The Garage in Highbury and The Borderline in Soho, previously owned by the MAMA Group, will both be refurbished as Nottingham-based DHP expands its London footprint
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Veteran venue and festival booker Matthew Cook will oversee music programming at the Garage, Borderline, Oslo and Thousand Island
By IQ on 20 Nov 2017
DHP Family has appointed Matthew Cook venue programmer for its venues in London: Oslo (350-cap.) in Hackney, the Garage (600-cap.) and Thousand Island (100-cap.) in Islington and Borderline (300-cap.) in Soho.
Cook, who has previously worked with The Great Escape festival, Brighton Dome/Festival, Warwick Arts Centre, promoter Soundcrash and London venues Barbican, Southbank Centre, Roundhouse, Hackney Empire and House of Vans, will lead music programming at the four venues, as well as building on relationships with sponsors and non-music events.
“I’m very excited to join the team at DHP and programming four of London’s best live music venues, he comments. “I first came into contact with the DHP team a few years ago when we presented Bonnie Prince Billie at Hackney Empire. They were a pleasure to work with and it was a phenomenal show.
“I am especially grateful for the opportunity to contribute to London’s live music scene at such a crucial time”
“I’m looking forward to steering the programme of such iconic and diverse venues as Oslo, the Garage, Thousand Island and Borderline, and am especially grateful for the opportunity to contribute to London’s live music scene at such a crucial time. Music is London’s lifeblood and these venues play a key role in sustaining a healthy live music scene in the capital.”
Oslo, Nottingham-based DHP’s first London venue, opened in 2014, with the company acquiring the Garage and Borderline, both of which have since been significantly refurbished, from Live Nation last May. Thousand Island, meanwhile, was announced in December as a new space adjacent to the main room of the redesigned Garage.
Borderline reopened in March, with DHP owner George Akins hailing the “phenomenal feedback” from artists and agents to its new layout.
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