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ATC-repped Squid and Black Country, New Road are some of the first UK acts to pull Spanish dates from a European tour due to Brexit-related visa difficulties
By IQ on 24 Sep 2021
ATC Live has warned that Brexit is “the next major threat to live music” after two of the agency’s British acts were forced to pull out of Spain dates due to Brexit-related visa issues.
Earlier this year, 19 out of 27 EU member states reached an agreement with the UK government to award free work visas for 90 days, so that artists and their crew can travel freely during that period.
No such agreement was reached with major touring markets such as Spain and Portugal, as well as Greece, Croatia, Romania, Malta, Cyprus and Bulgaria.
For that reason, ATC-repped acts Squid and Black Country, New Road were each forced to pull out of several Spain dates on their respective European tours due to bureaucratic and financial hurdles.
“Not being able to play territories that are essential for growth is devastating for acts on the up and means a loss of earnings for everyone”
Sarah Joy, ATC Live, agent for Squid, tells IQ they worked hard with dedicated partners in Spain to “make every effort for the band to perform”.
“Unfortunately there were two major hurdles. Firstly, the cost of the visas makes mid-level venue touring untenable with a tour party of this size. Each member and crew would need a working visa and the costs stack up high against budgets.
“Secondly, the increased red tape including passports being submitted to embassies and long wait times for appointments made these dates completely unviable in the timescale.
“We hope with time that this process will be slim-lined and the costs reaccessed. Not being able to play territories that are essential for growth and reaching fans is devastating for artists on the up and means a loss of earnings for everyone involved. Now we are able to operate in the post-pandemic landscape, Brexit is the next major threat to live music.”
“We hope with time that this process will be slim-lined and the costs reaccessed”
Clemence Renaut, ATC Live, agent for Black Country New Road, adds: “We got clear information about the Spanish visa process and costs only recently, and the Spanish dates being right in the middle of the tour, it became too risky to try to get the visas on time, and too expensive for the band.
“It is a real shame for the band, the fans, the promoters and venues, as they were their first headline shows in Spain following their first album release this year, before coming back for Primavera in 2022. Unfortunately, it doesn’t seem feasible to reschedule these shows in the near future because of other commitments, and also because we always try to tour Spain as part of a tour to avoid fly-ins. We all hope for an agreement to be reached very soon!”
Squid would have played in Barcelona (28 October), Madrid (29 October) and Vigo (30 October), while Black Country New Road were due to perform in San Sebastian (29 October), Madrid (30 October) and Barcelona (2 and 3 November).
Barcelona festival Primavera, which has booked both bands for its 2022 event, says that the cost of such cancellations due to visa issues could be “the final blow” for the Spanish market, which is still largely closed due to Covid-19 restrictions.
“The lack of progress to solve this problem is leading us dangerously close to a point of no return”
“We are suffering the cancellation of tours that were already programmed and for which money had already been invested, whilst those tours which should now be closed for next year are still up in the air. In a very delicate climate due to the Covid crisis, with promoters who have been unable to programme for the last two years and bands unable to tour internationally for the same amount of time, these costs could the final blow for an industry on which technical teams, venues and festivals depend, as well as of course the artists from one of the countries with a huge presence on our stages.
“The lack of progress to solve this problem is leading us dangerously close to a point of no return. In the meantime, and respecting the “principle of reciprocity” which was promised by the EU, the Spanish artists and creators have indeed already been granted temporary UK visas for creative / artistic performances, free of charge. In short, if practically the whole European Union has been able to find a solution to this problem, we should be able to do the same in ours. And with the utmost urgency.”
The UK’s Department for Digital, Culture, Media and Sport (DCMS) previously said it is “actively engaging with the remaining EU member states that do not allow visa- and permit-free touring” has made formal approaches to them “to align their arrangements with the UK’s generous rules, which allow touring performers and support staff to come to the UK for up to three months without a visa”.
“We recognise challenges remain around touring, and we are continuing to work closely with the industry,” says DCMS in a statement. “We want to ensure that when Covid-19 restrictions are lifted, touring can resume and our world-leading creative and cultural artists can continue to travel widely, learning their craft, growing their audiences and showing the best of British creativity to the world.”
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