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Isle of Wight Festival and Solo Agency's John Giddings, OpenAir St. Gallen's Christof Huber and Lolla Berlin's Fruzsina Szép share tales of their industry breakthroughs
By IQ on 22 Oct 2019
Hard work, knowing the right people and a slice of good luck can all play a part in getting a proper footing on the career ladder. IQ puts some more ILMC regulars in the spotlight and asks them to share their breakthrough moments…
John Giddings, Solo Agency
When I was about 14 years old, a mate at school persuaded me to learn to play bass guitar, with the promise that we would pull chicks. I had to borrow a bass because I could not afford to buy one and that’s why, to this day, I play bass guitar with a right-handed guitar, upside down, because I’m left handed.
We were at a gig and we were playing ‘The Nile Song’ from Pink Floyd’s More album and this punk came up to the stage and said, “If you don’t stop playing, now, then I’m going to fucking hit you!”
That was the end of my career as a musician, but I knew I wanted to be part of the live music thing, even if I was not capable of being onstage.
In those days, we just used to listen to LPs on our own in our bedroom, but I remember going to Isle of Wight Festival and walking over the top of the hill to see 600,000 other people who liked the same music as me – it was like going on a pilgrimage. And that was that – I was hooked.
Going to Isle of Wight Festival was like going on a pilgrimage – I was hooked
When I was around 15, I knew that I wanted to work in music and organise events. I even wrote business plans about my future virtual company. After my apprenticeship, I looked around for job options, but at that time there were very few in the Swiss market and I couldn’t find a way in. I never lost that focus, but I had to work in several other jobs, including as a bookkeeper in real estate in 1992. Hell!
Out of the blue, a former work colleague called me to tell me that she was working for OpenAir St. Gallen, as the assistant for the festival director but was going to leave. As I was so persistent in telling her about my vision, she suggested I put myself forward for the job interview. This was my chance!
I went to the interview and tried to convince them that there was only one person who would be perfect to do the job. They asked me for some time as they had other candidates, but due to a timeline in my other job, I needed a quick answer. They had me complete some tests and I convinced them that I would do everything to make my dream come true. And they finally offered me the job.
I remember as I drove home that I looked at other people and felt so lucky to have achieved my dream.
I started in 1993, was able to take over the event company a few years later and work with wepromote Switzerland on a national level for many festivals and concerts.
In addition, for the past 20 years, I have been part of the European festival family of Yourope where I’ve made so many close friends.
Thank you, Lisa and Andreas, for having given me this opportunity.
I remember as I drove home that I looked at other people and felt so lucky to have achieved my dream
Fruzsina Szép, Lollapalooza Berlin
Since childhood I had always been very passionate and enthusiastic about arts and music and creating and organising things. Watching the happy faces during a festival is “my fuel“ and has kept me going for so many years in the industry, despite the gigantic workload many of us deal with day to day.
In 2008, I was offered the position of programme and artistic director for Sziget Festival in Budapest. I was 30 and I thought ‘Oh my God!’ – this coat is really not my size. My size is S/M and that coat felt XXL.
But I listened to my inner voice. I knew that if I didn’t try, I would never know if I was capable. I can always fail, I told myself, but only after trying.
I’m so extremely happy that I was wise enough to listen to my inner voice, to have the support of my family, and to believe in myself.
If Elon Musk asked me to organise the first festival on Mars, I’d be up for the job
I’m so thankful for having gained such an enormous amount of experience in those seven years working at Sziget. Without which, I could have never taken the next huge challenge and worn the even bigger coat known as Lollapalooza Berlin.
Moving the Lolla festival site four years in a row allowed me to learn so much and overcome so many challenges. I must say that I’m very thankful for these experiences because now, if Elon Musk asked me to organise the first festival on Mars, I’d be up for the job.
I’m so grateful to have been able to work in such an amazing industry, to have colleagues from whom I can learn day by day, and to be part of an international festival family with like-minded humans that are rocking their own festivals every summer.
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