases will be a three-strand conference jointly presented by CMU, which focuses on education, data and video.

“After a two-year absence due to Covid, The Great Escape has been straining at the leash to get back to Brighton to bring the best new music from around the world into the light,” says Rory Bett, CEO of TGE promoter MAMA Festivals.

“Artists have had the gift of time during covid to really engage with their creativity. The 500 stunning bands programmed across 60 indoor venues and outdoor spaces this year, will have some very special and surprising work to perform.”

“Our conference programme seeks to tackle the key issues and questions facing the industry and we will attempt to examine them thoroughly from many different and world authority perspectives. Discovery and networking are always at the heart of TGE and with the current sense of building excitement for the show, mixed with a weather forecast of 21 degrees and a sunny, we plan to come back with a Great Escape for the history books.”

The music + education conference will take place on the first day of the 2022 event, with music educators, music development organisations and the music industry coming together to discuss the best ways to nurture early-career music-makers on and off stage.

“[We’ve] has been straining at the leash to bring the best new music from around the world into the light”

Day two will see the music and data conference, which will put the spotlight on all the ways data now drives success in the music business – from ticketing to marketing and music discovery to streaming.

Finally, the music and video conference will give an overview of how video can be a revenue generator for artists, songwriters and the wider music industry.

CMU and TGE are also presenting a series of keynote in-conversations with guests including music PR legend Barbara Charone, who will be talking through the highlights and key moments of her career in the music industry ahead of the publication of her memoir ‘Access All Areas: A Backstage Pass Through 50 Years Of Music And Culture’.

MP and culture select committee member Kevin Brennan and musician and #BrokenRecord founder Tom Gray will also be in conversation.

Elsewhere, Ed Sheeran’s legal team will be discussing the recent headline-grabbing court battle over the star’s hit ‘Shape Of You’.

Organisers of the event also confirmed Ireland as lead country partner, Music Support as the charity partner and music school BIMM as the education partner.

Delegate passes for TGE are still available and can be bought here.

 


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GEI 14: Brian Eno preaches climate ‘opportunity’

A keynote interview with Brian Eno and Aurora was one of the highlights of the 14th Green Events & Innovations Conference (GEI), the leading gathering for sustainability at live events.

The duo sat down with host Love Ssega to discuss ‘Directing the energy of music for the benefit of the planet’ to close this year’s GEI at the Royal Garden Hotel, London last Friday (29 April).

A renowned musician, producer, visual artist and activist, Eno praised Coldplay’s efforts to cut their carbon footprint on their current groundbreaking eco-friendly stadium tour.

“The biggest carbon footprint of touring is generally getting the audience to the shows,” said Eno. “It isn’t getting the band and the equipment to the shows, it’s the audiences. If you’ve got 100,000 people coming to a show and they’re travelling an average of say 30 or 40 miles, that’s a huge huge number of vehicles.

“So Coldplay, for example, are now trying to set up systems where they set up a coach service. And in fact, it sounds a lot more fun to me to be in a coach with 30 or 40 other people going to the same show.”

“I’ve now started thinking in terms of the climate opportunity, rather than the climate emergency”

Eno recently founded Earth Percent, a charity providing a simple way for the music industry to support impactful organisations addressing the climate emergency, and spoke of his desire to tell a “second story” on the issue.

“We all know the first story: we’re on course for disaster,” he said. “The apocalypse is just around the corner and so on. But I’ve now started thinking in terms of the climate opportunity, rather than the climate emergency, because if you think about all the things we would have to do to save the planet… we have to change the way we do all sorts of things. And then when you think about that, you think that would be a much better world anyway.

“It’s not just about trying to save what we have. It’s about trying to make something new with this huge prompt that says, ‘We’ve got to change.’ And if we succeed, we’ll end up in a better place in a better place than we ever imagined.

“The invitation is not just to fight back like the resistance, against this huge force that is coming at us, but to sidestep it and say, ‘We’ll just build a new future.’ And I think this is happening already.”

“As things start to disappear from culture, people suddenly realise that they’re valuable”

Eno pinpointed the expression, “The best is the enemy of the good,” for its growing pertinence to the matter at hand.

“What I see happening a lot is people saying, ‘Well, I can’t do this thing that would be the ideal, so I won’t do anything.’ That is really not an option,” he said. “There is going to be a continuous, endless set of choices and negotiations where we try to prevent another 0.1% temperature rise. And we will do that because we will soon start to realise what happens if we don’t.

“One of the things that always happens as things start to disappear from culture, is that people suddenly realise that they’re valuable… So I’m hoping that because of the good side of mass media, we might actually be a little bit further ahead of the game this time.

“A heroic figure in this is David Attenborough – nobody has been more effective in making people fall in love with the planet than he has, and I think that’s what it takes for people to realise that this is the place to direct their love. I’m an atheist, but if I were going to pray to anything, it would be this place.”

“We have forgotten how to coexist and make room for everything else but ourselves, which is very sad”

Norwegian pop breakthrough Aurora said: “Apathy is the enemy of progress” and shared the relevance of her single The Woman I Am and LP The Gods We Can Touch, released in January.

“This whole album and song… is very in tune with what we’re here to talk about today: how humankind has changed through times and how the way we perceive each other and the earth, and the way we handle it… and how our touch and connection with nature that used to be so obvious in the past, has become less and less prominent within us,” she said.

“I was just wondering why this had happened, why we’d forgot to live organically as a coexisting thing, because we have forgotten how to coexist and make room for everything else but ourselves, which is very sad. I’m constantly moving in between, ‘Every small change matters,’ but also that, sometimes, small change isn’t enough when you know there’s so much we can do.”

The connection between wellbeing, inclusivity, diversity, equity and environmental sustainability was a recurring theme throughout GEI, which was presented by A Greener Festival (AGF) in partnership with the International Live Music Conference (ILMC).

Representatives from AEG, ASM Global, EarthPercent, Forest Green Rovers, Glastonbury, Music Declares Emergency, OVO Arena Wembley, Roskilde Festival, Royal Albert Hall, SEC, Soul Sutras, We Love Green, UWE and Yourope also appeared at the first green events industry physical get-together in over two years.

 


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Full agenda confirmed for GEI 14

The Green Events & Innovations Conference (GEI) has unveiled the complete agenda for its upcoming 14th edition.

Taking place at the Royal Garden Hotel, London, on Friday 29 April, the leading gathering for sustainability at live events will include an exclusive keynote from Brian Eno in conversation with Aurora and Love Ssega.

Representatives from AEG, ASM Global, EarthPercent, Forest Green Rovers, Glastonbury, Music Declares Emergency, OVO Arena Wembley, Roskilde Festival, Royal Albert Hall, SEC, Soul Sutras, We Love Green, UWE and Yourope are also confirmed to appear at the first green events industry get-together in over two years.

The full schedule can be viewed here. For the first time, an ILMC delegate pass includes full access to this year’s GEI, which takes place during the main conference programme. The event has historically taken place the day before ILMC, but this one-off move will allow all ILMC delegates full access to the whole of GEI.

Key topics of the conference include:

Confirmed speakers include (in alphabetical order); Andy Lenthall (Festival Insights), Aurora, Brian Eno, Chiara Badiali (Julie’s Bicycle), Claire O’Neill (AGF), Dale Vince OBE (Ecotricity/Forest Green Rovers), Danny Newby (Big Green Coach), Dave Ojay (Naam Festival) Dr Vincent Walsh (Herblabism/Future of Food), Dieter Castelein (Greener Power Solutions), Erik Distler (AEG), Fay Milton (Music Declares Emergency), Gina Périer (Lapee), Glenn Lyons (UWE), Gordon Masson (IQ Magazine), Hannah Jukes (Bodyheat Club Ltd.), Helen Taylor (Ecotricity/Forest Green Rovers), Holger Jan Schmidt (YOUROPE, General Secretary), Jane Healy (J Healy Productions), Jennifer Ennis (Scottish Event Campus (SEC)), John Drury (OVO Arena Wembley), John Robb (Louder Than War / Membranes), Kara Djurhuus (Roskilde Festival), Laura van de Voort (Green Events Netherlands), Linnéa Svensson (Green Operations Europe), Love Ssega, Lucy Noble (NAA/Royal Albert Hall), Lyke Poortvliet (Green Events Netherlands), Marcel Arsand (Ball), Marie Sabot (We Love Green), Martin Thim (DTD Group), Mike Walsh (Serenade), Nora Wigand (Ball), Paul McCrudden (OnePlan Events), Sangeeta Pillai (Soul Sutras), Sangeeta Waldron (Serendipity PR & Media), Steve Sayer (The O2 (AEG Europe), Thomas Grunberg (Gaudina).

The 14th edition of GEI is presented by A Greener Festival and ILMC, with the support of Ecotricity, De La Maison and Ball Corporation.

 


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Bulgaria gains first music showcase and conference

Bulgaria is set to gain its first music showcase and conference festival this spring.

Spike is scheduled to take place between 26-28 May in Plovdiv, one of Bulgaria’s most historic cities.

The event will welcome music business delegates from over 12 countries, including the US and Canada.

The content of the conference will cater to executives in artist booking and management, publishing, royalties, and sync licensing, digital technology workshops and equality and diversity in the music industry.

The event was founded by Boyan Robert Pinter of Bulgarian promoter Pan Harmony, who says: “The festival’s primary goal is to create learning and networking opportunities for Bulgarian artists and professionals and to introduce international delegates to Bulgaria’s music scene. This will be done in the spirit of diversity and inclusivity.

“The festival’s primary goal is to introduce international delegates to Bulgaria’s music scene”

“We are very happy that our event will finally go live. When we took our first steps, we received a lot of international support, which gave us the confidence to continue building this platform for local artists and music professionals. We are very grateful to the city of Plovdiv – EU Capital of Culture 2019 – for being our gracious host, providing us with the perfect backdrop to our activities.”

The Spike showcase will take place across several locations on Plovdiv’s main street, including the Temple Bar, Bezistenа, and Rock Bar Download. A special selection of artists will be chosen to perform at the city’s Roman Stadium, downtown, which was built in the 2nd century AD.

“There are many surprises in store for our international delegates, as we’d like to them to experience the wonderful architecture, delicious food, and the hip, laid-back vibe that Plovdiv can offer,” says Pinter.

 


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Mary J Blige unveils Strength of a Woman Festival

Mary J Blige and Pepsi have partnered with Live Nation Urban to launch the Strength of a Woman Festival and Summit in the US.

The inaugural edition will take place in Atlanta, Georgia from 6-8 May, with three days dedicated to music, comedy, and community building. The all-female bill includes performances from the likes of Blige, Chaka Khan, City Girls, Ella Mai, Queen Naija and Kiana Ledé.

Intentionally staged over Mother’s Day weekend, the “multi-touchpoint” event is curated for and by women, with a focus on music, wellness, tech, beauty, and financial literacy.

“The idea for the festival came to us after early listening sessions of my latest album with my family and friends and women in the industry,” says Blige. “Each time, the people in the room would share a story, oftentimes of heartbreak or pain, but they always ended with joy and love and how their girlfriends or mom or sister helped them find their voice and strength. We felt like after two years of being inside and having to endure so much, that this was the type of experience that people, especially women, deserved.

“I’m so grateful to all of the performers, vendors, and participants for committing themselves to our inaugural event and I am so excited to do this in a city that has been rocking with me since the very beginning of my career. I am proud to create this with my sisters and I look forward to an undeniably beautiful and special experience.”

The event is the brainchild of Blige and her partners Nicole Jackson, VP of MJB Inc, and  Ashaunna Ayars of The Ayars Agency, who have assembled a team of women to lead every arm of the festival, from production to communications.

Kicking off the weekend on 6 May is a concert at Tabernacle Atlanta, curated to highlight youth culture and emerging hip-hop and R&B acts such as Kiana Ledé, Emotional Oranges, Inayah, MK XYZ and Omerettá the Great.

“Being able to bring an experience like this to fruition, especially with a dynamic team of Black women at the helm, is a dream come true”

The Strength of a Woman Summit, which will feature workshops and panel discussions, will be held on 7 May at The Gathering Spot ATL, followed by the second concert night at State Farm Arena, hosted by Kenny Burns, with performances by Mary J. Blige and special guests Chaka Khan, City Girls, Ella Mai, and Queen Naija, among others.

The event will culminate with the ticketed Mother’s Day Gospel Brunch at the City Winery on 8 May, which will feature Gospel music artists including Kierra Sheard and Le’Andria Johnson.

“This festival and summit were created for our friends, mothers, sisters, and the countless women who walk unapologetically in their truth and strength,” says Ayars. “Being able to bring an experience like this to fruition, especially with a dynamic team of Black women at the helm, is a dream come true.

“I’ve lived in Atlanta for several years and am thrilled that we’ll be able to give back to a city that has nurtured, supported, and amplified to the global stage so many Black artists and entrepreneurs. We are so grateful for Pepsi’s support in celebrating and honouring women, but also with their commitment via grants for the larger Atlanta creative & entrepreneurial community.”

The festival is the billed as the first of its kind to have women not only as the performing acts, but also as the decision-makers behind the scenes.

“I’m thrilled to present a powerful line-up of all-female talent headlined by, and in partnership with, Mary J Blige for the Inaugural Strength of a Woman Weekend in Atlanta,” says Mari Davies, VP of booking and talent at Live Nation Urban. “Mary’s story and career are so inspirational, relatable, and triumphant. The weekend will showcase and celebrate strong talented women across generations and I’m proud to be a part of such a special weekend! This is for us and by us.”

The festival is also partnering with dozens of local, minority, and female-owned businesses and vendors.

 


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GEI unveils first speakers for 2022 edition

The first speakers have been announced for this year’s Green Events & Innovations Conference (GEI), the leading gathering for sustainability at live events.

Presented by A Greener Festival (AGF) in partnership with the International Live Music Conference (ILMC), the 14th edition of GEI will take place at the Royal Garden Hotel in Kensington, London on Friday 29 April.

For the first time, an ILMC delegate pass includes full access to this year’s GEI, which takes place during the main conference programme. The event has historically taken place the day before ILMC, but this one-off move will allow all ILMC delegates full access to the whole of GEI.

Speakers will include Chiara Badiali (Julie’s Bicycle), Dale Vince OBE (Ecotricity/Forest Green Rovers) Dr Vincent Walsh (Herblabism/Future of Food), Glenn Lyons (UWE), Holger Jan Schmidt (Yourope), John Drury (OVO Arena Wembley), Kara Djurhuus (Roskilde Festival), Lucy Noble (NAA/Royal Albert Hall), Marie Sabot (We Love Green) and Sangeeta Waldron (Serendipity PR & Media).

“The industry at large has woken up and we’re rapidly getting our house in order”

Key topics will include European co-operation in the live music sector, arenas coming back greener with the AGF Greener Arena certification, travel & transport, sustainable food & beverage (and what they are served in), green energy, plus a direct challenge to fundamental industry frameworks and cultures.

“The industry at large has woken up and we’re rapidly getting our house in order,” says AGF CEO Claire O’Neill. “There’s significant work still to go and GEI 14 will be a place to learn from peers and to share the load. We can now confidently step up to our responsibility to use this powerful global voice to millions of people as a positive tool for societal transformation. Never mind rebuilding the self destructive, exclusive and oppressive old ways. Let’s create something that supports and enhances flourishing life for everyone – or else what’s the point?”

The connection between wellbeing, inclusivity, diversity, equity and environmental sustainability will be a recurring theme throughout the conference, which mixes practical case studies, discussion panels and presentations, and facilitates networking to accelerate change. Each year GEI demonstrates the latest solutions and technologies, as well as challenges to be addressed.

GEI 14 is supported by Ecotricity and Ball Corporation. Click here for tickets and more information.

 


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First sessions unveiled for ILMC 34

The first round of sessions for the in-person return of the International Live Music Conference are now live.

ILMC 34 will take place from 26–29 April 2022 at its longstanding home, the Royal Garden Hotel in London, which is reopening in early April following an extensive refurbishment.

Topics high on the agenda include agency, venues and technological innovations as the touring industry bids to step up its recovery from its darkest hour.

On Thursday 28 April, Paradigm’s Tom Schroeder chairs The Agency Business 2022 to examine the changing agency landscape and what it means for clients and promoter partners. He will be joined by a mix of major agency executives and newly independent business owners to analyse the challenges and opportunities facing them in the year ahead.

Also that day, Venue’s Venue: Reconnect & Reopen sees Marie Lindqvist, ASM Global & Olivier Toth, Rockhal/EAA consider what strategies are in place to revive consumer confidence to ensure full houses and busy bars. The discussion will include getting back to business, a common approach to health-and-safety protocols, and new operational models for these vital buildings.

New Technology: Future Frontiers invites 10 innovators to preview the latest technology set to impact the business over the next 12 months. Hosted by Steve Machin (LiveFrom Events), the session will offer a 75-minute tour through virtual meet-and-greets and digital merch, game-changing developments in production, marketing and mobile.

And on Friday 29 April, IQ’s deputy news editor Lisa Henderson hosts Meet the New Bosses: Class of 2022, which asks how can we build back better to ensure that the business remains attractive to future generations, what issues matter most to young professionals, and what challenges face execs rising through the ranks in today’s live music business?

ILMC is unparalleled in its international scope and appeal

Attracting 1,200 of the world’s top live music professionals from over 40 countries, ILMC is unparalleled in its international scope and appeal. This year’s event was pushed back from its traditional early March date, in light of the rising number of Omicron cases and various restrictions across the world.

The 2022 Arthur Awards, which take place as part of ILMC’s ‘Great Indoors’ Gala Dinner, have moved to Thursday 28 April. Hosted by CAA’s Emma Banks, the live music industry’s Oscar-equivalents remain at the Sheraton Park Lane Hotel.

Meanwile, the Green Events & Innovations conference will take place within the main conference programme on Friday 29 April, and the ILMC Production Meeting (IPM) taking place on Tuesday 26 April. IPM is expanding its programming in 2022 to include a day-long tranche of sessions by the Event Safety & Security Summit (E3S).

Further sessions and details of all guest speakers will be announced in the coming weeks. Full information about the conference including schedule, events and partners is at 34.ilmc.com.

 


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Friday round-up: World news in brief 24/12/21

Welcome to IQ‘s weekly round-up of news from around the world. Here, in bite-sized chunks, we present a selection of international stories you may have missed from the last few days…

UNITED KINGDOM:

The UK government has doubled the emergency funding for arts, culture and heritage organisations made available through the Culture Recovery Fund to £60 million. The initial £30m top-up, unveiled earlier this week by chancellor Rishi Sunak as part of a £1 billion support package for hospitality and leisure businesses in response to the impact of the omicron variant, was criticised as “woefully inadequate” by live music trade bodies. The government is also extending the application window by a week until 18 January. “This new funding, alongside the new grants of up to £6,000 we announced earlier this week, will support the sector as we together face this difficult time,” says Sunak. The Music Venue Trust described the development as “very positive news”. “This second measure makes a real difference, providing grassroots music venues with time to submit,” it tweeted.

NETHERLANDS:

European Commission EVP Frans Timmermans will give the opening keynote speech at ESNS 2022. Timmermans, who is responsible for the Green Deal, will dive deeper into taking green steps going forward for the music industry. Other newly announced speakers include Mark Mulligan (MIDiA Research), Colin Benders (Kyteman), Pepijn Lanen (Faberyayo of De Jeugd van Tegenwoordig) Helen Smith (IMPALA), Marta Pallares (Primavera), Codruta Vulcu (ARTmania), Paul Reed (AIF), Christof Huber (Yourope) and Stephan Thanscheidt (FKP Scorpio). The event has moved entirely online from 19–22 January 2022 due to Covid-19. Due to the continued uncertainty, some of the panels and keynotes have been moved to ESNS 2023, including interviews with Sub Pop’s Pavitt & Poneman, Peter Weening (Vera), Matt Schwarz (DreamHaus) and André de Raaff, as well as the country focus on Spain.

UNITED STATES:

ASM Global has appointed Nate Whitman as chief strategy officer. In his new role, Whitman will be tasked with developing new business opportunities, investments and strategic partnerships, as well as new initiatives to deliver revenue growth for the company’s clients. Whitman most recently served as head of strategy and finance for Pac-12’s media division.

UNITED KINGDOM:

Paloma Faith will headline the Glastonbury Abbey Extravaganza concert on Saturday, 6 August, 2022. Also performing will be the Black Dyke Brass Band, with a further special guest still to be announced.

UNITED STATES:

Madison Square Garden Entertainment MSG Entertainment has named seasoned executive David F Byrnes as EVP and CFO, effective January 24. Byrnes will work closely with MSG Entertainment’s executive management team to support the long-term direction of the company. He will provide strategic financial insight on all facets of the business and oversee the firm’s financial matters. MSG Entertainment’s current EVP and CFO, Mark H FitzPatrick, will remain with the company through April 1 to assist with the transition.

AUSTRALIA:
The Lunar Electric music festival, due to be held in Newcastle on 18 December, was cancelled under a public health order. NSW Health said the record number of Covid-19 cases in the region presented too great a risk for the festival to take place.

MEXICO:

House of Vans Mexico City officially opened its doors with performances by Japanese Breakfast, Noa Sainz and Girl Ultra. Molotov and Hot Chip also played headline shows during its opening weekend. Located in Col. San Juan, House of Vans Mexico City is billed as “part skatepark, part music venue, part theatre, part art gallery”, and adds to the brand’s existing hubs in London, UK and Chicago in the US.

 


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