The latest industry news to your inbox.


I'd like to hear about marketing opportunities


I accept IQ Magazine's Terms and Conditions and Privacy Policy


Songkick loses a CEO, gains a chairman

The dual-CEO setup at the music discovery-cum-ticketing service has come to an end, with Crowdsurge founder Matt Jones remaining CEO and Ian Hogarth becoming chairman

By IQ on 07 Jan 2016

Ian Hogarth, Matt Jones, Songkick

Ian Hogarth (left) and Matt Jones

image © Songkick

Songkick’s Matt Jones has become sole chief executive officer of the famously dual-CEOed music-discovery and ticketing service.

Company founder and former co-CEO Ian Hogarth will move into the role of chairman.

The Silicon Roundabout-based concert-tracking website merged with white-label ticketing company Crowdsurge, founded by Jones, in June, creating the world’s largest artist-to-fan ticketing platform. Hogarth told IQ at the time that combining forces would help Songkick expand its ticketing business in America, where many venues have exclusivity deals with ticketing providers. “In the US, we partner directly with artists, whereas in the UK we partner with promoters,” he said. “Our challenge is to have enough tickets and enough consumers to show the industry that we can make a difference.”

“We, like all startups, have challenges ahead and felt that the next phase of execution would benefit from a more orthodox and battle-hardened leadership structure”

Writing on his Soundboy blog, Hogarth explained the reason for reverting to a more orthodox management structure: “The co-CEO approach has been a helpful structure for Matt and me to combine our visions, strategies, products, organisations and cultures – everything that we have had to marry to make this merger a success.

“We, like all startups, have challenges ahead and felt that the next phase of execution would benefit from a more orthodox and battle-hardened leadership structure.”

One of the more notable of those challenges comes in the form of a lawsuit against Live Nation, filed in Los Angeles on 22 December, which alleges that the concert promoter and its subsidiary Ticketmaster have “exploited their monopoly power” to stifle competition from artist-to-fan presale tickets.

More news

First hire for new UK ticketing apprenticeship Melissa Halling, 21, is set to become a qualified 'customer service practitioner – ticketing' after a year-long apprenticeship with the Ticket...Factory
Eventbrite grows revenue, profit and sales in firs... The newly public ticketing company reported YoY growth of over 45% in Q3 2018, though its share price took a hit after missing Wall Street earnings...expectations
CTS on course for bumper 2018 as revenues up 24% Benefiting from strong organic ticketing growth and a slew of high-grossing tours, CTS Eventim is, like Live Nation, set to end the year on a high
France Billet appoints new president Former commercial director Arnaud Averseng has been elevated to the top job at Fnac Darty's market-leading France Billet
Estée Lauder heiress Jane Lauder joins Eventbrite Clinique global brand president Lauder has been appointed to Eventbrite's ten-strong board of directors