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Attitude is Everything names new patron

Jon Drape, MD of live music production firm Ground Control, joins politicians and popstars to become the accessibility charity's newest high-profile backer.

By IQ on 11 May 2016

Jon Drape, Ground Control, Attitude is Everything

Ground Control managing director Jon Drape has been named a patron of Attitude is Everything.

Drape (pictured), former production manager at The Haçienda and a 25-year veteran of the live music industry, joins fellow patrons Mat Fraser, Robert Wyatt, Susan Hedges, Alan McGee, Blaine Harrison, Amadou and Mariam, Isabel Monteiro, Paul Maynard MP, Lord Clement-Jones CBE and Mike Weatherley in lending his support to the British charity, which advocates for better access to live music for deaf and disabled people.

“It’s an honour to join Attitude is Everything’s exemplary roll call of patrons,” comments Drape. “I’ve worked closely with Suzanne and her team for a number of years and over that time have been proud to witness a real sea change in attitudes across the Ground Control-managed festival sites. I have the utmost belief in Attitude is Everything’s aims and am looking forward to taking an active role in helping them to continue in their great work for deaf and disabled music lovers.”

Draper’s recent projects include festivals Parklife, Live from Jodrell Bank and Festival №6, all of which qualify for Attitude is Everything’s Charter of Best Practice.

Suzanne Bull MBE, Attitude is Everything’s CEO, says: “I’m really excited that Jon has agreed to become one of our patrons. Since Autumn 2012, Jon has led by example and really championed to all of the Ground Control team, their suppliers, promoters and partners just how important it is to value deaf and disabled customers and to put inclusion and accessibility at the heart of their business.

“I believe that Jon will be a great advocate for Attitude is Everything, and for improving access to live music.”

In February, Attitude is Everything released its third State of Access report, which revealed that fourth-fifths of UK festivals and venues were missing out on the ‘purple pound’ by failing to provide good access information for disabled people.

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