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ESNS 2021 to go ahead in hybrid format

January's Eurosonic Noorderslag will include an "accessible digital edition" for those unable to make the journey to Groningen

By IQ on 17 Sep 2020

ESNS 2021

image © Bart Heemskerk

Dutch conference and showcase festival Eurosonic Noorderslag (ESNS) will go ahead in a part-virtual, part-physical format next January.

Taking place in Groningen from 13 to 16 January, the in-person aspect of ESNS 2021 – the event’s 35th edition – will be “widely supported in a digital form”, including both the conference programming and showcases, say organisers.

All parts of the programme will be “organised with the safety of visitors, delegates and artists as the highest priority”, they add.

Eurosonic creative director Robert Meijerink comments: “There’s all the more reason to get together again in Groningen in January 2021 and to review and anticipate the future. It is precisely these uncertain times that call for an opportunity to open the dialogue, to support and inspire, to learn from each other and, ultimately, to regain trust for hopeful times ahead.

“Last but not least, ESNS wants to organise an event that does justice to its mission: stimulating and promoting the circulation of new European music. The necessity has never been so great.”

“There’s all the more reason to get together again in Groningen in January 2021”

ESNS 2021 will be preceded by European Music Week, a new digital platform showcasing the best new European music. Whereas ESNS has previous chosen focus countries, the 2021 event will focus on Europe as a whole.

“The music sector has been hit hard. But we feel strengthened by the hundreds of music professionals from home and abroad who have still bought a registration for ESNS 2021 in recent months, despite the restrictions imposed by the pandemic,” says ESNS director Dago Houben. “We feel that as a call from the sector”

Tickets for Eurosonic Noorderslag 2021 will go on sale “as soon as possible”, say organisers, and will available at a substantial discount compared to previous years: €195 for a full conference ticket, or €50 for digital only.

“[W]e receive tremendous support from a large number of partners, not to mention the authorities who indirectly supported us to let us do what we are good at: stimulate the circulation of European music. This extra support gives us the opportunity to drastically reduce the price of our event to make it as accessible as possible for everyone,” continues Houben.

“We are developing an accessible digital edition for people who are not yet allowed, or who are otherwise not able, to travel.”


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