The latest industry news to your inbox.


I'd like to hear about marketing opportunities


I accept IQ Magazine's Terms and Conditions and Privacy Policy

The New Bosses 2022: Kathryn Dryburgh, ATC Live

The 15th edition of IQ Magazine’s New Bosses was published in IQ 114 this month, revealing 20 of the most promising 30-and-unders in the international live music business.

To get to know this year’s cohort a little better, IQ conducted interviews with each one of 2022’s New Bosses, discovering their greatest inspirations and pinpointing the reasons for their success.

Catch up on the previous New Bosess 2022 interview with Jonathan Hou, senior director of talent and touring at Live Nation APAC. The series continues with Kathryn Dryburgh, agent’s assistant at ATC Live in the UK.

Raised in the small town of St. Andrews (Scotland), Dryburgh longed to feel connected with live music, so moved to Glasgow (the UNESCO city of music) for university as soon as she could.

At university she studied commercial music, and she started booking local shows; took on internships at a label and promotions company; and founded a female-centric events company called Queens of Noise – where she took pride in championing a platform for young creatives.

After graduating, she began her career at ATC Live – after a delayed start due to Covid – where she has been for a short 15 months, working with artists including Passenger, The Twilight Sad, The Magnetic Fields, Billie Marten, and Christian Lee Hutson (alongside Colin Keenan).


 You started booking shows when you were at university. How did you learn to do that, and who did you turn to for advice?
It sparked from my first year. I was keen to learn more about Glasgow’s local scene and wanted to get involved with the bands and venues, so took a leap and figured it out as I went. I was 17, from a small seaside town with no live music venues, so to start with it was a guessing game but figured it out as I went along – with advice from friends (who had toured) and lecturers.

Queens of Noise is a great idea. Can you tell us more about it, as well as any other success stories to come out of it?
Queens of Noise is a female-centric, gender-inclusive business based in Glasgow that is striving to tackle gender bias within the music industry. It is a community-focused project and a safe space for anyone looking to work in the music industry.

Founded in 2018, the inaugural event hosted panels, workshops, and showcases over two days. We were blown away by the response, inundated with questions and ideas, people really linked together as a community and many who attended have since achieved huge things – from starting their own project, getting into education, landing placements or full-time positions, and artists gaining large followings (including Swim School, Medicine Cabinet). We’re working on bringing it back now that the pandemic has eased and are super excited to work with some more incredible people.

“I was keen to learn more about Glasgow’s local scene and wanted to get involved with the bands and venues”

If there were only three venues for your artists to play their first shows in, which venues would you want them to be, and why?
Of the one’s I’ve attended, my favourite venues would be The Barrowlands (Glasgow), Metropol (Berlin), and Sneaky Pete’s (Edinburgh). They all have their own unique atmosphere, hold treasured memories for me, and, of course, have hosted outstanding artists throughout the years.

As a New Boss, what one thing would you change to make the live entertainment industry a better place?
Gender and inclusivity has always been a huge focus for me in both my studies and while working in the industry. I’d love to see gender-bias tackled in a real, tangible way, with more female-presenting people better represented and in higher positions across all sectors of the industry.

“Never underestimate the importance of anyone, in any room”

Finding your feet in the industry in the post-pandemic scramble cannot have been easy. Do you have any tips for others when it comes to networking and meeting promoters and other business contacts?
It was a minefield. The pandemic hit the month I handed in my dissertation, and shortly after the government was recommending people in the live sector “retrain.” I was completely devastated and felt lost. Shortly after, I began a Masters in music business, in an attempt to stay connected to the world I had worked so hard to become part of. I would say, never underestimate the importance of anyone, in any room. I have always strived to value everyone I meet, learning from them or giving a helping hand – it’s those connections that will boost you when you need it most.

What would you like to see yourself doing in five years?
I’d love to be an agent in my own right. I’d like to develop a full, diverse, and exciting roster of bands that I can really pour time and energy into growing. I’d be delighted if I could make some real, notable change in regards to gender inclusion and visibility, whether on a localised- or large-scale.

“I’d be delighted if I could make some real, notable change in regards to gender inclusion and visibility”

You’re obviously quite driven and entrepreneurial. How do you pick yourself up when something doesn’t work out as you had hoped?
I have a tendency to always have ideas and often work on several things at once, so when one thing doesn’t work out, there’s always another to chisel away at. I do also take things to heart, so feeling deflated can be difficult. In those moments, lean on the community you build for yourself and take a moment, review, and try something else – failure can lead to great things.

And on the flip side, what’s been your career highlight so far – or is there any show or tour you’re particularly looking forward to in the near future?
I am delighted to be working at ATC Live, and particularly with such talented colleagues. Being paired with Colin (Keenan) has been fantastic, his ethic and roster are a great match for me, so I’m excited about pretty much everything the future holds. So far, I’ve got a few favourite moments. Most recently, going to The Great Escape as an attendee was incredible. The only other year I attended was 2019, as a volunteer. Coming back as a professional was a fantastic feeling.


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

The New Bosses: Introducing the class of 2022

The 15th edition of IQ Magazine‘s New Bosses can now be revealed, highlighting 20 of the most promising 30-and-unders in the international live music business.

New Bosses 2022 inspired the most engaged voting process to date, with hundreds of people taking the time to submit nominations. The final 20 comprises executives working across agencies, promoters, ticketing companies, charities and venues in 12 different countries.

In no particular order, the New Bosses 2022 are:

Benji Fritzenschaft, DreamHaus (DE).
Clara Cullen, Music Venue Trust (UK).
Dan Rais, CAA (CO).
David Nguyen, Rock The People (CZ).
Daytona Häusermann, Gadget ABC (CH).
Grant Hall, ASM Global (US).
James Craigie, Goldenvoice (UK).
Kathryn Dryburgh, ATC Live (UK).
Resi Scheurmann, Konzertbüro Schoneberg (DE).
Seny Kassaye, Fort Agency (CA).
Agustina Cabo, Move Concerts (AR).
Sönke Schal, Karsten Janke Konzertdirektion (DE).
Steel Hanf, Proxy Agency (US).
Steff James, Live Nation (UK).
Stella Scocco, Södra Teatern (SE).
Vegard Storaas, Live Nation (NO).
Lewis Wilde, DICE (UK).
Zoe Williamson, UTA (US).
Jonathan Hou, Live Nation (US).
Maciej Korczak, Follow The Step (PL).

Subscribers can read shortened profiles of each of the 2022 New Bosses in issue 114 of IQ Magazine, which is out now. Full-length Q&As will appear on IQ in the coming days and weeks.

Click here to subscribe to IQ for just £7.99 a month – or check out what you’re missing out on with the limited preview below:


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

Loud and Proud: IQ pride playlist now live

IQ Magazines second annual Pride edition sees the return of the Loud & Proud playlist and feature, for which our agency partners profile some of the most exciting queer acts on their rosters.

13 Artists, ATC Live, CAA, FMLY, Hometown Talent, Progressive Artists, Wasserman Music, and X-ray Touring are among the contributing agencies.

Read about the agencies’ standout queer acts and listen to their key tracks below. Scroll down for the full Loud and Proud playlist.


Eliza Legzdina 
Agent: Darren James-Thomas | FMLY Agency
Eliza Legzdina was picked by NME as one of the highlights at Eurosonic Festival 2022. A queer, London-based, Latvian, R&B “star in the making” (Crack Mag), she performed with Rudimental at Brixton Academy in June and features on one of their forthcoming singles.

Legzdina featured on lau.ra’s track, Blow, which was selected by BBC Radio 1’s Jack Saunders as tune of the week; while her collaboration with the same artist on Wicked also saw her placed on the 6 Music B-List. She has also worked with Idris Elba on the track Fudge.

Other recent shows include supporting Princess Nokia at EartH in London, while festival appearances have seen her take to the stages at Europavox, The Great Escape, and Pride Porto. Later this summer, she is confirmed to perform at Brighton Pride, Manchester Pride, and Latitude Festival.

Jemima Coulter
Agent: Jake Nevens | 13 Artists
Raised on classical music in Hampshire without context for what was popular, 24-year-old Jemima Coulter has developed a sound meticulously their own. Previously having cut their teeth as one-half of the Hailaker project, which has seen co-signs from the likes of Phoebe Bridgers, Novo Amor, and many others, Jemima’s debut album Grace After A Party releases in July via Hand In Hive, boasting an enviable cast of guest appearances from the world of indie music.

Paige Kennedy
Agent: Rob Gibbs | Progressive Artists
Paige Kennedy is an artist and producer from Kent, UK, with an energetic alt-pop sound, drawing on a mix of funk, electronic, and indie. Their recent EP, 4 Degrees, has gained recognition from 6 Music, BBC Introducing, BBC Radio Kent, and Spotify’s Fresh Finds and young & free editorial playlists.

They’ve been gigging regularly in London and Manchester, supporting Peaness and BC Camplight, and have some exciting slots lined up for 2022. Paige also made the top five out of over 3,000 applicants for the Green Man Rising competition 2021, performing at the live-streamed finals. Paige is currently working on new material that will be released later this year.

Jodie Harsh
Agent: Chris Ibbs | CAA
UK cultural icon Jodie Harsh returned with her new single Shock, released 1 July on Warner Records. An irresistible club jam, the track combines rousing vocals and anthemic hooks with a deep, infectious bassline. It follows on from Good Time, an acclaimed release that was crowned BBC Radio 1 Hottest Record in the World by Charlie Hedges.

Kicking off the year with remixes for Kylie Minogue, Years & Years, Sonny Fodera, and most recently Charli XCX & Rina Sawayama, 2022 has been huge for nightlife icon Jodie Harsh. Fresh from supporting Jessie Ware on tour, she is currently in the middle of a hectic festival run with appearances at Creamfields North & South, Elrow, Mighty Hoopla, and Radio 1 Big Weekend, as well as starting residencies alongside Becky Hill at Ibiza Rocks and Danny Howard at Amnesia in Ibiza.

A legendary face of the London club scene, she is currently curating new queer club night Feel It at Omeara alongside Little Gay Brother. Adding another string to her huge bow, Jodie also hosts her own podcast, Life of The Party, with guests on the latest series so far including Joel Corry, Tom Grennan, Fat Tony, The Blessed Madonna, and Jessie Ware.

Lambrini Girls
Agents: Roxane Dumoulin & Suzy Noel | ATC Live
Brighton three-piece Lambrini Girls are: Phoebe (vocals/guitar), Lilly (bass), and Catt (drums). Influenced by Le Tigre and Bikini Kill but served with a tongue-in-cheek style all their own, Lambrini Girls are here to take over the scene, one bottle at a time.

Kerrang! describes them as, “A cornerstone of Brighton’’ queer music scene,” while Gigwise opts for “Raucously untamed, feral punk; a frenetic and fiery blast of thrashy mayhem that takes no shit.”

As for the band themselves, they prefer: “The best band in the world. Imagine your nan is in the boot of your car with a croissant in her mouth and hears Bikini Kill for the first time. That could be you. It will never be us, as we are not Bikini Kill, and we are not your nan. We are Lambrini Girls. Bon appétit.”

Agent: Shaun Faulkner | X-ray Touring
Uninvited formed after vocalist and bassist Taylor-Ray Dillon (she/her) and vocalist and guitarist Gillian Dhlakama (they/them), previously based in Dundee, met as solo acoustic artists. With a little help from Instagram, the pair later became connected with guitarist Bex Young (they/them) and drummer Fiorenza Cocozza (she/her). They officially became Uninvited in August 2020 and joined 7 West Music Management (The Dunts, Spyres, As December Falls, The Roly Mo).

Their latest offering, Behind The Black Door, is yet another defiant single that Uninvited are becoming known for. Their debut single, Tomboy, was an important landmark for the band, who became aware that they themselves could be the change they wanted to see, writing music that pushes the LGBTQ+ conversation into the male-dominated indie atmosphere – a multidimensional reclamation of their early queer experiences in a shimmering indie-pop package.

Although their live career has been affected by Covid and subsequent restrictions, Uninvited made their debut live performance in the summer of 2021, supporting Dead Pony at a sold-out King Tut’s Wah Wah Hut in Glasgow. Their streak of supporting the hottest bands from the Glasgow scene continued as they opened for Baby Strange at SWG3 and Spyres at Stereo.
The band had the honour of playing the Tiny Changes fund-raiser, appearing alongside The Twilight Sad and Carla J. Easton. And, in early 2022, they supported BBC Introducing Scottish Act of the Year winner Bemz and London-based Dream Wife.

Cat Burns
Agent: Alex Hardee | Wasserman Music
Cat Burns is a 21-year-old singer and songwriter from Streatham in London. The former BRIT School student went from busking on the Southbank to mastering TikTok in lockdown, singing a mix of her favourite covers and original music. As a result, she rapidly amassed around half a million followers in just three months and now sits on over 1 million followers on the platform.

Cat is not only an astounding vocal talent but also an incredibly talented songwriter offering acute observations on life and love with a fresh perspective. She draws upon gospel influences, pop inspirations, and a love of guitar-led and indie music, too. She proudly cites Ed Sheeran, India.Arie, and Tori Kelly as a few of her biggest inspirations.

Her highly anticipated EP, Emotionally Unavailable, was released in May, and performance-wise she has supported Mae Muller and Years & Years on tour, while in August she will appear at Boardmasters Festival.

Luna Luna
Agent: Joren Heuvels | Hometown Talent
As one-quarter of Luna Luna, Kaylin Martinez is a 26-year- old artist/musician who lives in Austin, Texas. Since discovering her love for the drums at the age of 11, Kaylin has seen her drum career change many times. She was in a marching band throughout high school, played in worship bands, and even went on to earn a Minor in Music.

After years of playing unfulfilling gigs, Kaylin finally found her perfect fit with Luna Luna. She has played all over the United States and eventually will play around the world. While playing with Luna Luna, Kaylin has been able to establish herself as a professional musician, allowing her to express herself through her first love: music.

Listen to the full Loud and Proud playlist below:


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

IFF 2022 launches with new central hub, agency partners

The eighth edition of the International Festival Forum (IFF), ILMC’s invitation-only event for festivals and bookers, is now live.

More than 800 delegates are expected to attend this year’s gathering of the international music festival business, with many of the world’s leading booking agencies signed up as partners.

Wasserman Music, WME, CAA, UTA, ICM Partners/Primary Talent, ATC Live, X-Ray Touring, One Finiix Live and Earth Agency are among the first to back the 2022 edition and many of whom will present showcases featuring the hottest new talent.

Alongside the showcases, IFF 2022 will offer the usual plethora of networking, showcases, panels, and parties – all taking place between 27 and 29 September in London.

In addition, IFF has announced a new central hub, the Holiday Inn in Camden, which will be transformed into IFF Central for three days.

IFF has announced a new central hub, the Holiday Inn in Camden, which will be transformed into IFF Central

IFF Central will be exclusive to delegates and will host all conference sessions, complimentary delegate lunches, a late-night bar that’s open until the early hours, and ample space for private meetings.

The hotel also features 100 rooms for delegates in a range of categories, which can be booked at the same time as registering your pass. Room rates are discounted for IFF delegates but there’s a limited number available. Click here for more details.

Since launching in 2015, IFF has gained a reputation for showcasing the most talented emerging artists at early stages of their careers, including Idles, Slaves, Loyle Carner, Public Service Broadcasting, Lewis Capaldi and Shame.

Last year, IFF enjoyed a successful return to a physical event, with a programme that featured a double keynote interview with Melvin Benn and Folkert Koopmans.

More details of IFF 2022, including the provisional schedule, will be announced in due course. If you have an idea for a panel topic, speaker or presentation, please email Ruud Berends.

A limited number of super discounted earlybird passes are now available for just £345 (saving £150 on the full rate). Each pass includes access to all sessions and showcases, lunches, dinners, and some drinks. Click here to register.


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

The Lumineers announce ‘climate-positive’ world tour

The Lumineers are partnering with environmental non-profit Reverb to embark on another ‘climate-positive’ tour.

The band’s 60-date Brightside World Tour is due to kick off at the Motorpoint Arena in Nottingham, UK, on 24 February and conclude at Sound on Sound music festival in Bridgeport in Connecticut, US, on 25 September.

Once again, the American folk-rock band is committing to a comprehensive climate action programme via REVERB’s Music Climate Revolution campaign, with aims to reduce their environmental footprint whilst on the road.

The tour will also see the band commit to eliminating more greenhouse gas pollutions than they emit by supporting projects that directly eliminate greenhouse gases.

Founded in 2004, Reverb helps to limit the carbon footprint of tours and educate those within the live touring industry on their consumption habits so that they can make a difference.

The Lumineers will commit to eliminating more greenhouse gas pollutions than they emit

The company has ‘greened’ concerts for the likes of The 1975, P!nk, John Mayer, Shawn Mendes, Maroon 5 and Fleetwood Mac. Future clients include Billie Eilish, Harry Styles and Tame Impala.

The Lumineers previously teamed up with Reverb for their 2020 North American Tour.

The Brightside World Tour is due to visit arenas including the O2 (cap. 21,000) in London, UK, the Wizink Center (16,000) in Madrid, Spain, the MGM Grand Garden Arena (16,800) in Las Vegas, US, and the Crypto.com arena (20,000) in Los Angeles, US.

Special guests throughout the tour will include Caamp, Gregory Alan Isakov, Daniel Rodriguez and James Bay.

The Lumineers managed to get out onto the road for more than 20 shows before the pandemic shut the entire live industry down in 2020. Their run saw stops in Louisville, Toronto, Nashville, Indianapolis, Brooklyn, NY, Detroit and more.

The Lumineers are represented by Joe Atamian at Wasserman Music in North and South America and Australia, and Alex Bruford at ATC Live in Europe, Asia and South Africa.


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

ATC raises £4m+ in IPO

UK-based music company ATC is planning to float on London’s Aquis Stock Exchange next week after raising £4.15 million (€4.86m) in its initial public offer (IPO).

Asset management company Schroders bought almost a 10% stake in the IPO, which was priced at 153p per share, giving the company a market capitalisation of approximately £14.66m on admission, according to Proactive Investors.

ATC (All Things Considered Group Plc) said it will use the money raised to provide additional funds and presence to enable the directors to seek growth across each of the company’s separate divisions.

The company’s divisions include booking agency ATC Live, led by Alex Bruford, which boasts a roster of more than 350 artists including Fontaines D.C, Georgia, Alma, Goat Girl, Mac Demarco, Metronomy and Nick Cave.

“[The new investors] appreciate the scale of the opportunity out there for a holistic artist-focused music group”

ATC Management, meanwhile, represents artists such as Faithless, Jonny Marr and Laura Marling and PJ Harvey.

The company also produces livestream events through subsidiary company Driift, and now also operates in the sync, brand partnerships and promotions sectors through a variety of strategic partnerships.

Headquartered in London, ATC also has offices in Los Angeles and Copenhagen.

Chief executive Adam Driscoll, says: “I am delighted that new investors have bought into our vision, appreciating the scale of the opportunity out there for a holistic artist-focused music group in a rapidly evolving industry.”

“The board and I look forward to welcoming our new institutional and individual shareholders to the group.”


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

UK acts cancel Spanish dates: “Brexit is the next major threat to live music”

ATC Live has warned that Brexit is “the next major threat to live music” after two of the agency’s British acts were forced to pull out of Spain dates due to Brexit-related visa issues.

Earlier this year, 19 out of 27 EU member states reached an agreement with the UK government to award free work visas for 90 days, so that artists and their crew can travel freely during that period.

No such agreement was reached with major touring markets such as Spain and Portugal, as well as Greece, Croatia, Romania, Malta, Cyprus and Bulgaria.

For that reason, ATC-repped acts Squid and Black Country, New Road were each forced to pull out of several Spain dates on their respective European tours due to bureaucratic and financial hurdles.

“Not being able to play territories that are essential for growth is devastating for acts on the up and means a loss of earnings for everyone”

Sarah Joy, ATC Live, agent for Squid, tells IQ they worked hard with dedicated partners in Spain to “make every effort for the band to perform”.

“Unfortunately there were two major hurdles. Firstly, the cost of the visas makes mid-level venue touring untenable with a tour party of this size. Each member and crew would need a working visa and the costs stack up high against budgets.

“Secondly, the increased red tape including passports being submitted to embassies and long wait times for appointments made these dates completely unviable in the timescale.

“We hope with time that this process will be slim-lined and the costs reaccessed. Not being able to play territories that are essential for growth and reaching fans is devastating for artists on the up and means a loss of earnings for everyone involved. Now we are able to operate in the post-pandemic landscape, Brexit is the next major threat to live music.”

“We hope with time that this process will be slim-lined and the costs reaccessed”

Clemence Renaut, ATC Live, agent for Black Country New Road, adds: “We got clear information about the Spanish visa process and costs only recently, and the Spanish dates being right in the middle of the tour, it became too risky to try to get the visas on time, and too expensive for the band.

“It is a real shame for the band, the fans, the promoters and venues, as they were their first headline shows in Spain following their first album release this year, before coming back for Primavera in 2022. Unfortunately, it doesn’t seem feasible to reschedule these shows in the near future because of other commitments, and also because we always try to tour Spain as part of a tour to avoid fly-ins. We all hope for an agreement to be reached very soon!”

Squid would have played in Barcelona (28 October), Madrid (29 October) and Vigo (30 October), while Black Country New Road were due to perform in San Sebastian (29 October), Madrid (30 October) and Barcelona (2 and 3 November).

Barcelona festival Primavera, which has booked both bands for its 2022 event, says that the cost of such cancellations due to visa issues could be “the final blow” for the Spanish market, which is still largely closed due to Covid-19 restrictions.

“The lack of progress to solve this problem is leading us dangerously close to a point of no return”

“We are suffering the cancellation of tours that were already programmed and for which money had already been invested, whilst those tours which should now be closed for next year are still up in the air. In a very delicate climate due to the Covid crisis, with promoters who have been unable to programme for the last two years and bands unable to tour internationally for the same amount of time, these costs could the final blow for an industry on which technical teams, venues and festivals depend, as well as of course the artists from one of the countries with a huge presence on our stages.

“The lack of progress to solve this problem is leading us dangerously close to a point of no return. In the meantime, and respecting the “principle of reciprocity” which was promised by the EU, the Spanish artists and creators have indeed already been granted temporary UK visas for creative / artistic performances, free of charge. In short, if practically the whole European Union has been able to find a solution to this problem, we should be able to do the same in ours. And with the utmost urgency.”

The UK’s Department for Digital, Culture, Media and Sport (DCMS) previously said it is “actively engaging with the remaining EU member states that do not allow visa- and permit-free touring” has made formal approaches to them “to align their arrangements with the UK’s generous rules, which allow touring performers and support staff to come to the UK for up to three months without a visa”.

“We recognise challenges remain around touring, and we are continuing to work closely with the industry,” says DCMS in a statement. “We want to ensure that when Covid-19 restrictions are lifted, touring can resume and our world-leading creative and cultural artists can continue to travel widely, learning their craft, growing their audiences and showing the best of British creativity to the world.”


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

Mayday! The IQ new music playlist is now live

The latest edition of IQ’s new music playlist, featuring a selection of tracks curated by major international booking agencies, is now live, showcasing some of the most exciting talent for May 2021.

Launched last summer, the playlist complements IQ Magazine’s popular New Signings page, which keeps the live industry updated about which new, emerging and re-emerging artists are being signed by agents.

The May playlist features contributions from CAA, ICM Partners, ITB, Paradigm, UTA, ATC Live, WME, Mother Artists and Primary Talent, each of which have picked up to five tracks apiece showcasing some of their hottest touring artists.

Listen to the latest selection using the Spotify playlist below, or click here to catch up on the April playlist first.

Separated by agency office, the full track list for the May playlist is:

CAAStefflon DonCan't Let You Go
CAAJoe PFighting in the Car
CAAMod SunFlames
CAAJonah KagenBroken
ICM PartnersImanbekDancing on Dangerous
ICM PartnersTygapawRun 2 U
ICM PartnersGaidaaLet Me
ICM PartnersTanerelleMama Saturn's Galactica
ICM PartnersCharmaineDouble Dutch
ITBBartleby DelicatePlastic Flowers
ITBCherymKisses on my Cards
ITBHaunt The WoodsElephant
ITBLYRWinter Solstice
ITBThe Slow Readers ClubEverything I Own
ParadigmDom DollaPump the Brakes
ParadigmFred AgainDermot (See Yourself in my Eyes)
ParadigmHenjilaPaper Boy
ParadigmThe ClauseTime Of Our Lives
ParadigmTirzahSend Me
UTAMarthaGunnGiving in
UTAWalk Off the EarthAnthem
UTADirty HoneyGypsy
UTAAyron JonesSpinning Circles
UTAPendulumCome Alive
ATC LiveJuan WautersMonsoon
ATC LivePintyFound it
ATC LiveWu-LuTimes
ATC LiveCrumbBalloon
ATC LiveCassandra JenkinsCrosshairs
WMEOlivia RodrigoDéjà Vu
WMEJ Balvin, KhalidOtra Noche Sin Ti
WMEEric ChurchHeart
WMEKygo Gone are the Days
WMEThomas RhettCountry Again
Mother ArtistsCMATI Don't Really Care For You
Mother ArtistsGrandma's HouseSmall Talk
PrimaryIndigo De SouzaTake Off Ur Pants
PrimaryCookiee KawaiiVibe (If I Back it Up)
PrimaryImanbekRoses (Remix)
PrimaryEnglish TeacherR&B
PrimaryEthan TaschHow are you

Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

ATC Live recruits David ‘Skully’ Sullivan-Kaplan

UK booking agency ATC Live has welcomed David ‘Skully’ Sullivan-Kaplan into the fold.

Skully joins from United Talent Agency (UTA) and brings with him an artist roster that includes Larkin Poe, Steel Pulse, Poliça, Gentleman’s Dub Club, Holding Absence, Hollie Cook, and Lottery Winners.

In addition to nearly two decades’ worth of experience booking headline tours and festivals around the world, he has also secured a range of brand partnerships for his artists with the likes of Chanel, Hermés, Aquascutum, Goose Island and Twitch.

Skully launched his career at The Agency Group in New York and later relocated to London, combining his agency role with life as a touring musician in bands such as Razorlight.

“Agents who excel at the job yet are universally liked and respected are a rare breed,” says Alex Bruford, CEO, ATC Live.

“Agents who excel at the job yet are universally liked and respected are a rare breed”

“Skully is one of the few, and his extensive experience both as an agent and as a touring musician have given him an enviable skill set. Skully’s dedication to both his artists’ careers and his craft as an agent perfectly align with our values at ATC Live, and we are thrilled to welcome him to the company.”

Skully says: “I’m absolutely delighted to be joining the team at ATC Live. It’s been an incredibly tough year for everyone in our business, but with the prospect of live shows returning this felt like the perfect opportunity to partner with such a dynamic, innovative and independent agency. I’m extremely proud to add my clients to such a high-calibre roster, and to join this outstanding team of agents.”

ATC Live currently represents more than 380 artists including Aldous Harding, Black Pumas, Big Thief, Black Midi, Fontaines D.C., Georgia, Julia Jacklin, Japanese Breakfast, The Lumineers, Mac DeMarco, Nick Cave & The Bad Seeds, Passenger, Sleaford Mods, Stella Donnelly, Shame, Snail Mail and Squid.

In October 2020, ATC Live announced a strategic partnership with US agency Arrival Artists to facilitate dynamic global representation for shared artists.


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.

IQ New Music playlist spotlights ILMC 33 showcase artists

The latest edition of IQ’s New Music playlist goes live today, showcasing the exciting new acts, handpicked by major international agencies and music export offices, that are set to perform at this week’s 33rd International Live Music Conference (ILMC).

Launched last summer, the playlist complements IQ Magazine’s popular New Signings page, which keeps the live industry updated about which new, emerging and re-emerging artists are being signed by agents.

The March playlist features contributions from ITB, ATC Live, Paradigm, UTA and Primary Talent, as well as UK Sounds, Hots (Hungarian Oncoming Tunes), Soundczech and Why Portugal, each of which have picked up to 12 tracks apiece showcasing some of their hottest touring artists.

Listen to the latest selection using the Spotify playlist below – or click here to catch up on the February 2021 edition first.

Separated by agency/export office, the full track list for the March playlist is:

ITBBernhoft, The Fashion BruisesLookalike
ITBBernhoftAll My Loving
ITBConradNo God
ITBConrad, Pablo NouvelleLiving For The Weekend
ITBKapil SeshasayeeThe Gharial
ITBKapil SeshasayeeThe Item Girl
ITBMobs, GoldhouseBig World (Goldhouse Remix)
ITBMobsSay Anything
ITBNature TVHometown
ITBNature TVOnly One
ITBNicole Slack Jones, Guéna LG I Am Free (Acoustic by Johan Czerneski)
ITBNicole Slack Jones, Guéna LG Give You My All (Acoustic by Johan Czerneski)
ATC LIVEFenne LilyTop to Toe
ATC LIVEFenne LilyFor a While
ATC LIVELos BitchosThe Link Is About to Die
ATC LIVELos BitchosPista (Great Start)
ATC LIVEPillow QueensHowDoILook
ATC LIVEPillow QueensGay Girls
ATC LIVERueben JamesSo Cool
ATC LIVERueben James, Col3traneMy Line
ATC LIVEThe Goa ExpressBe My Friend
ATC LIVEThe Goa ExpressThe Day
ParadigmRole ModelBlind
ParadigmRole ModelMinimal
ParadigmRitt MomneyPut Your Records On
ParadigmRitt MomneySomething, in General
ParadigmBartees StrangeBoomer
ParadigmBartees StrangeMustang
ParadigmTV PriestPress Gang
ParadigmTV PriestDecoration
ParadigmJP Saxe, Julia MichaelsIf The World Was Ending
ParadigmJP SaxeHey Stupid, I Love You
ParadigmChristyDancing With Air
ParadigmChristyOn My Mind
ParadigmUpsahlPeople I Don't Like
UTANubya GarciaThe Message Continues
UTANubya GarciaLost Kingdoms
UTAPeach Tree RascalsMariposa
UTAPeach Tree RascalsMango
UTASkullcrusherSong for Nick Drake
Primary Talent InternationalBVDLVD, Lil DarkiePunk!
Primary Talent InternationalBVDLVDAdderall
Primary Talent InternationalDeema, David ArmadaHash Brown
Primary Talent InternationalDeema, Kish!Maddie
Primary Talent InternationalJoesef, Loyle CarnerI Wonder Why
Primary Talent InternationalJoesefThe Sun Is Up Forever
Primary Talent InternationalKaty KirbyJuniper
Primary Talent InternationalLouisahhhChaos - Wax Wings Remix
Primary Talent InternationalMiloeWinona
UK SoundsCherymAbigail
UK SoundsCherymWeird Ones
UK SoundsGengahrBefore Sunrise
UK SoundsLady NadeAin't One Thing
UK SoundsLady NadeComplicated
UK SoundsTrueMendousHmmm
UK SoundsTrueMendousThat Don't Mean
UK SoundsDead Pony23, Never Me
UK SoundsDead PonySharp Tongues
UK SoundsHMS MorrisPoetry
UK SoundsHMS MorrisBabanod
UK SoundsElles BaileyMedicine Man - Acoustic
UK SoundsElles BaileyWhat's the Matter with You
HOTSBabé SilaHole
HOTSBabé SilaMoonlight
HOTSJazzbois, Kid AbsraktLive & Direct - Live
HOTSWun Two, JazzboisInterloop
HOTSPlaton KarataevThe Season of Singing
HOTSPlaton KarataevElevator
HOTSThe Devil's TradeDead Sister
HOTSThe Devil's TradeThe Iron Peak
SoundczechLambdaSpace Express
SoundczechLazer VikingWaiting for the End of the End of the End
SoundczechLazer VikingEveryone But U
SoundczechPlease the TreesMissing Feeling Nothing
SoundczechPlease the TreesA Song Is It's Own World
SoundczechTeepeeNo Reason
SoundczechTeepeeParallel World
WHY PortugalWhalesBig Pulse Waves
WHY PortugalWhalesGhost
WHY PortugalLina, Raül RefreeMedo
WHY PortugalLina, Raül RefreeCuidei que tinha morrido
WHY PortugalSurmaMaasai
WHY PortugalSurmaHemma
WHY PortugalDream PeoplePeople Think
WHY PortugalDream PeopleCaroline

The full ILMC showcase schedule is available from the ILMC 33 website.

ILMC 33 takes place this week, from 3 to 5 March. A limited number of tickets are still available – click here for more information.


Get more stories like this in your inbox by signing up for IQ Index, IQ’s free email digest of essential live music industry news.