Spanish association MIM, which advocates for women in the music industry, is the latest to be recognised, joining previous winners Barry Dickins and Roskilde Festival
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While restrictions hamper shows around the world, export office SoundCzech is taking advantage of the biz’s desire to get up and running by promoting its homegrown talent
By Adam Woods on 23 Oct 2020
If you could take Czech music back to a more hopeful moment than the present one, it might be worth heading to January 2019, when the nation, alongside its former other half Slovakia, was part of the first-ever dual-country focus at Eurosonic Noorderslag (ESNS).
In a snapshot of a diverse, ambitious scene, 11 Czech acts travelled to Groningen, including internationally noted pop favourite Lenny, London-raised female rapper Hellwana, shoegazing indie-rockers Manon Meurt, UK/Czech electronic alliance Floex and Tom Hodge and well-travelled Glastonbury and Sziget veterans Mydy Rabycad.
“It was nice, and I think it was good for the scene,” says Márton Náray, director of Czech music export office SoundCzech. “We did that in collaboration with Pohoda festival in Slovakia, and that was fantastic – Michal Kašcák is one of the legends of live music. We got into a situation where we were brainstorming to do more than a simple country focus, and I think we inspired each other.”
The exposure from ESNS and surrounding events was still in the process of bearing fruit when the current crisis struck. But while the touring world has hit pause, the Czech Republic holds a strong hand in terms of talent these days.
Many of the ESNS delegation (which also included one-woman musical sensation Bohemian Cristal Instrument, Baltic party band the Circus Brothers, bagpipe-toting punks Pipes and Pints, acoustic troubadour Thom Artway, the self-descriptive Lazer Viking, and cinematic jazzers Zabelov Group) had begun to make international inroads at club- and festival-level and were demonstrably building momentum.
There is no shortage of homegrown, locally loved talent
“To be honest, my realistic expectation is never to get [a band] to the headline billing, because that’s not realistic for the Czech Republic,” says Náray. “It’s about, in a few years, having a lot of bands that are genuinely going out onto the European club circuit. There are several like that,” he adds, mentioning Mydy Rabycad, the Circus Brothers, Floex and Manon Meurt, as well as the currently resting Pipes and Pints, “but that’s the level we would love to raise [to].”
Talent-wise, the Czech Republic is in a similar position to many non-English-speaking territories. There is no shortage of homegrown, locally loved talent, from long-running funkers Monkey Business to newly reformed ’90s legends Lucie. But to break across borders requires rare luck, as well as a delicate balance of international appeal and something unique.
“It’s the usual problem,” says Paul Elsasser of London-based, European-focused Minimal Surface, whose artists include edgy Czech solo prospect Giudi. “If you want to make it big in a country, you have to sing in their language.”
Numerous Czech bands have taken that advice to heart…
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