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Becky Ayres promoted to Sound City MD

After six years as chief operating officer, Becky Ayres has been appointed managing director of Sound City.

Ayres, who has been involved with the festival since 2008, succeeds outgoing MD Dave Pichilingi, who will now focus his energies fully on Modern Sky, the Chinese entertainment powerhouse which bought into Sound City in April 2016.

She moves into her new job earlier this summer, and is tasked with leading and growing the Sound City brand, which incorporates the annual Liverpool Sound City festival and Sound City+ conference and several international projects, including Sound City Korea.

“I’m excited to become the MD of Sound City, having been fortunate to work on it since it started and to be part of the creation of many exciting projects along the way,” says Ayres, who became COO in 2012. “Dave has always been very supportive of me and I’m grateful to him and his vision that has led us to where we are now and taken us from Liverpool and out into the whole world.

“I’m humbled that he has put this faith in me, and I’m lucky to work with a fantastic team who will be part of the next stage of the journey.”

“I am absolutely confident that she will guide the company though the next ten years”

Pichilingi adds: “Since we signed our global equity and strategy deal with Modern Sky, I am now more focused on the records, publishing and wider entertainment side of the business. With this in mind I decided it was time to allow someone else to take the lead on Sound City.

“Becky has been with Sound City since the very start of the journey. She knows our brand and core philosophy better than anyone. Sound City has never been scared to take on new challenges and formats, [and] in the safe hands of Becky and our absolutely dedicated team I am absolutely confident that she will guide the company though the next ten years.

“We are a tight-knit family and we will continue to work together across both Sound City and Modern Sky to deliver the best outcomes for artists and business talent from the north [of England], the UK and globally.”

Liverpool Sound City, whose sold-out 10th anniversary in May attracted 7,000 festivalgoers and 2,000 industry delegates, returns to the city’s Baltic Triangle on 3–5 May 2019.

Ayres spoke to IQ last month about Sound City Korea, which she says capitalises on a “voracious” appetite for British music in east Asia.


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‘It’s a natural export market’: Becky Ayres on Sound City Korea

Becky Ayres, COO of international new-music brand Sound City, has spoken of the huge appetite for British music in South Korea, as the deadline approaches for applications for its upcoming fourth Sound City Korea music mission.

Sound City, the UK-based company behind the annual Liverpool Sound City festival and Sound City+ conference, expanded into South Korea in 2015 with backing from Arts Council England and the British Council, taking artists to showcase events MU:CON and Zandari.

While the western world’s growing love of Korean music and culture – the so-called ‘Korean wave’, exemplified by boy bands such as BTS and EXO – is well known, the rise of K-pop in Europe and North America is part of a “two-way” street, says Ayres, with emerging European, especially British, artists also finding a keen audience in South Korea.

“Koreans are really passionate about British music,” she tells IQ. “We’ve had a fantastic reception so far.”

Reflecting on the genesis of Sound City Korea, Ayres says: “It came about over a number of years. We’d had Korean acts at Sound City, the first of which performed at the 2013 edition, sponsored by Samsung. Then, Dave [Pichilingi], our CEO, went over to Korea and was blown away by how incredible the music scene is there – he said it reminded him of Japan in the ’80s and ’90s.”

That thriving music industry, “coupled with mindboggling technology” – Korea was streets ahead of the West when it came to mobile payments and the availability of high-speed internet, for example – “and a voracious appetite for British music”, meant it was a no-brainer to start sending UK artists over, she adds.

“Korea is a great early export opportunity”

Ayres also highlights – as in CD-buying Japan – Koreans’ healthy spend on music as a key attraction for acts wanting to make it is in the east.

“[Korea] is a great early export opportunity,” she continues. “The artists don’t have to be at a very established level – it’s just a really natural market for British music.

“But that doesn’t mean you can find success in the territory without doing a lot of homework first,” she adds. “As with any new market, knowledge of how businesses and infrastructure operate over there, and an understanding of the culture, is vital. Finding the right partner to help facilitate things will make all the difference.”

Ayres is also COO of Modern Sky UK – the British division of Chinese entertainment giant Modern Sky Entertainment, which bought into Sound City in April 2016 – and Sound City working with Modern Sky to take UK artists over to Sounds of the Xity in Beijing next year.

“Sound City has a longstanding relationship with many businesses and artists across Asia now, and our recent partnership with Modern Sky has only helped bolster that and create exciting new opportunities for artists travelling in both directions,” she says.

Applications for Sound City Korea (Zandari/MU:CON) are open until 6pm GMT on 27 July. Click here to apply.

“The bands that have taken part in these festival exchanges in the past have seen great returns,” said Ayres in May. “We look forward to seeing who steps forward this year.”


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