2018 will see an increase in non-traditional gigs
Non-traditional gigs, such as pop-up spaces, restaurants and living rooms, will continue to grow throughout 2018. Airbnb even expressed interest in adding ‘Music Experiences’ to its services by bringing artists to rentals for informal gigs. According to a report by Eventbrite, in 2017, demand for nontraditional meeting and event facilities increased by 3.8%.
This rise in non-traditional gigs is also made evident through the success of Sofar Sounds, which has contributed to the increased demand for unique music experiences.
Festivals will continue to grow… which may not be a good thing
Today, festivals have grown so quickly that they’re no longer the grassroots experience they used to be for fans or artists. Festivals are now dominated by the same live music giants that control big venues, meaning that they have come to represent the overall consolidation and corporatisation that has occurred in live music.
A study by the economic research firm TXP Inc. showed that from 2010 to 2014, the tourist music sector in Austin, Texas increased its revenue by a $100 million, while the local music sector decreased in revenue by $33 million. The festival scene is growing rapidly, but this growth is happening at the expense of local music venues across the country.
New tech for independent artists is on its way
New technologies will play an increasingly important role in the antiquated gig-booking process, which will allow musicians to play more shows, grow their fanbases and manage their careers. The onset of new technologies will allow for the growth of DIY artists who are looking to book shows on their own terms, without the help of an agent or booking manager.
In recent decades, the music industry has seen incredible technological innovations, but the music-booking process has remained surprisingly behind. However, the marketplace model has the power to revamp the live music scene in the coming year.
More musicians will use data to identify their targets
Artists will become better at using data about their fanbases to find the right places to play and tour, as well as to help market their shows. This trend is further proven through Spotify’s recent release of an app that helps artists track real-time streaming data and audience demographics. Music fans today have access to a wider range of music than ever before, making it increasingly necessary for musicians to use data to their advantage and hone in on their target market.
David Baird is founder and CEO of Gigmor, a live music marketplace that connects artists and bands with bookers, promoters and venues.
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Shannon Noll appointed ambassador for live musicAustralian singer-songwriter Shannon ‘Nollsie’ Noll has been announced as an ambassador for live music in New South Wales. The appointment comes at the same time as a new fund by the state government to provide $150,000 in funding for micro-festivals in smaller towns.
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Will Maria Eagle stand up for UK live music?Maria Eagle has been named the UK’s shadow culture secretary following the sacking two days ago of previous office-holder Michael Dugher. Eagle, MP for Garston and Halewood, in Liverpool, was previously the Labour party’s shadow defence secretary. While not specifically naming live music as an area of concern, she criticised…
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4 live music biz predictions for 2018
David Baird, founder and CEO of live music marketplace Gigmor, predicts the trends set to shape the concert business in the coming 12 months
29 Nov 2017
2018 will see an increase in non-traditional gigs
Non-traditional gigs, such as pop-up spaces, restaurants and living rooms, will continue to grow throughout 2018. Airbnb even expressed interest in adding ‘Music Experiences’ to its services by bringing artists to rentals for informal gigs. According to a report by Eventbrite, in 2017, demand for nontraditional meeting and event facilities increased by 3.8%.
This rise in non-traditional gigs is also made evident through the success of Sofar Sounds, which has contributed to the increased demand for unique music experiences.
Festivals will continue to grow… which may not be a good thing
Today, festivals have grown so quickly that they’re no longer the grassroots experience they used to be for fans or artists. Festivals are now dominated by the same live music giants that control big venues, meaning that they have come to represent the overall consolidation and corporatisation that has occurred in live music.
A study by the economic research firm TXP Inc. showed that from 2010 to 2014, the tourist music sector in Austin, Texas increased its revenue by a $100 million, while the local music sector decreased in revenue by $33 million. The festival scene is growing rapidly, but this growth is happening at the expense of local music venues across the country.
New tech for independent artists is on its way
New technologies will play an increasingly important role in the antiquated gig-booking process, which will allow musicians to play more shows, grow their fanbases and manage their careers. The onset of new technologies will allow for the growth of DIY artists who are looking to book shows on their own terms, without the help of an agent or booking manager.
In recent decades, the music industry has seen incredible technological innovations, but the music-booking process has remained surprisingly behind. However, the marketplace model has the power to revamp the live music scene in the coming year.
More musicians will use data to identify their targets
Artists will become better at using data about their fanbases to find the right places to play and tour, as well as to help market their shows. This trend is further proven through Spotify’s recent release of an app that helps artists track real-time streaming data and audience demographics. Music fans today have access to a wider range of music than ever before, making it increasingly necessary for musicians to use data to their advantage and hone in on their target market.
David Baird is founder and CEO of Gigmor, a live music marketplace that connects artists and bands with bookers, promoters and venues.
Related stories
Australian singer-songwriter Shannon ‘Nollsie’ Noll has been announced as an ambassador for live music in New South Wales. The appointment comes at the same time as a new fund by the state government to provide $150,000 in funding for micro-festivals in smaller towns.
Canadian government announces increases of CAN$16m and $20m for national arts and music funds, in a move applauded by the Canadian Live Music Association
Maria Eagle has been named the UK’s shadow culture secretary following the sacking two days ago of previous office-holder Michael Dugher. Eagle, MP for Garston and Halewood, in Liverpool, was previously the Labour party’s shadow defence secretary. While not specifically naming live music as an area of concern, she criticised…
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The New Zealand live sector grew 54% in 2015, contributing $484m to the economy and accounting for 83% of growth in the music industry as a whole
In a "surreal" turn of events, wrinkly electronic pioneers Kraftwerk have been told they are not welcome in the Argentine capital following the Time Warp disaster