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Former Mojo boss Ramakers receives Dutch royal award

Leon Ramaker, former director of Live Nation’s Dutch operation Mojo Concerts, has been honoured by the Dutch government for his commitment to the music industry

By Anna Grace on 28 Mar 2019

Leon Ramakers, Mojo Concerts

Leon Ramakers


image © Mojo Concerts

Leon Ramakers, the former, long-term director of Mojo Concerts, been made an officer of the Order of Orange Nassau for his contributions to the live music industry from deputy mayor of Amsterdam, Touria Meliani.

Ramakers received the royal award for “his major contribution to the cultural sector” and, in particular, for his efforts in promoting and developing “international pop music in the Netherlands” as part of Mojo Concerts, which celebrated its 50th anniversary last year.

The award also recognised the support Ramakers offered to start-ups in the music industry and across the cultural sector. The ex-Mojo chief has also held various administrative and supervisory positions within the Dutch cultural landscape, including in architecture and in publishing.

In 1970, Ramakers met Mojo co-founder Berry Visser when buying tickets for a Led Zeppelin concert. Shortly after, the pair put on Holland Pop Festival, one of the first multi-day rock festivals in Holland. The event was headlined by Pink Floyd and featured performances form the Byrds, T. Rex and Santana.

Ramakers received the royal award for his efforts in promoting and developing “international pop music in the Netherlands”

Mojo was also responsible for the Netherlands’ first-ever stadium concert in 1978, putting on a Eric Clapton and Bob Dylan show at the Feijenoord stadium in Rotterdam (then 69,000-cap.).

Ramakers was instrumental in the setting up of Amsterdam venues AFAS Live (6,000-cap.), formerly the Heineken Music Hall, and the Ziggo Dome (17,000-cap.).

The former Mojo director received a Golden Harp at the Buma Awards earlier this month, alongside Pinkpop festival founder Jan Smeets. The judges commented on Ramakers’ contribution to the professionalisation of the concert industry and his influence on the talent development of various bands and artists.

 


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