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UK festivals Barn On The Farm, Splendour cancelled

Two of the UK’s best-loved independent festivals, Barn On The Farm and Splendour, have been called off for 2024.

Splendour in Nottingham has been axed due to delays over tendering, according to promoter DHP Family.

DHP said it was told by the city council in May it needed to bid to continue running the 16-year-old event at Wollaton Park but “numerous delays” during the process meant it was now too late to stage Splendour this year.

George Akins, DHP’s managing director, said: “It has been a hugely frustrating time for us. Splendour could have gone ahead had the council heeded our warnings about the timescales required. 2023’s headliners were contracted more than a year in advance and everyone was aware of this.”

Akins said he was “well aware” of the city council’s current financial difficulties, but “some of these delays” pre-dated the announcement that the authority was effectively bankrupt.

He added: “We don’t believe it should have had any effect whatsoever. I would also say that Splendour is a significant income generator, not a cost, for the council.

The council responded: “We said last year that under the council’s new commercial strategy, the event fell into a category where a formal tender process was needed. This was to protect the authority legally, financially and to ensure the festival was achieving best value for the council and the residents of Nottingham.

“The procurement process is complex and has taken longer than we would have liked – this has made the viability of delivering a festival in 2024 very difficult.”

The council said it was “optimistic” that Splendour could return to its longtime home in 2025.

“Barn On The Farm’s recent announcement is a further warning sign of the difficult conditions facing independent festivals”

Barn on the Farm organisers yesterday (25 January) announced that the Gloucester festival – which has booked the likes of Ed Sheeran, Bombay Bicycle Club and Sigrid in its 14-year history – would be postponed until 2025 due to “financial difficulties”.

“As you know we’ve been openly vocal about the difficulties that we, alongside many other festivals, have faced over the last year,” reads a statement from the organisers. “So rather than rush into another season of planning and be on the rocks financially, we feel it’s better for us to use our time this year to focus on planning 2025 and making a huge comeback.”

Barn On The Farm 2025 will take place on 3–6 July at Over Farm, with tickets going on sale soon. Full refunds for the 2024 edition will be available until the end of the year.

“As you know the future of independent festivals [is] uncertain but my god do we need them for new music to survive,” the statement continues. “We hugely appreciate every single one of you who supports us moving forwards.”

John Rostron, Association Of Independent Festivals (AIF) CEO, commented: “Barn On The Farm’s recent announcement is a further warning sign of the difficult conditions facing independent festivals at the moment.

“Festivals are being squeezed by the rise in supply chain costs, and the effects of closures and debt incurred during COVID, meaning they are in a unique, perilous position that threatens the future of almost all but the very biggest operators in the UK.”

Rostron continued: “We again call on the government to expedite a lower VAT rate of 5% on ticket sales for the next three years to create the space for festivals to make it through this severe situation and back to the growth we all enjoyed in outdoor events prior to the pandemic.”

 


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UK fests cancel as industry calls for new fund

As more UK festivals cancel, the live industry has written to prime minister Boris Johnson asking for a ring-fenced portion of the Culture Recovery Fund (CRF) to create a new contingency fund for live events.

The email landed in Johnson’s inbox just hours before the 70,000-capacity Boomtown festival became the latest casualty to cancel due an ongoing lack of insurance for events.

The letter, which is signed by all members of LIVE (Live music Industry, Venues and Entertainment), UK Music, as well as Festival Republic’s Melvin Benn, Live Nation UK & Ireland chairman Denis Desmond, and Kilimanjaro’s Stuart Galbraith, references being “at an impasse” with DCMS and Treasury officials, and emphasises “a complete market failure in the insurance market with regards to the provision of Covid-related cancellation cover”.

“There is simply no better or more efficient way to use CRF funds to drive money through the live music ecosystem”

“…we would like to formally propose that a material portion of the remaining fund is used to create a contingency scheme in order to stimulate economic activity in the summer and beyond. This could work by covering a proportion of an organiser’s costs if they were forced to cancel for Public Health grounds.”

It goes on to say “there is simply no better or more efficient way to use CRF funds to drive money through the live music ecosystem – from artists and venues to technical staff and freelance crew – than to enable people to get people back to work.”

Similar compensation schemes have been announced in Germany (€2.5bn), Austria (€300m), the Netherlands (€300m), Belgium (€60m), Norway (€34m), Denmark (DKK 500m) and Estonia (€6m). But while the UK Government is underwriting the cancellation costs of all forthcoming Events Research Programme pilot shows – to a maximum of £300,000 per event – officials are reticent to agree to a scheme more broadly.

“After almost half a year of campaigning, sadly Covid specific cancellation insurance for events simply does not exist”

Independent festival Boomtown had planned to go ahead this year with a scaled-down event but organisers have said that time has run out to find a solution to ‘the mind-boggling conundrum of putting on a safe and well-run event to the sheer scale, complexity and intricate nature’.

“With less than four months to go until the event, and after almost half a year of collective campaigning to the government, sadly Covid specific cancellation insurance for events simply does not exist at this point in time,” reads a statement on the festival’s website.

“This means anyone putting on an event this year, will be doing so without the safety net of insurance to cover them should Covid prevent them from going ahead in any capacity. For an independent event as large and complex as Boomtown, this means a huge gamble into an 8-figure sum to lose if we were to venture much further forward, and then not be able to go ahead due to Covid.”

“It’s unlikely that we’ll be able to weather the storm of no events happening in 2021”

Anna Wade, communications and strategy director at the Winchester-based festival, has been vocal about the need for government-backed insurance and gave evidence at the Department for Digital, Culture, Media and Sport (DCMS) Select Committee’s inquiry into safeguarding the future of the sector in January.

During the hearing, she said: “It’s unlikely that we’ll be able to weather the storm of no events happening in 2021. Most festival organisers only hold one event and that is the one opportunity in the year. Without that, we don’t have a company essentially.”

Though the festival was awarded £991,000 in the latest round of the CRF, the organisers say “the reality is it represents only a fraction of the costs (under 10%) involved in creating an event to the sheer scale and ambition of Boomtown”.

“The lack of appropriate government backed cancellation insurance, has rendered this year too great a risk”

Boomtown Chapter One: The Gathering will now take place from 10–14 August 2022.

“The cancellation of Boomtown Fair is devastating but not surprising, and further festival cancellations will follow,” says Paul Reed, CEO, Association of Independent Festivals (AIF). “AIF has been warning and providing evidence to the government for over six months on the urgent need for intervention on insurance. It is an enormous risk for any independent festival to commit to upfront, non-refundable costs and very difficult to plan with confidence in the absence of insurance. The average cost of staging an independent festival is over £6m.”

Barn on the Farm, which would have taken place in Gloucestershire between 1–4 July 2021, has also cancelled today as “the potential risk [of going ahead] is too large”.

In a statement on the festival’s website, the organisers write: “Although the government roadmap is running on track, with us falling only 10 days after the end date for restrictions lifting we feel there remains too much uncertainty for us to safely continue this year. This, coupled with the lack of appropriate government backed cancellation insurance, has rendered this year unfortunately too great a risk for us to continue planning in the festival’s current format.”

“The cancellation of Boomtown Fair is devastating but not surprising, and further festival cancellations will follow”

Last week, Shambala, which was slated to celebrate its 20 anniversary from 27–30 August in a secret Northamptonshire location, was called off.

“As a totally independent festival, even with the amazing support you lot have shown us over the last year and the CRF grant we received, without government-backed insurance a last-minute cancellation would risk the very future of Shambala. That’s not a gamble we are willing to take,” reads a statement on the festival’s website.

Whilst we very much hope that the various targets in the roadmap are met and restrictions are lifted in mid-June, there’s still a very real possibility that social distancing measures will still be in place. With this in mind, we’ve been engaged in a somewhat nightmarish game of Tetris over the past few months trying to envisage how Shambala could work. The short answer is, it couldn’t. It just wouldn’t be Shambala.”

“Without government-backed insurance a last-minute cancellation would risk the very future of Shambala”

The festival has decided to “wipe the slate clean” and refund all ticket holds, instead of offering rollovers. However, current ticket holders will have tickets reserved for them to purchase next year before they go on general release.

“For various reasons, and for us to be in the best position to bounce back and be nimble in 2022, we need to manage it this way.”

In lieu of the flagship event, Shambala has introduced ‘Camp Kindling’, a number of creative camping weekends.

Camp Kindling will take place on 23–26 July, 30 July–2 August and 6–9 August 2021. More information will be published on Shambala’s website in due course.

“Considering the lengthy planning cycle of festivals, it is difficult to think anything other than we are being timed out for the summer”

Other UK festivals including Glastonbury, Download, Belladrum, Cornbury Music Festival, Bluedot, Belladrum Tartan Heart Festival, Cambridge Folk Festival and Margate’s Hi-Tide have already called it quits, citing a lack of security for large events.

A recent AIF member survey revealed that 92.5% of respondents do not plan on staging their events without some form of government-backed insurance or indemnity scheme, with the measure being described as vital not optional.

“Considering the lengthy planning cycle of festivals, it is difficult to think anything other than we are being timed out for the summer,” says Reed, AIF.

“Governments across the rest of Europe have already acted to support festivals, sharing the risk with organisers so that they may reopen safely. If this government doesn’t intervene in some way on insurance and back its own roadmap, I’m afraid that, despite the rhetoric, it won’t be a great British summer for events – it will be an extremely selective one despite the clear demand and huge amount of customer confidence that the roadmap has injected.”

 


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