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Following a period of Cisac-guided reforms, the Indian Performing Right Society has been welcomed back into the international fold
By IQ on 15 Jan 2019
India’s performance rights organisation, the Indian Performing Right Society (IPRS), has been readmitted to international authors’ rights association Cisac as an associate member after two years of reform.
IPRS was temporarily expelled from Cisac (International Confederation of Societies of Authors and Composers) in 2016 after a compliance review found “serious shortcomings and lack of compliance with Cisac’s rules”, according to the organisation, which represents 239 collection societies and performing rights organisations in 122 countries.
That decision, taken by Cisac’s board and general assembly, has now been reversed following “major reforms” in corporate governance, transparency, licensing, collections and distribution of royalties.
The society has also been re-granted registration under India’s copyright law by the Indian government.
“We are delighted to have IPRS back in our global network, following extensive reforms”
Cisac director-general Gadi Oron says: “India is an important market with a huge potential for creators and the creative industries. We are delighted to have IPRS back in our global network, following extensive reforms conducted at the society with Cisac’s support and guidance.
“Cisac’s best practice rules ensure high standards and mutual trust among our member societies and, as the India case shows, they also act as a lever for positive reforms where needed.”
“This homecoming is the occasion to acknowledge the decisive support received from the government of India when all hope was lost, as well as the unsparing assistance from and support of Cisac towards transparency and a compliant IPRS, for which the creative community will be forever grateful,” adds IPRS chairman, and former Cisac vice-president, Javed Akhtar. “Now we must look to the future.
“I want to assure all those who entrust their copyrights to the ‘new IPRS’ of our determination to become, in the shortest possible time, a world-class society, accurately tracking and monetising all usage of their musical works in the country.”
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