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The New Bosses 2021: Anna Parry, The O2

Kicking off a series of interviews with the 2021 New Bosses, IQ speaks to Anna Parry, programming manager at the O2, London

By IQ on 06 Sep 2021

Anna Parry, the O2

Anna Parry, the O2


The New Bosses 2021 – the latest edition of IQ’s annual celebration of the brightest young talent in the live business today, as voted for by their peers – was published in IQ 103 this month, revealing the 12 promising promoters, bookers, agents, entrepreneurs that make up this year’s list.

To get to know this year’s cohort a little better, IQ conducted interviews with each one of 2021’s New Bosses, discovering their greatest inspirations and pinpointing the reasons for their success.

The first 2021 New Bosses interview is with Anna Parry, programming manager at the O2, London.

Born in Calgary, Canada, Parry travelled to Spain to study global entertainment and music business at Berklee College of Music in Valencia. With an independent promoter as a father, she grew up in backstage corridors and tour buses and quickly learned the ropes of the live business as a production runner, tour manager, logistics coordinator, and promoter rep.

Her move to London initially involved an internship at UTA, while also running the events programme for she.grows, the mentorship programme for shesaid.so. Parry joined the programming team at the O2 in 2018 and now works with some of the biggest artists in the world.


What’s been the highlight of your career so far?
There are two: seeing Paul McCartney at the O2. My dad [Jeff Parry of Jeff Parry Productions] became a promoter because of his love for the Beatles and seeing him perform in my place of work was a full-circle moment for me; and I’m currently working on a project with Prince’s estate to honour his 21-night legacy at The O2. It’s a surreal feeling to be working with one of the most influential teams in the business.

You spent part of the lockdown back in Canada, what challenges did that present in your working day?
Well, the obvious one would be the time difference, but luckily I was in Canada during the months of January and February which was a quiet time for the O2. My team are also extremely supportive and allowed for somewhat flexible working hours. Generally, I think that January and February were a hard time for everyone and it was difficult being so far from my team but I was very fortunate to be able to spend the time with my family.

“What is really going to make a difference [to the live music industry] is diversity in the top positions”

As a new boss, what one thing would you change to make the live music industry a better place?
A more diverse recruitment process. We need to see diversity in every level of organisations, ensuring equal opportunities for people to get their foot in the door and a framework for them to progress. What is really going to make a difference is diversity in the top positions.

Tell us a bit about your work with she.grows/she said.so.
I came across shesaid.so when I was a promoter rep in my hometown of Calgary, and I was working with the only female promoter in the area who told me about the incredible community. She then said her biggest regret was not moving internationally and that’s when I started thinking about the opportunity the industry provided in a global context. It then all came full circle for me when I was able to act as the events manager for the she.grows mentorship programme in London, and was introduced to a plethora of inspiring women.

You’ve travelled thousands of miles to study and find work, what advice would you give to anyone trying to break into the business?
Never give up, and never take no for an answer. The door is never fully closed, you just need to find a new way to open it.

“It is a very exciting time as we get to reinvent a lot of processes”

Where do you see yourself in five years?
I am fortunate to work for a global company in AEG with a stream of creative people where opportunities feel limitless so it is hard to say, but I am very happy at the O2 and feel like we have a lot of catching up to do after the past 18 months!

What’s the biggest challenge for you and the O2 team now that the business is emerging from lockdown restrictions?
Re-engaging the workforce. As a company we have gone through a lot of changes and have a lot of new processes in place. Re-entrance anxiety is a real issue, and as it stands, 2022 is projected to be our busiest year ever at the O2 and we need to ensure that, after over 500 days of no events, people will be well equipped and feel comfortable getting back at it.

With that said it is also a very exciting time as we get to reinvent a lot of processes and I think we have all learned a lot during lockdown and have an even further appreciation for what we do and why we do it.

 


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