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Nick Cave, Niall Horan, Amy MacDonald and Marillion are some of the acts that are fundraising and lobbying support for live events technicians
By IQ on 16 Oct 2020
A number of artists including Nick Cave, Niall Horan, Amy MacDonald, and Marillion, are rallying support for live events technicians who have been financially impacted by the pandemic through fundraising events and memorabilia donations.
Solo artist and ex-One Direction member Niall Horan recently announced a one-off livestream show at London’s Royal Albert Hall on 7 November to raise money and awareness for his touring crew.
Amy MacDonald is launching her new album with a socially-distanced show and interview at The Mildmay Club in London, with proceeds going towards the #WeMakeEvents campaign. The event, titled An Evening With Amy MacDonald, will take place on 1 November and be livestreamed from 7 pm GMT.
Elsewhere, 80s rock band Marillion has already raised over £30,000 from the virtual tip jar at their Couch Convention weekend, which they split equally between their 10-man crew.
“That’s just the tip of the iceberg,” says Andy Lenthall, general manager at PSA, the live production trade association which also runs Stagehand, a live production hardship fund. “There is so much goodwill towards crew that people don’t know about,” he tells IQ.
“It is an ecosystem and artists appreciate they need crew to amplify, magnify and illuminate the shows”
“People say, ‘Why can’t the artists pay?’. Well some of them can, and some of them are, and some of them can’t. It’s about what we can do, not what we can’t do. Artists at the top of the pile work with the same crew a lot and many are supporting them,” he maintains. “It is an ecosystem and artists appreciate they need crew to amplify, magnify and illuminate the shows.”
Lenthall says Stagehand has received many anonymous contributions from artists, in the form of cash and memorabilia. Most recently Nick Cave donated one of his guitars for an upcoming memorabilia raffle, organised by the association.
The raffle, along with Stagehand’s ‘tip the crew’ concept, is part of the fund’s longtail business model based on fan engagement. “Fanbases are where we hope to make lots of small bits,” says Lenthall.
Stagehand has also received donations from companies such as PPL, BPI and Sony – though Lenthall maintains that the fund is a long-term project and will require several different initiatives to raise the money needed.
“It’s about what we can do, not what we can’t do”
“We all know it’s going to take a while for the industry to restart so we need to raise a seven-figure sum and it needs to last around six months,” he says.
The Stagehand fund opened for applications yesterday (15 October) and is initially awarding grants of £500 to help with “keeping a roof over heads and food on the table”.
“Houses are on the market and it’s the beginning of the sofa-surfing season for some people. We’ve opened the fund now because at the end of October rent arrears will be due and the mortgage holiday is over. People will have accumulated a lot of debt over the summer,” Lenthall explains.
However, he’s confident that now some companies have been saved through packages such as the Culture Recovery Fund, attention is turning to crew.
“We need to focus on retaining people. Crew are tenacious, hardworking and diligent. We don’t want to lose them.”
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